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  • UdK Berlin  (84)
  • SB Rathenow
  • 2015-2019  (84)
  • 2017  (84)
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  • 1
    UID:
    b3kat_BV044423357
    Format: ix, 174, viii, 174 Seiten , Illustrationen
    ISBN: 9781517902377 , 9781517902360
    Note: Wendebuch, enthält zwei Teile , Zusatz des 2. Teiles: Monsters of the anthropocene , Contains two volumes in one; text orientation for both volumes is inverted in relation to each other , Volume 1. Ghosts. Introduction : haunted landscapes of the Anthropocene / Elaine Gan, Nils Bubandt, Anna Tsing, and Heather Swanson -- A garden or a grave? : the canyonic landscape of the Tijuana-San Diego region / Lesley Stern -- Marie Curie's fingerprint : nuclear spelunking in the Chernobyl zone / Kate Brown -- Shimmer : when all you love is being trashed / Deborah Bird Rose -- Future megafaunas : a historical perspective on the scope for a wilder Anthropocene / Jens-Christian Svenning -- Ladders, trees, complexity, and other metaphors in evolutionary thinking / Andreas Hejnol -- No small matter : mushroom clouds, ecologies of nothingness, and strange topologies of spacetimemattering / Karen Barad -- Haunted geologies : spirits, stones, and the necropolitics of the Anthropocene / Nils Bubandt -- Ghostly forms and forest histories / Andrew S. Mathews -- Establishing new worlds : the lichens of Petersham / Anne Pringle -- Coda : concept and chronotope / Mary Louise Pratt , Volume 2. Monsters. Introduction : bodies tumbled into bodies / Heather Swanson, Anna Tsing, Nils Bubandt, and Elaine Gan -- Deep in admiration / Ursula K. Le Guin -- Symbiogenesis, sympoiesis, and art Science activisms for staying with the trouble / Donna Haraway -- Noticing microbial worlds : the postmodern synthesis in biology / Margaret McFall-Ngai -- Holobiont by birth : multilineage individuals as the concretion of cooperative processes / Scott F. Gilbert -- Wolf, or, Homo homini lpus / Carla Freccero -- Unruly appetites : salmon domestication "all the way down" / Marianne Elisabeth Lien -- Without planning : the evolution of collective behavior in ant colonies / Deborah M. Gordon -- Synchronies at risk : the Intertwined lives of horseshoe crabs and red knot birds / Peter Funch -- Remembering in our amnesia, seeing in our blindness / Ingrid M. Parker -- Coda : beautiful monsters : terra in the Cyanocene / Dorion Sagan
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4529-5448-6
    Language: English
    Subjects: Political Science , Geography , Ethnology , General works , Sociology
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    Keywords: Humanökologie ; Umweltschaden ; Umweltveränderung ; Artensterben ; Umweltveränderung ; Anthropogener Einfluss ; Anthropozän ; Aufsatzsammlung
    Author information: Tsing, Anna Lowenhaupt 1952-
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  • 2
    Online Resource
    Online Resource
    Bielefeld : transcript
    UID:
    b3kat_BV044677480
    Format: 1 Online-Ressource (199 Seiten)
    ISBN: 9783839439999
    Series Statement: Edition Kulturwissenschaft 144
    Content: Warum sollte sich Wissenschaft mit populärkulturellen Phänomenen wie Kinofilmen, Werbung oder Popmusik beschäftigen und was vermag die Auseinandersetzung mit diesen zu leisten? Diesen Fragen geht der Band nach, indem er Beiträge aus unterschiedlichen geistes- und sozialwissenschaftlichen Disziplinen versammelt. Er zeigt dabei nicht nur die Bedeutung von Populärkultur auf, sondern fördert zugleich den Dialog zwischen Wissenschaft und einer breiten Öffentlichkeit. Als zentraler Bestandteil des Alltags bietet Populärkultur somit die Chance, Wissenschaft selbst populär zu machen und ihre gesellschaftliche Relevanz zu verdeutlichen
    Content: Why should science deal with pop culture phenomena, such as movies, commercials or pop music? And what can this debate contribute to science communication?
