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  • UdK Berlin  (10)
  • Charité
  • 2015-2019  (10)
  • Schauspielkunst  (10)
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Year
  • 1
    Online Resource
    Online Resource
    London : Nick Hern Books
    UID:
    b3kat_BV046255447
    Format: 1 Online Ressource (260 Seiten)
    ISBN: 9781788500340
    Note: Cover; Title Page; Contents; Preface; Dedication; Foreword by Susan Messing; Introduction; What is Longform Improvisation?; My Origin Story; How to Use This Book; Curse of the Pioneer; Week One: The Basics; The Basics; Give Them What They Want (but Not What They Expect); Be a Nice Person; The Solo Journey; Week Two: Trust and Practice; Why Rehearse Improv?; How to Rehearse With a Group; How to Rehearse Solo; Boundaries and Foundries; I Need a Hero; Get the Most Out of a Workshop or Coach; Week Three: You and Your Characters; Inside-Out, Outside-In; Making Characters , Bring Yourself to the StageWhat Are Your Superpowers?; Week Four: Editing and Openings; Editing; Jurassic Park III; Help! My Scene isn't Working...; Suggestions and Going Lateral; Week Five: Theatre; Theatre; Props; Scenery; Costume; Suspension of Disbelief; Week Six: You; What Kind of Improviser Are You?; Clown, Thinker or Caretaker; Stretch; The Introvert and the Extrovert; The Inner Critic; Fear; Symptoms of Fear; Week Seven: Form and Style; Form; Styles of Play; Coens' Gloves (or Why I'm Bored of Chekhov's Gun); What is Your Solo Show?; Twoprov; The Living Room Format; Your Format , Week Eight: Bad GigsA Bad Show; A Terrible Show; The Hardest Gig I Ever Played; I Want to Be Here Right Now; Week Nine: Recovering; Audience Versus Improviser; Don't Congratulate Yourself Too Much or Berate Yourself Either; Conscious Incompetence (and Why It's Your Friend); Loving Your Crew; Week Ten: Community; Fear of Missing Out; Jealousy; Stop Gender-Casting Your Improv Show; How to Watch Improv; Ownership; Week Eleven: The Real World; Improv and Alcohol; Repurposing Improv; Don't Take Improv for Granted; Twelve Tips on Casting for Improv Shows; Week Twelve: Inspiration , Get Your Shit TogetherVertical Strategies; Incredible Women (Who Changed the Way I Improvise); Ten Ways to Level Up; Epilogue; About the Author; Copyright
    Additional Edition: ISBN 1848427387
    Additional Edition: ISBN 9781848427389
    Language: English
    Keywords: Improvisation ; Schauspielkunst
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  • 2
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV045127048
    Format: XXIV, 241 Seiten , 24 cm
    Edition: First published
    ISBN: 9781138503854
    Series Statement: A Focal Press book
    Note: Literaturverzeichnis Seite X-XII , A brief history of consciousness and actor training in the West -- The actor's instrument -- Consciousness explorers' : postmodern practitioners on the leading edge -- Why do actors need advanced consciousness training or A.C.T.? -- The distracted actor : techno-cultural proliferation of mobile-digital technology -- What does meditation actually do? -- Guided consciousness exercises -- Mantra, movement, chanting -- Core practice : focused awareness and open monitoring exercises -- Conscious considerations -- A.C.T program design and the enlightened actor
    Language: English
    Keywords: Schauspielkunst ; Meditation
    Author information: Page, Kevin ca. 20. Jh.
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  • 3
    UID:
    b3kat_BV043226161
    Format: XV, 253 Seiten , 22 cm
    Edition: 1. publ.
