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  • Inst. f. Musikforschung  (30)
  • Geheimes Staatsarchiv  (10)
  • Bibliothek im Kontor  (1)
  • 2015-2019  (41)
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  • 1
    UID:
    gbv_787146749
    Format: 312 S. , Ill., Notenbeisp.
    ISBN: 9783525300701 , 3525300700
    Series Statement: V & R Academic
    Content: How did the way people looked at music affect the interactions among different groups and individuals in the course of the 20th century? This volume presents a number of case examples from various musical genres and thus offers many insights into both general and genre-specific figurations of musical communication. This ranges from direct live acts to political productions, which cause inclusive and exclusive mechanisms to become active in communication processes taking place at various levels. The contributions to this volume show how, and why, opportunities for communication arise during musical activities which can lead to either complete harmony or fierce dissonance. --From publisher's website
    Note: Literaturangaben
    Additional Edition: Erscheint auch als Online-Ausgabe Kommunikation im Musikleben Göttingen, Germany : Vandenhoeck & Ruprecht, 2015 ISBN 9783647300702
    Additional Edition: ISBN 9783525300701
    Additional Edition: ISBN 3525300700
    Language: German
    Subjects: Musicology , Sociology
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    Keywords: Musikleben ; Kommunikation ; Soziologie ; Geschichte 1900-2000 ; Konferenzschrift ; Kongress
    Author information: Rempe, Martin 1979-
    Author information: Osterhammel, Jürgen 1952-
    Author information: Müller, Sven Oliver 1968-
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  • 2
    Book
    Book
    Woodbridge : The Boydell Press
    UID:
    b3kat_BV044997612
    Format: xxv, 506 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781783272846
    Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext)
    Note: Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography
    Language: English
    Subjects: Musicology
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    Keywords: Joachim, Joseph 1831-1907 ; Violinmusik ; Biografie ; Werkverzeichnis
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  • 3
    UID:
    b3kat_BV046026334
    Format: xiv, 288 Seiten
    ISBN: 9780190907211
    Content: "Revenants of a Fallen Empire reveals the various ways in which Colonial Germans attempted to cope with the loss of the German colonies after the Treaty of Versailles in 1919. These Kolonialdeutsche (Colonial Germans) had invested substantial time and money in German imperialism. German men and women from the former African colonies exploited any opportunities they could to recover, renovate and market their understandings of German and European colonial aims in order to reestablish themselves as "experts" and "fellow civilizers" in European and American discourses on nationalism and imperialism. Colonial officials, settlers, and colonial lobbies made use of the League of Nations framework to influence diplomatic flashpoints including the Naturalization Controversy in South African-administered Southwest Africa, the Locarno Conference, and German participation in the Permanent Mandates Commission from 1927-1933. Sean Wempe revises standard historical portrayals of the League of Nations' form of international governance, German participation in the League, the role of interest groups in international organizations and diplomacy, and liberal imperialism. In analyzing Colonial German investment and participation in interwar liberal internationalism, the project also challenges the idea of a direct continuity between Germany's colonial period and the Nazi era"--
    Note: A question of respectability : colonial German responses to the Treaty of Versailles and "colonial guilt" -- "O Afrika, meine Seele ist in dir geblieben" : Heimat and citizenship for German settlers in the 1920s -- "Echte Deutsche" or "half-baked Englishmen" German Southwest African settlers and the naturalization crisis, 1922-1924 -- Grasping for a "great new future" : the German colonial lobbies in search of a united platform -- From "unfit imperialists" to "fellow civilizers" : German colonial officials on the Permanent Mandates Commission -- "The faithful hounds of imperialism" Heinrich Schnee on the League's Manchurian commission
    Language: English
    Subjects: History
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    Keywords: Deutschland ; Entkolonialisierung ; Mandatsgebiet ; Imperialismus ; Völkerbund ; Historische Darstellung
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  • 4
    UID:
    b3kat_BV042783753
    Format: 451 S. , Ill., graph. Darst., Kt.
    ISBN: 978-2-503-55437-2
    Series Statement: Studies in the visual cultures of the Middle Ages 9
    Note: Some of the contributions originated in presentations at sessions, seminars or conferences organized by the editors
    Language: English
    Subjects: Musicology
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    Keywords: Kunst ; Musik ; Geschichte 1000-1400 ; Musikalische Ikonographie ; Geschichte 1000-1400 ; Aufsatzsammlung ; Aufsatzsammlung
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  • 5
    UID:
    gbv_889975868
    Format: x, 376 Seiten , Illustrationen
    ISBN: 1107198798 , 9781107198791
    Series Statement: New studies in European history
    Content: Reframing the German War of 1866 as a civil war, 'Making Prussians, Raising Germans' offers a new understanding of critical aspects of Prussian state-building and German nation-building in the nineteenth century, and investigates the long-term ramifications of civil war in emerging nations. Drawing transnational comparisons with Switzerland, Italy and the United States, it asks why compatriots were driven to take up arms against each other and what the underlying conflicts reveal about the course of German state-building. By addressing key areas of patriotic activity such as the military, cultural memory, the media, the mass education system, female charity and political culture, this book elucidates the ways in which political violence was either contained in or expressed through centre-periphery interactions. Although the culmination of Prusso-German state-building in the Nazi dictatorship represented an exceptionally destructive outcome, the solutions developed previously established Prussian-led Germany as one of the most successful states in recovering from civil war
    Note: Literturverzeichnis: Seiten 303-367
    Additional Edition: Erscheint auch als Online-Ausgabe Heinzen, Jasper M., 1980 - Making Prussians, raising Germans Cambridge : Cambridge University Press, 2017 ISBN 9781108182737
    Language: English
    Subjects: History
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    Keywords: Preußen ; Deutschland ; Deutscher Krieg von 1866 ; Nationenbildung ; Geschichte 1866-1935 ; Historische Darstellung ; Vergleichende Darstellung
    Author information: Heinzen, Jasper M. 1980-
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  • 6
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV043744399
    Format: xvii, 320 Seiten , Illustrationen
    ISBN: 9781472479624
    Series Statement: Ashgate popular and folk music series
    Content: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Content: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-60020-8
    Language: English
    Subjects: Musicology
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    Keywords: Deutsch ; Unterhaltungsmusik ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Ahlers, Michael 1973-
    Author information: Jacke, Christoph 1968-
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  • 7
    UID:
    b3kat_BV042662966
    Format: XVI, 266 S. , Diagramme
    Edition: 1. publ.