    Note: Text deutsch
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-3999-5
    Language: German
    Subjects: Ethnology , Sociology
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    Keywords: Massenkultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
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  • 3
    UID:
    b3kat_BV044434501
    Format: 173 Seiten , Illustrationen , 15.5 x 22.5 cm
    ISBN: 9783895814433
    Series Statement: Performing urgency #4
    Content: During its impressive career over the last decades the term ‘performative’ has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being ‘theatre-like’, believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
    Language: English
    Subjects: General works
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    Keywords: Museum ; Ausstellung ; Aufführung ; Performance ; Wood, Catherine 1973- ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Warsza, Joanna 1976-
    Author information: Malzacher, Florian 1970-
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  • 4
    Image
    Image
    London : Tate Publishing
    UID:
    b3kat_BV044274526
    Format: 192 Seiten , Illustrationen
    ISBN: 1849764522 , 9781849764520
    Content: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Note: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Language: English
    Subjects: Art History
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    Keywords: Großbritannien ; Kunst ; Homosexualität ; Geschichte 1861-1967 ; Ausstellungskatalog ; Ausstellungskatalog
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  • 5
    Book
    Book
    Munich ; London ; New York : DelMonico Books-Prestel | Los Angeles : The Museum of Contemporary Art
    UID:
    b3kat_BV044513292
    Format: 191 Seiten
    ISBN: 9783791356860 , 3791356860
    Content: Born in Calabria, Italy, in 1942, Anna Maria Maiolino is one of the leading artists of her generation. Her work reflects the major cultural and political realities of postwar Europe and South America as well as issues of patriarchy, feminism, and immigration. This book presents her prints, drawings, sculpture, photography, video, and performance pieces. From her early woodcuts, which spoke directly to the tense political atmosphere of her adopted country of Brazil, to her introspective works on paper-every aspect of Maiolino's incredibly diverse and accomplished career is presented in exquisite illustrations and with a series of informed and provocative essays. Exhibition: The Museum of Contemporary Art, Los Angeles, United States (04.08.-27.11.2017)
    Note: "Published on the occasion of the exhibition 'Anna Maria Maiolino'" , The Museum of Contemporary Art, Los Angeles, August 4-November 27, 2017 , Plate and section texts / Bryan Barcena, Hana Cohn, Helen Molesworth -- "Hunger is a virtue" / Bryan Barcena -- "An early late style : on Anna Maria Maiolino's 1970s work on paper" / Sergio B. Martins -- "Mother knowledge" / Helen Molesworth -- "The polymorphic impulse" / Briony Fer -- "The offering table, or the matter of death" / Anne M. Wagner -- Exhibition checklist
    Language: English
    Subjects: Art History
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    Keywords: Maiolino, Anna Maria 1942- ; Plastik ; Zeichnung ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband
    Author information: Molesworth, Helen 1966-
    Author information: Maiolino, Anna Maria 1942-
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  • 6
    Book
    Book
    Cambridge : Polity
    UID:
    b3kat_BV044244968
    Format: xi, 145 Seiten
    ISBN: 9780745692265 , 9780745692272
    Series Statement: Debating race
    Content: "The ecological crisis is the most overwhelming to have ever faced humanity and its consequences permeate every domain of life. This trenchant book examines its relation to Islamophobia as the dominant form of racism today, showing how both share roots in domination, colonialism and the logics of capitalism. Ghassan Hage proposes that both racism and humanity?s destructive relationship with the environment emanate from the same mode of inhabiting the world. In this process of domestication, an occupying force imposes its own interest as law, subordinating others for the extraction of value, eradicating or exterminating what gets in the way. In connecting these two issues, Hage gives voice to the claim taking shape in many activist spaces that anti-racist and ecological struggles are intrinsically related. In each the aim is to move beyond what makes us see otherness, whether human or non-human, as something that exists solely to be managed"...
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-0-7456-9229-6
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-7456-9230-2
    Language: English
    Subjects: General works , Sociology
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    Keywords: Islamfeindlichkeit ; Umweltkrise
    URL: Cover
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  • 7
    UID:
    b3kat_BV044204829
    Format: xxiii, 362 Seiten , Illustrationen, Diagramme
    ISBN: 9781472588173 , 9781472588180
    Content: "Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"...
