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  • SB Königs Wusterhausen  (35)
  • UdK Berlin  (24)
  • Filmuniversität Babelsberg  (9)
  • SB Calau  (1)
  • GB Prösen
  • 2020-2024  (67)
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  • 1
    UID:
    almahu_9949386573902882
    Umfang: 1 online resource (xi, 366 pages) : , illustrations
    ISBN: 9781003052272 , 1003052274 , 9781000169171 , 1000169170 , 9781000169072 , 1000169073 , 9781000169126 , 100016912X
    Inhalt: "This interdisciplinary, international collection examines how sophisticated digital practices and technologies exploit and capitalize on emotions, with particular focus on how social media are used to exacerbate social conflicts surrounding racism, misogyny and nationalism. Radically expanding the study of media and political communications, this book bridges humanities and social sciences to explore affective information economies: how emotions are being weaponized within mediatized political landscapes. The chapters cover a wide range of topics: how clickbait, "fake news," and right-wing actors deploy and weaponize emotion; new theoretical directions for understanding affect, algorithms, and public spheres; and how the wedding of big data and behavioral science enable new frontiers of propaganda, as seen in the Cambridge Analytica and Facebook scandal. The collection includes original interviews with luminary media scholars and journalists. The book features contributions from established and emerging scholars of communications, media studies, affect theory, journalism, policy studies, gender studies, and critical race studies, to address questions of concern to scholars, journalists, and students in these fields and beyond"--
    Anmerkung: Introduction : propaganda by other means / Megan Boler and Elizabeth Davis -- Theorizing media and affect. Affect, media, movement : interview with Susanna Paasonen and Zizi Papachrissi / Megan Boler and Elizabeth Davis -- Reverberation, affect, and digital politics of responsibility / Adi Kuntsman -- "Fuck your feelings" : the affective weaponization of facts and reason / Sun-ha Hong -- Blockchain, affect, and digital technologies / Olivier Jutel -- Becoming kind : a political affect for post-truth times / Ed Cohen -- Beyond behaviorism and black boxes : the future of media theory interview with Wendy Hui Kyong Chun, Warren Sack, and Sarah Sharma / Megan Boler and Elizabeth Davis -- Affective media, social media, and journalism : new relationships. Pioneering countercultural conservatism : Limbaugh, Drudge, and Breitbart / Anthony Nadler -- Breitbart's attacks on mainstream media : victories, victimhood, and vilification / Jason Roberts and Karin-Wahl Jorgensen -- Algorithmic enclaves : affective politics and algorithms in the neoliberal social media landscape / Merlyna Lim -- Hashtagging the Quèbec mosque shooting : Twitter discourses of resistance, mourning, and Islamophobia / Yasmin Jiwani and Ahmed Al-Rawi -- Hindu nationalism, news channels, and "post-truth" Twitter : a case study of "love jihad" / Zeinab Farokhi -- Computational propaganda and the news : journalists' perceptions of the effects of digital manipulation on reporting / Kerry Ann Carter Persen and Samuel C. Woolley -- Exploitation of emotions in digital media : propaganda and profit. Empathic media, emotional AI, and the optimization of disinformation / Vian Bakir and Andrew McStay -- The heart's content : the emotional turn at Upworthy / Robert Hunt -- Empires of feeling : social media and emotive politics / Luke Stark -- Nudging interventions in regulating the digital gangsters in an era of friction-free surveillance capitalism / Leslie Regan Shade -- Digital propaganda and emotional micro-targeting : interview with Jonathan Albright, Carole Cadwalladr, Paolo Gerbaudo, and Tamsin Shaw / Megan Boler and Elizabeth Davis.
    Weitere Ausg.: Print version: Affective politics of digital media. New York, NY : Routledge, 2021 ISBN 9780367510640
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
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    Schlagwort(e): Electronic books. ; Electronic books.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    New Delhi ; London ; Oxford ; New York ; Sydney :Bloomsbury India,
    UID:
    almahu_BV047276369
    Umfang: 1 Online-Ressource (xxv, 309 Seiten).
