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  • UdK Berlin  (31)
  • Charité
  • 2015-2019  (31)
  • Art History  (31)
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Year
Person/Organisation
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  • 1
    Image
    Image
    Adrian Piper - a reader (2018)
    New York : Museum of Modern Art | Distributed in the United States and Canada by Artbook/D.A.P.
    Details
    UID:
    b3kat_BV045004608
    Format: 276 Seiten , Illustrationen
    ISBN: 9781633450332
    Content: "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them"
    Note: Impressum: "Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018" , Adrian Piper: reading the work , Adventures in reasonland , Propositions to politics: Adrian Piper's conceptual paradigms , Contrapositional becomings: Adrian Piper performs questions of identity , Plates -- , Xenophobia, stereotypes, and empirical acculturation: Neo-Kantianism in Adrian Piper's performance-based conceptual art , Body and soul , Adrian Piper and the rhetoric of conceptual art
    Language: English
    Subjects: Art History
    RVK:
    LI 99999
    Keywords: Piper, Adrian 1948- ; Ausstellungskatalog ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellungskatalog
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    Author information: Piper, Adrian 1948-
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  • 2
    Book
    Book
    Architectural guide New York : a critic’s guide to 100 iconic buildings in New York from 1999 to 2020 (2019)
    Berlin : DOM publishers
    Details
    UID:
    b3kat_BV045417305
    Format: 255 Seiten , 270 Illustrationen , 24.5 cm x 13.4 cm, 520 g
    ISBN: 9783869224312 , 3869224312
    Content: This architectural guide brings together 100 of the most original structures built in New York City since 1999. Vladimir Belogolovsky pairs them with such nicknames as Guillotine, Peacock, Shark's Fin, Turtle Shell, and Woodpecker. The New York-based author's selection covers buildings realized by the world's most renowned architects during a period when their creations were celebrated as art and personal styles were encouraged by the media, critics and clients. The featured time span begins with the rise of the starchitect in the late 1990s, and ends in the present day. But the mission of the book is not only to document; it is also to celebrate New York's transformative energy. Many of the buildings were designed either by foreign architects or those who settled in the city and now call it home. Through witty, incisive commentary, catchy nicknames, quotes from the author's interviews with the architects, and detailed maps, this singular guide allows readers to see many of New York's contemporary icons in a new way.
    Language: English
    Subjects: Engineering , Art History
    RVK:
    LO 95250
    RVK:
    ZH 9400
    RVK:
    ZH 3250
    RVK:
    ZH 4983
    Keywords: New York, NY ; Architektur ; Kunstführer ; Kunstführer ; Kunstführer
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://d-nb.info/1172531684/04
    Author information: Belogolovsky, Vladimir 1970-
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  • 3
    Image
    Image
    Queer British art : 1861-1967 (2017)
    London : Tate Publishing
    Details
    UID:
    b3kat_BV044274526
    Format: 192 Seiten , Illustrationen
    ISBN: 1849764522 , 9781849764520
    Content: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Note: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Language: English
    Subjects: Art History
    RVK:
    LO 50000
    Keywords: Großbritannien ; Kunst ; Homosexualität ; Geschichte 1861-1967 ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://shop.tate.org.uk/view-all-books/queer-british-art/invt/19450
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  • 4
    Image
    Image
    Leap before you look : Black Mountain College : 1933-1957 (2015)
    Boston : Institute of Contemporary Art | New Haven ; London : Yale University Press
    Details
    UID:
    b3kat_BV043171943
    Format: 399 Seiten , 33 cm
    ISBN: 9780300211917
    Content: In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making the arts central to learning. Though it operated for only twenty-four years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, R. Buckminster Fuller, Karen Karnes, Willem de Kooning, and M.C. Richards, and students included Ruth Asawa, John Chamberlain, Ray Johnson, Robert Rauschenberg, and Cy Twombly. Leap Before You Look is a singular exploration of this legendary school and the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the college--spanning everything from the college's farm program to the influence of the Bauhaus--and about the people and ideas that gave it such a lasting impact. Catalogue entries highlight selected works, including writings, musical compositions, visual arts, pottery, and weaving. The book's fresh approach and rich illustrations convey the atmosphere of creativity and experimentation unique to Black Mountain College that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in art, radical pedagogy, and the enduring legacy of the college. -- Front jacket flap
    Note: Kolophon: "Published on the occasion of the exhibition 'Leap before you look : Black Mountain College, 1933-1957' organized by the Institute of Contemporary Art/Boston, October 10, 2015 - January 24, 2016. Hammer Museum, University of California, Los Angeles, February 21 - May 14, 2016. Wexner Center for the Arts, The Ohio State University, Columbus, September 17, 2016 - January 1, 2017."
    Language: English
    Subjects: Art History
    RVK:
    LO 94030
    Keywords: Black Mountain College ; Kunst ; Geschichte 1933-1957 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Molesworth, Helen 1966-
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  • 5
    Book
    Book
    Anna Maria Maiolino (2017)
    Munich ; London ; New York : DelMonico Books-Prestel | Los Angeles : The Museum of Contemporary Art
    Details
    UID:
    b3kat_BV044513292
    Format: 191 Seiten
    ISBN: 9783791356860 , 3791356860
    Content: Born in Calabria, Italy, in 1942, Anna Maria Maiolino is one of the leading artists of her generation. Her work reflects the major cultural and political realities of postwar Europe and South America as well as issues of patriarchy, feminism, and immigration. This book presents her prints, drawings, sculpture, photography, video, and performance pieces. From her early woodcuts, which spoke directly to the tense political atmosphere of her adopted country of Brazil, to her introspective works on paper-every aspect of Maiolino's incredibly diverse and accomplished career is presented in exquisite illustrations and with a series of informed and provocative essays. Exhibition: The Museum of Contemporary Art, Los Angeles, United States (04.08.-27.11.2017)
    Note: "Published on the occasion of the exhibition 'Anna Maria Maiolino'" , The Museum of Contemporary Art, Los Angeles, August 4-November 27, 2017 , Plate and section texts / Bryan Barcena, Hana Cohn, Helen Molesworth -- "Hunger is a virtue" / Bryan Barcena -- "An early late style : on Anna Maria Maiolino's 1970s work on paper" / Sergio B. Martins -- "Mother knowledge" / Helen Molesworth -- "The polymorphic impulse" / Briony Fer -- "The offering table, or the matter of death" / Anne M. Wagner -- Exhibition checklist
    Language: English
    Subjects: Art History
    RVK:
    LI 99999
    Keywords: Maiolino, Anna Maria 1942- ; Plastik ; Zeichnung ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband
    Author information: Molesworth, Helen 1966-
    Author information: Maiolino, Anna Maria 1942-
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  • 6
    Image
    Image
    Charlotte Salomon and the theatre of memory (2018)
    New Haven ; London : Yale University Press
    Details
    UID:
    b3kat_BV044953162
    Format: 542 Seiten , Illustrationen , 27 cm
    ISBN: 9780300100723 , 0300100728
    Content: "Charlotte Salomon (1917-1943) is renowned for her monumental Life? or Theater?, which comprises 784 paintings the artist created in France between 1941 and 1942, before she was sent to Auschwitz where she was killed in 1943. In this in-depth monograph of the iconic work, Griselda Pollock offers a complex reading of Salomon's unique combination of image, text, and music. Without underestimating the tragic violence of her death in the Holocaust, Pollock seeks to reveal the artist's place within European modernism. In addition to discussing how Salomon's project resonates with the work of those who shared her situation of menaced exile, such as Walter Benjamin, Sigmund Freud, and Hannah Arendt, Pollock reveals how Life? or Theater? raises the issue of sexual abuse of women within the artist's family. Full of close visual analysis, this groundbreaking book offers new insight into Salomon's powerful work in its historical and cultural moment"--
    Note: Literaturverzeichnis Seite 528-535
    Language: English
    Subjects: Art History
    RVK:
    LI 99999
    Keywords: Salomon, Charlotte 1917-1943 ; Malerei ; Geschichte 1941-1942 ; Biografie
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Pollock, Griselda 1949-
    Author information: Salomon, Charlotte 1917-1943
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  • 7
    Book
    Book
    Strike art : contemporary art and the post-occupy condition (2016)
    London ; New York : Verso
    Details
    UID:
    b3kat_BV043422270
    Format: 296 Seiten , Illustrationen
    Edition: First published
    ISBN: 9781784781880 , 9781784786816
    Content: "The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond Activist art experienced a new beginning in the Seattle anti-globalization protests of 1999, reaching a zenith over a decade later with Occupy Wall Street, a movement initiated in part by artist-activists, and structured around creative direct actions and iconic imagery for the social media age. In parts of the mainstream art world, radical ideas were gaining traction over the same period, but remained confined within its institutional apparatus. Art critic Yates McKee recounts these parallel histories and their collisions, highlighting the limitations and complicities of the art world, and reviving the notion of art as an emancipatory practice woven into political struggle, whether around issues of debt, climate justice or police violence. Strike Art!'s claim is that Occupy fundamentally changed the horizon of contemporary art, whether or not the art world knows it yet"...
    Note: Includes bibliographical references , Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78478-189-7
    Language: English
    Subjects: Art History
    RVK:
    LH 60240
    RVK:
    LO 94037
    Keywords: USA ; Occupy Wall Street ; Kunst
    URL: Inhaltsverzeichnis
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  • 8
    Book
    Book
    No it is! (2016)
    Köln : Verlag der Buchhandlung Walther König
    Details
    UID:
    b3kat_BV043557083
    Format: 323 Seiten
    ISBN: 9783863359300
    Content: "No It Is!" documents two recent major presentations of work by South African artist William Kentridge (born 1955): his exhibition at the Martin-Gropius-Bau in Berlin and his performances at the Berliner Festspiele in summer 2016. This artist’s book incorporates a libretto for a performed guided tour of the exhibition--a performance which is both a guide to the exhibition and an exhibit within it--and writings by or conversations with Kentridge about the two projects. The exhibition includes early drawings, animated films, installations, large-scale projections such as More Sweetly Play the Dance and theatrical pieces ranging from Winterreise, an evening of Schubert lieder, collaborations with the Handspring Puppet Company and chamber opera. In the performance series, titled Drawing Lessons, Kentridge discusses his working methods and his political context, from the Apartheid era to the present.
