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  • Inst. f. Musikforschung  (31)
  • HEROLD  (7)
  • SB Hennigsdorf  (6)
  • 2010-2014  (44)
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  • 1
    Book
    Book
    Kassel : Bärenreiter [u.a.]
    UID:
    gbv_600206491
    Format: 610 S. , Ill., Notenbeisp. , 240 mm x 170 mm
    ISBN: 3476023257 , 9783761820438 , 9783476023254
    Content: Are genius and muse complementary concepts? Are there special music venues for men and women? What were the consequences of the exclusion of girls from central aspects of music education since the Middle Ages? Are notions of masculinity in Heavy Metal confirmed or resolved? In what way are gender norms negotiated on the opera stage? What roles are played by the man-or womanhood with the selection, promotion and memory in music? Is there a connection between music and gender in the areas of analysis, aesthetics and philosophy?
    Note: Literaturverz. S. 536 - 577
    Language: German
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Geschlechterrolle ; Geschichte ; Wörterbuch
    URL: Cover
    Author information: Unseld, Melanie 1971-
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  • 2
    UID:
    gbv_766224066
    Note: "Collects together texts dating from Handel's lifetime that contain references to him (directly, or by implication) and his music" - Introduction
    Language: English
    Keywords: Händel, Georg Friedrich 1685-1759 ; Quelle
    Author information: Burrows, Donald 1945-
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  • 3
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV037288825
    Format: IX, 237 S. , Ill., Kt., Notenbeisp.
    Edition: 1. publ.
    ISBN: 9781107004283
    Note: "Using novels and autobiographies from Bach's Germany, Stephen Rose suggests new ways of interpreting the lives and social status of musicians. The study focuses on satirical novels written by musicians that describe the lives of performers and composers, as well as the autobiographies of Bach's contemporaries. These narratives represent musicians variously as picaresque outcasts, honourable craft-workers, foolish bunglers and respected virtuosos. They probe the lives of musicians considered taboo or aberrant in the period, such as street entertainers and Italian castratos. The novels and autobiographies also reveal two major debates that shaped the mindset and social identity of musicians: was music a sensual or rational craft, and should musicians integrate within society or be regarded as outsiders? Quoting from an array of little-known novels, this book shows how an interdisciplinary approach can transform our understanding of Bach and his contemporaries"-- Provided by publisher.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Deutsch ; Literatur ; Musiker ; Geschichte 1600-1700 ; Deutschland ; Musiker ; Geschichte 1700-1800 ; Autobiografie
    URL: Cover
    Author information: Rose, Stephen 1975-
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  • 4
    UID:
    gbv_664130216
    Format: 316 S. , graph. Darst. , 210 mm x 148 mm
    ISBN: 3899243234 , 9783899243239
    Series Statement: Musikpädagogische Forschung 32
    Content: Musical identities, learning and education : some cross-cultural issues / Lucy Green -- Text - Musik - Bild : ausgewählte Ergebnisse einer interdisziplinären Studie zum Vergleich von Kreativstrategien im Rahmen von Improvisation = Test, music, image : an interdisciplinary study on comparison of improvisational strategies / Michael Ahlers -- Vokalpraxis in der Schule : durch eine systemisch-konstrukivistische Perspektive zu einem veränderten fachdidaktischen Verständnis? = Vocal practice in schools : by means of a systemic constructivist perspective to a modified understanding of didactic? / Nina Dyllick -- Solo oder Trio? : Einzelplanung und Kooperative Planung im Vergleich : Ergebnisse einer empirischen Untersuchung über künstlerische Fächerverbünde Baden-Württembergs = Solo or trio? : A comparative study of individual and cooperative lesson planning : findings from an empirical study of artistic interdisciplinary courses in Baden-Württemberg / L. Oberhaus, J. von Hasselbach, A. Glatz, D. Oesterreich, Eva Schulze -- Die Bedeutung von Motivation und Volition beim Üben eines Musikinstrumentes : was unterscheidet das üben unter Lust und Unlust? ... = The significance of motivation and volition for practising musical instruments : what makes the difference between practicing keenly or reluctantly? ... / Barbara Roth, Kurt Sokolowski -- Wahlentscheidung "Musikunterricht" in der Sekundarstufe II = Choosing