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  • Kinemathek  (31)
  • SB Oranienburg  (5)
  • Ev. Landeskirche EKBO / Berl. Missionswerk  (2)
  • Bibliothek im Kontor  (1)
  • Haus Wannsee-Konferenz  (1)
Type of Medium
Language
Region
Library
  • 1
    Book
    Book
    Lexington, Ky. :Univ. Press of Kentucky,
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Oxford [u.a.] : Clarendon Press
    UID:
    gbv_279197160
    Format: VIII, 279 S. , Ill.
    ISBN: 0198711506 , 0198711514
    Note: Filmography: p. [262]-263 , Literaturverz. S. [264] - 274
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works , English Studies
    RVK:
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    Keywords: Roman ; Verfilmung ; Hawthorne, Nathaniel 1804-1864 The scarlet letter ; Hilton, James 1900-1954 Random harvest ; Dickens, Charles 1812-1870 Great expectations ; James, Henry 1843-1916 Daisy Miller ; The executioners ; Verfilmung ; The scarlet letter ; Random harvest ; Daisy Miller ; Cape fear ; Fallstudiensammlung
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  • 3
    UID:
    b3kat_BV024696089
    Format: 126 S.
    Note: Erlangen, Univ., Diss., 1955
    Language: Undetermined
    Keywords: Hochschulschrift ; Hochschulschrift
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  • 4
    UID:
    gbv_687901359
    Format: XII, 227 S. , Ill.
    ISBN: 9780857457318
    Series Statement: Transatlantic perspectives Vol. 3
    Content: Introduction -- Adaptation as reception: how film historians can contribute to the "literature to film" debates -- Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history
    Note: Includes bibliographical references and index , IntroductionAdaptation as reception: how film historians can contribute to the "literature to film" debates -- Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history. , Introduction -- Adaptation as reception: how film historians can contribute to the "literature to film" debates -- Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history.
    Additional Edition: Erscheint auch als Online-Ausgabe Scholz, Anne-Marie From fidelity to history New York : Berghahn, 2013 ISBN 9780857457325
    Language: English
    Subjects: General works
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    Keywords: USA ; Film ; Literatur ; Geschichte 1900-1999
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  • 5
    Book
    Book
    Malden, Mass. [u.a.] : Blackwell
    UID:
    gbv_383713641
    Format: VI, 428 S , Ill , 25 cm
    Edition: 1. publ. in paperback
    ISBN: 0631206442 , 0631206450 , 9780631206453
    Series Statement: Blackwell companions in cultural studies 1
    Content: Introduction / Toby Miller -- Authorship / James Naremore -- Genre / Sarah Berry -- Enunciation and narration / Andr(c)♭ Gaudreault and Fran(c)ʹois Jost -- Film editing / Lucy Fischer -- Film semiotics / Warren Buckland -- Cognitivism / Gregory Currie -- Psychoanalytic film theory / Richard Allen -- Spectatorship and subjectivity / E. Deidre Pribram -- Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism / Julia Erhart -- Is there class in this text?: the repression of class in film and cultural studies / David James -- Culture industries / Douglas Kellner -- The political economy of film / Janet Wasko -- The work of theory in the age of digital transformation / Henry Jenkins -- Cultural exchange / Tom O'Regan -- Shooting back: from ethnographic film to indigenous production/ethnography of media / Faye Ginsburg -- Psycho's Bad timing: the Sensual obsessions of film theory / Toby Miller -- Historical allegory / Ismail Xavier -- Every picture tells a story: Jos(c)♭ Guadalupe Posada's protocinematic graphic art / Charles Ram(c)Ưrez Berg -- "Historical poetics," narrative, and interpretation / Ira Bhaskar
    Note: Includes bibliographical references and index , Introduction / Toby Miller -- Authorship / James Naremore -- Genre / Sarah Berry -- Enunciation and narration / André Gaudreault and François Jost -- Film editing / Lucy Fischer -- Film semiotics / Warren Buckland -- Cognitivism / Gregory Currie -- Psychoanalytic film theory / Richard Allen -- Spectatorship and subjectivity / E. Deidre Pribram -- Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism / Julia Erhart -- Is there class in this text?: the repression of class in film and cultural studies / David James -- Culture industries / Douglas Kellner -- The political economy of film / Janet Wasko -- The work of theory in the age of digital transformation / Henry Jenkins -- Cultural exchange / Tom O'Regan -- Shooting back: from ethnographic film to indigenous production/ethnography of media / Faye Ginsburg -- Psycho's Bad timing: the Sensual obsessions of film theory / Toby Miller -- Historical allegory / Ismail Xavier -- Every picture tells a story: José Guadalupe Posada's protocinematic graphic art / Charles Ramírez Berg -- "Historical poetics," narrative, and interpretation / Ira Bhaskar.
