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  • Kinemathek  (8)
  • SB Zehdenick
  • Müncheberg ZALF
  • GB Fredersdorf-Vogelsdorf
  • Geschichte  (8)
Type of Medium
Language
Region
Library
Subjects(RVK)
  • 1
    Book
    Book
    Durham ; London : Duke University Press
    UID:
    b3kat_BV014503092
    Format: 584 Seiten , Illustrationen
    ISBN: 9780822329992 , 0822330253 , 0822329999 , 1283063220
    Series Statement: A camera obscura book
    Note: 1. Reflecting film authorship: Circuits of memory and history: The memoirs of Alice Guy-Blaché / Amelie Hastie -- Nazimova's veils: Salome at the intersection of film histories / Patricia White -- Of cabbages and authors / Jane M. Gaines -- Reevaluating footnotes: women directors of the silent era / Radha Vatsal -- 2. Ways of looking: The gender of empire: American modernity, masculinity, and Edison's war actualities / Kristen Whissel -- Making ends meet: "welfare films" and the politics of consumption during the progressive era / Constance Balides -- Irma vep, vamp in the city: mapping the criminal feminine in early French serials / Kristine J. Butler -- The flapper film: comedy, dance, and jazz age kinaesthetics / Lori Landay -- 3. Cultural inversions: The queer career of Jim Crow: racial and sexual transformation in a Florida enchantment / Siobhan B. Somerville -- Taking precautions, or regulating early birth-control films / Shelley Stamp -- The new woman and consumer culture: Cecil B. Demille's sex comedies / Sumiko Higashi -- "So real as to seem like life itself": the photoplay fiction of Adela Rogers St. Johns / Anne Morey -- 4. Performing bodies: Oh, "doll divine": Mary Pickford, masquerade, and the pedophilic gaze / Gaylyn Studlar -- Immigrant stardom in imperial America: pola negri and the problem of typology / Diane Negra -- Technologies of early stardom and the extraordinary body / Jennifer M. Bean -- Femininity in flight: androgyny and gynandry in early silent Italian cinema / Angela Dalle Vacche -- Greta Garbo and silent cinema: the actress as art deco icon / Lucy Fischer -- 5. The problem of periodization: An amorous history of the silver screen: the actress as vernacular embodiment in early Chinese film culture / Zhang Zhen -- Technology's body: cinematic vision in modernity / Mary Ann Doane -- Parallax historiography: the Flâneuse as cyberfeminist / Catherine Russell
    Language: English
    Subjects: General works
    RVK:
    Keywords: Stummfilm ; Weibliche Filmschaffende ; Geschichte ; Stummfilm ; Weiblichkeit ; Geschichte ; Stummfilm ; Feministische Filmtheorie ; Aufsatzsammlung ; Hochschulschrift
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  • 2
    Book
    Book
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV048859474
    Format: 320 Seiten , Illustrationen , 24 cm
    ISBN: 9789463725231 , 9463725237
    Series Statement: Film culture in transition
    Content: In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, 'Special Effects and German Silent Film' foregrounds their function as an expressive device and their pivotal role in cinema's emergence as a full-fledged art. Special effects not only shaped the look of iconic films like 'Nosferatu' (1922) or 'Metropolis' (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a "techno-romantic" paradigm that seeks to harness technology - the epitome of modern materialism - as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-90-485-5171-2
    Language: English
    Subjects: General works
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    Keywords: Deutschland ; Stummfilm ; Spezialeffekt ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 3
    UID:
    b3kat_BV043371628
    Format: xxii, 231 Seiten , Illustrationen , 24 cm
    ISBN: 9781442260276
    Content: The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties--ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier's Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet's future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.--Publisher website
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, eBook ISBN 978-1-4422-6029-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Katastrophenfilm ; Geschichte ; Aufsatzsammlung
    Author information: Krewani, Angela
    Author information: Ritzenhoff, Karen A. 1963-
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  • 4
    UID:
    b3kat_BV035653001
    Format: 218 S. , Ill. , 23 cm
    ISBN: 9783952117255
    Series Statement: Populäre Literaturen und Medien 2
    Note: Zugl.: Zürich, Univ., Lizentiatsarbeit, 2007
    Language: German
    Subjects: English Studies
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    Keywords: Barrie, James M. 1860-1937 Peter Pan, or the boy who would not grow up ; Rezeption ; Künste ; Geschichte ; Peter Pan ; Intermedialität ; Hochschulschrift ; Hochschulschrift
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  • 5
    Book
    Book
    New York, NY [u.a.] : The New Press
    UID:
    gbv_641259115
    Format: XXI, 383 S. , 24 cm
    ISBN: 9781595580054 , 9781595588333
    Content: Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56
    Note: Includes bibliographical references and index , Introduction : from God's mouth to your ear -- Prologue : mission for Hollywood, Stalingrad to victory -- Aliens among us : Hollywood, 1946-47. MGM's Manhattan project : the beginning or the end? -- When HUAC came to Hollywood--- Show time ("hooray for Robert Taylor!") -- Decision at the Waldorf : the big mop up -- Fighting for the ministry of truth, justice, and the American way, 1948-50. The Iron Curtain parts and the campaign begins -- Fort Apache, our home -- Hollywood alert : from red menace to storm warning -- "The saucers are real!" (and guilty of treason) -- Sunset/panic/in a lonely place -- Countdown -- Redskin menace from outer space : America at war, 1950-52. Across Rio Grande- into Manchuria -- This is Korea? -- The commie was a thing for the FBI! -- Three cases: Joseph L., Carl F., Elia Kazan -- Campaign '52: take us to our leader, big Jim -- High noon in the universe -- The paxamericanarama: Eisenhower power, 1953-54. "No one on this earth can help you" : above and beyond, fantasies of invasion -- The hammer, the witch trials, and pickup on South Street -- After Quo vadis : onward Christian soldier, watch out for the wild one Marilyn ascends, Joe goes down -- Sh-boom them! (demillenium approaching . . .) -- Searchin' : America on the road, 1955-56. Coonskin kids or, the martians have landed -- On the brink of the wild frontier : kiss me deadly, thou rebel without cause! -- Better red than dead : body-snatched prisoners of Comanche mind control -- "That'll be the day!" the spirit of '56 -- Epilogue: the face of the crowd.
