UID:
almahu_9949707965302882
Format:
1 online resource (279 pages)
Edition:
1st ed.
ISBN:
9789048555208
Note:
Cover -- Table of Contents -- Introduction -- Gemma Blok and Jan Oosterholt -- Section 1 Philosophical Conceptualisations of Safety -- 1 Security, Certainty, Trust -- Historical and Contemporary Aspects of the Concept of Safety -- Eddo Evink -- 2 Tolerance: A Safety Policy in Pierre Bayle's Thought -- Ana Alicia Carmona Aliaga -- 3 The Shackles of Freedom -- The Modern Philosophical Notion of Public Safety -- Tom Giesbers -- Section 2 Security Cultures in History -- 4 The Invention of Collective Security after 1815 -- Beatrice de Graaf -- 5 Criminal, Cosmopolitan, Commodified -- How Rotterdam's Interwar Amusement Street, the Schiedamsedijk, Became a Safe Mirror Image of Itself -- Vincent Baptist -- 6 Tourists, Dealers or Addicts -- Security Practices in Response to Open Drug Scenes in Amsterdam, Rotterdam and Zurich, 1960-2000 -- Gemma Blok, Peter-Paul Bänzinger and Lisanne Walma -- Section 3 Narratives and Imaginaries of Safety -- 7 The 'Golden Age' Revisited -- Images and Notions of Safety in Insecure Times -- Nils Büttner -- 8 Safety as Nostalgia -- Infrastructural Breakdown in Stefan Zweig's Beware of Pity (1938) -- Frederik Van Dam -- 9 Brace for Impact -- Spatial Responses to Terror in Belfast and Oslo -- Roos van Strien -- Section 4 Narratives and Imaginaries of Unsafety -- 10 Safe at Home? -- The Domestic Space in Early Modern Visual Culture -- Sigrid Ruby -- 11 The Transfer of Nineteenth-Century Representations of Unsafety -- A Dutch Adaptation of Eugène Sue's Les Mystères de Paris -- Jan Oosterholt -- 12 Feeling Lost in a Modernising World -- A Critique on Martha Nussbaum's Emotion Theory through an Analysis of Feelings of Unsafety in Magda Szabó's Iza's Ballad -- Femke Kok -- List of Illustrations.
,
Figure 5.1 Professional profile of the Schiedamsedijk (1927). Source of map excerpt and address book data, respectively: Rotterdam City Archives, signature number: 40110-Z10, https://hdl.handle.net/21.12133/96CD44BCC38C4D1293732457E05751CE -- and Rotterdam -- Figure 5.2 Photograph of the Zevenhuissteeg with the Schiedamsedijk in the background, presumably in 1937, by J.F.H. Roovers. Source: Romer, Passagieren op 'De Dijk', 40 / H.A. Voet. -- Figure 5.3 Photograph of The Black Diamond Bar on the Schiedamsedijk, presumably during the 1930s (exact date and creator unknown). Source: Romer, Passagieren op 'De Dijk', 57 -- Troost, De meisies van de Schiedamsedijk, 65. -- Figure 5.4 Photograph taken from inside the Prinsendam ship replica, overlooking the Schiedamsedijk during the 1935 VVV festivity week. Source: Romer, Het Leuvekwartier van weleer, 100 / Rotterdam City Archives, signature number: 2002-1588, https://hdl.ha -- Figure 7.1 Peter Paul Rubens, Adoration of the Magi, 1609 (retouched 1628-29), canvas, 355.5 × 493 cm, Madrid, Museo del Prado. -- Figure 7.2 Peter Paul Rubens, Samson and Delilah, ca. 1609, panel, 185 × 205 cm, London, National Gallery. -- Figure 7.3 Christian von Couwenbergh, Samson und Delila, 1632, canvas, 156 × 196 cm, Dordrecht, Dordrechts Museum. -- Figure 7.4 Peter Paul Rubens, Mars Disarmed by Venus, ca. 1615-17, canvas, 170 × 193 cm, formerly Schloss Königsberg. -- Figure 7.5 Adriaen van de Venne, Allegory of the Twelve Years' Truce, 1616, panel, 62 × 113 cm, Paris, Museé du Louvre. -- Figure 7.6 Peter Paul Rubens, Minerva Protects Pax from Mars (Allegory on the Blessings of Peace), 1629-30, canvas, 203.5 × 298 cm, London, National Gallery.
,
Figure 7.7 Peter Paul Rubens, A Sermon in a Village Church, ca. 1633-35, black chalk, brush and brownish red ink, watercolour, body colour and oil, 422 × 573 mm, New York, The Metropolitan Museum of Art. -- Figure 7.8 Peter Paul Rubens, Lansquenets Carousing ('The Marauders'), ca. 1637-40, canvas, 121.9 × 163.2 cm, Switzerland, Private Collection. -- Figure 7.9 Peter Paul Rubens, Die Schrecken des Krieges, 1637/38, canvas, 206 × 345 cm, Florence, Palazzo Pitti, Galleria Palatina. -- Figure 7.10 Hendrick Hondius, Cows in a Landscape, 1644, etching and engraving, 20.6 × 15.7 cm. -- Figure 10.1 Abraham Bosse, Le mari battant sa femme (The husband hitting his wife), ca. 1633, engraving, 21 × 30 cm / 25.8 × 33.3 cm, New York, Metropolitan Museum of Art, Inv. Nr. 24.36.5 (Public Domain). -- Figure 10.2 Pieter de Hooch, Woman with Child in a Pantry, ca. 1656-60, canvas, 65 × 60.5 cm, Amsterdam, Rijksmuseum, Inv. Nr. SK-A-182 (Public Domain). -- Figure 10.3 Pieter de Hooch, The Bedroom, 1658/60, canvas, 51 × 60 cm, Washington, DC, National Gallery of Art, Widener Collection (Public Domain). -- Figure 10.4 Pieter de Hooch, The Messenger of Love, ca. 1670, canvas, 57 × 53 cm, Hamburg, Kunsthalle, Inv. Nr. HK-184. © Hamburger Kunsthalle / bpk, Photo: Elke Walford. -- Figure 10.5 Pieter de Hooch, The Intruder: A Lady at Her Toilet Surprised by Her Lover, ca. 1665, canvas, 54.5 × 63 cm, London, Apsley House, The Wellington Collection, Inv. Nr. WM.1571-1948. -- Figure 10.6 Crispijn van de Passe I, Lucretia, 1589/1611, engraving, 23.3 × 16.2 cm, Amsterdam, Rijksmuseum, Inv. Nr. RP-P-1986-284 (Public Domain).
Additional Edition:
Print version: Blok, Gemma The Cultural Construction of Safety and Security Amsterdam : Amsterdam University Press,c2024
Language:
English
Keywords:
Electronic books.
URL:
https://public.ebookcentral.proquest.com/choice/PublicFullRecord.aspx?p=31015907
URL:
https://doi.org/10.1515/9789048555208?locatt=mode:legacy
URL:
Volltext
(kostenfrei)
URL:
Volltext
(kostenfrei)
URL:
Volltext
(kostenfrei)
Bookmarklink
