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  • SB Ludwigsfelde  (85)
  • Inst. f. Musikforschung  (19)
  • SB Rathenow  (7)
  • Martin-Opitz-Bibliothek  (3)
  • SB Lübben  (3)
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  • 1
    UID:
    b3kat_BV005587258
    Format: XVI, 506, [16] S. , Ill. , 25 cm
    ISBN: 0195065085
    Content: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler
    Content: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven
    Content: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure
    Note: Literaturangaben
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Furtwängler, Wilhelm 1886-1954 ; Furtwängler, Wilhelm 1886-1954 ; Biografie ; Biographie ; Biografie ; Biografie
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  • 2
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    UID:
    b3kat_BV014070940
    Format: XII, 338 S. , Ill.
    ISBN: 0195116372 , 0195116380 , 9780195116380
    Content: This work collates over 100 primary-source documents for students of the history of opera. The varied selections - which include letters, excerpts of journals, bits of libretti, and contemporary criticism - provide eye-witness commentary on the world of opera from its late-Renaissance infancy through modern times. Each selection is introduced by an extensive headnote that both explains the document's context and positions it in the book's overall narrative.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Oper ; Geschichte ; Quelle ; Quelle
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  • 3
    UID:
    b3kat_BV006623211
    Format: XIV, 708 S.
    Edition: 1. publ.
    ISBN: 0720121469
    Language: English
    Subjects: History
    RVK:
    Keywords: Großbritannien ; Handschrift ; Ungarn ; Geschichte Anfänge-1800 ; Public Record Office ; Ungarn ; Geschichte Anfänge-1800 ; Ungarn ; Archivbestand ; Großbritannien ; Bibliografie ; Führer ; Inventar ; Katalog ; Quelle ; Verzeichnis ; Quelle ; Bibliografie
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  • 4
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV023033499
    Format: XV, 394 S.
    Edition: 1. publ.
    ISBN: 9780521873925
    Note: Includes bibliographical references and index , Childhood and apprentice years. Perleberg and Berlin ; Coming out in Hamburg -- Rise to fame in Vienna. From empire to republic ; A prima donna in the Staatsoper ; Private times -- Climax and crises. New challenges in Vienna ; Professional life and private affairs ; America -- Between Third Reich seduction and American opportunity. Lotte Lehmann, the lion, and the Third Reich ; New York -- Between touring and teaching, 1940-1950. Frances Holden, Santa Barbara, and the New World ; Professional transformations -- Triumphs and burdens of old age, 1951-1976. The Music Academy of the West ; Master pupils ; At dusk ; Epilogue
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Lehmann, Lotte 1888-1976 ; Biografie ; Biografie
    Author information: Kater, Michael H. 1937-
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  • 5
    UID:
    b3kat_BV046100695
    Format: xviii, 829 Seiten , Illustrationen, Diagramme, Notenbeispiele
    ISBN: 9780190454746 , 0190454741
    Note: Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-045476-0
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufsatzsammlung
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  • 6
    Book
    Book
    Berlin : Aufbau
    UID:
    kobvindex_SBC1234837
    Format: 233 Seiten , 22 cm
    Edition: 1. Auflage
    ISBN: 9783351034863
    Uniform Title: The friend
    Content: New York Times-Bestseller und Gewinner des National Book Award Eine Frau, die um ihren Freund trauert, ein riesiger Hund – und die berührende Geschichte ihres gemeinsamen Wegs zurück ins Leben. Als die Ich-Erzählerin, eine in New York City lebende Schriftstellerin, ihren besten Freund verliert, bekommt sie überraschend dessen Hund vermacht. Apollo ist eine riesige Dogge, die achtzig Kilo wiegt. Ihr Apartment ist eigentlich viel zu klein für ihn, außerdem sind Hunde in ihrem Mietshaus nicht erlaubt. Aber irgendwie kann sie nicht Nein sagen und nimmt Apollo bei sich auf, der wie sie in tiefer Trauer ist. Stück für Stück finden die beiden gemeinsam zurück ins Leben. Ein Roman über Liebe, Freundschaft und die Kraft des Erzählens -- und die tröstliche Verbindung zwischen Mensch und Hund. »Auf fast jeder Seite wollte ich mir mehrere Sätze anstreichen, bis ich es irgendwann gelassen habe, man kann ja nicht ein ganzes Buch anstreichen. Es handelt von Freundschaft, Trauer und Schreiben, könnte nicht knapper und eleganter formuliert sein.« Johanna Adorján »Mit "Der Freund" ist Sigrid Nunez über Nacht berühmt geworden als Titanin der amerikanischen Gegenwartsliteratur.« The New York Times » Eine der schwindelerregend genialsten Autorinnen überhaupt.« Gary Shteyngart »Nunez‘ Art zu schreiben hat etwas Erhebendes, ihr direkter und entschiedener Stil, die Musikalität in ihren Sätzen und ihre lebenskluge Intelligenz sind beglückend.« The New York Times Book Review
    Note: Deutsch
    Language: German
    Keywords: Fiktionale Darstellung ; Fiktionale Darstellung
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  • 7
    UID:
    kobvindex_SBC1238579
    Format: 415 Seiten , 22 cm
    Edition: Deutsche Erstausgabe, 1. Auflage
    ISBN: 9783791501628
    Content: "Niemand spricht über das Gnadenjahr. Es ist verboten." In Garner County heißt es, dass junge Frauen die Macht besitzen, Ehemänner aus ihren Betten zu locken und Jungen in den Wahnsinn zu treiben. Um diese Kräfte zu verlieren, werden sie für ein Jahr in die Wildnis verbannt. Wer zurückkommt, wird verheiratet oder ins Arbeitshaus geschickt. Aber es kommen nie alle lebend zurück. Nur in ihren Träumen ist Tierney James frei, umgeben von Rebellinnen. Doch als ihr Gnadenjahr beginnt, spürt sie erst, wie tief verwurzelt der Hass ist. Denn nicht die Natur oder die tödlichen Wilderer, die ihnen auflauern, sind die größte Gefahr. Es sind die Mädchen selbst. Der sofortige New York Times Bestseller! Absolut fesselnd! TRIBUTE VON PANEM trifft auf THE HANDMAID'S TALE. Filmrechte bereits an Universal vergeben - mit Elizabeth Banks als Regisseurin!
