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  • Staatliche Museen  (3)
  • SB Schwedt
  • 2015-2019  (3)
  • Carleton University Art Gallery  (3)
  • 1
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    Ottawa : Carleton University Art Gallery
    UID:
    gbv_1000617734
    Format: 142 Seiten , Illustrationen
    ISBN: 0770905730 , 9780770905736
    Content: Dorset Seen' looks at how 20 Kinngait artists, past and present, have represented their lives and community over the last sixty years. Featuring 48 drawings and 22 sculptures, this superbly illustrated publication does not focus exclusively on the contemporary, nor does it equate earlier artists with ideas of ?tradition.? Kinngait?s artists have always been inspired by their everyday lives, regardless of aesthetic conventions or market pressures. The artists tackle Christianity and colonialism, the Hudson Bay Company and the RCMP, family and sport, architecture and community development, technology and transport, alcoholism and suicide. 00Exhibition: Carleton University Art Gallery, Ottawa, Canada (02.04.-02.06.2013)
    Note: Impressum: "This catalogue is produced in conjunction with Dorset seen, curated by Leslie Boyd and Sandra Dyck and presented at Carleton University Art Gallery from 2 April - 2 June 2013"
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Kanada ; Zeichnung ; Plastik ; Geschichte 1980-2010 ; Ausstellungskatalog ; Ausstellungskatalog
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  • 2
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    Cambridge, ON : Cambridge Art Galleries | Halifax, NS : Mount Saint Vincent University Art Gallery | Ottawa, ON : Carleton University Art Gallery
    UID:
    gbv_1036992578
    Format: 96 Seiten , 21 cm
    ISBN: 0770906095 , 9780770906092
    Content: Today, there is an increasing permeability between the realms of craft and art occurring in step with an emphasis on the handmade in contemporary art practice and in the widespread interest in all things handcrafted. 'Making Otherwise' presents the work of six Canadian artists who merge the material and conceptual approaches of craft and art: Richard Boulet (Alberta), Ursula Johnson (Nova Scotia), Marc Courtemanche (Quebec), Paul Mathieu (British Columbia), Sarah Maloney (Nova Scotia), and Janet Morton (Ontario). Drawing on their fluency in ceramics, basket weaving, furniture making, stitchery, bronze casting, woodworking, and knitting, these artists think through materials, forms, and ideas to make things differently or otherwise. 00Exhibition: Carleton University Art Gallery, Ottawa (12.05.-04.09.2014) / Mount Saint Vincent University Art Gallery, Halifax (09.10.-30.11.2014) / Cambridge Art Galleries, Cambridge, Canada (01.05.-27.06.2015)
    Note: Includes bibliographical references , Letzte Seite: " This co-publication by Carleton University Art Gallery, Cambridge Art Galleries, and Mount Saint Vincent University Art Gallery documents the exhibition Making Otherwise: Craft and Material Fluency in Contemporary Art, curated by Heather Anderson and circulated by Carleton University Art Gallery. Carleton University Art Gallery, 12 May-4 September, 2014, Mount Saint Vincent University Art Gallery, 9 October-30 November 2014, Cambridge Art Galleries,1 May-27 June 2015."
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kanada ; Kunsthandwerk ; Rezeption ; Installation ; Geschichte 2015 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 3
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    Ottawa : Carleton University Art Gallery | Winnipeg$cSchool of Art Gallery, University of Manitoba
    UID:
    gbv_1670217647
    Format: 95 Seiten
    ISBN: 9780770906085 , 0770906087
    Content: Documenting two exhibitions (2012's 'enuhmo andúyaun' or the road home, and 2018's 'Pahgedenaun'), this publication features drawings and installations Saulteaux artist Robert Houle created about his childhood experiences at Sandy Bay Residential School, located in his home community of Sandy Bay First Nation on the western shore of Lake Manitoba. In these works, Houle addresses the traumas he experienced as a child while attending the residential school run by the Missionary Oblates of Mary Immaculate, an institution in operation from 1905 to 1970. 'Pahgedenaun' is a Saulteaux word expressing the self-defining and self-determining act of ?letting it go from your mind,? embodied in Houle?s profoundly powerful and unsettling art works, which embody acts of memory, truth-telling, survivance and healing. Original texts are accompanied by numerous colour plates, a biography of the artist, and a brief history of the Sandy Bay Residential School.00Exhibition: School of Art Gallery, University of Manitoba, Winnipeg, Canada (07.09-12.10.2012) / Carleton University Art Gallery, Ottawa, Canada (15.01-29.04.2018)
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Houle, Robert 1947- ; Malerei ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog
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