    Additional Edition: Erscheint auch als Online-Ausgabe A companion to film theory Oxford [u.a.] : Blackwell, 2004 ISBN 0631206450
    Additional Edition: ISBN 9780631206453
    Additional Edition: ISBN 0631206442
    Additional Edition: ISBN 1405165480
    Additional Edition: ISBN 0470998415
    Additional Edition: ISBN 9780470998410
    Additional Edition: ISBN 9781405165488
    Additional Edition: ISBN 9780631206446
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmtheorie ; Filmtheorie ; Einführung ; Aufsatzsammlung
    Author information: Stam, Robert 1941-
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  • 6
    Book
    Book
    Malden, Mass. : Blackwell
    UID:
    gbv_266373968
    Format: XVIII, 862 S , graph. Darst
    Edition: 1. publ.
    ISBN: 0631206256 , 0631206264
    Content: The author. Dennis Porter and the question of the television author / Rosalind Coward ; To desire differently : femminism and the French cinema / Sandy Flitterman-Lewis ; The unauthorized auteur today / Dudley Andrew -- Film language/specificity. The specificity of media in the arts / No(c)±l Carroll ; For a semio-pragmatics of film / Roger Odin ; The scene of the screen : envisioning cinmatic and electronic "presence" / Vivian Sobchack -- The image and technology. Necessities and constraints : a pattern of technological change / Brian Winston ; Projections of sound on image / Michel Chion ; Modes of production : the televisual apparatus / John T. Caldwell -- Text and intertext. Question of genre / Steve Neale ; A semantic/syntactic approach to film genre / Rick Altman ; The "force-field" of melodrama / Stuart Cunningham ; Film bodies : gender, genre and excess / Linda Williams -- The question of realism. The cinema of attraction : early film, its spectator and th avant-garde / Tom Gunning ; Black American cinema : the new realism / Manthia Diawara -- Alternative aesthetics. Towards a third cinema / Fernando Solanas and Octavio Gettino ; For an imperfect cinema / Julio Garc(c)Ưa Espinosa ; Towards a critical theory of Third World films / Teshome H. Gabriel ; Rethinking women's cinema : aesthetics and feminist theory / Teresa de Lauretis -- The historical spectator/audience. Cowboys and Indians : perceptions of Western films among American Indians and Anglos / Jo Ellen Shively ; Television news and its spectator / Robert Stam ; Addressing th spectator of a "Third World" national cinema : the Bombay "social" film of the 1940s and 1950s / Ravi S. Vasudevan -- Apparatus theory. The imaginary signifier / Christian Metz ; The orthopsychic subject : film theory and the reception of Lacan / Joan Copjec ; Feminism, film theory and the bachelor machines / Constance Penlet -- The nature of the gaze. Visual pleasure and narrative cinema / Laura Mulvey ; Film and the masquerade : theorizing the female spectator / Mary Ann Doane ; The oppositional gaze : Black female spectators / bell hooks ; Looking awry / Slavoj ¿ưi¿ßek -- Class and the culture industries. Constituents of a theory of the media / Hans Magnus Enzensberger ; Ideology, economy and the British cinema / John Hill ; Mass culture and the feminine : the "place" of television in film studies / Patrice Petro -- Stars and performance. Heavenly bodies : film stars and society / Richard Dyer ; The she-man : postmodern bi-sexed performance in film and video / Chris Straayer ; Roseanne : unruly woman as domestic goddess / Kathleen K. Rowe ; Marlon Brando in On the waterfront / James Naremore -- Permutations of difference. Gender and culture of empire : toward a feminist ethnography of the cinema / Ella Shohat ; Fantasies of the master race : categories of stereotyping of American Indians infilm / Ward Churchill ; Cultural identity and cinematic representation / Stuart Hall ; White privilege and looking relations : race and gender in feminist film theory / Jane Gaines ; White / Richard Dyer -- The politics of postmodernism. Television and postmodernism / Jim Collins ; Critical and textual hypermasculinity / Lynne Joyrich ; "In my Weekend-only world ..." : reconsidering fandom / Henry Jenkins
    Note: Literaturverz. S. [800] - 830 , The author. Dennis Porter and the question of the television author / Rosalind Coward ; To desire differently : femminism and the French cinema / Sandy Flitterman-Lewis ; The unauthorized auteur today / Dudley Andrew -- Film language/specificity. The specificity of media in the arts / Noël Carroll ; For a semio-pragmatics of film / Roger Odin ; The scene of the screen : envisioning cinmatic and electronic "presence" / Vivian Sobchack -- The image and technology. Necessities and constraints : a pattern of technological change / Brian Winston ; Projections of sound on image / Michel Chion ; Modes of production : the televisual apparatus / John T. Caldwell -- Text and intertext. Question of genre / Steve Neale ; A semantic/syntactic approach to film genre / Rick Altman ; The "force-field" of melodrama / Stuart Cunningham ; Film bodies : gender, genre and excess / Linda Williams -- The question of realism. The cinema of attraction : early film, its spectator and th avant-garde / Tom Gunning ; Black American cinema : the new realism / Manthia Diawara -- Alternative aesthetics. Towards