X
feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Book  (23)
  • Inst. f. Musikforschung  (21)
  • Bibliothek im Kontor  (2)
  • 2015-2019  (23)
Type of Medium
Language
Region
Library
Years
Year
Person/Organisation
Subjects(RVK)
Keywords
  • 1
    Book
    Book
    Fantasies of improvisation : free playing in nineteenth-century music (2018)
    New York, NY :Oxford University Press,
    Details
    UID:
    almafu_BV045011027
    Format: xviii, 292 Seiten : , Notenbeispiele.
    ISBN: 978-0-19-063358-5
    Content: This book is the first history of keyboard improvisation in European music in the postclassical and romantic periods (c. 1815–1870). Grounded in primary sources, it documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century’s leading improvisers. The book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Its central argument is that amid the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential “idea” of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the “work.”
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe Gooley, Dana A. (Dana Andrew), 1969- author Fantasies of improvisation New York, NY : Oxford University Press, [2018] ISBN 978-0-19-063359-2
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-19-063360-8
    Language: English
    Subjects: Musicology
    RVK:
    LR 56095
    Keywords: Klassische Musik ; Improvisation ; Historische Musikpraxis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    HU Berlin get availability status
    FU Berlin get availability status
    Inst. f. Musikforschung get availability status
  • 2
    Book
    Book
    Perspectives on German popular music / (2017)
    London ; New York :Routledge, Taylor & Francis Group,
    Details
    UID:
    almahu_BV043744399
    Format: xvii, 320 Seiten : , Illustrationen.
    ISBN: 978-1-4724-7962-4
    Series Statement: Ashgate popular and folk music series
    Content: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Content: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-60020-8
    Language: English
    Subjects: Musicology
    RVK:
    LS 48060
    RVK:
    LQ 80107
    RVK:
    LS 48000
    Keywords: Deutsch ; Unterhaltungsmusik ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029156059&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    Author information: Jacke, Christoph, 1968-
    Author information: Ahlers, Michael, 1973-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    HU Berlin get availability status
    UdK Berlin get availability status
    Inst. f. Musikforschung get availability status
  • 3
    Book
    Book
    The production and reading of music sources : mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530 (2018)
    Turnhout, Belgium :Brepols,
    Details
    UID:
    almahu_BV045306121
    Format: xl, 541 Seiten : , Illustrationen.
    ISBN: 978-2-503-57961-0
    Series Statement: Collection "Épitome musical"
    Content: The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung00Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them.0The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources
    Note: Literaturverzeichnis: Seite [489]-507
    Language: English
    Subjects: Musicology
    RVK:
    LR 55623
    RVK:
    LR 55663
    Keywords: Musikhandschrift ; Polyfonie ; Musikdruck ; Gestaltung ; Aufsatzsammlung
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030693178&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    Author information: Schmidt-Beste, Thomas, 1968-
    Author information: Leitmeir, Christian Thomas, 1974-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    HU Berlin get availability status
    Inst. f. Musikforschung get availability status
  • 4
    Book
    Book
    Späte Stummfilme : ästhetische Innovation im Kino 1924-1930 (2017)
    Marburg : Schüren
    Details
    UID:
    gbv_858656493
    Format: 399 Seiten , Illustrationen , 21 cm x 14.8 cm
    ISBN: 3894729597 , 9783894729592
    Series Statement: Schriftenreihe zur Textualität des Films Band 9
    Content: The contributors usually focus on one film from the period, put it in the historical, cultural, political and, above all, the formaesthetic context of its creation - and elucidate other works of the investigated director or process-related films. This creates a panoptic of aesthetic innovation in the late silent film with its selected and outstanding artifacts
