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  • Staatliche Museen  (48)
  • Bildungsgesch. Forschung  (8)
  • SB Zehdenick
  • Philosophy  (56)
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  • 1
    Book
    Book
    New York : Farrar, Straus and Giroux
    UID:
    b3kat_BV016457710
    Format: 131 S.
    Edition: 1. ed.
    ISBN: 0374248583
    Content: Watching the evening news offers constant evidence of atrocity--a daily commonplace in our "society of spectacle." But are viewers inured--or incited--to violence by the daily depiction of cruelty and horror? Is the viewer's perception of reality eroded by the universal availability of imagery intended to shock? In this investigation of the role of imagery in our culture, Susan Sontag cuts through circular arguments about how pictures can inspire dissent or foster violence as she takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and Dachau and Auschwitz to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, and New York City on September 11, 2001. Sontag's new book, a startling reappraisal of the intersection of "information", "news," "art," and politics in the contemporary depiction of war and disaster, will forever alter our thinking about the uses and meanings of images in our world.
    Language: English
    Subjects: General works , Philosophy , Sociology
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    Keywords: Gewalt ; Kultur ; Krieg ; Fotografie ; Geschichte ; Krieg ; Fotografie ; Geschichte ; Gewalt ; Krieg ; Fotografie ; Fotografie ; Krieg ; Geschichte ; Bild ; Grausamkeit ; Kriegsberichterstattung ; Fotografie
    Author information: Sontag, Susan 1933-2004
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  • 2
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    UID:
    b3kat_BV047225887
    Format: 1 Online-Ressource (xii Seiten, 8 ungezählte Seiten Tafeln, 315 Seiten) , Illustrationen
    ISBN: 9781478012788
    Series Statement: Dissident acts
    Content: In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4780-1020-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4780-1125-5
    Language: English
    Subjects: Philosophy
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    Keywords: Kunst ; Ästhetik ; Politische Bewegung ; Soziale Bewegung ; USA ; Mexiko ; Argentinien ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    gbv_1606547496
    Format: IX, 280 S. , Ill.
    ISBN: 9783412219062 , 3412219061
    Series Statement: Selbstzeugnisse der Neuzeit 18
    Content: Die Beiträge verbinden einen Ansatz von Wissenschaftsgeschichte, der Wandel und Kontinuitäten auf die Alltagspraktiken des Forschens und die sozialen Netzwerke der Gelehrten bezieht, mit einem erweiterten Interesse an Selbstzeugnissen. Im Zentrum der Erkundungen unterschiedlicher Selbst- wie Fremdzeugnisse steht der "Gelehrte" in der europäischen Moderne. Personale Netzwerke erweisen sich für ihn in doppelter Hinsicht als zentral: zum einen für die Überlebenssicherung, zum anderen für die Durchsetzung und Erhaltung von Reputation. Zugleich zeigt sich, dass Professionalisierung in den Geistes-, Human- und Kulturwissenschaften weder linear verlief noch eng an Institutionalisierung gebunden war. Insbesondere aber erschließt der gewählte Zugang die Mehrdeutigkeiten professioneller Forschungsarbeit. Inhalt: Lüdtke, Alf/Prass, Reiner: Einleitung: Gelehrtenleben. Wissenschaftspraxis in der Neuzeit. - LEBENSLÄUFE IM KONTEXT (Krusenstjern, Benigna von: Gelehrtenexistenz im Dreißigjährigen Krieg. Wilhelm Schickard in seinen Briefen. - Medick, Hans: Zwischen Religionskrieg und Fakultätskonflikt. Professoren an der "Reform-Universität" Erfurt - im 17. Jahrhundert. - Wobbe, Theresa: Umbrüche in Wissenschaft und Geschlechterordnung. Max Weber im "Lebensbild" Marianne Webers. - Schäbler, Birgit: Post-koloniale Konstruktionen des Selbst als Wissenschaft. Anmerkungen einer Nahost-Historikerin zu Leben und Werk Edward Saids). - SCHREIBEN ALS LEBENSENTWURF (Ulbrich, Claudia: Schreibsucht? Zu den Leidenschaften eines gelehrten Bauern. - Menke, Bettine: Die Geburt des Gelehrten aus den Exzerpten. Die Gelehrtenleben und die wissenschaftliche Praxis des Jean Paul. - Schöttler, Peter: Die autobiographische Versuchung. - Dekker, Rudolf: Fiktion ist stärker als die Wirklichkeit. Über akademische Memoiren und Romane sowie deren Autoren und Figuren). - SELBSTBEOBACHTUNGEN (Bähr, Andreas: Erkenntnis-Arbeit eines Un-Gelehrten. Ludwig Wittgenstein. - Burschel, Peter: ".. ein und derselbe zu sein..." Ein Tagebuch im strikten Sinne des Wortes in dichter Lesung. - Hausen, Karin: Wissenschaft und Leben. Eine Serie wissenschaftlicher Arbeitstagungen zur Familiengeschichte in den Jahren 1977 bis 1983. Ein Rückblick. - Peters, Jan: Disziplinierte Imagination. Fünfzehn Anmerkungen zur Historiker-Autobiografik über die Jahre der DDR. - Meyer, Holt: Academic Self-witnessing Secrets or: "Hitchock's (a) Professor"). - KULTE G ...