    ISBN: 9781472573698 , 1472573692
    Content: "The Acting Business is a self-directed practical guide specifically for actors graduating from theatre programs with BFAs, MFAs, or BAs to assist them in moving towards success using the same kind of business/career planning so frequently offered to graduates in non-arts programs. This introduction to the acting industry provides actors with essential knowledge and examples of casting breakdowns, letters, marketing tools and a five-year career plan. Interviews with casting directors and agents are included from throughout the US offering advice and opinions on auditions, showreels, pictures, resumes and networking, as well as important issues such as typecasting and ethnicity. The Guide also gives a regional breakdown of the acting industry in America and how it is different across the various regions and cities. To suit teaching needs, the book can easily adapt to either a ten-week or a thirteen-week syllabus. Offering support as a personal career coach, empowering the actor to take concrete steps towards their career goals, The Acting Business: A Career Guide is a must-have book for all first-time actors"--
    Note: Preface -- Note to teachers -- Introduction -- Chapter 1: Dreams for Your Life Play -- Chapter 2: Given Circumstances of Your Life Play: Obstacles -- Chapter 3: Your Life Play's Five Year Plan: Objectives, Events, Tactics, Beats, and Tasks -- Chapter 4: Making Your Five-Act Life Plan Happen -- Chapter 5: Handling the Obstacles in your Life Play -- Chapter 6: Access to the Fulfillment of your Life Play -- Chapter 7: The Cast of your Life Play: Casting Directors, Agents, and Managers: Who They Are and What They Do -- Chapter 8: Building a Character: Type versus Brand -- Chapter 9: Doing Your Life Play: Action! -- Chapter 10: Your Life Play: Résumés -- Chapter 11: The Album of Your Life Play: Pictures, Reels, and Websites -- Chapter 12: Learning Your Lines and Showing up for Your Life Play: Auditions -- Chapter 13: The Location of Your Life Play: Markets -- Finale
    Language: English
    Keywords: Schauspielkunst ; Schauspieler ; Beruf ; Ratgeber
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  • 4
    Book
    Book
    Los Angeles, California : A Vireo Book / Rare Bird Books
    UID:
    b3kat_BV045003115
    Format: 306 Seiten , 22 cm
    Edition: First trade paperback original edition
    ISBN: 9781945572937 , 1945572930
    Content: "Cutting-edge, comprehensive and effective, Seven Pillars Acting empowers the actor to transform into character with ease and authenticity. Drawing from the great acting teachers of the last century, Seven Pillars Acting is a modern method that provides a structured set of tools and a dependable process to access and cultivate talent. With many students of the technique now working in the industry, Seven Pillars Acting is changing the way actors approach the craft. Each Pillar focuses in on a different aspect of acting; when added up together, they give the actor the skills to book a callback, land the part and deliver a performance that is both effortless and true. Young actors and seasoned performers alike not only gain a clear concept of acting but also begin or reenergize their professional acting careers in film, television and theatre.It is the goal of Seven Pillars Acting to instill in actors a technique that they can practice for a lifetime, without needing a teacher or guru to handhold the artist. The first comprehensive technique in the past thirty years, Seven Pillars Acting is for the serious actor who seeks a personal, dependable and thrilling approach to crafting character."--Publisher's description
    Note: "This is a Genuine Vireo Book"--Title page verso , Introduction -- Contact -- Circumstance -- Meaning -- Emotional Life -- Objective -- Action -- Physical Life -- Applying Seven Pillars Acting -- The Circle is Complete -- Bibliogrpahy
    Language: English
    Keywords: Schauspielkunst ; Beispielsammlung
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  • 5
    UID:
    b3kat_BV045483868
    Format: 1 Online-Ressource (192 Seiten)
    ISBN: 9781783199402
    Content: "Oberon's monologue collections revamped by Dee Cannon. This volume comes in a brand new format, acting as an actor's workbook as well as monologue resource, with a casting age of teens, twenties or thirties. The monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries. The pieces are organised in age-specific groups: 'Teens', 'Twenties' and 'Thirties'."...Publisher description
    Language: English
    Keywords: Vorsprechen ; Monolog ; Frau ; Schauspielkunst
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  • 6
    Book
    Book
    London ; New York : Routledge Taylor and Francis Group
    UID:
    b3kat_BV045932745
