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  • UdK Berlin  (3)
  • SB Calau
  • HS Musik Hanns Eisler
  • GB Schulzendorf
  • 1990-1994  (3)
Type of Medium
Language
Region
Year
Person/Organisation
Subjects(RVK)
  • 1
    UID:
    b3kat_BV005587258
    Format: XVI, 506, [16] S. , Ill. , 25 cm
    ISBN: 0195065085
    Content: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler
    Content: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven
    Content: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure
    Note: Literaturangaben
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Furtwängler, Wilhelm 1886-1954 ; Furtwängler, Wilhelm 1886-1954 ; Biografie ; Biographie ; Biografie ; Biografie
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  • 2
    UID:
    b3kat_BV004311677
    Format: 354 S. , Ill.
    Edition: 1. ed.
    ISBN: 0394583396
    Series Statement: A Borzoi book
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Gershwin, George 1898-1937 Porgy and Bess ; Aufführung ; Geschichte ; Gershwin, George 1898-1937 Porgy and Bess
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    UID:
    b3kat_BV009976266
    Format: XIV, 389 S. , zahlr. Ill.
    ISBN: 0520083946
    Series Statement: California studies in 19th century music 9
    Content: As never before or since, the life and works of Richard Wagner dominated American music-making at the close of the nineteenth century. Europe, too, was obsessed with Wagner, but - as Joseph Horowitz shows in this first history of Wagnerism in the United States - the American obsession was unique
    Content: Wagner himself predicted that the New World would prove especially receptive to his operas and ideas, and he was right. The conductor Anton Seidl (1850-1898) was his crucial New World emissary, a priestly and enigmatic central figure in New York's musical life - and the central figure in Wagner Nights. Though acclaimed in Europe as Wagner's closest protege, Seidl became an American citizen
    Content: Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. For wives whose husbands were away making money, and whose own professional possibilities were suppressed by contemporary mores, Seidl's performances offered the intense emotional release of Sieglinde's ecstatic pregnancy and Isolde's orgasmic love-death. At the Metropolitan Opera, according to the Musical Courier, the audience "stood on their chairs and screamed their delight for what seemed hours." In the summers, Seidl conducted fourteen times a week at Brighton Beach, on Coney Island
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Wagner, Richard 1813-1883 ; New York, NY ; Rezeption ; Geschichte 1880-1900 ; Wagner, Richard 1813-1883 ; USA ; Rezeption ; Geschichte
    Author information: Horowitz, Joseph 1948-
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