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  • UdK Berlin  (35)
  • SB Rathenow
  • 2015-2019  (35)
  • Ausstellungskatalog  (35)
Type of Medium
Language
Region
Years
Year
Keywords
  • 1
    Image
    Image
    New York : Museum of Modern Art | Distributed in the United States and Canada by Artbook/D.A.P.
    UID:
    b3kat_BV045004608
    Format: 276 Seiten , Illustrationen
    ISBN: 9781633450332
    Content: "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them"
    Note: Impressum: "Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018" , Adrian Piper: reading the work , Adventures in reasonland , Propositions to politics: Adrian Piper's conceptual paradigms , Contrapositional becomings: Adrian Piper performs questions of identity , Plates -- , Xenophobia, stereotypes, and empirical acculturation: Neo-Kantianism in Adrian Piper's performance-based conceptual art , Body and soul , Adrian Piper and the rhetoric of conceptual art
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Piper, Adrian 1948- ; Ausstellungskatalog ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellungskatalog
    Author information: Piper, Adrian 1948-
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  • 2
    Image
    Image
    London : Tate Publishing
    UID:
    b3kat_BV044274526
    Format: 192 Seiten , Illustrationen
    ISBN: 1849764522 , 9781849764520
    Content: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Note: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Großbritannien ; Kunst ; Homosexualität ; Geschichte 1861-1967 ; Ausstellungskatalog ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Image
    Image
    Boston : Institute of Contemporary Art | New Haven ; London : Yale University Press
    UID:
    b3kat_BV043171943
    Format: 399 Seiten , 33 cm
    ISBN: 9780300211917
    Content: In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making the arts central to learning. Though it operated for only twenty-four years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, R. Buckminster Fuller, Karen Karnes, Willem de Kooning, and M.C. Richards, and students included Ruth Asawa, John Chamberlain, Ray Johnson, Robert Rauschenberg, and Cy Twombly. Leap Before You Look is a singular exploration of this legendary school and the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the college--spanning everything from the college's farm program to the influence of the Bauhaus--and about the people and ideas that gave it such a lasting impact. Catalogue entries highlight selected works, including writings, musical compositions, visual arts, pottery, and weaving. The book's fresh approach and rich illustrations convey the atmosphere of creativity and experimentation unique to Black Mountain College that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in art, radical pedagogy, and the enduring legacy of the college. -- Front jacket flap
    Note: Kolophon: "Published on the occasion of the exhibition 'Leap before you look : Black Mountain College, 1933-1957' organized by the Institute of Contemporary Art/Boston, October 10, 2015 - January 24, 2016. Hammer Museum, University of California, Los Angeles, February 21 - May 14, 2016. Wexner Center for the Arts, The Ohio State University, Columbus, September 17, 2016 - January 1, 2017."
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Black Mountain College ; Kunst ; Geschichte 1933-1957 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Molesworth, Helen 1966-
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  • 4
    Book
    Book
    Munich ; London ; New York : DelMonico Books-Prestel | Los Angeles : The Museum of Contemporary Art
    UID:
    b3kat_BV044513292
    Format: 191 Seiten
    ISBN: 9783791356860 , 3791356860
    Content: Born in Calabria, Italy, in 1942, Anna Maria Maiolino is one of the leading artists of her generation. Her work reflects the major cultural and political realities of postwar Europe and South America as well as issues of patriarchy, feminism, and immigration. This book presents her prints, drawings, sculpture, photography, video, and performance pieces. From her early woodcuts, which spoke directly to the tense political atmosphere of her adopted country of Brazil, to her introspective works on paper-every aspect of Maiolino's incredibly diverse and accomplished career is presented in exquisite illustrations and with a series of informed and provocative essays. Exhibition: The Museum of Contemporary Art, Los Angeles, United States (04.08.-27.11.2017)
    Note: "Published on the occasion of the exhibition 'Anna Maria Maiolino'" , The Museum of Contemporary Art, Los Angeles, August 4-November 27, 2017 , Plate and section texts / Bryan Barcena, Hana Cohn, Helen Molesworth -- "Hunger is a virtue" / Bryan Barcena -- "An early late style : on Anna Maria Maiolino's 1970s work on paper" / Sergio B. Martins -- "Mother knowledge" / Helen Molesworth -- "The polymorphic impulse" / Briony Fer -- "The offering table, or the matter of death" / Anne M. Wagner -- Exhibition checklist
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Maiolino, Anna Maria 1942- ; Plastik ; Zeichnung ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband
    Author information: Molesworth, Helen 1966-
    Author information: Maiolino, Anna Maria 1942-
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  • 5
    UID:
    b3kat_BV043557083
    Format: 323 Seiten
    ISBN: 9783863359300
    Content: "No It Is!" documents two recent major presentations of work by South African artist William Kentridge (born 1955): his exhibition at the Martin-Gropius-Bau in Berlin and his performances at the Berliner Festspiele in summer 2016. This artist’s book incorporates a libretto for a performed guided tour of the exhibition--a performance which is both a guide to the exhibition and an exhibit within it--and writings by or conversations with Kentridge about the two projects. The exhibition includes early drawings, animated films, installations, large-scale projections such as More Sweetly Play the Dance and theatrical pieces ranging from Winterreise, an evening of Schubert lieder, collaborations with the Handspring Puppet Company and chamber opera. In the performance series, titled Drawing Lessons, Kentridge discusses his working methods and his political context, from the Apartheid era to the present.
