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  • SB Königs Wusterhausen  (3)
  • Filmuniversität Babelsberg  (2)
  • Wissenschaftspark Albert Einstein  (1)
  • SB Eberswalde  (1)
  • 2015-2019  (7)
Type of Medium
Language
Region
Years
Year
Subjects(RVK)
  • 1
    Book
    Book
    Cambridge ; Medford :polity,
    UID:
    almahu_BV046208682
    Format: vii, 152 Seiten.
    ISBN: 978-1-5095-3419-7 , 978-1-5095-3420-3
    Content: The Anthropocene has become central to understanding the intimate connections between human life and the natural environment, but it has fractured our sense of time and possibility. What implications does that fracturing have for how we should think about politics in these new times? In this cutting-edge intervention, Duncan Kelly considers how this new geological era could shape our future by engaging with the recent past of our political thinking. If politics remains a short-term affair governed by electoral cycles, could an Anthropocenic sense of time, value and prosperity be built into it, altering long-established views about abundance, energy and growth? Is the Anthropocene so disruptive that it is no more than a harbinger of ecological doom, or can modern politics adapt by rethinking older debates about states, territories, and populations? Kelly rejects both pessimistic fatalism about humanity’s demise, and an optimistic fatalism that makes the Anthropocene into a problem too big for politics, best left to the market or technology to solve. His skilful defence of the potential for democratic politics to negotiate this challenge is an indispensable guide to the ideas that matter most to understanding this epochal transformation
    Note: Literaturhinweise: Seite 123-147
    Language: English
    Subjects: Political Science , General works
    RVK:
    RVK:
    Keywords: Anthropozän ; Humanökologie ; Politische Ökologie ; Umweltökonomie
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 2
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV045402903
    Format: x, 198 Seiten.
    ISBN: 978-1-138-56440-4
    Series Statement: The cultural politics of media and popular culture
    Content: Contested terms, the European Union contribution and a financial crisis / Betty Kaklamanidou and Ana Corbalán -- National, transnational and intermedial perspectives in post-2008 European cinema / Thomas Elsaesser -- France after the crisis : work, home and flexible solidarity in Les neiges du Kilimandjaro (2011) and Ma part du gateau (2011) / Michael Gott -- Spanish science fiction film in times of emergency : crisis and entrapment in Nacho Vigalondo's Extraterrestrial and David and Álex Pastor's The last days / Antonio Cordoba -- Narratives of migration and the sense of crisis in post-2008 European cinema / György Kalmár -- Undocumented migration in European borderlands : re-locating the crisis in contemporary documentaries / Jan Kühnemund -- Post-2008 European comedies of crisis : La vida inesperada and Casse-tête chinois / Debra J. Ochoa -- Depression as aesthetic answer to the socioeconomic crisis in two days, one night / Tobias Dietrich -- French and Italian co-production redux : the Fondo initiative / claudia Romanelli -- The contemporary Serbian film industry : issues of production and distribution (2008-2017) / Sandra Nikolic and Biljana Mitrovic -- La jeunesse désaffectée in contemporary Serbian cinema / Nevena Daković and Maša Seničić -- The Greek new wave : representing work and unemployment in crisis / Ursula-Helen Kassaveti and Afroditi Nikolaidou -- Contemporary Greek and Polish "best foreign language films" in an age of austerity / Anne Ciecko
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-12242-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781351347075
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781351347068
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781351347051
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Wirtschaftskrise ; Flucht ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Corbalán Vélez, Ana.
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  • 3
    Book
    Book
    New York : Harper
    UID:
    kobvindex_VBRD-i97800628774370408
    Format: 408 Seiten
    ISBN: 9780062877437
    Content: It's been five years since Summer Marks was brutally murdered in the woods. Everyone thinks Mia and Brynn killed their best friend. That driven by their obsession with a novel called The Way into Lovelorn the three girls had imagined themselves into the magical world where their fantasies became twisted, even deadly. The only thing is: they didn't do it. On the anniversary of Summer's death, a seemingly insignificant discovery resurrects the mystery and pulls Mia and Brynn back together once again. But as the lines begin to blur between past and present and fiction and reality, the girls must confront what really happened in the woods all those years ago-no matter how monstrous. With all the intensity and whiplash turns of Gone Girl and One of Us Is Lying, this engrossing psychological thriller by New York Times bestselling author Lauren Oliver is an unforgettable, mesmerizing tale of exquisite obsession, spoiled innocence, and impossible friendships.
    Language: English
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  • 4
    Book
    Book
    Naperville : Sourcebooks Fire
    UID:
    kobvindex_VBRD-i97817282054890389
    Format: 389 Seiten
    ISBN: 9781728205489
    Content: A New York Times Bestseller *A BookTok Viral Sensation* An achingly authentic and raw portrait of love, regret, and the life-altering impact of the relationships we hold closest to us, this YA romance bestseller is perfect for fans of Colleen Hoover, Jenny Han, and You've Reached Sam. If he had been with me, everything would have been different... Autumn and Finn used to be inseparable. But then something changed. Or they changed. Now, they do their best to ignore each other. Autumn has her boyfriend Jamie, and her close-knit group of friends. And Finn has become that boy at school, the one everyone wants to be around. That still doesn't stop the way Autumn feels every time she and Finn cross paths, and the growing, nagging thought that maybe things could have been different. Maybe they should be together. But come August, things will change forever. And as time passes, Autumn will be forced to confront how else life might have been different if they had never parted ways..
    Note: ; Englisch
    Language: German
    Keywords: Jugendbuch ; Fiktionale Darstellung
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  • 5
    AV-Medium
    AV-Medium
    London : Eureka Video
    UID:
    b3kat_BV048720445
    Format: 1 Blu-ray-Disc (60 Min.) , teilw. schwarz-weiß
    Series Statement: The Masters of Cinema Series 128
    Uniform Title: The directors: Sydney Pollack
    Content: Sydney Pollack's films have received 46 Academy award nominations, including four for Best Picture. Pollack himself has been nominated three times and was awarded an Oscar for his direction of "Out of Africa". He began his directing career in 1965 and has gone on to direct such blockbusters as "They Shoot Horses, Don't They?", "The Way We Were", "The Electric Horseman", "Tootsie" and many more. Actors and collaborators who have worked with him and reminisce about Pollack include Paul Newman, Cliff Robertson, Meryl Streep, Sally Field, Harrison Ford, and others. [www.dvdempire.com]
    Note: 〈〈The〉〉 Three Days of the Condor [Die drei Tage des Condors] (1974) , 〈〈The〉〉 Way We Were [So wie wir waren ; Cherie Bitter] (1973) , Out of Africa [Jenseits von Afrika] (1985) , 〈〈The〉〉 Firm [Die Firma] (1993) , Tootsie (1982) , engl.
    Language: English
    Keywords: Blu-Ray-Disc ; DVD-Video
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  • 6
    Book
    Book
    Loewe Verlag
    UID:
    kobvindex_VBRD-i97837320132340400
    Format: 400 S.
    ISBN: 9783732013234
    Content: Kriminalgeschichten, die auf wahren Begebenheiten beruhen, sind selten romantisch. Doch gerade diese brechen uns gewöhnlich das Herz. (NewYork Times) Der Bus der Linie 57 ist das einzige, was Sasha und Richard miteinander verbindet. Richard ist Afroamerikaner, geht auf eine öffentliche Schule und hat gerade einen längeren Aufenthalt in einer betreuten Wohngruppe für jugendliche Straftäter hinter sich. Sasha ist weiß, besucht eine Privatschule und identifiziert sich selbst als agender. Nur acht Minuten täglich verbringen Sasha und Richard gemeinsam im Bus 57. Bis zu dem Tag als Sasha den langen weißen Rock trägt und Richard ihn anzündet. Dashka Slater hat den nachfolgenden Gerichtsprozess monatelang verfolgt, mit Beteiligten gesprochen und die Hintergründe recherchiert. Bus 57 ist die akribische Dokumentation eines berührenden Falles, der tragischen Verstrickung zweier Jugendlicher, die doch nur eines wollen: glücklich sein, trotz allem. Im Februar 2015 erschien im New York Times Magazine unter der Überschrift The Fire on the 57 Bus ein längerer Artikel der Journalistin Dashka Slater über einen Vorfall, der sich eineinhalb Jahre zuvor in Oakland ereignet hatte. Ein afroamerikanischer Teenager setzt die Kleidung eines Gleichaltrigen in Brand, der genderqueer ist. Sashas und Richards Schicksal ließ Dashka Slater nicht mehr los, so dass aus dem Artikel dieses Buch entstanden ist. Sie erzählt darin von Sashas ungewöhnlicher fantasievoller Kindheit, dem Coming-Out, den Krankenhausaufenthalten, aber auch von der Unterstützung, die Sasha erfährt, nicht nur in der LGBTQ-Community. Genauso sorgfältig arbeitet sie Richards Geschichte auf und wirft einen Blick auf ein Justizsystem, das afroamerikanische Jugendliche anders zu behandeln scheint als weiße. Die Staatsanwaltschaft stuft Richards Tat zunächst als Hate-Crime ein, wodurch ihm ein Verfahren unter Erwachsenenstrafrecht droht und damit eine womöglich lebenslange Haftstrafe.
    Note: Dashka Slater schreibt als Journalistin überwiegend für die New York Times und wurde mehrfach für ihre sorgfältigen Essays und Hintergrundgeschichten ausgezeichnet. Sie schreibt außerdem Bücher für Kinder und Erwachsene. Ihr Roman The Wishing Box wurde von der Los Angeles Times in die Liste der Best Books of the Year aufgenommen.
    Language: German
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  • 7
    Book
    Book
    HarperCollins
    UID:
    kobvindex_VBRD-i97800624032160288
    Format: 288 Seiten
    ISBN: 9780062403216
    Content: Inspired by Judy Blume's Forever and Virginia Woolf's Mrs. Dalloway, this novel that Andrew Smith calls "beautiful, enchanting, [and] exquisitely written" is a new classic about teenage relationships, self-acceptance-and what happens when the walls we build start coming down. Adam Thorn doesn't know it yet, but today will change his life. Between his religious family, a deeply unpleasant ultimatum from his boss, and his own unrequited love for his sort-of ex, Enzo, it seems as though Adam's life is falling apart. At least he has two people to keep him sane: his new boyfriend (he does love Linus, doesn't he?) and his best friend, Angela. But all day long, old memories and new heartaches come crashing together, throwing Adam's life into chaos. The bindings of his world are coming untied one by one; yet in spite of everything he has to let go, he may also find freedom in the release. From the New York Times bestselling author of A Monster Calls comes a raw, darkly funny, and deeply affecting story about the courage it takes to live your truth.
    Language: German
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