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Haydn's symphonic forms : essays in compositional logic (1995)

Haimo, Ethan 1950-

Oxford :Clarendon Press,

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UID:

almafu_BV010488765

Umfang: X, 294 S. : Notenbeisp.

ISBN: 0-19-816392-4

Serie: Oxford monographs on music

Inhalt: Haydn never discussed his ideas about composition in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Attempts to reconstruct Haydn's compositional thought, and in particular his formal logic, must therefore rely on evidence drawn from close analyses of the works themselves. Using the symphonies as his subject, Ethan Haimo attempts to clarify what Haydn's fundamental principles of formal logic might have been. He shows how Haydn employed those basic compositional principles to structure his forms, and provides explanations that account for specific details of individual movements as well as the relationship between movements

Inhalt: Beyond what they show about the composer's formal thought and the individual works discussed, the analyses in the book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context

Sprache: Englisch

Fachgebiete: Musikwissenschaft

RVK:

LP 39240

Schlagwort(e): 1732-1809 Haydn, Joseph ; Sinfonie ; Komposition ; 1732-1809 Haydn, Joseph ; Sinfonie ; Musikalische Form

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006988297&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006988297&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: http://www.loc.gov/catdir/enhancements/fy0605/94049097-d.html

Mehr zum Autor: Haimo, Ethan 1950-

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Fernleihwunsch

Stabi Berlin

HU Berlin

FU Berlin

UdK Berlin

Inst. f. Musikforschung

Buch

Bach and the patterns of invention / (1996)

Dreyfus, Laurence

Cambridge, Mass. [u.a.] :Harvard Univ. Press,

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UID:

almahu_BV011336723

Umfang: 270 S. : Notenbeisp.

ISBN: 0-674-06005-9

Inhalt: In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics

Inhalt: "Invention" - the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition - emerges as an invaluable key in Dreyfus's analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach's working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach's unusual appropriations of French and Italian styles - and about the elevation of various genres far above their conventional status

Sprache: Englisch

Fachgebiete: Musikwissenschaft

RVK:

LP 38207

RVK:

LP 38204

Schlagwort(e): 1685-1750 Bach, Johann Sebastian ; Komposition ; 1685-1750 Bach, Johann Sebastian ; Invention

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Stabi Berlin

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Bach reworked (2020)

Buch, Laura [HerausgeberIn]

Urbana : University of Illinois Press

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UID:

gbv_1751708691

Umfang: x, 148 Seiten , Illustrationen, Notenbeispiele , 27 cm

ISBN: 0252043634 , 9780252043635

Serie: Bach perspectives volume 13

Inhalt: "Scholars and performers have long noted J. S. Bach's abundant use of parody procedures, that is, the reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays that reconsider parody, transcription, and adaptation in the sphere of the composer. The contributors delve into works of eighteenth-century composers from Bach himself to C. P. E. Bach and J. C. F. Fischer. But they also cast a wider net, investigating early twentieth century reworkings by Ferruccio Busoni and the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of borrowing and adaptation both fuel musical innovation and contextualize historically informed performance"--

Anmerkung: Includes bibliographical references and index

Weitere Ausg.: ISBN 9780252052514

Weitere Ausg.: Erscheint auch als Online-Ausgabe Bach reworked Urbana : University of Illinois Press, 2020

Sprache: Englisch

Fachgebiete: Musikwissenschaft

RVK:

LP 38190

Schlagwort(e): Bach, Johann Sebastian 1685-1750 ; Komposition ; Rezeption ; Bearbeitung ; Musikalische Analyse ; Geschichte ; Bach, Johann Sebastian 1685-1750 ; Bearbeitung ; Jazz ; Einfluss ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Stabi Berlin

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The complexities of early instrumentation : winds and brass (2015)

Jerold, Beverly, 1938-,

Turnhout :Brepols,

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UID:

almahu_BV042797838

Umfang: XIII, 160 Seiten : , Notenbeispiele.

ISBN: 978-2-503-56479-1

Serie: Musical treatises Volume 3

Inhalt: This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge. (Verlag)

Sprache: Englisch

Fachgebiete: Musikwissenschaft

RVK:

LR 11220

RVK:

LR 55180

Schlagwort(e): Komposition ; Instrumentation ; Blasinstrument ; Traktat

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Buch

Fernleihwunsch

HU Berlin

Inst. f. Musikforschung

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