music in secondary education / Philipp Ahner -- Musikpräferenzen von Grundschulkindern in urbanem Kontext : vergleichende Analysen quantitativer Daten am Merkmal Migrationshintergrund = Music preferences of primary school children in urban context : comparative analysis of quantitative data with migration background as criterion / Winfried Sakai -- Die Förderung der Ausdrucks- und Kommunikationsfähigkeit im Musikunterricht der Grundschule : eine komparative Studie zwischen China und Deutschland am Beispiel Peking und Hannover = Promoting expression and communication in primary school music education : a comparative case study between China (Beijing) and Germany (Hanover) / Shengying Luo -- Im Gespräch : Systematische Musikpädagogik = Under discussion : systematic music pedagogy / Stefan Hörmann -- Bericht über die Sitzung des "Arbeitskreises Qualitative Forschung in der Musikpädagogik" (QFM) = Report on the meeting of the study group "Qualitative research in music education" (QFM) / Anne Niessen, Ulrike Kranefeld, Andreas Lehmann-Wermser -- Transkription von Videodaten über einer Zeitachse : die Feldpartitur in der musikpädagogischen Forschung = Transcription of video data over a timeline : the "Feldpartitur" in music educational research / Christine Moritz -- Musik vermitteln in Kompositionsprojekten : eine qualitative Untersuchung schulischer Projektarbeit = Learning music through composing : a qualitative study of art projects in schools / Julia Wieneke -- Rhythmisch-musikalische Unterstützung des Schriftspracherwerbs : das BeLesen-Training = "Belesen-Training" : a remedial instruction concept for rhythmic-musical support in relation to written language acquisition in multilingual learning groups / Anja Bossen
    Note: Literaturangaben , Musical identities, learning and education : some cross-cultural issues , Text - Musik - Bild : ausgewählte Ergebnisse einer interdisziplinären Studie zum Vergleich von Kreativstrategien im Rahmen von Improvisation = Test, music, image : an interdisciplinary study on comparison of improvisational strategies , Vokalpraxis in der Schule : durch eine systemisch-konstrukivistische Perspektive zu einem veränderten fachdidaktischen Verständnis? = Vocal practice in schools : by means of a systemic constructivist perspective to a modified understanding of didactic? , Solo oder Trio? : Einzelplanung und Kooperative Planung im Vergleich : Ergebnisse einer empirischen Untersuchung über künstlerische Fächerverbünde Baden-Württembergs = Solo or trio? : A comparative study of individual and cooperative lesson planning : findings from an empirical study of artistic interdisciplinary courses in Baden-Württemberg , Die Bedeutung von Motivation und Volition beim Üben eines Musikinstrumentes : was unterscheidet das üben unter Lust und Unlust? ... = The significance of motivation and volition for practising musical instruments : what makes the difference between practicing keenly or reluctantly? ... , Wahlentscheidung "Musikunterricht" in der Sekundarstufe II = Choosing music in secondary education , Musikpräferenzen von Grundschulkindern in urbanem Kontext : vergleichende Analysen quantitativer Daten am Merkmal Migrationshintergrund = Music preferences of primary school children in urban context : comparative analysis of quantitative data with migration background as criterion , Die Förderung der Ausdrucks- und Kommunikationsfähigkeit im Musikunterricht der Grundschule : eine komparative Studie zwischen China und Deutschland am Beispiel Peking und Hannover = Promoting expression and communication in primary school music education : a comparative case study between China (Beijing) and Germany (Hanover) , Im Gespräch : Systematische Musikpädagogik = Under discussion : systematic music pedagogy , Bericht über die Sitzung des "Arbeitskreises Qualitative Forschung in der Musikpädagogik" (QFM) = Report on the meeting of the study group "Qualitative research in music education" (QFM) , Transkription von Videodaten über einer Zeitachse : die Feldpartitur in der musikpädagogischen Forschung = Transcription of video data over a timeline : the "Feldpartitur" in music educational research , Musik vermitteln in Kompositionsprojekten : eine qualitative Untersuchung schulischer Projektarbeit = Learning music through composing : a qualitative study of art projects in schools , Rhythmisch-musikalische Unterstützung des Schriftspracherwerbs : das BeLesen-Training = "Belesen-Training" : a remedial instruction concept for rhythmic-musical support in relation to written language acquisition in multilingual learning groups , Beitr. teilw. dt., teilw. engl.