    Note: Literaturangaben
    Language: German
    Subjects: General works
    RVK:
    AP 44600
    Keywords: Stummfilm ; Geschichte 1924-1930 ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    Author information: Preußer, Heinz-Peter 1962-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    Kinemathek get availability status
    Inst. f. Musikforschung get availability status
  • 5
    Book
    Book
    What is a cadence? : theoretical and analytical perspectives on cadences in the classical repertoire (2015)
    Leuven : Leuven Univerisity Press
    Details
    UID:
    b3kat_BV042983444
    Format: 346 Seiten , Notenbeispiele
    ISBN: 9789462700154
    Content: The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers
    Language: English
    Keywords: Klassische Musik ; Kadenz ; Musikalische Analyse ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    Author information: Neuwirth, Markus 1982-
    Author information: Bergé, Pieter 1967-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    UdK Berlin get availability status
    Inst. f. Musikforschung get availability status
  • 6
    Book
    Book
    Zurück zur Gegenwart? : Weltbezüge in neuer Musik (2015)
    Mainz : Schott
    Details
    UID:
    gbv_821525360
    Format: 219 S. , Ill., graph. Darst., Notenbeisp. , 240 mm x 170 mm
    ISBN: 3795708907 , 9783795708900
    Series Statement: Veröffentlichungen des Instituts für Neue Musik und Musikerziehung, Darmstadt Bd. 55
    Content: The 68th Spring Meeting of the Institute for New Music and Music Education in Darmstadt from 23 to 26 April 2014 discussed basic experiences and views on what aspects in music, such as everyday commitment or reference to reality, can ever be called. The meeting profiled the composers Helmut Lachenmann and Manos Tsangaris and brought composers of the middle and younger generation for this week with impressive energy and a new variety of digital options to a paradigm shift: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schüttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jörn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rüdiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Mörchen
    Content: Randständig oder zentral? Welt- und Gegenwartbezüge in Musik / Jörn Pieter Hiekel -- Über das 'Reale' in Neuer Musik / Dieter Mersch -- Anleitung zur künstlerischen Arbeit mit der Gegenwart / Brigitta Muntendorf -- daneben / Annesley Black -- hören sollen / Martin Schüttler -- GEGEN GEGENWART / Trond Reinoldtsen -- Der Teilchenbeschleuniger : Warum Hubers Welt nicht meine ist / Hannes Seidl -- "Und das Dort ist niemals hier" : Die Neue Musik und die Welt : Notizen von unterwegs / Lydia Jeschke -- Komponierte Indifferenz : Peter Ablingers kompostorischer Konstruktivismus / Patrick Frank -- Music und Ritual, Ritual und Musik / Mesias Maiguashca -- Wie mit Trauer und Wut : Alltäglichkeit und Engagement in Coriún Aharoniáns Klavierstück "Y ahora?" (1984) / Wolfgang Rüdiger -- Schreiben ist Wirklichkeit : Gravuren des Realen im Lachenmanns Orchesterwerk Schreiben / Rainer Nonnenmann -- "Es müsste einfach schick sein, beim Musikhören etwas zu riskieren" : Weltbezüge bei Lachenmann : Perspektive der Musikvermittlung / Barbara Balba Weber -- Ermittlung! Manos Tsangaris und die Musikvermittlung / Wolfgang Lessing -- Gross und klein : Massstab im Werk von Manos Tsangaris / Raoul Mörchen -- Zurück zur Gegenwart? Weltbezüge in Neuer Musik / Manos Tsangaris
    Language: German
    Subjects: Musicology
    RVK:
    LP 17600
    RVK:
    LP 19507
    RVK:
    LP 91020
    Keywords: Neue Musik ; Realitätsbezug ; Lachenmann, Helmut 1935- ; Tsangaris, Manos 1956- ; Realitätsbezug ; Aufsatzsammlung ; Konferenzschrift
    URL: Inhaltsverzeichnis
    Author information: Hiekel, Jörn Peter 1963-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    HS Musik Hanns Eisler get availability status
    Inst. f. Musikforschung get availability status
  • 7
    Book
    Book
    Singing the body electric : the human voice and sound technology (2015)
    Farnham, Surrey :Ashgate,
    Details
    UID:
    almahu_BV042924061
    Format: 223 Seiten.
