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  • Kinemathek  (15)
  • SB Zehdenick
  • Müncheberg ZALF
  • 2020-2024  (15)
Type of Medium
Language
Region
Library
Year
Subjects(RVK)
  • 1
    Book
    Book
    Urbana : University of Illinois Press
    UID:
    b3kat_BV046703482
    Format: 309 Seiten , Illustrationen , 24 cm
    ISBN: 9780252084867 , 9780252043000
    Content: "Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"--
    Note: Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-252-05186-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Filmmusik ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV048859474
    Format: 320 Seiten , Illustrationen , 24 cm
    ISBN: 9789463725231 , 9463725237
    Series Statement: Film culture in transition
    Content: In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, 'Special Effects and German Silent Film' foregrounds their function as an expressive device and their pivotal role in cinema's emergence as a full-fledged art. Special effects not only shaped the look of iconic films like 'Nosferatu' (1922) or 'Metropolis' (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a "techno-romantic" paradigm that seeks to harness technology - the epitome of modern materialism - as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-90-485-5171-2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Deutschland ; Stummfilm ; Spezialeffekt ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 3
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury
    UID:
    b3kat_BV047943788
    Format: xxi, 489 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Porträts (schwarz-weiß) , 25 cm
    ISBN: 9781635574777
    Content: "From the co-author of The World Only Spins Forward comes the first cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his "system" remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks-including Stella Adler, Lee Strasberg, and the storied Group Theatre-refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. Strasberg and Adler's tempestuous feud would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential-and misunderstood-ideas in American culture. Studded with marquee names-from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman-The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film"
    Note: The only way to save art -- New answers to the problems of living -- The frenzied waltz -- The superconscious through the conscious -- The Stanislavski sickness -- I need a new theatre -- Do you know the secrets of art? -- No hack actors -- The coming of a new religion -- I am passionate about this thing!! -- It makes you weep -- We all thought he was god -- A new inner man -- The life of a prostitute is pretty comfortable -- Your secret self -- Our kind of actors -- It was murder -- Slice-of-life -- Softness and self-indulgenc -- Truth, my ass -- It's been a terrible evening -- How do we do all our stuff in front of that machinery? -- That level of being real -- All the means of expression -- Afterword: The method and the future
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-63557-478-4
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Stanislavskij, Konstantin Sergeevič 1863-1938 ; Schauspielkunst ; Rezeption ; USA ; Theater ; Film ; Geschichte 1900-2000
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    New York, N. Y. : Bloomsbury Academic
    UID:
    b3kat_BV046867010
    Format: ix, 185 Seiten , illustrations, portraits , 23 cm
    ISBN: 9781501352355 , 1501352350 , 9781501352348 , 1501352342
    Series Statement: The study of sound
    Content: "What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity"--
    Note: Locating the disembodied voice -- Lipsynching to conceal -- Lipsynching to express -- Lipsynching to start your day : The soundtracked life -- Final reflections and participant observation: Or, I was a middle-aged lipsynching star
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-5237-9
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5013-5236-2
    Language: English
    Subjects: General works
    RVK:
    Keywords: Synchronisierung
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  • 5
    Book
    Book
    Cork : Cork University Press
    UID:
    b3kat_BV046695837
    Format: xiii, 344 Seiten , Illustration
    ISBN: 9781782053736
    Content: Intro -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Setting the Scene: Women in the Irish film industry -- Susan Liddy -- Revisiting the Past -- Ellen O'Mara Sullivan and Her Role in Early Irish Cinema -- Díóg O'connell -- Feminist Reclamation Politics: Reclaiming Maeve (1981) and Mother Ireland (1988) -- Sarah Edge -- Practitioners and Production Culture -- 'Where Are the Women?' Exploring perceptions of a gender order in the Irish film industry -- Susan Liddy -- Irish Production Cultures and Women Filmmakers: Nicky Gogan -- Laura Canning -- Women Cinematographers and Changing Irish Production Cultures -- Maeve Connolly -- A Cut Above: In conversation with Emer Reynolds -- Susan Liddy -- Documenting Documentary: Liberated enclave or pink ghetto? -- Anne O'brien -- Changing the Conversation: Education, celebration and collaboration -- Educating Gráinne: The role of education in promoting gender equality in the Irish film industry -- Annie Doona -- Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014-17 -- Karla Healion, Aileen O'driscoll, Jennifer O'meara, Katie Stone -- What If We Had Been the Heroes of the Maze and Long Kesh? Collaborative filmmaking in Northern Ireland -- Laura Aguiar -- Text and Context: Documentary, fiction and animation -- Dearbhla Glynn: Documenting war and sexual violence -- Eileen Culloty -- Pat Murphy: Portrait of an artist as a filmmaker -- Lance Pettitt -- Juanita Wilson: A crusading Irish filmmaker -- Isabelle Le Corff -- Irish Cinema and the Gendering of Space: Motherhood, domesticity and the homeplace -- Ruth Barton -- Authority to Speak: Assessing the progress of gender parity and representation in Irish animation -- Ciara Barrett -- Conclusion