    Note: Beitr. teilw. dt., teilw. engl
    Language: German
    Subjects: History , General works , Philosophy
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    Keywords: Gelehrter ; Selbstbild ; Geschichte 1500-1989 ; Wissenschaftspropädeutik ; Aufsatzsammlung
    Author information: Lüdtke, Alf 1943-2019
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  • 4
    Book
    Book
    Cambridge, Massachusetts ; London, England : The MIT Press
    UID:
    b3kat_BV047217688
    Format: viii, 308 Seiten , Illustrationen , 24 cm
    ISBN: 9780262045568 , 9780262544887
    Content: "The merging of the autobiographical with the philosophical or theoretical traced through feminist conceptual art, performance art, literature, philosophy, and activism"--
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-262-36296-2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Philosophy
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    Keywords: Autobiografie ; Philosophie ; Feminismus ; Kunst
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  • 5
    Book
    Book
    Princeton ; Oxford : Princeton University Press
    UID:
    b3kat_BV048416837
    Format: xiii, 359 Seiten , Illustrationen, Karten , 23 cm
    ISBN: 9780691156989
    Series Statement: The Lawrence Stone lectures
    Content: "We are, all of us, everywhere, always, enmeshed in a web of rules and constraints. Rules fix the beginning and end of the working day and the school year, direct the ebb and flow of traffic on the roads, dictate who can be married to whom and how, place the fork to the right or the left of the plate, lay down the meter and rhyme scheme of a Petrarchan sonnet, and order the rites of birth and death. Cultures notoriously differ as to the content of their rules, but there is no culture without rules. In this book, historian of science Lorraine Daston adopts a long term perspective for studying rules from diverse sources, including monastic orders, cookbooks, and mathematical algorithms. She argues that in the Western tradition most rules can be characterized as one of the following: tools of measurement and calculation, models or paradigms, or laws. Moreover, they exist on spectra from specific to general, flexible to rigid and the specific-to-general, and universal-to-particular. In investigating how rules work, how they don't work, how they've changed across time, and why exceptions are necessary, Daston paints a vivid picture of Western civilization from the antiquity to the present"--
    Note: Literaturverzeichnis Seite 321-347. - Index , 2207
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780691239187
    Language: English
    Subjects: History , Ethnology , Philosophy
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    Keywords: Gesellschaft ; Regel ; Norm ; Konvention ; Gesetz ; Geschichte
    Author information: Daston, Lorraine 1951-
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  • 6
    UID:
    b3kat_BV044701540
    Format: 102 Seiten
    ISBN: 9783956793516
    Series Statement: The contemporary condition 07
    Content: Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that?there is no now,? Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.
    Language: English
    Subjects: Philosophy
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    Keywords: Zeitlichkeit ; Gegenwart ; Materialität
    Author information: Ebeling, Markus Knut 1970-
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  • 7
    Book
    Book
    Charlottesville [u.a.] : Univ. Press of Virginia
    UID:
    b3kat_BV010775945
    Format: XIV, 133 S.
    Edition: 1. publ.
    ISBN: 0813916348
    Series Statement: Victorian literature and culture series
    Content: In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition
    Content: Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty
    Content: The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense
    Language: English
    Subjects: Philosophy , English Studies
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    Keywords: Großbritannien ; Ästhetik ; Geschichte 1860-1900 ; Shaftesbury, Anthony Ashley Cooper of 1671-1713 ; Rezeption ; Englisch ; Literatur ; Geschichte 1860-1900 ; Englisch ; Literatur ; Ästhetizismus ; Geschichte 1860-1900 ; Großbritannien ; Ästhetik ; Geschichte 1800-1900 ; Großbritannien ; Kunst ; Literatur ; Geschichte 1800-1900 ; Großbritannien ; Kunst ; Geschichte 1800-1900
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  • 8
    Book
    Book
    University Park, Pa. : Pennsylvania State Univ. Press
    UID:
    b3kat_BV010187037
    Format: XII, 154 S. , Ill.
