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  • UdK Berlin  (9)
  • SB Rathenow
  • HTW Berlin
  • Heinrich-Mann-Bibl. Strausberg
  • Bildungsgesch. Forschung
  • GB Fredersdorf-Vogelsdorf
  • Musikwissenschaft  (9)
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  • 1
    Buch
    Buch
    New York, NY ; Oxford :Oxford Univ. Press,
    UID:
    almafu_BV005587258
    Umfang: XVI, 506, [16] S. : , Ill. ; , 25 cm.
    ISBN: 0-19-506508-5
    Inhalt: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler
    Inhalt: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven
    Inhalt: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure
    Anmerkung: Literaturangaben
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1886-1954 Furtwängler, Wilhelm ; 1886-1954 Furtwängler, Wilhelm ; Biografie ; Biografie ; Biografie ; Biografie ; Biographie ; Biografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York, NY [u.a.] :Palgrave Macmillan on behalf of the British Film Institute,
    UID:
    almafu_BV036704826
    Umfang: 226 S. : , Ill.
    Ausgabe: 1. publ.
    ISBN: 978-1-8445-7210-6
    Anmerkung: Tales of plagiarism and pastiche -- Nino Rota: life, works and times -- Ironic attachment -- Comedy -- Fellini -- Notes -- Synopses -- Re-uses -- Filmography -- Bibliography -- Index
    Sprache: Englisch
    Fachgebiete: Allgemeines , Musikwissenschaft
    RVK:
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    Schlagwort(e): 1911-1979 Rota, Nino ; Filmmusik
    Mehr zum Autor: Dyer, Richard 1945-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Oxford ; New York, NY [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV041570276
    Umfang: XI, 297, [14] S. : , Ill., Notenbeisp.
    ISBN: 978-0-19-973005-6
    Serie: The master musicians
    Inhalt: Nearly one hundred years after the death of its composer, the music of Claude Debussy has lost none of its breadth of appeal. With the rare ability to entice listeners on many levels, at its heart lies an engaging simplicity-one which defies traditional analysis and lends mystery to what ultimately is an extremely refined and highly personal approach to composition. Equally fascinating is Debussy's often contradictory personality-at times elusive, but always centered on his devotion to music and his ambition to create a name for himself unlike any other. Author Eric Frederick Jensen provides new insight to the man and the music in this authoritative biography. Although born into poverty, and a failure as a piano student at the Paris Conservatoire, Debussy became the most famous French composer of his day, known for his culture and refinement. His revolutionary music baffled critics but was embraced by audiences. Debussy's scandalous personal life stirred up as much controversy as his music, and his notoriety proved more harmful to his career than the unusual nature of his compositions. Jensen also explores Debussy's relationship to the arts and his career as a music critic. Debussy drew on all of the arts in his development as a composer, including poetry and painting, and his fascination with the arts has often led to his being classified as an Impressionist or Symbolist, two claims which Jensen debunks. One of the finest music critics of his time, Debussy's reviews reveal a great deal not only about his musical taste, but also about what he felt the role and function of music should be. Debussy brings together the most recent biographical research, including a revised catalogue of Debussy's compositions and the first complete edition of his correspondence. With separate, chronological sections on his life and music, Debussy is accessible to the general reader who wishes to focus on his life and personality, while p
    Anmerkung: Literaturverz. S. 279 - 289. - Werkverzeichnis Debussy Seite 260-272
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1862-1918 Debussy, Claude ; Biografie ; Werkverzeichnis ; Biografie ; Biografie ; Werkverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New York, NY :Knopf,
    UID:
    almafu_BV004311677
    Umfang: 354 S. : , Ill.
    Ausgabe: 1. ed.
    ISBN: 0-394-58339-6
    Serie: A Borzoi book
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1898-1937 Porgy and Bess Gershwin, George ; Aufführung ; Geschichte ; 1898-1937 Porgy and Bess Gershwin, George
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    New York, NY :Oxford University Press,
    UID:
    almahu_BV046100695
    Umfang: xviii, 829 Seiten : , Illustrationen, Diagramme, Notenbeispiele.
    ISBN: 978-0-19-045474-6 , 0190454741
    Anmerkung: Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-19-045476-0
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Buch
    Buch
    New York : Oxford University Press
    UID:
    b3kat_BV043707233
    Umfang: X, 540 Seiten , Illustrationen, Diagramme
    ISBN: 9780199841547
    Serie: Oxford handbooks
    Inhalt: The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The book is organized around three core thematic sections. The first, Sights & Sounds, concentrates on interaction between the experience of seeing and the experience of hearing. Sound, Space & Matter expands the idea of music to include environmental sounds, vibrating frequencies, homemade instruments, linguistic utterances, noise and silence. Architecture, likewise, faces a similar discourse that examines non-material spaces, environments, human habitats, performances, destruction and void. Enhanced by advanced digital technologies, this aesthetic shift opened the door for endless experiments, which give a new context to theoretical issues such as medium, matter and process in creating and perceiving art. In the third section, Performance, Performativity & Text, music as a performing art provides the point of departure. The new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound and text - to become active in new ways in contemporary dance, theatre and the visual arts.
