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  • UdK Berlin  (3)
  • SB Rathenow
  • Judaica  (3)
  • 2015-2019  (3)
Type of Medium
Language
Region
Virtual Catalogues
  • Judaica  (3)
Years
Year
Subjects(RVK)
  • 1
    Book
    Book
    Woodbridge : The Boydell Press
    UID:
    b3kat_BV044997612
    Format: xxv, 506 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781783272846
    Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext)
    Note: Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Joachim, Joseph 1831-1907 ; Violinmusik ; Biografie ; Werkverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge, Massachusetts ; London, England : Harvard University Press
    UID:
    b3kat_BV044479903
    Format: xxv, 229 Seiten
    ISBN: 9780674976528 , 0674976525
    Series Statement: The W.E.B. Du Bois lectures
    Content: Identities are not something we are born with, Hall argues, but are formed and transformed in the discourses of nation, ethnicity, and race. Casting his glance over the modern age, he shows how the imperial view of civilized-versus-barbarian gave way to a politics of identification that grew ever more unpredictable under late 20th century conditions of globalization. Race was long ago discredited by science yet it persists because it operates as a signifier, making meanings out of the binary representation of difference. From Renaissance to Enlightenment, stability prevailed in a West-centric order that fixed "their difference" against "our modernity," but the multi-accentual slide of signifiers also gave rise to new identities among subordinated subjects as well. Ethnicities that exclude others close down the multiple voicing built into every discourse, whereas Hall shows that "black" took on alternative meaning when Caribbean and South Asian migrants fought racism through alliances based not on genetic or cultural grounds but by opening the signifying chain to recodings. Migration is today at the heart of the contradictory tensions thrown up by global dislocations that have unsettled traditional bonds of collective belonging, although when nations make the rights of citizenship conditional on cultural homogeniety what Hall reveals is the extent to which liberal democracy's universalist values were grounded in an assimilationist worldview that has yet to be fully dismantled.--
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: Ethnische Identität ; Ethnizität ; Globalisierung ; Nationalität ; Rassismus ; Soziologie ; Vielfalt ; Geschichte ; Rassismus ; Nationalismus ; Ethnizität ; Kulturelle Identität ; Diskurs ; Globalisierung
    Author information: Hall, Stuart 1932-2014
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  • 3
    UID:
    b3kat_BV044710179
    Format: 204 Seiten , 22.5 cm x 16.5 cm
    Edition: 1. Auflage
    ISBN: 9783956401336 , 3956401336
    Uniform Title: How to understand Israel in 60 days or less
    Language: German
    Subjects: History , Geography
    RVK:
    RVK:
    Keywords: Comic ; Reisebericht
    Author information: Althoff, Gerlinde 1958-
    Library Location Call Number Volume/Issue/Year Availability
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