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  • Kinemathek  (6)
  • SB Zehdenick
  • Müncheberg ZALF
  • Frau  (3)
  • Intermedialität  (3)
Type of Medium
Language
Region
  • 1
    UID:
    b3kat_BV023473044
    Format: xi, 240 S. , Ill.
    Edition: 1. publ.
    ISBN: 9781571132055
    Series Statement: Screen cultures
    Note: Literaturverz. S. [205] - 226 , Includes bibliographical references (p. [205]-226) and index , Introduction : on fashion, women, and modernity -- The fashion journalist : flâneur or new woman? -- Fashion journalism at Ullstein House -- In the waiting room of literature : Hellen Grund and the practice of fashion and travel writing -- Weimar film as fashion show -- The mannequins -- Fashion and fiction : women's modernity in Irmgard Keun's novel Gilgi
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-57113-809-5
    Language: English
    Subjects: German Studies , Ethnology
    RVK:
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    Keywords: Deutschland ; Damenmode ; Geschichte 1918-1933 ; Deutschland ; Mode ; Journalismus ; Geschichte 1918-1933 ; Deutschland ; Frauenliteratur ; Neue Sachlichkeit ; Mode ; Deutschland ; Mode ; Kleidung ; Geschichte 1918-1933 ; Deutschland ; Mode ; Frau ; Moderne ; Geschichte 1918-1933 ; Deutschland ; Frau ; Modezeitschrift ; Geschichte 1918-1933 ; Deutschland ; Film ; Mode ; Geschichte 1918-1933 ; Deutschland ; Schriftstellerin ; Mode ; Geschichte 1918-1933
    Author information: Ganeva, Mila ca. 20. Jh.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_BV035653001
    Format: 218 S. : , Ill. ; , 23 cm.
    ISBN: 978-3-9521172-5-5
    Series Statement: Populäre Literaturen und Medien 2
    Note: Zugl.: Zürich, Univ., Lizentiatsarbeit, 2007
    Language: German
    Subjects: English Studies
    RVK:
    Keywords: 1860-1937 Peter Pan, or the boy who would not grow up Barrie, James M. ; Rezeption ; Künste ; Peter Pan ; Intermedialität ; Hochschulschrift ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV014122796
    Format: XIII, 312 S. , Ill.
    ISBN: 0826447414 , 0826447422
    Series Statement: Women make cinema
    Content: This volume is a study of women in French cinema from 1981 which includes material on stars, directors and producers. Each chapter includes an analysis of five or six films, and a concluding chapter examines the value and place of women in the French film industry.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Frankreich ; Film ; Frau ; Geschichte 1980-1999 ; Biografie
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  • 4
    Book
    Book
    Cork :Cork University Press,
    UID:
    almahu_BV046695837
    Format: xiii, 344 Seiten : , Illustration.
    ISBN: 978-1-78205-373-6
    Content: Intro -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Setting the Scene: Women in the Irish film industry -- Susan Liddy -- Revisiting the Past -- Ellen O'Mara Sullivan and Her Role in Early Irish Cinema -- Díóg O'connell -- Feminist Reclamation Politics: Reclaiming Maeve (1981) and Mother Ireland (1988) -- Sarah Edge -- Practitioners and Production Culture -- 'Where Are the Women?' Exploring perceptions of a gender order in the Irish film industry -- Susan Liddy -- Irish Production Cultures and Women Filmmakers: Nicky Gogan -- Laura Canning -- Women Cinematographers and Changing Irish Production Cultures -- Maeve Connolly -- A Cut Above: In conversation with Emer Reynolds -- Susan Liddy -- Documenting Documentary: Liberated enclave or pink ghetto? -- Anne O'brien -- Changing the Conversation: Education, celebration and collaboration -- Educating Gráinne: The role of education in promoting gender equality in the Irish film industry -- Annie Doona -- Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014-17 -- Karla Healion, Aileen O'driscoll, Jennifer O'meara, Katie Stone -- What If We Had Been the Heroes of the Maze and Long Kesh? Collaborative filmmaking in Northern Ireland -- Laura Aguiar -- Text and Context: Documentary, fiction and animation -- Dearbhla Glynn: Documenting war and sexual violence -- Eileen Culloty -- Pat Murphy: Portrait of an artist as a filmmaker -- Lance Pettitt -- Juanita Wilson: A crusading Irish filmmaker -- Isabelle Le Corff -- Irish Cinema and the Gendering of Space: Motherhood, domesticity and the homeplace -- Ruth Barton -- Authority to Speak: Assessing the progress of gender parity and representation in Irish animation -- Ciara Barrett -- Conclusion
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78205-375-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmwirtschaft ; Frau ; Weibliche Filmschaffende ; Aufsatzsammlung ; Aufsatzsammlung
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  • 5
    Book
    Book
    Oakland, CA : University of California Press
    UID:
    b3kat_BV042070491
    Format: xvii, 396 Seiten , Illustrationen
    ISBN: 9780520281851
    Content: Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term ""transmedia"" with ""transnational,"" they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and dig
    Additional Edition: Erscheint auch als Online-Ausgabe (e-book) ISBN 978-0-520-95769-5
    Language: English
    Subjects: General works
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    Keywords: Intermedialität ; Computerkunst ; Digital Humanities ; Neue Medien ; Intermedialität ; Aufsatzsammlung
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  • 6
    Book
    Book
    New York, NY : Oxford University Press
    UID:
    gbv_1693530295
    Format: viii, 561 Seiten , Illustrationen
    ISBN: 9780190938642 , 9780190938635
    Content: Introduction: The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema.
    Content: "Cinema Expanded: Avant-Garde Film in the Age of Intermedia a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that, while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780190938666
    Additional Edition: Erscheint auch als Online-Ausgabe Walley, Jonathan Cinema expanded New York, NY : Oxford University Press, [2019]
    Language: English
    Subjects: General works
    RVK:
    Keywords: Avantgarde ; Experimentalfilm ; Intermedialität ; Geschichte 1960-2020
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