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  • Kinemathek  (6)
  • SB Zehdenick
  • Müncheberg ZALF
  • Rezeption  (6)
Type of Medium
Language
Region
Subjects(RVK)
  • 1
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury
    UID:
    b3kat_BV047943788
    Format: xxi, 489 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Porträts (schwarz-weiß) , 25 cm
    ISBN: 9781635574777
    Content: "From the co-author of The World Only Spins Forward comes the first cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his "system" remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks-including Stella Adler, Lee Strasberg, and the storied Group Theatre-refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. Strasberg and Adler's tempestuous feud would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential-and misunderstood-ideas in American culture. Studded with marquee names-from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman-The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film"
    Note: The only way to save art -- New answers to the problems of living -- The frenzied waltz -- The superconscious through the conscious -- The Stanislavski sickness -- I need a new theatre -- Do you know the secrets of art? -- No hack actors -- The coming of a new religion -- I am passionate about this thing!! -- It makes you weep -- We all thought he was god -- A new inner man -- The life of a prostitute is pretty comfortable -- Your secret self -- Our kind of actors -- It was murder -- Slice-of-life -- Softness and self-indulgenc -- Truth, my ass -- It's been a terrible evening -- How do we do all our stuff in front of that machinery? -- That level of being real -- All the means of expression -- Afterword: The method and the future
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-63557-478-4
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Stanislavskij, Konstantin Sergeevič 1863-1938 ; Schauspielkunst ; Rezeption ; USA ; Theater ; Film ; Geschichte 1900-2000
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  • 2
    UID:
    b3kat_BV035653001
    Format: 218 S. , Ill. , 23 cm
    ISBN: 9783952117255
    Series Statement: Populäre Literaturen und Medien 2
    Note: Zugl.: Zürich, Univ., Lizentiatsarbeit, 2007
    Language: German
    Subjects: English Studies
    RVK:
    Keywords: Barrie, James M. 1860-1937 Peter Pan, or the boy who would not grow up ; Rezeption ; Künste ; Geschichte ; Peter Pan ; Intermedialität ; Hochschulschrift ; Hochschulschrift
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  • 3
    Book
    Book
    Manchester [u.a.] : Manchester Univ. Press
    UID:
    b3kat_BV023075440
    Format: 272 S. , Ill.
    Edition: 1. publ.
    ISBN: 9780719072321
    Series Statement: Inside popular film
    Content: "This book is a wide-ranging historical study of the British circulation of the video nasties - a term that was originally coined in order to ban a group of horror videos in Britain in the 1980s. Through an exploration of the range of historical materials, the book examines how this unusual genre category was formulated in a particular context and then used (for different reasons) by moral campaigners, distributors, critics and fans.By examining the discourses that inform the circulation of a group of banned films, the book argues that censorship is not just about rules and regulations, but also about the discourses that generate censorship, and the cultural and commercial consequences of a censorship act or law."--Publisher.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Großbritannien ; Horrorfilm ; Rezeption ; Geschichte 1980-1990
    Author information: Egan, Kate 1975-
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  • 4
    UID:
    b3kat_BV024054643
    Format: 1 DVD, PAL, Ländercode 2, 112 Min., farb., stereo , 12 cm
    Note: Orig.: Italien, Frankreich 1975 , Ital. Orig. mit engl. Untertiteln
    Language: Italian
    Subjects: General works
    RVK:
    Keywords: Sade Marquis de 1740-1814 Les cent-vingt journées de Sodome ; Rezeption ; Pasolini, Pier Paolo 1922-1975
    Author information: Morricone, Ennio 1928-2020
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  • 5
    UID:
    gbv_896777782
    Format: xv, 337 Seiten , Illustrationen
    ISBN: 9781350009332 , 9781350126374
    Content: "The US government launched the European Recovery Programme, otherwise known as the 'Marshall Plan', in order to save war-torn Europe from collapse in 1948. Yet while much is known about the economic side of the Marshall Plan, the extensive film campaign that accompanied it has been largely overlooked until now. The American Marshall Plan Film Campaign and the Europeans is the first book to explore the use of the Marshall Plan films and, importantly, their distribution and reception across Europe. The study examines every available film - the 170 that remain from the 200 estimated to have been made - and looks at how they were designed to instil hope, argue the case for economic restructuring and persuade the Europeans of the superiority of the liberal-capitalist system. The book goes on to reason that the films served as a powerful weapon in the cultural Cold War, but that the European audiences were by no means passive victims of the US propaganda effort. Maria Fritsche discusses the Marshall Plan films in the context of countries across Western, Northern and Southern Europe, covering the majority of the 17 European countries that participated in the Plan in the process. The book incorporates 70 images and utilises a vast number of archival sources to explore the strategies the US adopted to sway the minds of the Europeans, the problems they encountered in the process and, not least, the varied responses of the European audiences. It is a vital study for any scholar or student keen to know more about postwar recovery in Europe, the legacy of the Second World War or America's relationship with Europe in the 20th century"--
