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  • Berlin VÖBB/ZLB  (2)
  • SB Rathenow
  • HTW Berlin
  • Heinrich-Mann-Bibl. Strausberg
  • German Studies  (2)
  • 1
    UID:
    b3kat_BV017782379
    Format: 162 S.
    ISBN: 3826027086
    Series Statement: Film - Medium - Diskurs 2
    Language: German
    Subjects: German Studies
    RVK:
    Keywords: Johnson, Uwe 1934-1984 Jahrestage ; The New York Times ; Zeitungslektüre ; Erzähltechnik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV009865501
    Format: XX, 732, [32] S. , Ill.
    Edition: 1. ed.
    ISBN: 0802115292
    Content: "The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and
    Content: "The story of Brecht's artistic thefts is told against a backdrop of his equivocal politics through the turbulent times: from the 1932 New Year's party with members of Germany's virulent right wing, to his refusal to acknowledge Stalin's murderous purges, to his shocking break before the House Un-American Activities Committee, to his frequent anti-Semitism, to the privilege and ease he enjoyed in a repressive East Germany." "Brecht and Company will irrevocably change our understanding of one of the world's great writer-directors, even as it presents us with three new artists of enduring stature: Elisabeth Hauptmann, Margarete Steffin, and Ruth Berlau."--BOOK JACKET
    Note: Engl. Ausg. u.d.T.: Fuegi, John: The life and lies of Bertolt Brecht
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Brecht, Bertolt 1898-1956 ; Freundeskreis ; Literaturproduktion ; Biografie ; Biografie ; Biographie ; Biografie
    Author information: Fuegi, John 1936-
    Library Location Call Number Volume/Issue/Year Availability
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