    ISBN: 9781107100213 , 9781107495296
    Series Statement: Cambridge studies in comparative politics
    Content: Machine generated contents note: 1. Introduction; 2. The protection of voters' autonomy; 3. Electoral intimidation by state employees; 4. Electoral intimidation by private actors; 5. The production of irregularities at times of elections: a quantitative analysis; 6. The adoption of electoral reforms; 7. Labor scarcity, rural inequality, and electoral reforms: the determinants for electoral reform of the Prussian electoral system; 8. Voting for opposition candidates: economic concentration, skills, and political support for social democracy; 9. Dilemmas on the right and the road to proportional representation; 10. From macro- to micro-historical analysis in comparative research
    Content: "The expansion of suffrage and the introduction of elections after authoritarian interludes are momentous political changes that represent only the first step in the process of democratization. In the absence of institutions and guarantees that protect the electoral autonomy of voters against a range of actors who seek to influence their votes, these rights can just be hollow promises. This book examines the adoption of electoral reforms that protected the autonomy of voters during elections and sought to minimize undue electoral influences. Empirically, the book focuses on the adoption of reforms protecting electoral secrecy in Imperial Germany during the period between 1870 and 1912. This book shows that the political impetus for changes in electoral institutions originated with politicians that faced relatively high costs of electoral intimidation and identified the economic and political factors that affect the latter"--
    Content: "The process of democratization that unfolded in European countries during the nineteenth century involved multiple dilemmas of institutional design. The first question concerned the scope of political suffrage. The transition from restrictive to extended suffrage took place either through the adoption of piece-meal changes in the scope of the franchise or through dramatic extensions that enfranchised nearly all citizens. Reforms enacted in Britain exemplify the first approach. There, the expansion of suffrage proceeded gradually. The first Franchise Act, enacted in 1832, extended the scope of suffrage from five to seven percent of the population. The second Franchise Act of 1867 extended the scope of suffrage to sixteen percent of the population (Cook 2005: 68). By contrast, both France and Germany adopted electoral reforms that expanded the share of the enfranchised population suddenly and dramatically. In Germany, the electoral law adopted in 1870 introduced universal suffrage for men.Similarly, France adopted universal male suffrage in 1799. While France reverted to censitary voting during the Restoration, it restored full universal suffrage for all male voters in 1848"--
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Political Science
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    Keywords: Deutschland ; Wahlrecht ; Entwicklung ; Wahlgeheimnis ; Geschichte 1870-1912
    URL: Cover
    Author information: Mares, Isabela
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  • 8
    UID:
    gbv_865429081
    Format: 171 Seiten , Illustrationen , 28 cm x 21 cm
    Edition: 1. Auflage
    ISBN: 9783954982431 , 3954982439
    Content: "Clothes make the man, and textiles define spaces. Interior design in 18th century royal residences was decisively influenced by textiles. Throughout Europe, woven, painted, or printed silk fabric and braid, as well as silver and gold trimmings, lace and tassels determined the effect of courtly representative and private spaces. This volume assembles essays on furnishing textiles of European courtly interiors. It encourages cross-border investigations into artistic relationships that developed in the field of textile interior design"--Page 4 of cover
    Note: Text in Deutsch und Englisch
    Language: English
    Subjects: Engineering
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    Keywords: Europa ; Schloss ; Ausstattung ; Textilkunst ; Seide ; Geschichte 1700-1800 ; Aufsatzsammlung
    Author information: Krohn, Vanessa 1980-
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  • 9
    UID:
    b3kat_BV042983444
    Format: 346 Seiten , Notenbeispiele
    ISBN: 9789462700154
    Content: The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers
    Language: English
    Keywords: Klassische Musik ; Kadenz ; Musikalische Analyse ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Neuwirth, Markus 1982-
    Author information: Bergé, Pieter 1967-
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  • 10
    UID:
    b3kat_BV042924061
    Format: 223 Seiten
    ISBN: 9780754669869
    Content: Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Bjork, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice.The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy. - Miriama Young is a writer, sound artist and composer. Originally from New Zealand, she gained her PhD from Princeton (2007) on a Fulbright award. She writes music for film, dance, radio, live electronics and fixed media, voices and instruments. She is a Lecturer in Sonic Arts and Music Composition at the University of New South Wales, Sydney, Australia. (Klappentext)
    Note: Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4724-5853-7
    Language: English
    Subjects: Musicology
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    Keywords: Elektronische Musik ; Komponist ; Stimme ; Schallaufzeichnung
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