    Note: Martin-Gropius-Bau, 12. Mai bis 21. August 2016, Haus der Berliner Festspiele, Foreign Affairs - International Performing Arts Festival, 5. bis 17. Juli 2016
    Language: German
    Subjects: Art History
    RVK:
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    Keywords: Kentridge, William 1955- ; Performance ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Herzogenrath, Wulf 1944-
    Author information: Breidbach, Angela 1960-
    Author information: Kentridge, William 1955-
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  • 6
    UID:
    b3kat_BV046113948
    Format: 424 ungezählte Seiten , Illustrationen , 31 Fotobeilagen
    ISBN: 9789462085121
    Content: Headdresses and coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, gender, ethnicity, religion, profession and sub-culture. As part of a cultural identity, they can be used to distinguish or divide people, but may also serve as a constructive instrument that allows us to recognise mutual differences as a common value. Cultural identity is continuously evolving. Photos and texts provide a vehicle to question prevailing dynamics of identity and identification, visual stereotypes and cultural representation. Daniela Dossi's long-term residency at the open and collective studio Manoeuvre, a multidisciplinary artist-run space in Ghent's Rabot neighbourhood, resulted in an open design method, a textile research project based on a visual and textual archive of headdresses from around the world, and a preliminary collection of hybrid headdresses. The super-diversity of the studio provided the ideal context for this research. Together with Dossi, participants from diverse backgrounds and origins made 800 textile samples by hand using different techniques. Based on this open system, new hybrid headdresses and narratives can be designed by remixing images, texts and textiles: what might the headdress of the first Mexican, female President of the United States look like, for example? 'Hybrid Heads' is a project by Daniela Dossi and Manoeuvre. It is also an exhibition, an interactive installation, a web platform and a design-educational programme.
    Note: Colophon: A project by Daniela Dossi and Manoeuvre, developed in the context of an art residency at Maneouvre (Ghent, BE) in 2014-15 and further developed in 2016-19. Published in conjunction with the exhibition 'Hybrid Heads', Design Museum Gent, 05.04.19-10.06.19
    Language: English
    Subjects: Ethnology , Art History
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Dossi, Daniela ; Installation ; Kopfbedeckung ; Kopfbedeckung ; Kulturelle Identität ; Bedeutung ; Textilforschung ; Projekt ; Dossi, Daniela ; Manoeuvre ; Kopfbedeckung ; Design ; Methode ; Ausstellungskatalog
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  • 7
    UID:
    b3kat_BV046717141
    Format: 483 Seiten , Illustrationen , 34 cm
    ISBN: 9788470756610 , 9788494647581
    Uniform Title: Genealogies of art
    Note: Impressum: "This catalog and its Spanish edition are published on the occasion of the exhibition "Genealogies of art or the history of art as visual art", an exhibition by Fundación Juan March and Museo Picasso Málaga. Fundación Juan March, Madrid, October 11, 2019 to January 12, 2020; Museo Picasso Málaga, February 26 to May 31, 2020"
    Additional Edition: Parallele Sprachausgabe Genealogías del arte
    Language: English
    RVK:
    Keywords: Kunst ; Moderne ; Geschichte ; Kunst ; Visuelle Kommunikation ; Kunst ; Entwicklung ; Methode ; Kunstgeschichtsschreibung ; Visualisierung ; Grafische Darstellung ; Diagramm ; Geschichte ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Lebrero Stals, José 1954-
    Author information: Fleckner, Uwe 1961-
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  • 8
    UID:
    b3kat_BV043709098
    Format: 187 Seiten , 28 cm
    ISBN: 9781849763707
