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  • Staatliche Museen  (211)
  • SB Neuruppin  (2)
  • 1995-1999  (198)
  • 1945-1949  (15)
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  • 1
    Book
    Book
    Chicago [u.a.] :Univ. of Chicago Press,
    UID:
    almafu_BV011064877
    Format: XXVIII, 647 S. : zahlr. Ill.
    ISBN: 0-226-26216-2 , 0-226-26217-0
    Content: Manet's Modernism, or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central antitheatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that previous accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition - also the deeply problematic nature - of his epochal paintings of the 1860s
    Content: By placing the painter squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler, all of whom are treated at length) as well as in the context of the art-critical discourse of his time, Fried transforms our sense of Manet's artistic project. Instead of the usual emphasis on flatness and visuality, Fried focuses on aspects of Manet's work that have either been minimized or ignored: his repeated allusions to Old Master sources, his desire for "universality" as regards both national schools and individual genres, his efforts to annul the absorptive basis of the modern French tradition, his invention of a sort of portrait-tableau, above all his pursuit of facingness and strikingness as means of reconstructing the relationship between painting and beholder
    Content: The result is an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art
    Language: English
    Subjects: Art History
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    Keywords: 1832-1883 Manet, Edouard ; Malerei ; 1832-1883 Manet, Edouard ; Malerei ; Quelle ; Quelle ; Quelle ; Quelle
    Author information: Fried, Michael 1939-
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  • 2
    Book
    Book
    New York :Fromm Internat.,
    UID:
    almahu_BV011501741
    Format: XII, 371 S.
    Edition: 1. ed.
    ISBN: 0-88064-175-4
    Content: The Bauhaus is the most celebrated artistic institution of our time. In the fourteen years of its existence in Weimar Germany, the Bauhaus became a center where the ideas that would dominate art in the twentieth century clashed and became defined. The ideas forged within the school literally transformed our landscape. Almost nothing we read, wear, or live in is devoid of its influence
    Content: Yet there has been a history of the Bauhaus. For the first time, Elaine S. Hochman sets the school in the context of the turbulent times to which it was born following the collapse of Imperial Germany in 1919. The Bauhaus emerged just as radical social and political upheavals swept through Europe in the wake of World War I, a product of the convulsions of an age when the contest between ideologies was fought with the fervor of a religious war. Left was pitted against right of the streets, and these battles penetrated the walls of the Bauhaus as well. They shaped the destiny of the fledgling school and those who taught there, including some of the most illustrious names in the world of modern art - Walter Gropius, Mies van der Rohe, Lyonel Feininger, Paul Klee, and Wassily Kandinsky
    Content: Hochman's access to the school's archives, previously off limits to Western scholars, provides an intimate day-to-day perspective of the school which reveals a different Bauhaus than the one projected by its latter-day champions in the U.S. This is the Bauhaus of its contemporaries, for whom the political and cultural implications were often more important than aesthetics
    Language: English
    Subjects: Art History
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    Keywords: Bauhaus ; Geschichte
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  • 3
    Book
    Book
    Chicago [u.a.] :Univ. of Chicago Press,
    UID:
    almafu_BV010393918
    Format: X, 318 S. : Ill.