a third cinema / Fernando Solanas and Octavio Gettino ; For an imperfect cinema / Julio García Espinosa ; Towards a critical theory of Third World films / Teshome H. Gabriel ; Rethinking women's cinema : aesthetics and feminist theory / Teresa de Lauretis -- The historical spectator/audience. Cowboys and Indians : perceptions of Western films among American Indians and Anglos / Jo Ellen Shively ; Television news and its spectator / Robert Stam ; Addressing th spectator of a "Third World" national cinema : the Bombay "social" film of the 1940s and 1950s / Ravi S. Vasudevan -- Apparatus theory. The imaginary signifier / Christian Metz ; The orthopsychic subject : film theory and the reception of Lacan / Joan Copjec ; Feminism, film theory and the bachelor machines / Constance Penlet -- The nature of the gaze. Visual pleasure and narrative cinema / Laura Mulvey ; Film and the masquerade : theorizing the female spectator / Mary Ann Doane ; The oppositional gaze : Black female spectators / bell hooks ; Looking awry / Slavoj Žižek -- Class and the culture industries. Constituents of a theory of the media / Hans Magnus Enzensberger ; Ideology, economy and the British cinema / John Hill ; Mass culture and the feminine : the "place" of television in film studies / Patrice Petro -- Stars and performance. Heavenly bodies : film stars and society / Richard Dyer ; The she-man : postmodern bi-sexed performance in film and video / Chris Straayer ; Roseanne : unruly woman as domestic goddess / Kathleen K. Rowe ; Marlon Brando in On the waterfront / James Naremore -- Permutations of difference. Gender and culture of empire : toward a feminist ethnography of the cinema / Ella Shohat ; Fantasies of the master race : categories of stereotyping of American Indians infilm / Ward Churchill ; Cultural identity and cinematic representation / Stuart Hall ; White privilege and looking relations : race and gender in feminist film theory / Jane Gaines ; White / Richard Dyer -- The politics of postmodernism. Television and postmodernism / Jim Collins ; Critical and textual hypermasculinity / Lynne Joyrich ; "In my Weekend-only world ..." : reconsidering fandom / Henry Jenkins.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmtheorie ; Filmtheorie ; Aufsatzsammlung
    Author information: Stam, Robert 1941-
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  • 7
    Book
    Book
    Lexington : Univ. Press of Kentucky
    UID:
    gbv_32239077X
    Format: 386 S. , Ill.
    ISBN: 0813121914
    Note: Includes index , The story held us : The turn of the screw from Henry James to Jack Clayton / Anthony J. Mazzella -- Re-examining Bogdonavich's Daisy Miller / Peggy McCormack -- The tie of a common aversion : sexual tensions in Henry James's The other house / Priscilla L. Walton -- Mourning, nostalgia, and melacholia : unlocking the secrets of Truffaut's The green room / Matthew F. Jordan. -- Still me(n) : Superman meets the Bostonians / Leland S. Person -- Conscious observation : Jane Campion's Portrait of a lady / Nancy Bentley -- Prospects of entertainment : film adaptations of Washington Square / Julie H. Rivkin -- Her ancient faculty of silence : Catherine Sloper's ways of being in James's Washington Square and two film adaptations / Karen Michele Chandler -- Ambassadors from an imaginary "Elsewhere" : cinematic convention and the Jamesian sensibility / Alan Nadel -- Cultural capitalism and the "James formation" / Marc Bousquet -- Content or costume? : James as cultural capital / Dale M. Bauer -- Hallucinations of intimacy : the Henry James films / Dianne F. Sadoff -- A Henry James filmography / J. Sarah Koch -- Bibliography of critical work on James and film / Sarah Edgington and Steven Wexler
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: James, Henry 1843-1916 ; Roman ; Verfilmung ; Aufsatzsammlung
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  • 8
    Book
    Book
    New York : Macmillan
    UID:
    gbv_643933697
    Format: VIII, 287 S.
    Edition: Reprint.
    Language: English
    Keywords: Film ; Film ; Filmerziehung ; Empirische Forschung
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  • 9
    UID:
    gbv_477835392
    Format: 1 DVD-Video (circa 79 min) , farbig, Dolby Digital, Mono, Regionalcode 2 , 12 cm
    Uniform Title: Dracula Film, 1958
    Content: "Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses." (IMDb)
    Note: 16:9 (1.85:1), geeignet für alle Bildschirmformate , "Inklusive: Interaktive Menüs, Szenenanwahl, Trailer" - Cover-Rückseite , GB 1958 , Sprachen: Englisch, Deutsch; Untertitel: Französisch, Schwedisch, Dänisch, Norwegisch, Griechisch, Türkisch, Arabisch , Untertitel: Englisch, Deutsch; Untertitel für Hörgeschädigte: Deutsch, Englisch
    Language: English
    Keywords: Film ; DVD-Video
    Author information: Cushing, Peter 1913-1994
    Author information: Lee, Christopher 1922-2015
    Author information: Fisher, Terence 1904-1980
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  • 10
    UID:
    kobvindex_VBRD-manhenvivi15eufocd44
    Format: 1 DVD (129 Min.)
    Series Statement: Focus Edition 44
    Note: Orig.: USA, 1982
    Language: German
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