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  • Inst. f. Musikforschung  (20)
  • SB Calau  (9)
  • HS Musik Hanns Eisler  (5)
  • SB Fürstenwalde  (4)
  • SKB Bad Freienwalde  (3)
Type of Medium
Language
Region
Library
Virtual Catalogues
Subjects(RVK)
  • 1
    Book
    Book
    New York, NY ; Oxford :Oxford Univ. Press,
    UID:
    almafu_BV005587258
    Format: XVI, 506, [16] S. : , Ill. ; , 25 cm.
    ISBN: 0-19-506508-5
    Content: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler
    Content: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven
    Content: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure
    Note: Literaturangaben
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1886-1954 Furtwängler, Wilhelm ; 1886-1954 Furtwängler, Wilhelm ; Biografie ; Biografie ; Biografie ; Biographie ; Biografie ; Biografie
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  • 2
    Book
    Book
    New York [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV014070940
    Format: XII, 338 S. : Ill.
    ISBN: 0-19-511637-2 , 0-19-511638-0 , 978-0-19-511638-0
    Content: This work collates over 100 primary-source documents for students of the history of opera. The varied selections - which include letters, excerpts of journals, bits of libretti, and contemporary criticism - provide eye-witness commentary on the world of opera from its late-Renaissance infancy through modern times. Each selection is introduced by an extensive headnote that both explains the document's context and positions it in the book's overall narrative.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Oper ; Geschichte ; Quelle ; Quelle ; Quelle
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  • 3
  • 4
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV023033499
    Format: XV, 394 S.
    Edition: 1. publ.
    ISBN: 9780521873925
    Note: Includes bibliographical references and index , Childhood and apprentice years. Perleberg and Berlin ; Coming out in Hamburg -- Rise to fame in Vienna. From empire to republic ; A prima donna in the Staatsoper ; Private times -- Climax and crises. New challenges in Vienna ; Professional life and private affairs ; America -- Between Third Reich seduction and American opportunity. Lotte Lehmann, the lion, and the Third Reich ; New York -- Between touring and teaching, 1940-1950. Frances Holden, Santa Barbara, and the New World ; Professional transformations -- Triumphs and burdens of old age, 1951-1976. The Music Academy of the West ; Master pupils ; At dusk ; Epilogue
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Lehmann, Lotte 1888-1976 ; Biografie ; Biografie
    Author information: Kater, Michael H. 1937-
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  • 5
    UID:
    almahu_BV046100695
    Format: xviii, 829 Seiten : , Illustrationen, Diagramme, Notenbeispiele.
    ISBN: 978-0-19-045474-6 , 0190454741
    Note: Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-045476-0
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
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  • 6
    Book
    Book
    Rochester, New York :Camden House,
    UID:
    almahu_BV044997533
    Format: XIII, 238 Seiten : , Notenbeispiele.
    ISBN: 978-1-64014-000-4
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Note: Includes bibliographical references and index , Introduction. - Early Songs. - To Those Who Come After. - Hölderlin in Hollywood. - A Home for Goethe? - Serious Songs. - Conclusion. - Notes. - Bibliography. - Index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1898-1962 Eisler, Hanns ; Lied ; Hochschulschrift
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  • 7
    UID:
    almahu_BV041200038
    Format: XIV, 375 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-1-4411-5937-3 , 1-4411-5937-1 , 978-1-4411-1054-1 , 1-4411-1054-2
    Note: Includes bibliographical references and index. - "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson
    Language: English
    Subjects: Musicology , General works
    RVK:
    RVK:
    Keywords: Geräuschmusik ; Aufsatzsammlung ; Aufsatzsammlung
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  • 8
    Book
    Book
    Hamburg : Cora-Verl
    UID:
    kobvindex_VBRD-i97838994179680300
    Format: 300 S.
    Edition: Ungekürzte, vollst. neu übers. Ausg., 1. Aufl
    ISBN: 9783899417968
    Series Statement: Mira-Taschenbuch 25489 : New-York-Times-Bestseller-Autoren : Romance
    Uniform Title: The heart's victory
    Content: Muss dieser Mann eigentlich alles mit so viel Tempo machen? Erst stürmt er Foxys Herz, dann beginnt er mit ihr eine atemlose Affäre - und schließlich macht er ihr einen Heiratsantrag rasanter als sie "Ich will!" sagen kann
    Note: Aus dem Engl. übers
    Language: German
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  • 9
    Book
    Book
    New York, NY : Scribner
    UID:
    gbv_280238525
    Format: 444 S. , Ill.
    ISBN: 0684824582
    Series Statement: A Lisa Drew book
    Note: Includes bibliographical references (p. 417-421) and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Chopin, Frédéric 1810-1849 ; Chopin, Frédéric 1810-1849 ; Paris ; Biografie
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  • 10
    Book
    Book
    Lanham, Md. [u.a.] : Rowman & Littlefield
    UID:
    gbv_1615603131
    Format: XXXIII, 299 S. , Ill. , 24 cm
    ISBN: 9780810888500 , 9780810888494
    Content: Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study.
    Note: Includes bibliographical references (pages 269-278) and index , Background : who, when, and howDecisions : topics, pieces, and performers -- The postmodernist : highbrow, lowbrow, and middlebrow joined -- The television pioneer : origins, competition, success -- The pacifist : the cold war intrudes -- The liberal : civil rights, feminism, and the counterculture -- The musical reactionary : atonality versus tonality or composer versus audience -- The advocate for American music : search for an American identity.
    Additional Edition: ISBN 9780810888500
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Bernstein, Leonard 1918-1990 ; Jugendkonzert ; New York Philharmonic ; Konzertreihe ; Geschichte 1958-1972
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