    ISBN: 978-9-38981-244-2 , 9789389812435 , 9789389812428
    Inhalt: "Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike."
    Anmerkung: Includes bibliographical references (pages 283-290) and index , Introduction: Between Meaning and Significance -- 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film -- 2. A Fallible Tradition: Kenji Mizoguchi and the Post-War Transformation of Japan -- 3. World and Text: Interpreting Jacques Rivette -- 4. Unattainable Women: Sexual Anxiety and Location- Scorsese, Rohmer and Kiarostami -- 5. Beyond Religion: The Spiritual Cinema of Robert Bresson -- 6. Nation and Transgression: Ideology and the Horror Film in India and Pakistan -- 7. A Trajectory of Form: The Development of Soviet/Russian Cinema (1910-2010) -- 8. History as Polyphony: Understanding Aleksei German -- 9. Utopia and the Patriarchal Order: Zhang Yimou as a Chinese National Artist -- Bibliography -- Film Index -- Index -- About the Author
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 9789389714203
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Broschur ISBN 9780567696830
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-21-0
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-20-3
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Film ; Globalisierung ; Entstehung ; Soziokultureller Faktor
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    almahu_BV047619032
    Umfang: XXI, 312 Seiten, 8 Seiten Tafeln : , Illustrationen.
    Ausgabe: First edition
    ISBN: 978-0-374-19008-8
    Inhalt: "A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
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    Schlagwort(e): 1919-2011 Schloss, Edith ; Malerei ; Autobiografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV048381842
    Umfang: 1 Online-Ressource (xviii, 299 Seiten, 31 ungezählte Seiten Bildtafeln) : , Illustrationen.
    ISBN: 978-1-3502-6510-3
    Inhalt: "The world is in crisis, bringing activists and protestors onto the streets and into the public eye. More than ever, activism relies on spectacle and visibility in order to be noticed in the era of globalized capitalism and networked media. At the same time, a growing number of artists employ creative strategies to critique the establishment, act in resistance, and demand change. Visual activism of this kind is not new, but it is rapidly evolving. This anthology presents 22 case-studies of visual activism from across the globe, providing an up-to-date picture of the impact of contemporary visual and art activism, and combining a scholarly interrogation of visual activism with an examination of how it works in practice. The case studies address a wide range of issues including human rights abuses; state violence; gender and sexuality; racism; migration; and climate breakdown. They examine a range of approaches from playful carnivalesque parades to extreme practices such as 'gluing-on' and 'lip-sewing', and are drawn from a wide range of international contexts -- from Europe and the US to Israel, Palestine, Iran, India, Pakistan, Tunisia, and China. This diverse scope enables readers to consider examples comparatively -- noticing emerging trends and key differences to reveal how geopolitical and cultural factors play an important role in shaping activist practices. This rich and timely collection provides a fresh perspective on the possibilities, limitations and politics of visual activism, as activists, artists, and curators respond to the changing world around them in this most uncertain of times."
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-26507-3
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3502-6508-0
    Sprache: Englisch
    RVK:
    Schlagwort(e): Politische Kunst ; Kunstsoziologie ; Aufsatzsammlung ; History ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Buch
    Buch
    London ; New York, New York :Thames & Hudson,
    UID:
    almahu_BV048463233
    Umfang: 352 Seiten, 16 ungezählte Seiten Tafeln : , Illustrationen.
    ISBN: 978-0-500-02443-0
    Inhalt: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Kunst ; Künstler
    Mehr zum Autor: Bird, Michael, 1958-,
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  • 6
    Bild
    Bild
    London : Royal Academy of Arts | New York, NY : ARTBOOK/D.A.P.