    ISBN: 0271013052
    Content: A comprehensive revision of our understanding of the phenomenon of primitivism and its impact on modern art, centering on the invention of the idea of "primitive" art
    Content: Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native American imagery. The drawbacks of such an approach have become increasingly apparent, the most problematic being its perpetuation of the notion that certain traditions are indeed "primitive." Frances Connelly argues that "primitive" art was not a style at all, but a cultural construction by modern Europeans, a cluster of concepts principally forged during the Enlightenment concerning the nature of the origins of artistic expression. She contends that, instead of the paintings of Gauguin, the publication of Vico's New Science in 1725 lies much closer to the origins of primitivism because it first articulated the essential framework of ideas through which Europeans would understand "primitive" expression
    Content: Based upon a close reading of eighteenth- and nineteenth-century sources, including voyage accounts, ethnographies, aesthetic theories, and popular journals, The Sleep of Reason establishes that the term "primitive" art did not refer so much to actual stylistic traditions but to a collection of visual attributes that Europeans construed to be universal characteristics of "primitive" expression, specifically the hieroglyph, the grotesque, and the ornamental. Further, these attributes show that "primitive" expression was constructed as the inverse of the classical ideal. Connelly provides case studies of artists and aestheticians who advocated, attempted, or realized the assimilation of these "primitive" characteristics, including some artists never before associated with primitivism as well as significant reevaluations of Gauguin and Picasso
    Language: English
    Subjects: Philosophy
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    Keywords: Primitivismus ; Kunst ; Geschichte 1725-1907 ; Primitivismus ; Ästhetik ; Geschichte 1725-1907 ; Europa ; Kunst ; Primitivismus ; Geschichte 1725-1907 ; Ästhetik ; Geschichte 1725-1907 ; Primitivismus ; Volk ; Runge, Philipp Otto 1777-1810 Vier Zeiten ; Picasso, Pablo 1881-1973 Les demoiselles d'Avignon ; Gauguin, Paul 1848-1903 ; Meryon, Charles 1821-1868
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  • 9
    Book
    Book
    Ann Arbor, Mich. : Univ. of Michigan Press
    UID:
    b3kat_BV036973588
    Format: XI, 430 S. , Ill.
    ISBN: 9780472119271
    Series Statement: The Bard Graduate Center cultural histories of the material world
    Content: Making" and "knowing" have generally been viewed as belonging to different types and orders of knowledge. "Craft" and "making" have been associated with how-to information, oriented to a particular situation or product, often informal and tacit, while "knowing" has been related to theoretical, propositional, and abstract knowledge including natural science. Although craftspeople and artists have worked with natural materials and sometimes have been viewed as experts in the behavior of matter, the notion that making art can constitute a means of knowing nature is a novel one. This book explores the circumstances under which making constituted knowing, and, more specifically, it examines the relationship between making objects and knowing nature in Europe from about 1450 to 1850
    Language: English
    Subjects: Philosophy
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    Keywords: Wissenschaftstheorie ; Naturwissenschaften ; Geschichte 1450-1850 ; Sachkultur ; Erkenntnistheorie ; Handwerksprodukt ; Handwerker ; Wissen ; Geschichte 1500-1900 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Smith, Pamela H. 1957-
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  • 10
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV016876945
    Format: XIV, 222 S. , Ill.
    Edition: 1. publ.
    ISBN: 0521822092
    Content: "Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. If philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest in and distrust of art. Kelly calls such disinterest and distrust "iconoclasm," and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future."--Jacket.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Philosophy
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    Keywords: Heidegger, Martin 1889-1976 ; Ästhetik ; Adorno, Theodor W. 1903-1969 ; Ästhetik ; Derrida, Jacques 1930-2004 ; Ästhetik ; Danto, Arthur Coleman 1924-2013 ; Ästhetik ; Bilderstreit ; Kunst ; Philosophie ; Ästhetik ; Bibliografie
    Author information: Kelly, Michael 1953-
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