    Note: Martin-Gropius-Bau, 12. Mai bis 21. August 2016, Haus der Berliner Festspiele, Foreign Affairs - International Performing Arts Festival, 5. bis 17. Juli 2016
    Language: German
    Subjects: Art History
    RVK:
    LI 45830
    RVK:
    LI 99999
    Keywords: Kentridge, William 1955- ; Performance ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    URL: Inhaltsverzeichnis
    Author information: Herzogenrath, Wulf 1944-
    Author information: Breidbach, Angela 1960-
    Author information: Kentridge, William 1955-
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  • 9
    Image
    Image
    Hybrid heads : a decoding method to design open narratives and dynamic identities (2019)
    Rotterdam : nai010 publishers
    Details
    UID:
    b3kat_BV046113948
    Format: 424 ungezählte Seiten , Illustrationen , 31 Fotobeilagen
    ISBN: 9789462085121
    Content: Headdresses and coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, gender, ethnicity, religion, profession and sub-culture. As part of a cultural identity, they can be used to distinguish or divide people, but may also serve as a constructive instrument that allows us to recognise mutual differences as a common value. Cultural identity is continuously evolving. Photos and texts provide a vehicle to question prevailing dynamics of identity and identification, visual stereotypes and cultural representation. Daniela Dossi's long-term residency at the open and collective studio Manoeuvre, a multidisciplinary artist-run space in Ghent's Rabot neighbourhood, resulted in an open design method, a textile research project based on a visual and textual archive of headdresses from around the world, and a preliminary collection of hybrid headdresses. The super-diversity of the studio provided the ideal context for this research. Together with Dossi, participants from diverse backgrounds and origins made 800 textile samples by hand using different techniques. Based on this open system, new hybrid headdresses and narratives can be designed by remixing images, texts and textiles: what might the headdress of the first Mexican, female President of the United States look like, for example? 'Hybrid Heads' is a project by Daniela Dossi and Manoeuvre. It is also an exhibition, an interactive installation, a web platform and a design-educational programme.
    Note: Colophon: A project by Daniela Dossi and Manoeuvre, developed in the context of an art residency at Maneouvre (Ghent, BE) in 2014-15 and further developed in 2016-19. Published in conjunction with the exhibition 'Hybrid Heads', Design Museum Gent, 05.04.19-10.06.19
    Language: English
    Subjects: Ethnology , Art History
    RVK:
    LC 12000
    RVK:
    LC 90000
    RVK:
    LI 99999
    RVK:
    LI 99900
    Keywords: Dossi, Daniela ; Installation ; Kopfbedeckung ; Kopfbedeckung ; Kulturelle Identität ; Bedeutung ; Textilforschung ; Projekt ; Dossi, Daniela ; Manoeuvre ; Kopfbedeckung ; Design ; Methode ; Ausstellungskatalog
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  • 10
    Image
    Image
    Jutaku: Japanese houses (2015)
    London ; New York, NY : Phaidon Press
    Details
    UID:
    b3kat_BV043176656
    Format: 512 Seiten , Karte , 184 mm x 124 mm
    Edition: 1st published
    ISBN: 9780714869629 , 0714869627
    Content: Quirky, surprising and entertaining - with more than 400 houses, Jutaku is architecture at the speed of Japan. Frenetic. Pulsating. Disorienting. Japan's contemporary culture is constantly in flux. In stark contrast to the centuries old imperial architecture of Kyoto, recent Japanese architectural practices have ushered in an era of continuous experimentation. With 500 houses, one house per page, one image per house, 'Jutaku: Japanese houses' is a fast-paced, 'quick hit' shock to the system that shines a Harajuku-bright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture. Featuring the work of many of Japan's most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming and completely unknown young architects, 'Jutaku' is organized geographically taking readers on a bullet train journey across Japan's architectural landscape. Essential reading for architects, designers and fans of contemporary Japanese culture
    Content: "Featuring more than 400 houses - one per page, one image per house - Jutaku: Japanese Houses is a fast-paced, shock to the system that shines a Harajukubright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture. Featuring the work of many of Japans̕ most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming or as yet unknown young architects, Jutaku is organized geographically, speeding readers on a bullet train journey across Japans̕ architectural landscape."--
    Language: English
    Subjects: Engineering , Art History
    RVK:
    LO 89870
    RVK:
    ZH 4963
    RVK:
    ZH 5100
    Keywords: Japan ; Einfamilienhaus ; Stadthaus ; Geschichte 1998-2014 ; Bildband ; Bildband
    URL: Inhaltstext
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: http://de.phaidon.com/store/architecture/jutaku-japanese-houses-9780714869629/
    Author information: Pollock, Naomi 1971-
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