    Content: Bhupen Khakhar (19342003) was active in India from the late 1960s. A gentle radical, his luminous paintings addressed issues of class, gender and sexuality with sensitive, often tragicomic nuance. This publication presents a fresh take on his artistic, social and spiritual interests. Significant essays on Khakhars artistic influences are accompanied by focused responses to key works by leading writers, curators and artists. Khakhars unique voice is revealed in excerpts from the last interview before his death in 2003, and in a facsimile reproduction of the artists book Truth is Beauty and Beauty is God, out of print since 1972. With personal and touching contributions by those who knew him, this richly illustrated publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism. 0Exhibition: Tate Modern, London, UK (01.06-06.11.2016) / Deutsche Bank Kunsthalle, Berlin, Germany (18.11.2016-06.03.2017)
    Note: Includes bibliographical references and index. - On the occasion of the exhibiton 'Bhupen Khakhar. You can't please all', Tate Modern London, 1 June - 6 November 2016, Deutsche Bank KunstHalle Berlin, 18 November 2016 - 5 March 2017 , A Man Labelled Bhupen Khakhar Branded as Painter / Nada Raza -- Muktibahini Soldier / Devika Singh -- You Can't Please All / Timothy Hyman -- In a Boat / Adrian Rifkin -- Son is the Father of Man / Gulammohammed Sheikh -- Ram Bhakt Hanuman / Karin Zitzewitz -- Visit to Sri Lanka / Ranjit Hoskote -- Two or three things I know about l'homme/dost / Vivan Sundaram -- Truth is Beauty and Beauty is God / Bhupen Khakhar -- Living Without Limits: Bhupen Khakhar's Cosmopolitanism / Shanay Jhaveri -- Mortality Morbidity Masquerade / Geeta Kapur -- Sadanand Menon interviews / Bhupen Khakhar
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Khakhar, Bhupen 1934-2003 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Hoskote, Ranjit 1969-
    Author information: Dercon, Chris 1958-
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  • 9
    UID:
    b3kat_BV045234941
    Format: 298 Seiten , Illustrationen
    ISBN: 9783037785805 , 3037785802
    Language: English
    Subjects: Engineering
    RVK:
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    Keywords: Geschlossenes System ; Wohnen ; Architektur ; Innenarchitektur ; Ausstellungskatalog
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  • 10
    UID:
    b3kat_BV046122476
    Format: 428 Seiten , 29 cm
    ISBN: 9783906915395 , 3906915395
    Content: This monumental tome contains the entirety of the important German artist's drawings held in the collection of the Allen Memorial Art Museum, Oberlin College, Ohio. The AMAM was the first museum to purchase a sculpture by Hesse, Laocoon, in 1970. In gratitude for its recognition of Hesse's work, and following the artist's untimely death, her sister Helen Hesse Charash generously donated the artist's notebooks, diaries, sketchbooks, photographs and letters to the museum. Hesse's drawings played a crucial role played in her work, which in turn gave way to an array of highly innovative techniques and styles that today still defy classification. As she commented in 1970: "I had a great deal of difficulty with painting but never with drawing ... the translation or transference to a large scale and in painting was always tedious.... So I started working in relief and with line." Hesse's custom of introducing sculptural materials into drawing and painting continues to influence artmaking today. Exhibition: Musuem Wiesbaden, Germany (15.05.-23.06.2019) / mumok, Vienna, Austria (16.11.2019-16.02.2020) / Hauser & Wirth, New York, USA (2020) / Allen Memorial Art Museum, Oberlin, USA (2020)
    Note: Impressum: A selection of the works in this publication were included in the traveling exhibition "Forms Larger and Bolder: Eva Hesse Drawings from the Allen Memorial Art Museum at Oberlin College", Museum Wiesbaden, March 14-June 23, 2019; Hauser & Wirth New York, September 5-October 19, 2019; Museum moderner Kunst Stiftung Ludwig Wien, November 15, 2019-February 16, 2020; The Allen Memorial Art Museum, September 1-December 13, 2020 , Preface / Helen Hesse Charash -- Foreword / Andria Derstine -- Doing things on paper / Briony Fer -- Woodstock paintings / Gioia Timpanelli -- Plates -- No Title, 1964 / Manuela Ammer -- No Title, 1964 / Jörg Daur -- No Title, 1960 / Andrea Gyorody -- Deutsche Übersetzungen , Text englisch und deutsch
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Allen Memorial Art Museum ; Hesse, Eva 1936-1970 ; Zeichnung ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Ammer, Manuela 1977-
    Author information: Daur, Jörg 1973-
    Author information: Hesse, Eva 1936-1970
    Author information: Fer, Briony 1956-
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