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  • Kinemathek  (9)
  • SB Königs Wusterhausen
  • DZA Berlin
  • IGB Berlin
  • Bundesarchiv
  • Film  (9)
  • 1
    Book
    Book
    Cinematic urbanism : a history of the modern from reel to real (2006)
    New York : Routledge
    Details
    UID:
    b3kat_BV021756993
    Format: xiii, 256 S. , Ill.
    ISBN: 0415700485 , 0415700493 , 9780415700481 , 9780415700498 , 9780203413036
    Content: Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works , Sociology
    RVK:
    AP 50300
    RVK:
    AP 55400
    RVK:
    AP 55700
    RVK:
    MS 1750
    Keywords: Kino ; Film ; Architektur ; Städtebau ; Bibliografie
    URL: Table of contents only
    URL: Publisher description
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0659/2006007637-d.html
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  • 2
    Book
    Book
    Room to dream / (2018)
    New York :Random House,
    Details
    UID:
    almafu_BV045093828
    Format: XII, 577 Seiten : , Illustrationen, Portraits, 2 Portraits [der Verfasser].
    ISBN: 978-0-399-58919-5
    Content: "The extraordinary, highly anticipated memoir from visionary filmmaker David Lynch In this memoir, David Lynch, co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced...sometimes successful, sometimes not...to bring his projects to fruition. Part-memoir, part-biography, Room to Dream interweaves Lynch's own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynch's friends, family members, actors, agents, musicians, and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art"...
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-0-399-58920-1
    Language: English
    Subjects: General works
    RVK:
    AP 51223
    Keywords: 1946- Lynch, David ; Film ; Biografie ; Biografie
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030484533&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    Author information: McKenna, Kristine
    Author information: Lynch, David 1946-
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  • 3
    Book
    Book
    The multilingual screen : new reflections on cinema and linguistic difference (2016)
    New York : Bloomsbury Academic
    Details
    UID:
    gbv_842334173
    Format: vi, 372 Seiten , Illustrationen , 24 cm
    ISBN: 9781501302886 , 9781501302879
    Series Statement: Film & media studies
    Content: "A wide-ranging investigation of the ways that multilingualism has shaped film history, aesthetics, and politics"--
    Content: Machine generated contents note: Introduction / Tijana Mamula and Lisa Patti -- Theories. Translating the Academe: Conceptualizing the Transnational in Film and Media / Masha Salazkina -- Seven Types of Multilingualism: Or, Wim Wenders Enfilms Pina Bausch / David Gramling -- Post-anthropocentric Multilingualism in Contemporary Artists' Moving Image: An Interview with T.J. Demos / Tijana Mamula -- Cinephilia as Multilingualism in The Artist (2011) and Blancanieves (2012) / Mary Harrod -- Aesthetics. The Gift of Languages: Notes on Multilingualism in Experimental Cinema / Érik Bullot -- Exile and the "Languages" of Color: 1960s European Cinema, Multilingualism, and Ontological Hesitation / Paul Coates -- The Word in Pasolini's Cinema / Gian Piero Brunetta -- West African Francophone Cinema and the Mysteries of Language: From Ideological Struggle to Aesthetic Shudder / James S. Williams -- Histories. Language in Motion: The Sign Talk Films of Hugh Lenox Scott and Richard Sanderville / Brian Hochman -- Poorly Timed Campaigns: Versions, Dubbing, Subtitles / Juan Piqueras -- The Multilingual New Wave / Alison Smith -- Language and National Identity in New Tunisian Cinema: Moufida Tlatli's The Silences of the Palace (1994) and Férid Boughedir's A Summer in La Goulette (1996) / Robert Lang -- Cinema of Reindividuation and Cultural Extraterritoriality: "Chinese" Dialect Cinemas and Regional Politics / Victor Fan -- Politics. Empire, Language and Nationhood: Japanese Colonial Cinema in Korea and Manchuria / Kate Taylor-Jones -- Star Talk: Anna May Wong's Scriptural Orientalism and Poly-phonic (Dis-)play / Yiman Wang -- Out of Many, One: The Dual Monolingualism of Contemporary Flemish Cinema / Jaap Verheul -- Multilingualism and Indigenous Cinema in Northeast India: The Case of Kokborok Language Films / Mara Matta
    Note: Includes bibliographical references and index , Machine generated contents note: Introduction / Tijana Mamula and Lisa PattiTheories. Translating the Academe: Conceptualizing the Transnational in Film and Media / Masha Salazkina -- Seven Types of Multilingualism: Or, Wim Wenders Enfilms Pina Bausch / David Gramling -- Post-anthropocentric Multilingualism in Contemporary Artists' Moving Image: An Interview with T.J. Demos / Tijana Mamula -- Cinephilia as Multilingualism in The Artist (2011) and Blancanieves (2012) / Mary Harrod -- Aesthetics. The Gift of Languages: Notes on Multilingualism in Experimental Cinema / Érik Bullot -- Exile and the "Languages" of Color: 1960s European Cinema, Multilingualism, and Ontological Hesitation / Paul Coates -- The Word in Pasolini's Cinema / Gian Piero Brunetta -- West African Francophone Cinema and the Mysteries of Language: From Ideological Struggle to Aesthetic Shudder / James S. Williams -- Histories. Language in Motion: The Sign Talk Films of Hugh Lenox Scott and Richard Sanderville / Brian Hochman -- Poorly Timed Campaigns: Versions, Dubbing, Subtitles / Juan Piqueras -- The Multilingual New Wave / Alison Smith -- Language and National Identity in New Tunisian Cinema: Moufida Tlatli's The Silences of the Palace (1994) and Férid Boughedir's A Summer in La Goulette (1996) / Robert Lang -- Cinema of Reindividuation and Cultural Extraterritoriality: "Chinese" Dialect Cinemas and Regional Politics / Victor Fan -- Politics. Empire, Language and Nationhood: Japanese Colonial Cinema in Korea and Manchuria / Kate Taylor-Jones -- Star Talk: Anna May Wong's Scriptural Orientalism and Poly-phonic (Dis-)play / Yiman Wang -- Out of Many, One: The Dual Monolingualism of Contemporary Flemish Cinema / Jaap Verheul -- Multilingualism and Indigenous Cinema in Northeast India: The Case of Kokborok Language Films / Mara Matta.