    Additional Edition: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-472-58819-7
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-472-58820-3
    Language: English
    Subjects: General works
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    Keywords: Performance ; Archivierung ; Dokumentation ; Aufsatzsammlung ; Aufsatzsammlung
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  • 8
    Book
    Book
    London : Whitechapel Gallery | Cambridge, Massachusetts : The MIT Press
    UID:
    b3kat_BV044490983
    Format: 238 Seiten , 21 cm
    ISBN: 9780854882557 , 0854882553 , 9780262534338 , 0262534339
    Series Statement: Documents of contemporary art
    Uniform Title: Work (Aufsatzsammlung, 2017)
    Content: Warhol's Factory of the 1960s, Minimalism's assembly-line aesthetics, conceptual and feminist concern with workers' conditions in the 1970s -- these are among the antecedents of a renewed focus on the work of art: labor as artistic activity, as artistic method and as object of artistic engagement. In 2002, the 'Work Ethic' exhibition curated by Helen Molesworth at the Baltimore Museum of Art took its cue from recent art to spotlight this earlier era of artistic practice in which activity became as valid as, and often dispensed with, object-production. Revealed through this prism was 'dematerialized' art's close and critical relation to the emergent information age's criteria of management, production and skill. 00By 2015, the Venice Biennale reflected artists' wider concern with global economic and social crises, centered on exploitative and precarious worlds of employment. Yet while art increasingly engages with human travail, work's significance in itself is seldom addressed by critics. This anthology explicitly investigates work in relation to contemporary art, surveying artistic strategies that grapple with the complexities of being an art worker in the new economy, a postproducer, a collaborator, a fabricator, a striker, an ethical campaigner, or would-be transformer of labor from oppression to liberation
    Language: English
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    Keywords: Kunst ; Arbeit ; Geschichte 1960-2016 ; Aufsatzsammlung
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  • 9
    Book
    Book
    Oakland, California : University of California Press
    UID:
    b3kat_BV044195720
    Format: xvii, 184 Seiten , Illustrationen, Karten
    ISBN: 9780520283947
    Content: "Borderwall as Architecture is an account of the barrier that divides the United States of America from the United States of Mexico. It is an historical account, a protest against the wall, and a projection about its future through a series of propositions that suggest that the wall in its conception is an opportunity for economic and social development along the border. The book makes this case by taking readers on a conceptual journey along a wall that cuts through a "third nation"... the Divided States of America. Along this journey the transformative effects of the wall on people, animals and the natural and built landscape are exposed and called into question through the story of people, who on both sides of the border, transform the wall...giving it new meaning by challenging its very existence in remarkably creative ways. Coupled with these real-life accounts are unsolicited counter proposals for the wall, that re-imagine, hyperbolize, or question the wall and its construction, cost, performance and its meaning. These proposals work from the proposition that despite the intended use of the wall to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue."...Provided by publisher
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Ethnology
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    Keywords: USA ; Mexiko ; Grenzgebiet ; Grenzmauer ; Architektur
    URL: Cover
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  • 10
    Book
    Book
    Cambridge, Massachusetts ; London, England : Harvard University Press
    UID:
    b3kat_BV044479903
    Format: xxv, 229 Seiten
    ISBN: 9780674976528 , 0674976525
    Series Statement: The W.E.B. Du Bois lectures
    Content: Identities are not something we are born with, Hall argues, but are formed and transformed in the discourses of nation, ethnicity, and race. Casting his glance over the modern age, he shows how the imperial view of civilized-versus-barbarian gave way to a politics of identification that grew ever more unpredictable under late 20th century conditions of globalization. Race was long ago discredited by science yet it persists because it operates as a signifier, making meanings out of the binary representation of difference. From Renaissance to Enlightenment, stability prevailed in a West-centric order that fixed "their difference" against "our modernity," but the multi-accentual slide of signifiers also gave rise to new identities among subordinated subjects as well. Ethnicities that exclude others close down the multiple voicing built into every discourse, whereas Hall shows that "black" took on alternative meaning when Caribbean and South Asian migrants fought racism through alliances based not on genetic or cultural grounds but by opening the signifying chain to recodings. Migration is today at the heart of the contradictory tensions thrown up by global dislocations that have unsettled traditional bonds of collective belonging, although when nations make the rights of citizenship conditional on cultural homogeniety what Hall reveals is the extent to which liberal democracy's universalist values were grounded in an assimilationist worldview that has yet to be fully dismantled.--
    Language: English
    Subjects: Sociology
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    Keywords: Ethnische Identität ; Ethnizität ; Globalisierung ; Nationalität ; Rassismus ; Soziologie ; Vielfalt ; Geschichte ; Rassismus ; Nationalismus ; Ethnizität ; Kulturelle Identität ; Diskurs ; Globalisierung
    Author information: Hall, Stuart 1932-2014
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