    UID:
    b3kat_BV047203738
    Umfang: 157 Seiten
    ISBN: 9781912520558
    Inhalt: Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition. Exhibition: Royal Academy of Arts, London, UK (22.01-12.04.2021)
    Anmerkung: Rückseite Titelblatt: "This catalogue was created in extraordinary times, to accompany and record an exhibition of the same title that had been scheduled to take place in the Main Galleries of the Royal Academy from 30 January until 18 April 2021. (...) At the time of this book's publication, the exhibition has been postponed until a later date"
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Bacon, Francis 1909-1992 ; Malerei ; Tierdarstellung ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband
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  • 7
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV046987990
    Umfang: vii, 102 Seiten : , Illustrationen.
    ISBN: 978-0-367-89469-6 , 978-0-367-55789-8
    Serie: Routledge focus on gender, sexuality, and comics
    Inhalt: This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war. It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters' feminism and militarism render them particularly appealing and profitable in contentious times. This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women's and gender studies
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-003-01932-9
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 9781000169775
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781000169799
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781000169782
    Sprache: Englisch
    Fachgebiete: Ethnologie , Allgemeines
    RVK:
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    Schlagwort(e): Comic ; Film ; Fiktive Gestalt Wonder Woman ; Fiktive Gestalt Captain Marvel ; Geschlechterrolle ; Feminismus
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almafu_BV047024869
    Umfang: xiv, 225 Seiten : , Illustrationen, Diagramme.
    ISBN: 978-1-03-217373-3 , 978-0-367-85936-7
    Inhalt: Some people have a gender which is neither male nor female and may identify as both male and female at one time, as different genders at different times, as no gender at all, or dispute the very idea of only two genders. The most often heard umbrella terms for such genders are 'non-binary' or 'genderqueer' genders. This book looks to bring together those currently exploring and researching this non-binary phenomenon. Gender identities outside of the binary of female and male are increasingly being recognized in social, legal, medical and psychological discourses together with the emerging presence and advocacy of people, who identify as non-binary or genderqueer. Population-based studies show a small percentage - but a sizable proportion in terms of numbers - of people who identify as non-binary. While such genders have always been in existence worldwide, they remain marginalized, and as such at risk of victimization and of minority stress as a result of social non-acceptance and discrimination. Non-binary and Genderqueer Genders explores these gender identities in relation to health, well-being, and/or other experiences in an effort to contribute to improving clinical standards and continued cultural change towards acceptance for this group of people.
    Anmerkung: This book was originally published as a special issue of the 'International journal of transgenderism' (renamed International Journal of Transgender Health in 2020), volume 20, issue 2/3
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-00-005332-6
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-00-301588-8
    Sprache: Englisch
    Fachgebiete: Psychologie , Soziologie
    RVK:
    RVK:
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    Schlagwort(e): Transgender ; Geschlechtsidentität ; Nonkonformismus ; Aufsatzsammlung ; Aufsatzsammlung
    Mehr zum Autor: Nieder, Timo O.