    ISBN: 978-0-7546-6986-9
    Content: Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Bjork, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice.The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy. - Miriama Young is a writer, sound artist and composer. Originally from New Zealand, she gained her PhD from Princeton (2007) on a Fulbright award. She writes music for film, dance, radio, live electronics and fixed media, voices and instruments. She is a Lecturer in Sonic Arts and Music Composition at the University of New South Wales, Sydney, Australia. (Klappentext)
    Note: Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4724-5853-7
    Language: English
    Subjects: Musicology
    RVK:
    LR 11048
    RVK:
    LR 56828
    Keywords: Elektronische Musik ; Komponist ; Stimme ; Schallaufzeichnung
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HU Berlin get availability status
    UdK Berlin get availability status
    Inst. f. Musikforschung get availability status
  • 8
    Book
    Book
    Music and the figurative arts in the twentieth century (2016)
    Turnhout : Brepols
    Details
    UID:
    gbv_878801979
    Format: xv, 451 Seiten , Illustrationen
    ISBN: 2503570240 , 9782503570242
    Series Statement: Specvlvm mvsicae volume 29
    Content: This book explore the relationship between music and figurative arts in the XX century. The relationship between music and the figurative arts during the twentieth century is encoded in the links that exist between various composers and artists (e.g. Arnold Schönberg and Wassily Kandinsky, Igor Stravinsky and Pablo Picasso, Pierre Bolulez and Paul Klee, etc.). The present volume, which brings together 23 essays by musicologists aims to explore this multifaceted world and will focus on artistic movements and political-sociological phenomena, including musical iconography, associated with totalitarian regimes of the twentieth century. Some articles examine Public Art & Pop Art movements in the 1950/60, the relationships between avant-garde artists, composers and repertoires. Finally, several studies are dedicated to the concurrence of musical and artistic aesthetics, and to the personal experiences of contemporary composers like Aldo Clementi, György Ligeti, Paweł Łukaszewski's or Karleinz Stockhausen
    Content: Musical notation and figurative arts / Roberto Illiano -- Encounters between composers and artists. Il tempo qui diventa spazio : astrattismo pittorico e musica / Gianfranco Vinay ; Quand la figure disparaît des espaces picturaux et musicaux du début du XXe siècle : l'example de la musique de Debussy / Muriel Joubert ; Pierre Boulez incontra Paul Klee : Structure 1a, un'opera d'arte 'al limite del paese fertile' / Manuel Farolfi -- Mediterranean encounter : Pablo Picasso, Igor Stravinsky and the Étude for pianola (1917) / Michael Christoforidis ; Konyus' 'metrotechtonism' and Yavorsky's 'modal rhythm' : parallels between music and architecture in early Soviet music theory / Marina Lupishko ; Requiebros de Enrique Granados : una fenomenología hermenéutica Ricœuriana-Orteguiana de la imaginación en música / Luisa Balaguer -- Iconography, public art & pop art. Musikikonographie und Kalter Krieg / Matthias Tischer ; Musikdarstellungen im Sozialen Wohnungsbau : Städtische Bildpolitik und die Freiräume künstlerischer Imagination am Beispiel der Wiener Gemeindebauten / Björn R. Tammen ; Musical pop-art : Cathy Berberian's Stripsody (1966) / Marie Louise Herzfeld-Schild ; 30.5 x 30.5 : music and image on the covers of vinyl records of Uruguayan popular music / Marita Fornaro Bordolli -- Composing in colour. Componer con colores : el caso de Ligeti / Bianca Țiples Temeș ; Cognitive blending and intertextual strategies in the stage cycle Licht by Karlheinz Stockhausen / Agnieszka Draus ; Zwischen Imagination und Realität : Bilder für Orchester von Michael Denhoff / Monika Fink ; The musical image of an angel in Pawel Łukaszewski's 'Symphony of angels' / Renata Borowiecka ; I collage di Aldo Clementi / Daniela Tortora -- Political issues, music and figurative arts. Le concept d'unité dans le discours et la pratique artistiques aux premiers temps du Franquisme / Ma. Isabel Cabrera García, Gemma Pérez Zalduondo ; El himno falangista Cara al sol : de la composición a la ilustración / Javier Suárez-Pajares ; Plastic frames for new sounds : Spanish avant-garde music and abstract painting in the mid-Franco regime (1957-1963) / Germán Gan Quesada ; Catalan nationalism and the collaboration between Joan Miró and Roberto Gerhard / Mark E. Perry -- Concurrences of musical and artistic aesthetics. The Mexican artistic renaissance in the twentieth century : influences of revolutionary painting in the ballets of Carlos Chávez / Alejandro Barrañón ; Bogusław Schaeffer et Ewa Synowiec : créateurs polonais de graphics musicales : deux générations, une même philosophie de l'art / Aleksandra Klaput-Wiśniewska ; Performing Cubanity in sounds and images : Cuban painting and music avant-garde through the looking-glass of MoMA in the early 1940s / Bélen Vega Pichaco ; Música, espiritualidad y poder evocador en la obra de Antoni Tàpies / Jordi Ballester