    Format: XVIII, 232 Seiten , Illustrationen , 24 cm
    Edition: First published
    ISBN: 9780815396277 , 0815396279 , 9780815396284 , 0815396287
    Content: "Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: - age/aging and children in the training context - how training impacts over a lifetime - the duration of training and the impact of training regimes over time - concepts of timing and the 'right' time - how time is viewed from a range of international training perspectives - collectives, ensembles and fashions in training, their decay, or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces, and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars, and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance"--
    Note: Literaturangaben , Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- , The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- , Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth
    Additional Edition: ebook version ISBN 9781351180344
    Language: English
    Keywords: Schauspielkunst ; Timing ; Schauspielkunst ; Zeit ; Aufsatzsammlung ; Einführung
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  • 7
    UID:
    b3kat_BV045484959
    Format: xiii, 247 Seiten
    Edition: Second edition
    ISBN: 9781350055056 , 1350055050 , 9781350055049 , 1350055042
    Series Statement: Methuen drama
    Uniform Title: Verbal arts workbook
    Content: "Drama begins with the word. Characters, plot, conflict, genre - all are created through language. An ability to understand how language works is invaluable: actors need to learn not only how to use their voice, but how to use voice and language together. The Dramatic Text Workbook is a textbook which explores the expressive potential of language, and how you as an actor can develop your verbal skills to release that potential. Written by acclaimed voice teachers David Carey and Rebecca Clark Carey (Oregon Shakespeare Festival, RADA) this book provides practical approaches to each aspect of verbal expression with the aid of classical and modern scenes and speeches. Chapters include: · Sound: speech sounds and how to use them more expressively · Image: bring life and specificity to images when you speak · Sense: focus on the most significant words and phrases in a speech or scene · Rhythm: how rhythm is created and used in both verse and prose · Argument: the structure or logic of language A follow-up to The Dramatic Text Workbook, and now including a revised introduction, updated reading lists and a comprehensive revision of the major exercises within the book, it is supported by over 90 minutes of online video workshops, exploring the key techniques and tactics explored in the book"--
    Note: Revision of: The verbal arts workbook , Sound -- Image -- Sense -- Rhythm -- Argument -- Putting it all together -- Vocal warm-up -- Rudolf Laban -- Punctuation and parts of speech -- Curriculum choices -- Personal histories
    Additional Edition: Online version Carey, David, 1952- Dramatic text workbook and video London, UK ; New York, NY : Methuen, [2019] ISBN 9781350055063
    Former: Früher unter dem Titel Carey, David Verbal arts workbook
    Language: English
    Keywords: Schauspielkunst ; Theaterprobe ; Anleitung
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  • 8
    Book
    Book
    London : Oberon Books
    UID:
    b3kat_BV045485503
    Format: 199 Seiten , 22 cm
    Edition: First published
    ISBN: 9781786823472 , 1786823470
    Content: The first collection of its kind, The Oberon Book of Queer Monologues chronicles over one hundred years of queer and trans performance. Combining stage plays with spoken word and performance art, this anthology features over forty extracts from some of the most exciting stage works in the English-speaking world. It will be an essential tool for LGBTQIA+ artists seeking monologues for auditions or training; a comprehensive guide through the hidden histories of queer theatre; and a celebration of the LGBTQIA+ community
    Note: 1900s-1950s. The god of vengeance / Asch -- Rachel / Grimké -- The drag / West -- Absolute hell / Ackland -- Quaint honour / Gellert -- 1960s-1980s. The ruffian on the stair / Orton -- Staircase / Dyer -- Bent / Sherman -- Last summer at Bluefish Cove / Chambers -- Neaptide / Daniels -- 1990s. Bitch! Dyke! Faghag! Whore! / Arcade -- Angels in America / Kushner -- Boy with a beer / Boakye -- I know my own heart / Donoghue -- You're just like my father / Split Britches -- Shopping and fucking / Ravenhill -- Stop kiss / Son -- Tipping the velvet / Wade/Waters -- the bull-jean stories / Bridgforth -- 2000s. Hijra / Kotak -- BALL / Lobel -- Moj of the Antarctic / Adebayo -- Helpless / Bartlett -- Woman of mass destruction / Woo -- Tuesdays at Tesco's / Darley -- Ringside / Morrison -- 2010s. FIT / Beadle-Blair -- The worst of Scottee / Scottee -- Insignificant / Franko B -- JOAN / Skilbeck -- My global agenda / Hoyle -- Stella / Bartlett -- The HIV monologues / Cash -- Chewing the fat / Thompson -- O/B/S/T/A/C/L/E / Alabanza -- Adam / Poet -- Eve / Clifford -- Five encounters... / Ward -- FADoubleGOT / Gerald -- Collective rage / Silverman -- Jubilee / Goode