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  • 9
    UID:
    almahu_9949369350502882
    Umfang: 1 online resource (406 pages)
    ISBN: 9780253056900
    Inhalt: By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
    Anmerkung: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Pop Docs: The Work of Popular Documentary in the Age of Alternate Facts / Christie Milliken and Steve F. Anderson -- Part I. Popular Documentary Today -- 2. Reclaiming the Popular for Public Interest Documentary / Ezra Winton -- 3. Public Television's Role in the US Documentary Ecology / Patricia Aufderheide -- Part II. Documentary Ecologies -- 4. On (Not) Falling from the Sky: Fly-Over Global Documentary as Capitalist Body Genre / Zoë Druick -- 5. Accelerating Deceleration: Slow Violence and Time-Lapse Cinematography / Devon Coutts -- 6. From Elegy to Kitsch: Spectacles of Epistephilia in Food, Inc. and Early Food Documentaries / Sabiha Ahmad Khan -- Part III. Short Forms and Web Practices -- 7. Errol Morris, the New York Times, Docmedia, and Op-Docs as Pop Docs / Anthony Kinik -- 8. Popular Music and Short-Form Nonfiction: Is the Web a Forum for Documentary Innovation? / Michael Brendan Baker -- 9. From the Essay Film to the Video Essay: Between the Critical and the Popular / Allison de Fren -- Part IV. Auteurs, Politics, and Popularity -- 10. Errol Morris and the Ends of Irony / Jonathan Kahana -- 11. Vérité: Lauren Greenfield and the Challenge of Feminist Documentary / Shilyh Warren -- 12. Citizenfour and the Antirepresentational Turn: Aesthetics of Failure in the Information Age / S. Topiary Landberg -- Part V. Documentary Genres -- 13. Of Kids and Sharks: Victims, Heroes, and the Politics of Melodrama in Popular Documentary / Christie Milliken -- 14. Strategies of the Popular Music Documentary's Recovery Mode / Landon Palmer -- 15. Assembling Nanking: Archival Filmmaking in the Popular Historical Documentary / Dylan Nelson -- Part VI. Engaging Audiences -- 16. Virality Is Virility: Viral Media, Popularity, and Violence / Alexandra Juhasz. , 17. Populism, Participation, and Perpetual Incompletion: Performing an Urban History Commons / Rick Prelinger -- 18. The Armchair Juror: Audience Engagement in True Crime Documentaries / George S. Larke-Walsh -- 19. New (Old) Ontologies of Documentary / Steve F. Anderson -- Index.
    Weitere Ausg.: Print version: Milliken, Christie Reclaiming Popular Documentary Bloomington : Indiana University Press,c2021 ISBN 9780253056894
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Electronic books. ; Aufsatzsammlung
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  • 10
    UID:
    b3kat_BV048727317
    Umfang: 1 online resource (302 pages)
    ISBN: 9781479891252
    Anmerkung: Cover -- Title Page -- Copyright Page -- Dedication -- Contents -- Popular Culture and the Civic Imaginatio -- Foundations -- Part I. How Do We Imagine a Better World? -- 1. Rebel Yell: The Metapolitics of Equality and Diversity in Disney's Star Wars -- 2. The Hunger Games and the Dystopian Imagination -- 3. Spinning H. P. Lovecraft: A Villain or Hero of Our Times? -- 4. Family Sitcoms' Political Front -- 5. "To Hell with Dreams": Resisting Controlling Narratives through Oscar Season -- Part II. How Do We Imagine the Process of Change? -- 6. Imagining Intersectionality: Girl Empowerment and the Radical Monarchs -- 7. Code for What? -- 8. Tracking Ida: Unlocking Black Resistance and Civic Imagination through Alternate Reality Gameplay -- 9. Everyone Wants Peace? Contending Imaginaries in the Colombian Context of Peace Creation -- Part III. How Do We Imagine Ourselves as Civic Agents? -- 10. Learning to Imagine Better: A Letter to J. K. Rowling from Cho Chang -- 11. Black Girls Are fro , 19. Ms. Marvel Punches Bac -- Twenty-First-Century Superheroes and Alienated Citizenship -- 20. For the Horde: Violent "Trolling" as a Preemptive Strike via #GamerGate and the #AltRight -- 21. Communal Matters and Scientific Facts: Making Sense of Climate Change -- 22. Imagining Resistance to Trump through the Networked Branding of the National Park Service -- Part V. How Do We Imagine Our Social Connections with a Larger Community? -- 23. Moving to a Bollywood Beat, "Born in the USA" Goes My Indian Heart? Exploring Possibility and Imagination through Hindi Film Dance -- 24. "Our" Hamilton: Reimagining the Founders for a "Diverse America" -- 25. Participatory Action in Humans of New York -- 26. A Vision for Black Lives in the Black Radical Tradition -- Part VI. How Do We Bring an Imaginative Dimension to Our Real-World Spaces and Places? -- 27. "Without My City, Where Is My Past?" -- 28. Reimagining and Mediating a Progressive Christian South -- 29. Tzina: Symphony of Longing: Using
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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