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Musikerziehung ; Vergleichende Forschung ; Konferenzschrift
    Author information: Clausen, Bernd 1966-
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  • 5
    Book
    Book
    Rochester, NY : Univ. of Rochester Press [u.a.]
    UID:
    gbv_732591538
    Format: XII, 268 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    ISBN: 9781580464116 , 1580464114
    Note: Bibliogr. references and index , The conductor and his mind : Background : Harmony : Memory : Perfect Pitch : Training Conductors : Youth Orchestras , The conductor and his skills : Balance : Choral Works : Concerto Accompaniment : Ear : Eye Contact : Opera : Rehearsing , The conductor and his hands : Baton : Beat : Behind-the-Beat Playing : Directing from the Harpsichord : Economy of gesture, cueing, use of the left Hand , The conductor and the musicians : Auditions : Chamber orchestras : Chief conductor : Friend or Boss? : Orchestral playing : Role of Concertmaster : Solos in an orchestral piece : Stage settings , The conductor and the instruments : strings : winds : timpani and percussion , The conductor, the composer, and the score : composers : learning scores, interpretation : Marking parts : Performance practice : Shape and structure : Tempo and Metronome , The conductor and the audience : Addressing the audience : Applause, Platform demeanor, coughing : Programm planning , The conductor and "the business" : Career and agents : Critics : Gender : Guest conducting : Orchestra Managements : Recording : Travel and packing , Inside the conductor : Concentration : Control and power : Ego : Languages : Nervousness : Our heritage: Some ancestors and my links with them
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Dirigieren
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  • 6
    Book
    Book
    Princeton, NJ [u.a.] : Princeton Univ. Press
    UID:
    gbv_723165602
    Format: XVIII, 422 S. , Ill., Notenbeisp. , 23 cm
    ISBN: 9780691155555 , 9780691155562 , 0691155550 , 0691155569
    Series Statement: The Bard music festival
    Note: Camille Saint-Saëns in (semi-)private , Index , Saint-Saëns, the playful , Inspired by the skies? Saint-Saëns, amateur astronomer , Changes on the moon, optical illusions, the stars , Business and politics, with humor : Saint-Saëns and Auguste Durand , Rivals and friends : Saint-Saëns, Massenet, and Thaïs , Massenet-Saint-Saëns correspondence , Saint-Saëns and Lecocq : an unwavering friendship , Saint-Saëns and the performer's prestige , Le maître and the "Strange woman," Marie Jaëll : two virtuoso-composers in resonance , Saint-Saëns's improvisations on the organ (1862) , Providing direction for French music : Saint-Saëns and the Société Nationale , Saint-Saëns as president of the Société des Compositeurs (1887-1891) , Saint-Saëns at the Société des Concerts du Conservatoire de Paris (1903-1904) , Saint-Saëns : the traveling musician , Saint-Saëns in Germany , Saint-Saëns in England : his Organ symphony , Analytical and historical programme for his new symphony in C minor and major , Saint-Saëns, "Algerian by adoption" ; Friendship and music in Indochina , Saint-Saëns in New York , Saint-Saëns and Latin America , What's in a song? Saint-Saëns's Mélodies , Saint-Saëns and the ancient world : from Africa to Greece , Saint-Saëns, writer , Saint-Saëns and Rameau's keyboard music , Preface, Rameau's Pièces de Clavecin (Durand, 1895) ; Lyres and citharas of antiquity , Ancient lyres and citharas , Saint-Saëns and d'Indy in dialogue ; Saint-Saëns's advocacy of music education in elementary school , Report of M. Saint-Saëns , Saint-Saëns and the future of music , Musical evolution , The fox in the henhouse, or Saint-Saëns at the SMI , Saint-Saëns, Ravel, and their piano concertos : sounding out a legacy , Saint-Saëns and silent film, sound film and Saint-Saëns , Beyond the conceits of the avant-garde : Saint-Saëns, Romain Rolland, and the musical culture of the nineteenth century
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Saint-Saëns, Camille 1835-1921 ; Aufsatzsammlung
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  • 7
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    gbv_737187069
    Format: IX, 291 S. , Íll., Notenbeisp. , 25 cm
    ISBN: 9780199892679