    Additional Edition: ebook version ISBN 9781786823489
    Language: English
    Keywords: Vorsprechen ; Monolog ; Schauspielkunst ; Beispielsammlung
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  • 9
    E-Resource
    E-Resource
    London : Oberon Books
    UID:
    b3kat_BV045164331
    Format: 1 Online-Ressource (38 pages)
    ISBN: 1786820641 , 9781786820648 , 178682065X , 9781786820655
    Content: Cover; Title Page; Copyright; Author Note; Contents; Alex; Irene; Nick; Barney; Alex; What I've Learned Dating HIV-Positive Guys; Acknowledgements
    Content: He's just your type. But hold on. He's about to tell you he's got HIV. How will you respond emotionally? Brush it aside and practise safe sex? Go on to a deeper relationship? Or do you walk away? In these eloquently interwoven and often funny monologues Patrick Cash invites you to explore these emotions of living with a virus that attacks the emotions as well as the body
    Additional Edition: Print version HIV Monologues London : Oberon Books Ltd, ©2016 ISBN 9781786820648
    Language: English
    Keywords: Vorsprechen ; Monolog ; Schauspielkunst ; Beispielsammlung
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  • 10
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV045452421
    Format: 208 Seiten
    ISBN: 9780815352266 , 9780815352259 , 9781351130950
    Content: Psychology for Actors- Front Cover -- Psychology for Actors -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: The Psychology of an Actor -- Psychology as a Map or Model -- Psychological Evaluations: Pathology and Disease vs. Personality Types and Traits -- The Multiplicity of Postmodernity -- What Is Here and What Is Not -- The Multi-Perspectival Actor -- CHAPTER 1: A Very Brief History of Psychology in the West -- The Antecedents of Psychology: Buddha and the Greeks to Descartes and the Scientific Method -- Birth of the Modern Psychology Project: Mimicking "Science" -- The First Force in the West: Freud vs. Jung -- The Second Force: Power of Reduction -- The Third and Fourth Forces in American Psychology -- The Cognitive and Postmodern Turns -- CHAPTER 2: Two Freuds: Free Association and the Defense Mechanisms -- The Id, Ego, and Superego -- Stages of Psychosexual Development -- Psychoanalysis and Free Association -- Anna Freud: Defenses and Developmental Lines -- Psychoanalytic Activities for Actors -- A Brief Example of Freudian Text Analysis -- Exploring Defense Mechanisms -- Free Association -- CHAPTER 3: Carl G. Jung: Types, Archetypes, and Dreams -- Two Realms of the Unconscious -- Personality Types and Functions: The Introvert and Extrovert -- Dreamwork and Active Imagination -- Analytic Psychology Activities for Actors -- Archetypal Identification -- Type Analysis: The Introvert/Extrovert Continuum -- Persona and Shadow -- Dreamwork -- Active Imagination -- CHAPTER 4: Alfred Adler: Inferiority and the Individual -- Will to Power -- Life Goals and Lifestyle -- Early Childhood Recollections and the Birth Order Affect on Development -- Social Context and Cooperation -- Individual Psychology Activities for Actors -- CHAPTER 5: Karen Horney: Psychoanalytic Social Theory
    Content: Basic Anxiety and a Developmental Schema -- Toward, Against, and Away from Others -- The Idealized Image and the Tyranny of the Shoulds -- Psychoanalytic Social Theory Activities for Actors -- CHAPTER 6: Erik Erikson: Life Span Development -- Developmental Stages, Polarities, and Virtues -- Life Span Development Activities for Actors -- CHAPTER 7: Abraham Maslow: Motivation and Humanistic Psychology -- Maslow's Hierarchy of Needs -- Self-Actualization -- Peak Experiences -- Humanistic Psychology Exercises for the Actor -- CHAPTER 8: Ken Wilber: Integral Psychology -- Quadrants, Levels, Lines, States, and Types -- The AQAL Approach and Integral Psychology -- Integral Psychology Exercises for Actors -- Your Character's Lines of Development -- CHAPTER 9: Personality Testing and Pathology -- Psychological Tests vs. Personality Inventories -- The Myers-Briggs Type Indicator -- The "Big Five" Personality Factors -- Madness, Insanity, and the Mental Illness Model -- Conclusions -- Index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8153-5226-6
    Language: English
    Keywords: Schauspielkunst ; Psychologie
    Author information: Page, Kevin ca. 20. Jh.
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