    Additional Edition: ISBN 9781501302855
    Additional Edition: ISBN 9781501302862
    Additional Edition: ISBN 9781501302862
    Additional Edition: Erscheint auch als Online-Ausgabe The multilingual screen New York : Bloomsbury Academic, 2016 ISBN 9781501302848
    Additional Edition: ISBN 9781501302855
    Additional Edition: ISBN 9781501302862
    Language: English
    Subjects: General works
    RVK:
    AP 45200
    RVK:
    AP 47400
    Keywords: Film ; Mehrsprachigkeit ; Übersetzung
    URL: Inhaltsverzeichnis
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  • 4
    Book
    Book
    On Sunset Boulevard : the life and times of Billy Wilder (1998)
    New York, NY : Hyperion
    Details
    UID:
    gbv_244337810
    Format: IX, 675 S. , Ill. , 25 cm
    Edition: 1. ed.
    ISBN: 0786861940
    Note: Includes bibliographical references (p. [633]-643) and index , Filmography: p. 645 - 655. - Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    AP 51390
    Keywords: Wilder, Billy 1906-2002 ; Film ; Biografie
    URL: Verlagsangaben
    URL: http://www.h-net.org/reviews/showrev.php?id=4499
    Author information: Wilder, Billy 1906-2002
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  • 5
    Book
    Book
    Anxious cinephilia : pleasure and peril at the movies (2020)
    New York : Columbia University Press
    Details
    UID:
    gbv_1686498136
    Format: viii, 320 Seiten
    ISBN: 9780231180870 , 9780231180863
    Series Statement: Film and culture
    Content: Ardor and anxiety : the history of cinephilia -- Enchanting images -- Cinephilia and technology : anxiety and obsolescence -- The exquisite apocalypse -- Conclusion : anxious times, anxious cinema.
    Content: "The digital revolution in contemporary movie-making has engendered a wave of cinephilia among those nostalgic for the culture of cinema and the medium of film. It has also spawned growing concerns about their future. The concept of cinephilia, Keller argues, is hardly new as technological revolutions have always brought out similar reactions in the face of change and a sense of passing (the advent of sound from silent films, color, etc.). In Anxious Cinephilia, Keller looks back at the history of cinephilia from avant-garde filmmakers in the beginning of the twentieth century to the French New Wave's love of Humphrey Bogart to contemporary critics celebrating their love of cinema. She also considers the ways in which cinephilia has embraced some of the democratic/utopic aspects of the digital revolution such as Youtube and the proliferation of GIFs. Tied to cinephilia has been the concept of cinephobia, which has centered on three interrelated areas: anxieties about being captured on film (surveillance, unattractive footage of oneself, cinema's soul-stealing dangers), anxieties about cinema's deleterious influence on audiences; and anxieties about the medium itself. Keller demonstrates that a recognition of the reciprocal relationship between cinephilia and anxiety allows an entry point into understanding the current digital revolution and the history of film. Keller examines the ways in which films have depicted or thematized anxious cinephilia as well as considering audience and critical reactions to cinema and changes in film technology and culture"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780231543309
    Additional Edition: Erscheint auch als Online-Ausgabe Keller, Sarah (Sarah K.) Anxious cinephilia New York : Columbia University Press, [2020]
    Language: English
    Keywords: Frankreich ; Cineastik ; Film ; Filmästhetik ; Wahrnehmung ; Weltuntergang ; Zuschauer ; Geschichte
    URL: Inhaltsverzeichnis
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  • 6
    Book
    Book
    Be sand, not oil : the life and work of Amos Vogel (2014)
    Wien : SYNEMA Ges. für Film und Medien [u.a.]