    Content: "Dreams of Love: Playing the Romantic Pianist explores the attractions of the concert pianist from an innovative interdisciplinary perspective, demonstrating how such meanings have evolved over two centuries through technology and the popular media, including literature and cinema. Author Ivan Raykoff uses romantic both as the label for a historical era and musical style, as well as the more colloquial adjective referring to love, desire, and sensual feeling. Through this two-fold interpretive approach, music history and cultural mythology are read alongside one another to reveal the interconnected processes of music's social mediation. The word playing also invites multiple readings: performance or practicing, as pastime or profession, as play-acting and other modes of representation, or reproduction like a player piano. The Romantic pianist signifies more than just music; through established rituals and familiar representations of practicing, performing, and listening, the pianist also plays within a larger system of cultural ideology linking music to aspects of gender, sexuality, personal identity and social relationships, and the politics of the body
    Note: Includes bibliographical references and index , "Dreams of Love: Playing the Romantic Pianist explores the attractions of the concert pianist from an innovative interdisciplinary perspective, demonstrating how such meanings have evolved over two centuries through technology and the popular media, including literature and cinema. Author Ivan Raykoff uses romantic both as the label for a historical era and musical style, as well as the more colloquial adjective referring to love, desire, and sensual feeling. Through this two-fold interpretive approach, music history and cultural mythology are read alongside one another to reveal the interconnected processes of music's social mediation. The word playing also invites multiple readings: performance or practicing, as pastime or profession, as play-acting and other modes of representation, or reproduction like a player piano. The Romantic pianist signifies more than just music; through established rituals and familiar representations of practicing, performing, and listening, the pianist also plays within a larger system of cultural ideology linking music to aspects of gender, sexuality, personal identity and social relationships, and the politics of the body
    Language: English
    Keywords: Klaviermusik ; Klavierspiel ; Pianist ; Romantik ; Geschichte 1800-2000
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  • 8
    Book
    Book
    München : Heyne
    UID:
    kobvindex_VBRD-i34530122241039
    Format: 1039 S. : Ill., graph. Darst., Kt.
    ISBN: 3453012224
    Uniform Title: Dead or alive
    Content: Der Terrorismus bedroht die gesamte Menschheit - nur Jack Ryan und John Clark können sie retten. Ihre Aufgabe ist es, den sadistischen Killer, der sich "der Emir" nennt, zu stoppen.
    Note: Aus dem Engl. übers.
    Language: German
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  • 9
    UID:
    gbv_806951435
    Format: S. 367 - 534 , 33 cm
    Edition: [Partitur]
    ISMN: 9790006550180
    Series Statement: Hallische Händel-Ausgabe : kritische Gesamtausgabe / [Georg Friedrich Händel]. Hrsg. von der Georg-Friedrich-Händel-Gesellschaft. [Ed.-Leiter: Terence Best ...] Bd. 27,2
    Uniform Title: Solomon
    Note: Enth. vor der Uraufführung gekürzte oder verworfene Sätze sowie die Fassung von 1759 , Anhang I. Vor der Uraufführung gekürzte oder verworfene Sätze = Movements cancelled or shortened before the first performance -- Anhang II. Fassung von 1759 = Version of 1759 -- Kritischer Bericht , Gesangstext engl. - Kritischer Bericht dt.
    Language: English
    Author information: Clausen, Hans Dieter 1937-
    Author information: Best, Terence 1929-2024
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  • 10
    UID:
    gbv_782126022
    Format: XXVIII, 437 S. , Ill., Notenbeisp.
    ISBN: 9781107624924 , 9781107046863
    Series Statement: Music since 1900
    Note: Musical idea and symmetrical idealSuite for Piano Op. 25: varieties of idea in Schoenberg's earliest twelve-tone music -- Woodwing Quintet Op. 26: the twelve-tone idea reanimates a large musical form -- Three Satires Op. 28. no. 3: the earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a: the "symmetrical ideal: conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I: two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron: an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45: a musical idea and a near-death experience are expressed as a conflict between alternative row forms.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Schönberg, Arnold 1874-1951 ; Zwölftontechnik
    Author information: Schönberg, Arnold 1874-1951
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