    Language: English
    Subjects: Musicology
    RVK:
    LR 57707
    Keywords: Musikalische Ikonographie ; Figuration ; Geschichte 1900-2000 ; Musik ; Kunst ; Geschichte 1900-2000 ; Konferenzschrift
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    Staatliche Museen get availability status
    Inst. f. Musikforschung get availability status
  • 9
    Book
    Book
    The Oxford handbook of music listening in the 19th and 20th centuries (2019)
    New York, NY : Oxford University Press
    Details
    UID:
    gbv_101586399X
    Format: x, 524 Seiten , Illustrationen, Diagramme, Notenbeispiele, Karten
    ISBN: 9780190466961
    Note: The art of listening and its histories : an introduction , Part I - Listening behaviors and emotions , 1. Researching audience behaviors in nineteenth-century Paris : Who cares if you listen? , 2. The well-mannered auditor : zones of attention and the imposition of silence in the salon of the nineteenth century , 3. The problem of eclectic listening in french and german concerts, 1860-1910 , 4. The crisis of listening in interwar Germany , 5. Listening as a practice of everyday life : the munich philharmonic orchestra and its audiences in the second world war , Part II - Listening ideologies and instructions , 6. Turning Liebhaber into Kenner : Forkel's Lectures on the art of listening, ca. 1780-1785 , 7. Designated attention : the transformation of music : announcements in Leipzig's concert life , 8. Concert listening in the british way? : program notes and victorian culture , 9. "What ought to be heard" : Touristic listening and the guided ear , Part III - Listening spaces and encounters , 10. Architectural acoustics and the trained ear in the arts : a Journey from 1780 to 1830 , 11. Amateurs and auditors : Listening to the british musical festival, 1810-1835 , 12. The intimate art of listening : music in the private sphere during the nineteenth century , 13. Symmetries in spaces, symmetries in listening : Musical Theater buildings in Europe ca. 1900 , 14. Music in the air - Listening in the streets : Popular music and urban listening habits in Berlin ca. 1900 , Part IV - Listening and Technologies , 15. The opera-telephone in munich : a short history , 16. First re-creations : Psychology, Phonographs, and New Cultures of listening at the beginning of the twentieth century , 17. Experiencing high fidelity : sound reproduction and the politics of music listening in the twentieth century , Part V - Toward an art of listening of the twenty-first century , 18. Capturing the landscape within : on writing the history of experience , 19. Listening and Possessing , 20. Is listening to music an art in itself - or not? , 21. "Everbody in the concert hall should be devoted entirely to the music" : on the actualicty of not listening to music in symphonic concerts
    Additional Edition: ISBN 9780190466992
    Additional Edition: ISBN 9780190466978
    Additional Edition: ISBN 9780190466985
    Additional Edition: Erscheint auch als Online-Ausgabe The Oxford handbook of music listening in the 19th and 20th centuries New York : Oxford University Press, 2018 ISBN 9780190466992
    Language: English
    Subjects: Musicology
    RVK:
    LR 56606
    Keywords: Musikhören ; Konzert ; Geschichte 1800-2000 ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie ; Aufsatzsammlung ; Konferenzschrift
    URL: Inhaltsverzeichnis
    Author information: Tewinkel, Christiane 1969-
    Author information: Zur Nieden, Gesa 1978-
    Author information: Lanzendörfer, Anselma 1985-
    Author information: Thorau, Christian 1964-
    Author information: Tkaczyk, Viktoria 1976-
    Author information: Ziemer, Hansjakob
    Author information: Weinzierl, Stefan 1967-
    Author information: Fuhrmann, Wolfgang 1966-
    Author information: Gratzer, Wolfgang 1965-
    Author information: Morat, Daniel 1973-
    Author information: Volmar, Axel 1976-
    Author information: Gregor, Neil 1969-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    UB Potsdam get availability status
    Inst. f. Musikforschung get availability status
  • 10
    Book
    Book
    Music and the exotic from the Renaissance to Mozart (2015)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_802099858
    Format: xxii, 449 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781107012370
    Note: Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretationsPart II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart. , Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    LR 56820
    RVK:
    LR 56800
    Keywords: Musik ; Exotik ; Geschichte 1500-1800
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    Inst. f. Musikforschung get availability status
Nothing or not found what you are looking for? Please check your search query or use the Interlibrary Loan Search.
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages