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  • Wissenschaftspark Albert Einstein  (1)
  • UdK Berlin  (1)
  • Hertie School
  • 2015-2019  (2)
  • General works  (2)
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Library
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Year
Person/Organisation
Subjects(RVK)
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  • 1
    Book
    Book
    Politics and the anthropocene (2019)
    Cambridge ; Medford : polity
    Details
    UID:
    b3kat_BV046208682
    Format: vii, 152 Seiten
    ISBN: 9781509534197 , 9781509534203
    Content: The Anthropocene has become central to understanding the intimate connections between human life and the natural environment, but it has fractured our sense of time and possibility. What implications does that fracturing have for how we should think about politics in these new times? In this cutting-edge intervention, Duncan Kelly considers how this new geological era could shape our future by engaging with the recent past of our political thinking. If politics remains a short-term affair governed by electoral cycles, could an Anthropocenic sense of time, value and prosperity be built into it, altering long-established views about abundance, energy and growth? Is the Anthropocene so disruptive that it is no more than a harbinger of ecological doom, or can modern politics adapt by rethinking older debates about states, territories, and populations? Kelly rejects both pessimistic fatalism about humanity’s demise, and an optimistic fatalism that makes the Anthropocene into a problem too big for politics, best left to the market or technology to solve. His skilful defence of the potential for democratic politics to negotiate this challenge is an indispensable guide to the ideas that matter most to understanding this epochal transformation
    Note: Literaturhinweise: Seite 123-147
    Language: English
    Subjects: Political Science , General works
    RVK:
    MF 9150
    RVK:
    AR 28100
    Keywords: Anthropozän ; Humanökologie ; Politische Ökologie ; Umweltökonomie
    URL: Cover
    URL: Buchcover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Modern post : workflows and techniques for digital filmmakers (2015)
    New York, NY [u.a.] : Focal Press
    Details
    UID:
    b3kat_BV042902761
    Format: XX, 305 S. , Ill., graph. Darst.
    Edition: 1. publ.
    ISBN: 9780415747028 , 9781315797274
    Note: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- Foreword -- Preface -- Who Is This Book For? -- How to Read This Book -- Acknowledgements -- Part 1 Retrospective on Traditional Filmmaking -- 1.1 Retrospective on Traditional Filmmaking -- 1.1.1 Historical Approach in Shooting and Projecting Film -- 1.1.2 Developing and Processing at the Lab -- 1.1.3 Editing Using a Film Work Print -- 1.1.4 Negative Assembly at the Lab -- 1.1.5 Color Timing Using Printer Lights -- 1.1.6 Release Prints -- 1.2 Evolution of Video Editing 1.2.1 Early Offline Nonlinear Editing Systems -- 1.2.2 Tape-to-Tape Onlines -- 1.2.3 Digital Online Editing -- 1.2.4 Transition from NTSC to HDTV -- Part 2 The Digital Film Frontier -- 2.1 New Frontiers of 21st-Century Filmmaking -- 2.1.1 Digital Intermediate -- 2.1.2 File-Based Workflows -- 2.1.3 Demise of Film? -- 2.1.4 New Exhibition Formats -- 2.1.5 Improvements in Digital Acquisition and Editing -- 2.1.6 Archival and Future Proofing -- 2.1.7 Nonlinear Production -- 2.2 Workflow Best Practices -- 2.2.1 Avoiding Pitfalls in Production that Affect Post -- 2.3 Film 2.3.1 Traditional Film Cameras -- 2.3.2 Why Film Is the Look We Emulate -- 2.3.3 Imaging Characteristics of Film vs. Video -- 2.3.4 Added Expense of Shooting on Film vs. Digital -- 2.3.5 Conversation with Walt Rose, Sales and Student Services, Fotokem -- 2.4 Digital Video -- 2.4.1 History of Digital Video in Cinema -- 2.4.2 Ideal Uses of HD Digital Video -- 2.4.3 Pros and Cons of Digital Video -- 2.5 Digital Cinema Cameras -- 2.5.1 History of Digital Cinema Cameras -- 2.5.2 Digital Cinema Technology -- 2.5.3 What's RAW All About? -- 2.5.4 RAW Alternatives (Log Encoding) 2.5.5 Mainstream Digital Cinema Cameras -- 2.5.6 Specialty Digital Cinema Cameras -- 2.6 Digital Single-Lens Reflex (DSLR) Overview -- 2.6.1 Hybrid between Video and Digital Cinema -- 2.6.2 Use in Independent Productions -- , 2.6.3 Use in Special Cases -- 2.6.4 Pros and Cons -- 2.6.5 Technicolor Cinestyle -- 2.6.6 Magic Lantern -- 2.6.7 Documentary Short: Baby Faced Assassin -- Part 3 Best Practices for Production -- 3.1 The Digital Loader and the Digital Imaging Technician (DIT) -- 3.1.1 Origins of the DIT -- 3.1.2 Digital Loader -- 3.1.3 Digital Imaging Technician -- 3.1.4 Data Management Tools 3.2 Data Management in Practice -- 3.2.1 Checksum Verification -- 3.2.2 Shot Verification (Production Report) -- 3.2.3 Back-Up to Redundant Drives -- 3.2.4 What Is a RAID? -- 3.2.5 LTO Tape Archive -- 3.2.6 Typical Hardware Required for Transfer -- 3.3 Digital Dailies -- 3.3.1 The Function and Expectation of Dailies Historically -- 3.3.2 Paradigm Shift in On-set Color Management -- 3.3.3 On-set, Near Set or At the Lab? -- 3.3.4 Editorial Prep for Offline Dailies -- 3.3.5 Dual-system sound and Syncing -- 3.3.6 Communicating Color Intent -- Part 4 Editing and Post-Production -- 4.1 Offline Editing 4.1.1 Steps Towards Locking a Picture
    Language: English
    Subjects: Engineering , General works
    RVK:
    AP 55000
    RVK:
    ZN 6350
    Keywords: Filmtechnik ; Digitaltechnik
    Library Location Call Number Volume/Issue/Year Availability
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