    ISBN: 0-226-73368-8 , 0-226-73369-6
    Content: When Western scholars write about non-Western societies, do they inevitably perpetuate the myths of European imperialism? Can they ever articulate the meanings and logics of non-Western peoples? Who has the right to speak for whom? Questions such as these are among the most hotly debated in contemporary intellectual life. In How "Natives" Think, the distinguished anthropologist Marshall Sahlins addresses these issues head on, while building a powerful case for the ability of anthropologists working in the Western tradition to understand other cultures
    Content: In recent years, these questions have arisen in debates over the death and deification of Captain James Cook on Hawaii island in 1779. Did the Hawaiians truly receive Cook as a manifestation of their own God Lono? Or were they too pragmatic, too worldly-wise to accept the foreigner as a god? Moreover, can a "non-native" scholar give voice to a "native" point of view? In his 1992 book, The Apotheosis of Captain Cook, Gananath Obeyesekere used this very issue to attack Sahlins's decades of scholarship on Hawaii. Accusing Sahlins of elementary mistakes of fact and logic, even of intentional distortion, Obeyesekere portrayed Sahlins as accepting a naive, ethnocentric idea of superiority of the white man over "natives" - Hawaiian and otherwise. Claiming that his own Sri Lankan heritage gave him privileged access to the Polynesian native perspective, Obeyesekere contended that Hawaiians were actually pragmatists too rational and sensible to mistake Cook for a god
    Content: Curiously then, as Sahlins shows, Obeyesekere turns eighteenth-century Hawaiians into modern Europeans, living up to the highest Western standards of "practical rationality." By contrast, Western scholars are turned into classic, custom-bound "natives," endlessly repeating their ancestral traditions of the white man's superiority by insisting Cook was taken for a Hawaiian god. But this inverted ethnocentrism can only be supported, as Sahlins demonstrates, by wholesale fabrications of Hawaiian ethnography and history - not to mention Obeyesekere's sustained misrepresentations of Sahlins's own work. And in the end, although he claims to be speaking on behalf of "natives," Obeyesekere, by substituting a homemade "rationality" for Hawaiian culture, systematically eliminates the voices of Hawaiian people from their own history
    Language: English
    Subjects: History , Ethnology , Sociology
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    Keywords: 1728-1779 Cook, James ; Mythologie ; Ethnosoziologie
    Author information: Sahlins, Marshall 1930-2021
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  • 4
    Book
    Book
    Poznań :Wydawn. Poznańskiego Tow. Przyjaciół Nauk,
    UID:
    almafu_BV011827273
    Format: 231, [68] S. : Ill.
    ISBN: 83-7063-173-8
    Series Statement: Poznańskie Towarzystwo Przyjaciół Nauk / Komisja Historii Sztuki: Prace Komisji Historii Sztuki 26
    Note: PST: The history of Polish Kings ́Chapel - or the Golden Chapel - in Poznań cathedral. - Zsfassung in engl. Sprache. - Paralleltitel: The history of Polish Kings' Chapel or the Golden Chapel in Poznań Cathedral
    Language: Polish
    Keywords: Goldene Kapelle
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  • 5
    Book
    Book
    New York, NY :Pantheon Books,
    UID:
    almafu_BV003593056
    Format: XVIII, 268, 153 S. : Ill.
    Note: Based on the author's earlier work "Christian art and archeology" (= Engl. ed.) or "Monuments of the early church" (= American ed.), 1901
    Language: English
    Subjects: Theology
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    Keywords: Christliche Archäologie ; Frühchristentum ; Kunst ; Frühchristentum ; Kunst
    Author information: Lowrie, Walter 1868-1959
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  • 6
    Book
    Book
    Berkeley [u.a.] :Univ. of California Press,
    UID:
    almahu_BV012971290
    Format: XIV, 320 S. : Ill.
    ISBN: 0-520-21767-5 , 978-0-520-23464-2
    Series Statement: California studies in critical human geography 6
    Content: "When it comes to holidays, some talk about "seeing the world," others about "getting away from it all." These two basic philosophies of travel are elaborated delightfully in Orvar Lofgren's investigation of "elsewhereness" as a human pursuit. Whether we set out in search of a mountainscape that will take our breath away, artifacts of the past to enrich our minds, the purest sand on the most unspoiled beach, or a summer place to know and cherish, we follow inner itineraries as time-honored and various as the routes we take." "Beginning his cultural journey among some eighteenth-century pioneers of tourism, Lofgren takes us on a tour of the Western holiday world and shows how two centuries of "learning to be a tourist" have shaped our own ways of vacationing. From country walks in search of the picturesque to wilderness trekking for more grandiose views, from seasonal campsites and communities on the coasts of New England and Sweden to Mediterranean resorts and rearranged ruins, from Continental spas to Las Vegas megahotels, we see how fashions in destinations have changed through the years, with popular images (written, drawn, painted, and later photographed) teaching the tourist what to look for and how to experience it."
    Content: "The means of travel have bred their own expectations and rewards. Faster and more affordable transportation, besides permitting more than a small elite to go "on holiday," has led to the package tour and the globalization of tourism. In one of his most entertaining chapters, Lofgren talks about the ongoing battle that results from travelers' differing values: what is "authentic," and does it matter? What constitutes too much or too little, good or bad, the wrong or the right kind of travel? This battle, he says, is often fought in the ways we relate to other tourists--we mock, admire, emulate, or distance ourselves from them. "In the history of modern tourism one element is striking. The main tourist attraction tends to be...other tourists."" "Travelers present and future will never see their cruises, treks, resort interludes, ecotours, round-the-world journeys, or trips to the vacation cottage or condo in quite the same way again. All our land-, sea-, and mindscapes will be the richer for Lofgren's insights. Book jacket."--BOOK JACKET
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: Economics , Geography , Ethnology , Sociology
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    Keywords: Urlaubsreise ; Geschichte
    Author information: Löfgren, Orvar 1943-
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  • 7
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV011521715
    Format: XII, 304 S. : Ill.