    Details
    UID:
    gbv_805157468
    Format: 267 S. , zahlr. Ill. , 200 mm x 170 mm, 450 g
    ISBN: 9783901644597
    Series Statement: FilmmuseumSynemaPublikationen 24
    Content: Amos Vogel war eine der bedeutendsten Persönlichkeiten der internationalen Filmkultur nach dem Zweiten Weltkrieg. 1921 in Wien geboren, emigrierte er 1939 nach New York. Als Gründer und Kurator von Cinema 16, dem größten und ungewöhnlichsten Filmclub der USA (ab 1947), als Gründungsdirektor des New York Film Festival (ab 1963) sowie als Essayist, Lehrer und Autor des Standardwerks Kino wider die Tabus machte er sich wie kaum ein anderer um den unabhängigen Film verdient. Die New York Times schrieb anlässlich seines Todes im Jahr 2012, dass nur wenige Nicht-Filmemacher einen so großen Einfluss auf die Filmgeschichte gehabt hätten wie er. In Martin Scorseses Worten: „The man was a giant.“ Be Sand, Not Oil ist die erste Publikation über Amos Vogel. Das Buch enthält zahlreiche seiner Schriften von 1940 bis in die 1990er-Jahre, ein bislang unveröffentlichtes Interview sowie mehrere große Essays zu seinem Schaffen (und über seine Jugend in Wien) – Texte, die Amos Vogels lebenslange Suche nach „angemessenen Filmbildern“ dokumentieren, wie es sein langjähriger Freund Werner Herzog beschrieben hat. (Quelle: Filmmuseum Wien)
    Language: English
    Subjects: General works
    RVK:
    AP 57700
    RVK:
    AP 44100
    Keywords: Vogel, Amos 1921-2012 ; Film ; Vogel, Amos 1921-2012 ; Vogel, Amos 1921-2012 ; Filmtheorie ; Filmkritik ; Vogel, Amos 1921-2012 ; Aufsatzsammlung ; Biografie ; Quelle
    URL: Inhaltstext
    URL: http://www.gbv.de/dms/weimar/toc/805157468_toc.pdf
    Author information: Vogel, Amos 1921-2012
    Author information: Herzog, Werner 1942-
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  • 7
    Book
    Book
    Cinematic urbanism : a history of the modern from reel to real (2006)
    New York : Routledge, Taylor & Francis Group
    Details
    UID:
    gbv_1604704810
    Format: xiii, 256 Seiten , Illustrationen
    ISBN: 0415700485 , 0415700493 , 9780415700481 , 9780415700498 , 0203413032 , 9780203413036
    Content: Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). --
    Content: Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism
    Content: Introduction: the cinematic city and the quest for the modern -- Industrial modernity : the flâneur and the tramp in the early twentieth century city -- Urbanizing modernity : the traditional cinematic small town -- Orwellian modernity : utopia/dystopia and the city of the future past -- Cynical modernity, or the modernity of cynicism -- From postmodern condition to cinematic city -- Voyeuristic modernity : the lens, the screen and the city -- The modernity of the sophisticate and the misfit : the city through different eyes -- An alternative modernity : race, ethnicity and the urban experience -- Exurban postmodernity : utopia, simulacra and hyper-reality
    Note: Literaturverzeichnis: Seiten 247-248 , Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: ISBN 9780203413036
    Language: English
    Subjects: Geography , General works
    RVK:
    AP 50300
    RVK:
    RB 10627
    Keywords: Film ; Stadt ; Modernität ; Film ; Stadtleben ; Modernität ; Film ; Modernität ; Bibliografie
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0659/2006007637-d.html
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  • 8
    Book
    Book
    Room to dream (2018)
    New York : Random House
    Details
    UID:
    gbv_1636330290
    Format: XII, 577 Seiten , Illustrationen
    ISBN: 0399589198 , 9780399589195
    Content: "The extraordinary, highly anticipated memoir from visionary filmmaker David Lynch. In this memoir, David Lynch, co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced--sometimes successful, sometimes not--to bring his projects to fruition. Part-memoir, part-biography, Room to Dream interweaves Lynch's own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynch's friends, family members, actors, agents, musicians, and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art"--
    Note: Includes bibliographical references
    Additional Edition: ISBN 9780399589201
    Language: English
    Subjects: American Studies
    RVK:
    HU 9800
    Keywords: Lynch, David 1946- ; Film ; Lynch, David 1946- ; Film ; Biografie
    Author information: McKenna, Kristine
    Author information: Lynch, David 1946-
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  • 9
    Book
    Book
    Cinematic overtures : how to read opening scenes (2017)
    New York : Columbia University Press
    Details
    UID:
    gbv_1635232945
    Format: xi, 188 Seiten , Illustrationen
    ISBN: 9780231182249 , 9780231182256
    Series Statement: Leonard Hastings Schoff memorial lectures
    Content: A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique. From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780231544061
    Language: English
    Subjects: General works
    RVK:
    AP 45200
    Keywords: Film ; Anfang
    URL: Inhaltsverzeichnis
    URL: Klappentext
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