Kooperativer Bibliotheksverbund

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Format: XII, 328 S.

ISBN: 0520241282 , 0520241290 , 9780520241282 , 9780520241299

Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.

Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6

Additional Edition: ISBN 0-520-93782-1

Language: English

Subjects: General works

Keywords: USA ; Film ; Philosophie ; USA ; Film ; Psychologie ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: http://www.loc.gov/catdir/bios/ucal052/2004006180.html

URL: http://www.loc.gov/catdir/description/ucal051/2004006180.html

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Format: 1 CD-ROM , 12 cm. - 12 cm

ISBN: 3598405022

Note: IBM compatible PC with Pentium processor (300 MHz) or higher. - 64 MB memory (RAM); 50 MB free hard disk space; screen resolution: Standard-VGA (640 x 480), 800 x 600 recommended. - Windows 95, 98, NT, ME, 2000

Language: English

Subjects: Philosophy

Keywords: Englisch ; Philosophie ; Deutsch ; Englisch ; Philosophie ; Deutsch ; Philosophie ; Englisch ; Philosophie ; Deutsch ; Philosophie ; Mehrsprachiges Wörterbuch ; Wörterbuch ; CD-ROM ; Wörterbuch ; Philosophie ; Wörterbuch ; Mehrsprachiges Wörterbuch ; Datenbank ; CD-ROM

Author information: Waibl, Elmar 1952-

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Format: XII, 308 S. , Ill.

Edition: 1. publ.

ISBN: 140511441X , 1405114428

Content: "The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophic questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film theory, the nature of film narration, the debate on whether films can be socially critical, and the question of what we can learn from film." "Offering clear and helpful section introductions and thought-provoking reading questions, this book is the ideal primary textbook for undergraduate courses on the philosophy of film or philosophically oriented courses in film theory."--BOOK JACKET.

Language: English

Subjects: General works

Keywords: Film ; Theorie ; Film ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: LXVI, 578 S.

Edition: 3. Aufl.

ISBN: 3518280627

Series Statement: Suhrkamp Taschenbuch Wissenschaft 462

Uniform Title: Leviathan or the matter, form, and power of a commonwealth ecclesiastical and civil

Note: EST: Leviathan (dt.)

Language: German

Subjects: Theology , Philosophy

Keywords: England ; Politische Philosophie ; Geschichte 1651 ; Hobbes, Thomas 1588-1679 Leviathan ; Hobbes, Thomas 1588-1679 ; Politische Theorie ; Politische Philosophie ; Mensch ; Philosophie ; Staatslehre ; Quelle ; Einführung

Author information: Hobbes, Thomas 1588-1679

Author information: Fetscher, Iring 1922-2014

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Format: X, 270 S.

Edition: 1. publ.

ISBN: 9780230245228

Content: Does philosophical critique have a future? What are its possibilities, limits, and presuppositions? Bringing together outstanding scholars from various traditions, this collection of essays is the first to examine the forms of critique that have shaped modern and contemporary continental thought. Through critical analyses of key texts by, among others, Spinoza, Kant, Hegel, Marx, Adorno, Habermas, Foucault, and Rancière, it traces the way critique has time and again geared itself towards new cultural, social, and political problems, shedding those of its assumptions no longer deemed tenable. It is our hope that the many voices of critique that arise from the present volume will produce effects - new doubts, new insights, new challenges, or new resources - that none of them could have achieved by itself.00

Language: English

Subjects: Philosophy

Keywords: Kritik ; Philosophie ; Ideengeschichte 1600-2000 ; Aufsatzsammlung

URL: Cover image

URL: Inhaltsverzeichnis

Author information: Boer, Karin de ca. 20./21. Jh.

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Language: English

Keywords: enjamin, Walter ; Malerei ; Philosophie ; Benjamin, Walter ; Benjamin, Walter ; enjamin, Walter ; Philosophie

UID:

Format: XII, 280 S. , Ill.

ISBN: 9780823245406

Note: Includes bibliographical references and index , "Holocaust artworks intuitively must fulfill at least two criteria: artistic (lest they be merely historical documents) and historical (lest they distort the Holocaust or become merely artworks). The Sense of Semblance locates this problematic within philosophical aesthetics, as a version of the conflict between aesthetic autonomy and heteronomy, and argues that Adorno's dialectic of aesthetic semblance describes the normative demand that artworks maintain a dynamic tension between the two. The Sense of Semblance aims to move beyond familiar debates surrounding postmodernism by demonstrating the usefulness of contemporary theories of meaning and understanding, including those from the analytic tradition. Pickford shows how the causal theory of names, the philosophy of tacit knowledge, the analytic philosophy of quotation, Sartre's theory of the imaginary, the epistemology of testimony, and Walter Benjamin's dialectical image can help explicate how individual artworks fulfill artistic and historical desiderata. In close readings of Celan's poetry, Holocaust memorials in Berlin, the quotational artist Heimrad Backer, Claude Lanzmann's film Shoah, and Art Spiegelman's graphic novel Maus, Pickford offers interpretations that, in their precision, specificity, and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art. The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust"-- Provided by publisher. -- "Drawing on work in contemporary analytic philosophy and Adorno's normative aesthetic theory, this book aims to show how selected Holocaust artworks in a variety of media (lyric poetry by Paul Celan, Holocaust memorials, quotational texts by Heimrad Bc̃ker, Claude Lanzmann's film Shoah and Art Spiegelman's graphic no

Language: English

Keywords: Kunst ; Judenvernichtung ; Philosophie ; Judenvernichtung ; Kunst ; Fotografie ; Denkmal ; Kollektives Gedächtnis ; Geschichte 1945-2000

URL: Inhaltsverzeichnis