Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Staatliche Museen  (37)
  • Kammergericht
  • 2015-2019  (37)
  • Ästhetik  (37)
Type of Medium
Language
Region
Years
Year
Access
  • 1
    UID:
    b3kat_BV042568896
    Format: 208 S. , Ill. , 225 mm x 148 mm, 348 g
    ISBN: 3837630587 , 9783837630589
    Series Statement: Media studies
    Note: Literaturangaben
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-8394-3058-3
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Video ; Film ; Neue Medien ; Medienästhetik ; Medientheorie ; Video ; Film ; Neue Medien ; Ästhetik ; Medientheorie
    Author information: Treske, Andreas 1963-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    b3kat_BV043557576
    Format: 289 Seiten , Illustrationen
    ISBN: 3956790073 , 9783956790072
    Series Statement: Institut für Kunstkritik series
    Note: Preface: "This volume is based on the conference we organized in April 2013 at Harvard University. It is not, though, sensu stricto, the proceedings of the conference. Not all of the contributions to the conference are included in our volume and those that have been were expanded and/or significantly revised."
    Language: English
    RVK:
    Keywords: Malerei ; Materialität ; Medialisierung ; Ästhetik ; Moderne ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Author information: Graw, Isabelle 1962-
    Author information: Armstrong, Carol 1955-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    UID:
    b3kat_BV045881441
    Format: x, 208 Seiten , Illustrationen , 25 cm
    ISBN: 9780271082387
    Series Statement: Refiguring modernism 28
    Content: "Explores the rise of formalism in the visual arts. Employs an expanded sense of form to rethink a range of areas, including the history of writing about art, constructions of high and low culture, and the idea of global modernism"--Provided by publisher
    Note: Form and modernist aesthetics on or about 1910 -- The science of art criticism after the 1910s -- Mass civilization and minority visual culture -- Design theory and Marxist art writing : for and against mass culture -- Modernism and form in Africa, Britain, and South Asia
    Language: English
    RVK:
    Keywords: Formalismus ; Künstlerische Form ; Ästhetik ; Kunstkritik ; Kunstwissenschaft ; Geschichte 1900-1990 ; Fry, Roger Eliot 1866-1934 ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Book
    Book
    Oakland, California : University of California Press
    UID:
    b3kat_BV045516396
    Format: x, 310 Seiten , Illustrationen
    ISBN: 9780520299382
    Content: "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher
    Note: Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97113-4
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: USA ; Integrität ; Politische Kunst ; Ästhetik ; Kunst ; Rechtssystem ; Geschichte 1970-2019
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Book
    Book
    Berlin : Sternberg Press
    UID:
    gbv_82461822X
    Format: 236 S. , Ill. , 22 cm
    ISBN: 3956790901 , 9783956790904
    Content: This book comprises a selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds. In the context of advanced globalization, the distributed agency of networked power structures can hardly be localized any longer in geographical terms. Yet, if we are to turn our attention away from geographical that is, horizontal relations, we can conceive of the central and peripheral as vertical phenomena that can coexist spatially in the shapes of social constructions, genealogies, or epistemic formations. Against this backdrop Turning Inward provides a heterogeneous range of critical reflections upon contemporary art and its modes of production, distribution, and consumption. Reaching far beyond the spatial metaphor, the positions assembled in this volume touch on fields such as art history, philosophy, economics, gender studies, urbanism, language, and education
    Content: This book comprises a selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds. In the context of advanced globalization, the distributed agency of networked power structures can hardly be localized any longer in geographical terms. Yet, if we are to turn our attention away from geographicalthat is, horizontalrelations, we can conceive of the central and peripheral as vertical phenomena that can coexist spatially in the shapes of social constructions, genealogies, or epistemic formations. Against this backdrop Turning Inward provides a heterogeneous range of critical reflections upon contemporary art and its modes of production, distribution, and consumption. Reaching far beyond the spatial metaphor, the positions assembled in this volume touch on fields such as art history, philosophy, economics, gender studies, urbanism, language, and education.