    Note: Deutsch
    Language: German
    Keywords: Jugendbuch ; Jugendbuch
    URL: Cover
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  • 8
    UID:
    b3kat_BV041200038
    Format: XIV, 375 S. , Ill.
    Edition: 1. publ.
    ISBN: 9781441159373 , 1441159371 , 9781441110541 , 1441110542
    Note: Includes bibliographical references and index , "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Geräuschmusik ; Aufsatzsammlung
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  • 9
    UID:
    kobvindex_VBRD-i97836412564320416
    Format: 416 S.
    ISBN: 9783641256432
    Content: Wir alle sind Rassisten, ob wir es merken oder nicht. Ibram X. Kendi, Historiker, Professor an der University of Washington, Schwarz, behauptet auch von sich selbst, früher Rassist gewesen zu sein. In seinem so brillanten wie mitreißenden Buch zeigt er anhand der eigenen Geschichte, dass Neutralität im Kampf gegen Rassismus keine Option ist: Wir sind in unserer Ignoranz so lange Teil des Problems, bis wir Teil der Lösung werden und aktiv antirassistisch handeln. Kendi zerstört den Mythos der postrassischen Gesellschaft und entwirft ein grundlegend neues Verständnis von Rassismus - was er ist, wo er sich verbirgt, wie er zu identifizieren ist und was wir dagegen tun können. Denn wir sind entweder rassistisch oder antirassistisch, dazwischen gibt es nichts.
    Note: Ibram X. Kendi, geboren 1982 in New York, ist Gründungsdirektor des Antiracist Research and Policy Center, Professor für Geschichte und Internationale Beziehungen und er hat die renommierte Andrew-W.-Mellon-Professur in the Humanities an der Boston University inne, die als besondere Auszeichnung für akademische und gesellschaftliche Leistung gilt und seit ihrer Gründung 1973 nur von Elie Wiesel besetzt war. Für sein Buch "Gebrandmarkt. Die wahre Geschichte des Rassismus in Amerika" erhielt er 2016 den National Book Award. "How to Be an Antiracist" ist sein neues, viel beachtetes Buch, New-York-Times-Nummer-1-Bestseller, in dem er anhand der eigenen Geschichte die Mechanismen von Rassismus sichtbar macht und nicht weniger als die radikale Neuorientierung unseres Bewusstseins fordert.
    Language: German
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  • 10
    Book
    Book
    London : Sphere
    UID:
    kobvindex_VBRD-i97814087257710354
    Format: 354 Seiten
    ISBN: 9781408725771 , 1408725770
    Content: The irresistible new novel from the author of the TikTok sensation, Sunday Times and New York Times bestseller THE LOVE HYPOTHESIS, Ali Hazelwood 'Your world is about to be rocked.' Elena Armas, author of The Spanish Love Deception 'Hopelessly, brilliantly, wonderfully romantic. I loved it even more than The Love Hypothesis, and I didn't think that was possible' Cressida McLaughlin From the New York Times bestselling author of The Love Hypothesis comes a new STEMinist rom-com in which a scientist is forced to work on a project with her nemesis - with explosive results. Bee Königswasser lives by a simple code: What would Marie Curie do? If NASA offered her the lead on a neuroengineering project - a literal dream come true - Marie would accept without hesitation. Duh. But the mother of modern physics never had to co-lead with Levi Ward. Sure, Levi is attractive in a tall, dark, and piercing-eyes kind of way. But Levi made his feelings toward Bee very clear in grad school - archenemies work best employed in their own galaxies far, far away. But when her equipment starts to go missing and the staff ignore her, Bee could swear she sees Levi softening into an ally, backing her plays, seconding her ideas... devouring her with those eyes. The possibilities have all her neurons firing. But when it comes time to actually make a move and put her heart on the line, there's only one question that matters: What will Bee Königswasser do? 'Ali Hazelwood proves that science is sexy as hell, and that love can 'STEM' from the most unlikely places. She's my newest must-buy author.' Jodi Picoult
    Note: In englischer Sprache ; Englisch
    Language: German
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