    Edition: 1. publ.
    ISBN: 0-521-45004-7
    Series Statement: Cambridge studies in American visual culture
    Content: When Pop-art paintings depicted Campbell soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transmogrify the detritus of consumer culture into high art? In this study, Cecile Whiting declares the issues fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists - Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar - who are closely associated with the Pop-art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuverings, noting how the connotations of masculinity as attached to the seriousness of high art, and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes.
    Language: English
    Subjects: Art History
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    Keywords: Pop-Art ; Popkultur ; Pop-Art ; Geschlechterforschung ; Kunstwissenschaft ; 1928-1987 Warhol, Andy ; 1931-2004 Wesselmann, Tom ; 1923-1997 Lichtenstein, Roy ; 1930-2016 Marisol
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  • 8
    Book
    Book
    Princeton, NJ :Princeton Univ. Press,
    UID:
    almafu_BV011822170
    Format: IX, 283 S. : , zahlr. Ill.
    ISBN: 0-691-02737-4 , 0-691-02738-2
    Content: Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art expressed fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany.
    Language: English
    Subjects: Art History
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    Keywords: Kunst ; Faschismus ; Faschismus ; Kunst ; 1879-1964 Soffici, Ardengo ; 1875-1953 Saint-Point, Valentine de ; 1885-1961 Sironi, Mario ; 1878-1945 Valois, Georges ; 1887-1965 Le Corbusier ; Kunst ; Kunstpolitik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis  (kostenfrei)
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  • 9
    Book
    Book
    Cambridge :Cambridge Univ. Press,
    UID:
    almafu_BV024399799
    Format: XXI, 374 S. : , zahlr. Ill.
    ISBN: 0-521-42066-0
    Content: Sir Joshua Reynolds's subject pictures were among the most widely discussed British paintings of the eighteenth century. Today Reynolds's reputation rests principally on his portraits, his theoretical writings on art and his role as president of the Royal Academy. But while he could complete the face of a portrait sitter in a matter of hours, his subject paintings often occupied him for months or even years, and it is clear from Reynolds's own preoccupation with them, and the critical coverage they received during his day, that the subject pictures lay at the very heart of Reynolds's practice as a painter. In this, the first book to be devoted to this aspect of Reynolds's work, the subject pictures are shown as playing a vital role in shaping attitudes to high art during the major transitions in British culture of the late eighteenth and early nineteenth centuries.
    Language: English
    Subjects: Art History
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    Keywords: 1723-1792 Reynolds, Joshua ; Historienmalerei ; 1723-1792 Reynolds, Joshua ; Malerei ; Mythos ; Katalog ; Katalog ; Katalog
    Author information: Reynolds, Joshua 1723-1792
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  • 10
    Book
    Book
    London [u.a.] :Routledge,
    UID:
    almahu_BV011728947
    Format: XV, 256 S. : , Ill.
    Edition: 1. publ.
    ISBN: 0-415-09536-0 , 0-415-09537-9
    Content: White people are not literally or symbolically white, yet they are called white. What does this mean? In Western media, whites take up the position of ordinariness, not a particular race, just the human race. How is this achieved? White takes these questions as starting points for an examination of the representation of whiteness by whites in Western visual culture. Dyer places this representation within the contexts of Christianity, 'race' and colonialism. In a series of absorbing case studies, he shows the construction of whiteness in the technology of photography and film as part of a wider 'culture of light', discusses heroic white masculinity in muscle-man action cinema, from Tarzan and Hercules to Conan and Rambo; analyses the stifling role of white women in end-of-empire fictions like The Jewel in the Crown and traces the associations of whiteness with death in Falling Down, horror movies and cult dystopian films such as Blade Runner and the Aliens trilogy.
    Language: English
    Subjects: Ethnology , General works , Sociology
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    Keywords: Weiße ; Kulturelle Identität ; Weiße ; Film
    Author information: Dyer, Richard, 1945-
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