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78205-375-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Irland ; Filmwirtschaft ; Frau ; Weibliche Filmschaffende ; Aufsatzsammlung
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  • 6
    UID:
    gbv_1745015191
    Format: x, 200 Seiten , Illustrationen
    ISBN: 9780197551172 , 9780197551165
    Content: "The Melancholy Lens is a study of the films and videos of five major figures of The American Avant-Garde Cinema. Unlike other books on these artists, the approach here is to examine in detail the form, structure, and imagery of each work in terms of how these reflect, directly or indirectly, consciously or unconsciously, aspects of each artist's personality. As both film scholar and psychoanalyst, the author is in a unique position to consider the work from this original perspective"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780197551196
    Additional Edition: Erscheint auch als Online-Ausgabe Pipolo, Tony The melancholy lens New York, NY : Oxford University Press, 2021 ISBN 9780197551202
    Language: English
    Keywords: Deren, Maya 1917-1961 ; Brakhage, Stan 1933-2003 ; Markopoulos, Gregory J. 1928-1992 ; Beavers, Robert 1949- ; Gehr, Ernie 1943- ; Experimentalfilm ; Das Autobiografische
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  • 7
    Book
    Book
    Oakland, California : University of California Press
    UID:
    b3kat_BV046982457
    Format: xvi, 250 Seiten , 25 Illustrationen und Portraits , 23 cm
    ISBN: 9780520307797 , 9780520307773
    Series Statement: A George Gund Foundation book in african studies
    Content: Introduction : sporting blackness and critical muscle memory -- Historical contestants in black sports documentaries -- Racial iconicity and the transmedia black athlete -- Black female incommensurability and athletic genders -- The revolt of the cinematic black athlete -- Conclusion : the fitness of sporting blackness
    Content: "Sporting Blackness examines issues of race and representation in sports films, exploring what it means to embody, perform, play out, and contest blackness by representations of Black athletes on screen. By presenting new critical terms, Sheppard analyzes not only "skin in the game," or how racial representation shapes the genre's imagery, but also "skin in the genre," or the formal consequences of blackness on the sport film genre's modes, codes, and conventions. Through a rich interdisciplinary approach, Sheppard argues that representations of Black sporting bodies contain "critical muscle memories," embodied, kinesthetic, and cinematic histories that go beyond a film's plot to index, circulate, and reproduce broader narratives about Black sporting and non-sporting experiences in American society"
    Note: Literaturverzeichnis: Seite 227-240
    Additional Edition: ISBN 9780520973855
    Additional Edition: Erscheint auch als Online-Ausgabe Sheppard, Samantha N Sporting blackness Oakland, California : University of California Press, [2020] ISBN 978-0-520-97385-5
    Language: English
    Keywords: USA ; Sportfilm ; Schwarze ; Rasse ; Geschichte 1971-2019 ; Bibliografie
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  • 8
    Book
    Book
    New York : Columbia University Press
    UID:
    b3kat_BV048958578
    Format: xx, 199 Seiten , Illustrationen
    ISBN: 9780231202770
    Series Statement: Investigating visible evidence: new challenges for documentary
    Content: Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the "pedigree of the real" and the "pornography of the real," they fail to activate their viewers' engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an "us-watching-them" mode that ultimately reinforces self-satisfaction and self-absorption.In place of the conventional documentary, Godmilow advocates for a "postrealist" cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-231-55470-1
    Language: English
    Subjects: General works
    RVK:
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  • 9
    UID:
    gbv_1744522480
    Format: 213 Seiten
    ISBN: 9783030459000 , 3030459004
    Content: Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword.
    Content: This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race
    Additional Edition: ISBN 9783030459017
    Language: English
    Keywords: Film ; Arbeiter ; Geschichte 2000-2019
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  • 10
    Book
    Book
    New York, NY : Oxford University Press
    UID:
    gbv_1693530295
    Format: viii, 561 Seiten , Illustrationen
    ISBN: 9780190938642 , 9780190938635
    Content: Introduction: The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema.
    Content: "Cinema Expanded: Avant-Garde Film in the Age of Intermedia a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that, while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780190938666
    Additional Edition: Erscheint auch als Online-Ausgabe Walley, Jonathan Cinema expanded New York, NY : Oxford University Press, [2019]
    Language: English
    Subjects: General works
    RVK:
    Keywords: Avantgarde ; Experimentalfilm ; Intermedialität ; Geschichte 1960-2020
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