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  • UB Potsdam  (5)
  • SB Calau
  • Feministisches Archiv
  • Polnisches Institut
  • Bibliothek des Konservatismus
  • Zentrum für Hist. Forschung Berlin
  • TH Brandenburg
  • Kreisbibliothek des Landkreises Spree-Neiße
  • Film
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  • 1
    Online Resource
    Online Resource
    New Delhi ; London ; Oxford ; New York ; Sydney :Bloomsbury India,
    UID:
    almahu_BV047276369
    Format: 1 Online-Ressource (xxv, 309 Seiten).
    ISBN: 978-9-38981-244-2 , 9789389812435 , 9789389812428
    Content: "Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike."
    Note: Includes bibliographical references (pages 283-290) and index , Introduction: Between Meaning and Significance -- 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film -- 2. A Fallible Tradition: Kenji Mizoguchi and the Post-War Transformation of Japan -- 3. World and Text: Interpreting Jacques Rivette -- 4. Unattainable Women: Sexual Anxiety and Location- Scorsese, Rohmer and Kiarostami -- 5. Beyond Religion: The Spiritual Cinema of Robert Bresson -- 6. Nation and Transgression: Ideology and the Horror Film in India and Pakistan -- 7. A Trajectory of Form: The Development of Soviet/Russian Cinema (1910-2010) -- 8. History as Polyphony: Understanding Aleksei German -- 9. Utopia and the Patriarchal Order: Zhang Yimou as a Chinese National Artist -- Bibliography -- Film Index -- Index -- About the Author
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 9789389714203
    Additional Edition: Erscheint auch als Druck-Ausgabe, Broschur ISBN 9780567696830
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-21-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-20-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Globalisierung ; Entstehung ; Soziokultureller Faktor
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1018533141
    Format: 1 Online-Ressource (x, 222 p) , Illustrationen
    Edition: 2014
    ISBN: 9781501315831 , 9781501315824 , 9781501315817
    Content: "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"--
    Content: " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "--
    Content: Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501315800
    Additional Edition: Erscheint auch als Druck-Ausgabe Richardson, Michael Gestures of testimony New York : Bloomsbury, an imprint of Bloomsbury publishing inc, 2016 ISBN 9781501315800
    Language: English
    Subjects: American Studies , Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    Keywords: Literatur ; Folter ; Film ; Politik ; Folter ; Folter ; Affekt ; Psychisches Trauma ; Zeugnis ; Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Heidelberg : Winter
    UID:
    gbv_73921893X
    Format: XVII, 563 S. , Ill. , 210 mm x 135 mm
    ISBN: 3825361799 , 9783825361792
    Series Statement: American studies 234
    Note: Literaturangaben , American lives: Preface , "Ship-Mate-Ship": Commemorating the lives of friends in Francis Daniel Pastorius's anniversary poems , Self, other, and catholicism in Dorothy Day's 'The long loneliness' (1952): Narrativeconstructions of a personalist identity , Photography as online life writing: Miranda July's and Harrell Fletcher's 'Learning to love you more' (2002-09) , A transcultural consideration of "place": Thoreau's Walden Pond and Kitarō Nishida's "basho" , "America's exhibit A": Hillary Rodham Clinton's 'Living history' and the genres of authenticity , Intellectual biography and the matrix of creativity , Slow lives: Micro-traditions in American and Hawaiian biography and aurobiography , "What happens when the vanishing race doesn't vanish?". Scenes of Native North American historio/biography , Borderlands: First, second, and third person. Adventures in crossing disciplines , Narrating family lives: Religion and enslavement in Samuel West's 'Memoirs' (1807) , Reconstructing race relations: Esther Hill Hawks' diary and her life among the Freedmen , Eliza Potter's "barberous profession": Self, race, and nation in 'A hairdresser's experience in high life' , Laughing at the greenhorn: Humor in immigrant autobiographies , "Creating dangerously": Writing, exile and diaspora in Edwidge Danticat's and Dany Laferrière's Haitian memoirs , Transnational affiliations in the mixed race memoir: Barack Obama's 'Dreams from my father' , The DREAMers: Narratives of deservingness in pro-immigrant activism in the twenty-first century , Grant Morrison's "fiction suits": Comics autobiography as genre fiction - Genre fiction as comics autobiography , On the drawing board: The many autobiographical "wedges" of Alison Bechdel , Family business: Death in Alison Bechdel's 'Fun home' , "Deep-Mapping" the diversity of New York lives: The "City of Memory" digital project , Adaption and self-expression in 'Julie/Julia' , 'Life and times of ...' Promethean (counter-)narratives and the poetic function of aesthetic experience in rap , Staring at (the man formerly known as) Lew Alcindor: The cultural politics of a basketball life , Remediating multi-racial memories: Audre Lorde's Berlin years and the genealogy of Afro-German life writing , Rebuilding the neighborhood: Race, property, and urban renewal projects in 'Tremé' , The mental detective: Jonathan Lethem's 'Motherless Brooklyn' , The killer inside: First person narration and the reader/viewer in serial killer narratives , The pathological protagonist in recent films by Martin Scorsese , Survival of the sickest? Cognitive disorders and the question of agency in contemporary American fiction , Panel on life sciences and life writing
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Literatur ; Film ; USA ; Nationalbewusstsein ; Aufsatzsammlung
    Author information: Hornung, Alfred 1945-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York : Continuum
    UID:
    gbv_1679245198
    Format: Online-Ressource
    ISBN: 9781628928303
    Content: "In what may be the most in-depth study yet published of a film star's body of work, Susan Hayward charts the career of Simone Signoret, one of the great Frech actresses of the 20th Century. Signoret- who won an Oscar in 1960 for her performance in Room at the Top- was a key figure in French cinema for 40 years. But it is not so much her longevity that impresses, as it is the quality of work she produced as her career progressed. She started out as a stunningly beautiful woman, winning major international awards five times for her roles, and yet was only moderately in demand during those years. From the 1960s onwards, when her looks began to decline significantly, Signoret was in greater demand, and produced most of her output. She insisted on playing roles consonant with her real age, and often chose to play roles that portrayed wher as even more ugly than she had become.Simore Signoret: The Star as Cultural Sign is a remarkable achievement, a labor of love from one of the world's leading scholars of French cinema."--Bloomsbury Publishing
    Note: Includes filmography - Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9780826413932
    Additional Edition: ISBN 9780826413949
    Additional Edition: Available in another form
    Language: English
    Keywords: Signoret, Simone 1921-1985 ; Signoret, Simone 1921-1985 ; Film ; Electronic books
    Author information: Hayward, Susan 1945-
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_179529261X
    Format: 1 videodisc (62 min.) , sound, color , 4 3/4 in
    Edition: Full screen
    Original writing title: מטולדו לירושלים
    ISBN: 1560865318 , 9781560865315
    Content: Yehoram Gaon describes the history, culture and customs of Sephardic Jews in a travelogue which goes from Spain to various centers of Sephardic culture and covers the times of persecution from 1492 to the Nazi Holocaust. Yehoram Gaon sings numerous Sephardic songs and hymns on the video
    Note: Originally released in 1988 as a videocassette , Includes "Story of a journey" featurette , DVD, NTSC, Region 1; Dolby Digital 2.0 sound. , In Ladino; optional subtitles in English or Hebrew
    Language: Ladino
    Keywords: Film ; DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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