    Note: Literaturverzeichnis: Seite 310-327 , Filmographie: Seite 241-254
    Additional Edition: ISBN 9781350009349
    Additional Edition: ISBN 9781350009356
    Additional Edition: Erscheint auch als Online-Ausgabe Fritsche, Maria, 1969 - The American Marshall Plan film campaign and the Europeans [London] : Bloomsbury Academic, 2018 ISBN 9781350009363
    Additional Edition: ISBN 9781350009349
    Additional Edition: ISBN 9781350009356
    Additional Edition: Erscheint auch als Online-Ausgabe Fritsche, Maria, 1969 - The American Marshall Plan Film Campaign and the Europeans London : Bloomsbury Publishing PLC, 2018 ISBN 9781350009349
    Language: English
    Subjects: History , General works
    RVK:
    RVK:
    RVK:
    Keywords: Marshall-Plan ; Film ; Filmproduktion ; Rezeption ; Visualisierung ; Geschichte
    Author information: Fritsche, Maria 1969-
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  • 6
    UID:
    gbv_103353661X
    Format: viii, 360 Seiten , Illustrationen
    ISBN: 9780253033659
    Series Statement: Early cinema in review : proceedings of Domitor
    Content: "Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on and off screen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators took and still take away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen"--
    Content: The impossible body of early film / Tom Gunning -- Ovidian violence: George Melies' explosive screen bodies / Vito Adriaensens -- The body under the scalpel in the illustrated press and the cinema / Jeremy Houillere ; translated by Timothy Barnard -- Ghosts and their nationality in the Fin de siecle machinery / Ian Christie -- Field trip to insanity: bodies and minds in the Dr. Maestre film collection (Spain, 1915) / Luis Alonso Garcia, Daniel Sanchez Salas, and Begona Soto Vazquez -- The celluloid specimens: animal origins for the moving image / Benjamin Schultz-Figueroa -- Death by a thousand cuts: on-screen executions in early American cinema / Gary D. Rhodes -- Staged bodies, caged bodies: early cinema in the age of human zoos / Rodolphe Gahery ; translated by Timothy Barnard -- "Stills from a film that is missing": indigenous images and the photographic interval in early cinema / Joanna Hearne -- Risky business: the early film actor and discourses of danger / Charlie Keil and Denise McKenna -- Bodies in motion: dancing and boxing in early Norwegian cinema / Gunnar Iversen -- The beauty of the forzuti: irresistible male bodies on- and offscreen / Ivo Blom -- Nudity in early cinema, or the pictorial transgression / Valentine Robert -- Paul Capellani: the body put to the test by cinema / Sebastien Dupont-Bloch ; translated by Timothy Barnard -- Hair and hairiness in early cinema / Jean-Claude Seguin ; translated by Timothy Barnard -- Lumiere agents in Mexico: the "body" of film as a late-nineteenth-century discourse / John Fullerton -- Breathing faces, twinkling eyes: on cinematic visage in Russian films of the 1910s / Oksana Chefranova -- Making faces: character and makeup in early cinema / Alice Maurice -- "Keep it dark": the fatale attraction of the female viewer's body / Mireille Berton -- "The best synonym of youth": G. Stanley Hall, mimetic play, and early cinema's embodied youth spectator / Christina Petersen -- Perils of cinema: the German cinema debate and the "nerve-racking" medium / Stephanie Werder -- "The taste of the moment seems all for 'pictures'": Irish historical bodies before the early cinema screen / Denis Condon -- The viewer's body in motion: physical and virtual effects of three-dimensional spectacles / Martin Barnier ; translated by Timothy Barnard -- Moving the spectator, dancing with the screen: early dance instruction films and reconfigurations of film spectatorship in the 1910s / Kristina Kohler -- A rational and entertaining species of amusement to bipeds of all ages: the splendid camera obscura / Alison Reiko Loader -- Le corps sous le scalpel de la presse illustree et du cinema / Jeremy Houillere -- Corps mis en scene, corps mis en cage: le cinematographe au temps des zoos humains / Rodolphe Gahery -- Paul capellani: le corps a l'epreuve du cinema / Sebastien Dupont-Bloch -- Poils et pilosites dans le cinema des origines / Jean-Claude Seguin -- Le corps du spectateur en mouvement: effets reels et virtuels des spectacles tridimensionnels / Martin Barnier
    Note: Includes bibliographical references and index , English and French
    Additional Edition: ISBN 9780253033666
    Additional Edition: Erscheint auch als Online-Ausgabe Corporeality in early cinema Bloomington, Indiana : Indiana University Press, [2018]
    Language: English
    Keywords: Film ; Körper ; Publikum ; Rezeption ; Stummfilm ; Aufsatzsammlung
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