    Language: English
    Subjects: General works
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    Keywords: USA ; Film ; Ost-West-Konflikt ; Kommunismus ; Geschichte
    Author information: Hoberman, James 1949-
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  • 6
    UID:
    gbv_019821247
    Format: 221 S. , Ill.
    Uniform Title: L'or 〈dt〉
    Note: Aus d. Franz. übertr
    Language: Undetermined
    Keywords: Kalifornien ; Mexiko ; Lateinamerika ; Amerika ; Geschichte
    Author information: Cendrars, Blaise 1887-1961
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  • 7
    UID:
    gbv_896777782
    Format: xv, 337 Seiten , Illustrationen
    ISBN: 9781350009332 , 9781350126374
    Content: "The US government launched the European Recovery Programme, otherwise known as the 'Marshall Plan', in order to save war-torn Europe from collapse in 1948. Yet while much is known about the economic side of the Marshall Plan, the extensive film campaign that accompanied it has been largely overlooked until now. The American Marshall Plan Film Campaign and the Europeans is the first book to explore the use of the Marshall Plan films and, importantly, their distribution and reception across Europe. The study examines every available film - the 170 that remain from the 200 estimated to have been made - and looks at how they were designed to instil hope, argue the case for economic restructuring and persuade the Europeans of the superiority of the liberal-capitalist system. The book goes on to reason that the films served as a powerful weapon in the cultural Cold War, but that the European audiences were by no means passive victims of the US propaganda effort. Maria Fritsche discusses the Marshall Plan films in the context of countries across Western, Northern and Southern Europe, covering the majority of the 17 European countries that participated in the Plan in the process. The book incorporates 70 images and utilises a vast number of archival sources to explore the strategies the US adopted to sway the minds of the Europeans, the problems they encountered in the process and, not least, the varied responses of the European audiences. It is a vital study for any scholar or student keen to know more about postwar recovery in Europe, the legacy of the Second World War or America's relationship with Europe in the 20th century"--
    Note: Literaturverzeichnis: Seite 310-327 , Filmographie: Seite 241-254
    Additional Edition: ISBN 9781350009349
    Additional Edition: ISBN 9781350009356
    Additional Edition: Erscheint auch als Online-Ausgabe Fritsche, Maria, 1969 - The American Marshall Plan film campaign and the Europeans [London] : Bloomsbury Academic, 2018 ISBN 9781350009363
    Additional Edition: ISBN 9781350009349
    Additional Edition: ISBN 9781350009356
    Additional Edition: Erscheint auch als Online-Ausgabe Fritsche, Maria, 1969 - The American Marshall Plan Film Campaign and the Europeans London : Bloomsbury Publishing PLC, 2018 ISBN 9781350009349
    Language: English
    Subjects: History , General works
    RVK:
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    Keywords: Marshall-Plan ; Film ; Filmproduktion ; Rezeption ; Visualisierung ; Geschichte
    Author information: Fritsche, Maria 1969-
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  • 8
    Book
    Book
    New York : Columbia University Press
    UID:
    gbv_1686498136
    Format: viii, 320 Seiten
    ISBN: 9780231180870 , 9780231180863
    Series Statement: Film and culture
    Content: Ardor and anxiety : the history of cinephilia -- Enchanting images -- Cinephilia and technology : anxiety and obsolescence -- The exquisite apocalypse -- Conclusion : anxious times, anxious cinema.
    Content: "The digital revolution in contemporary movie-making has engendered a wave of cinephilia among those nostalgic for the culture of cinema and the medium of film. It has also spawned growing concerns about their future. The concept of cinephilia, Keller argues, is hardly new as technological revolutions have always brought out similar reactions in the face of change and a sense of passing (the advent of sound from silent films, color, etc.). In Anxious Cinephilia, Keller looks back at the history of cinephilia from avant-garde filmmakers in the beginning of the twentieth century to the French New Wave's love of Humphrey Bogart to contemporary critics celebrating their love of cinema. She also considers the ways in which cinephilia has embraced some of the democratic/utopic aspects of the digital revolution such as Youtube and the proliferation of GIFs. Tied to cinephilia has been the concept of cinephobia, which has centered on three interrelated areas: anxieties about being captured on film (surveillance, unattractive footage of oneself, cinema's soul-stealing dangers), anxieties about cinema's deleterious influence on audiences; and anxieties about the medium itself. Keller demonstrates that a recognition of the reciprocal relationship between cinephilia and anxiety allows an entry point into understanding the current digital revolution and the history of film. Keller examines the ways in which films have depicted or thematized anxious cinephilia as well as considering audience and critical reactions to cinema and changes in film technology and culture"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780231543309
    Additional Edition: Erscheint auch als Online-Ausgabe Keller, Sarah (Sarah K.) Anxious cinephilia New York : Columbia University Press, [2020]
    Language: English
    Keywords: Frankreich ; Cineastik ; Film ; Filmästhetik ; Wahrnehmung ; Weltuntergang ; Zuschauer ; Geschichte
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