    Inhalt: The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners. - Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Westliche Welt ; Musik ; Audiovisuelle Medien ; Mixed media ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    UID:
    almahu_BV041200038
    Umfang: XIV, 375 S. : , Ill.
    Ausgabe: 1. publ.
    ISBN: 978-1-4411-5937-3 , 1-4411-5937-1 , 978-1-4411-1054-1 , 1-4411-1054-2
    Anmerkung: Includes bibliographical references and index. - "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft , Allgemeines
    RVK:
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    Schlagwort(e): Geräuschmusik ; Aufsatzsammlung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York ; London ; Toronto ; Sidney ; Auckland : Nan A. Talese/Doubleday
    UID:
    b3kat_BV042338233
    Umfang: 470 Seiten , Illustrationen , 25 cm
    Ausgabe: First edition
    ISBN: 9780385534918
    Inhalt: Among the most creative and outsized personalities of the Weimar Republic, that sizzling yet decadent epoch between the Great War and the Nazis' rise to power, were the renegade poet Bertolt Brecht and the rebellious avant-garde composer Kurt Weill. These two young geniuses and the three women vital to their workactresses Lotte Lenya and Helene Weigel and writer Elizabeth Hauptmannjoined talents to create the theatrical and musical masterworksThe Threepenny OperaandThe Rise and Fall of the City of Mahagonny, only to split in rancor as their culture cracked open and their aesthetic and temperamental differences became irreconcilable.The Partnershipis the first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women whose creative gifts contributed enormously to their masterworks. And it tells the thrilling and iconic story of artistic daring entwined with sexual freedom during the Weimar Republic's most fevered years, a time when art and politics and society were inextricably mixed. - PAMELA KATZ is a screenwriter and novelist whose most notable works are films made in collaboration with legendary director Margarethe von Trotta, including Rosenstrasse; The Other Woman; and most recently Hannah Arendt, which received international acclaim, and was selected as one of the New York Times’ Top Ten Films of 2013. Katz teaches screenwriting at NYU's Tisch Graduate Film Program and lives with her family in New York City and Berlin.
    Inhalt: "The first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women--[actresses Lotte Lenya and Helene Weigel and writer Elizabeth Hauptmann]--whose creative gifts contributed enormously to their masterworks. And it tells the thrilling and iconic story of artistic daring entwined with sexual freedom during the Weimar Republic's most fevered years, a time when art and politics and society were inextricably mixed"--Amazon.com
    Anmerkung: Includes filmography (page 450), bibliographical references (pages 447-450) and index
    Sprache: Englisch
    Fachgebiete: Germanistik , Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Weill, Kurt 1900-1950 ; Brecht, Bertolt 1898-1956 ; Lenya, Lotte 1898-1981 ; Weigel, Helene 1900-1971 ; Hauptmann, Elisabeth 1897-1973 ; Biografie
    Mehr zum Autor: Katz, Pamela 1958-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    UID:
    almahu_BV043853454
    Umfang: XVI, 1267 Seiten ; , 25 cm.
    Ausgabe: 20th anniversary edition
    ISBN: 978-0-19-939242-1 , 978-0-19-939241-4
    Inhalt: Ian Bradley's "Complete Annotated Gilbert and Sullivan" has established itself across the world as the authorized and definitive 'Bible' for all those interested in the Savoy operas. Originally published in two Penguin paperbacks in the 1980s, a single-volume comprehensive compendium, hailed widely as "easily the best annotated Gilbert & Sullivan available" (Gayden Wren, New York Times) was published by Oxford University Press in 1996. This brand new 20th anniversary edition includes Thespis, Gilbert and Sullivan's first collaboration which is now being increasingly performed, despite the loss of the vocal and orchestral scores. It also features a completely new introduction, reflecting on the state of Gilbert and Sullivan nearly 150 years after the pair began their legendary collaboration, and new annotations addressing recent performance history, newly discovered 'lost' songs and dialogue, and, for the first time, Gilbert and Sullivan references in contemporary popular culture. Scholars, performers, and fans are sure to rejoice in this indispensable companion to the Gilbert and Sullivan repertoire, newly updated for the present day.
    Anmerkung: Revision of 1996 edition , Includes bibliographical references
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft , Anglistik
    RVK:
    RVK:
    RVK:
    Schlagwort(e): 1836-1911 Gilbert, William S. ; 1842-1900 Sullivan, Arthur ; Oper ; Libretto ; 1836-1911 Gilbert, William S. ; 1842-1900 Sullivan, Arthur ; Komische Oper ; Quelle ; Kommentar ; Quelle ; Kommentar
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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