    Language: English
    RVK:
    Keywords: Kunst ; Soziale Konstruktion ; Globalisierung ; Geschichte 2000-2015 ; Kunst ; Ästhetik ; Aufsatzsammlung
    Author information: Beeson, John
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    UID:
    b3kat_BV045922411
    Format: xvii, 157 Seiten
    ISBN: 9781498593533
    Content: Artistic creation has proven remarkably resistant to philosophical analysis. Artists have long struggled to explain how they do what they do, and philosophers have struggled along with them. This study does not attempt to offer a comprehensive account of all creativity or all art. Instead it tries to identify an essential feature of an activity that has been cloaked in mystery for as long as history records. Jeff Mitscherling and Paul Fairfield argue that the process by which art is created has a good deal in common with the experience of the audience of a work, and that both experiences may be described phenomenologically in ways that show surprising affinities with what artists themselves often report
    Note: Tracking intentions -- What artists tell us -- Some central concepts and theories -- More clues from Plato and Aristotle -- A model of the work of art -- Structural and hermeneutic considerations involved in artistic creation and -- Aesthetic judgment -- Implications
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4985-9354-0
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Künstler ; Kunst ; Inspiration ; Kreativität ; Phänomenologie ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Book
    Book
    Berlin : Sternberg Press
    UID:
    b3kat_BV043964360
    Format: 291 Seiten , Illustrationen , 13.3 x 20.6 cm
    ISBN: 9783956792212
    Content: This collection of essays does not aim to illustrate a prefabricated theory of art, but rather follows the impulses given by artworks themselves. Philosopher and art critic Boris Groys writes about significant works and artists over the last century that have pushed his thinking in new directions. His compelling arguments do not try to replace the singular content or message of an artwork. Instead, his writings are inspired by art as a mind-changing practice—as if contemporary artists, completely secularized, can still produce a kind of conversion within the spectator. Particular Cases is an original exploration of pivotal concerns related to the development of contemporary art—originality and repetition, the valuation of artworks, materiality and production, historical and personal archives, and the language of power.
    Note: Collection of texts published previously , Essays on Paweł Althamer, Francis Alÿs, Yael Bartana, Paul Chan, Olga Chernysheva, Marcel Duchamp, Peter Fischli and David Weiss, Martin Honert, Rebecca Horn, IRWIN, Wassily Kandinsky, Piero Manzoni, Anri Sala, Thomas Schütte, Mladen Stilinović, Inga Svala Thorsdottir and Wu Shanzhuan, Jeff Wall, Andy Warhol
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kunst ; Ästhetik ; Geschichte 1917-2016 ; Aufsatzsammlung
    Author information: Grojs, Boris 1947-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Image
    Image
    Toronto : Centre for Reformation and Renaissance Studies
    UID:
    b3kat_BV046886704
    Format: 597 Seiten , Illustrationen , 23 cm
    ISBN: 9780772721952
    Series Statement: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies 43
    Content: "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--
    Note: Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions "Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques" held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-7727-2193-8
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Art History
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Das Groteske ; Kunst ; Ästhetik ; Geschichte 1450-1700 ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    UID:
    b3kat_BV044539926
    Format: xii, 296 Seiten , Illustrationen
    ISBN: 9781107184084
    Series Statement: Cambridge studies in nineteenth-century literature and culture 106
    Content: Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty
    Content: "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--
    Note: Includes bibliographical references and index
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Großbritannien ; Literatur ; Kunst ; Ästhetik ; Öffentlichkeit ; Demokratisierung ; Geschichte 1800-1899 ; Großbritannien ; Kunst ; Kunstgeschichtsschreibung ; Ästhetik ; Öffentlichkeit ; Geschichte 1800-1900
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Book
    Book
    Los Angeles : New Documents
    UID:
    gbv_1019376899
    Format: 150 Seiten , 22 cm
    ISBN: 1927354250 , 9781927354254
    Series Statement: New documents 17
    Content: Give Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco's work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017
    Note: Includes bibliographical references , Notes on comic face -- 11 statements around art writing -- How hard it is to die: toward artists' novels -- The disappearance: 59 seconds -- In which the world is leaking in and you are leaking out: on The joy of sex -- Say who I am, or a broad private wink -- I went to the house but did not enter -- Charles Henri Ford -- Populating her sparseness: writing Gonda -- On being faithful: adaptation -- Cosey and Maria talk about Linguistic hardcore -- Poor it is -- Freedom to starve -- Machine oil smells sweet (piecework) -- Thing clutter -- 3,500 years of consecrated objects -- The incunabulum and the plastic bag -- General Idea: FILE magazine -- Ideal syllabus -- The critic as gesture, or John Malkovich's middle name is Gavin.
    Language: English
    RVK:
    Keywords: Ästhetik ; Kunstkritik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages