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  • Bauhaus-Archiv Berlin  (2)
  • Alice Salomon HS  (1)
  • SB Calau
  • Eder, Jacob S.  (1)
  • Galassi, Peter  (1)
  • Hochman, Elaine S.  (1)
  • 1
    UID:
    b3kat_BV043545130
    Format: XV, 296 Seiten , Illustrationen
    ISBN: 9780190237820
    Content: In the face of an outpouring of research on Holocaust history, Holocaust Angst takes an innovative approach. It explores how Germans perceived and reacted to how Americans publicly commemorated the Holocaust. It argues that a network of mostly conservative West German officials and their associates in private organizations and foundations, with Chancellor Kohl located at its center, perceived themselves as the "victims" of the afterlife of the Holocaust in America. They were concerned that public manifestations of Holocaust memory, such as museums, monuments, and movies, could severely damage the Federal Republic's reputation and even cause Americans to question the Federal Republic's status as an ally. From their perspective, American Holocaust memorial culture constituted a stumbling block for (West) German-American relations since the late 1970s. Providing the first comprehensive, archival study of German efforts to cope with the Nazi past vis-a-vis the United States up to the 1990s, this book uncovers the fears of German officials - some of whom were former Nazis or World War II veterans - about the impact of Holocaust memory on the reputation of the Federal Republic and reveals their at times negative perceptions of American Jews. Focusing on a variety of fields of interaction, ranging from the diplomatic to the scholarly and public spheres, the book unearths the complicated and often contradictory process of managing the legacies of genocide on an international stage. West German decision makers realized that American Holocaust memory was not an "anti-German plot" by American Jews and acknowledged that they could not significantly change American Holocaust discourse. In the end, German confrontation with American Holocaust memory contributed to a more open engagement on the part of the West German government with this memory and eventually rendered it a "positive resource" for German self-representation abroad. Quelle/Source: Umschlag.
    Note: Dissertation University of Pennsylvania
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-19-023784-4
    Language: English
    Subjects: History , Political Science
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    Keywords: Deutschland ; USA ; Judenvernichtung ; Öffentliche Meinung ; Kollektives Gedächtnis ; Transnationale Politik ; Geschichtsbewusstsein ; Geschichte 1970-1998 ; Deutschland ; Judenvernichtung ; USA ; Öffentliche Meinung ; Kollektives Gedächtnis ; Geschichte 1970-1998 ; Hochschulschrift
    Author information: Eder, Jacob S. 1979-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Fromm Internat.
    UID:
    b3kat_BV011501741
    Format: XII, 371 S.
    Edition: 1. ed.
    ISBN: 0880641754
    Content: The Bauhaus is the most celebrated artistic institution of our time. In the fourteen years of its existence in Weimar Germany, the Bauhaus became a center where the ideas that would dominate art in the twentieth century clashed and became defined. The ideas forged within the school literally transformed our landscape. Almost nothing we read, wear, or live in is devoid of its influence
    Content: Yet there has been a history of the Bauhaus. For the first time, Elaine S. Hochman sets the school in the context of the turbulent times to which it was born following the collapse of Imperial Germany in 1919. The Bauhaus emerged just as radical social and political upheavals swept through Europe in the wake of World War I, a product of the convulsions of an age when the contest between ideologies was fought with the fervor of a religious war. Left was pitted against right of the streets, and these battles penetrated the walls of the Bauhaus as well. They shaped the destiny of the fledgling school and those who taught there, including some of the most illustrious names in the world of modern art - Walter Gropius, Mies van der Rohe, Lyonel Feininger, Paul Klee, and Wassily Kandinsky
    Content: Hochman's access to the school's archives, previously off limits to Western scholars, provides an intimate day-to-day perspective of the school which reveals a different Bauhaus than the one projected by its latter-day champions in the U.S. This is the Bauhaus of its contemporaries, for whom the political and cultural implications were often more important than aesthetics
    Language: English
    Subjects: Art History
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    Keywords: Bauhaus ; Geschichte
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  • 3
    UID:
    kobvindex_BAU01308
    Format: 192 S. , Ill.
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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