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  • Staatliche Museen  (213)
  • 1995-1999  (198)
  • 1945-1949  (15)
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  • 1
    Book
    Book
    Chicago, Ill. [u.a.] : Univ. of Chicago Press
    UID:
    b3kat_BV024094129
    Format: XXVIII, 647 S. , zahlr. Ill.
    ISBN: 0226262162
    Language: English
    Subjects: Art History
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    Keywords: Manet, Edouard 1832-1883 ; Malerei ; Manet, Edouard 1832-1883 ; Frankreich ; Malerei ; Geschichte 1860-1870 ; Quelle ; Quelle
    Author information: Fried, Michael 1939-
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  • 2
    Book
    Book
    Hamburg : Lit
    UID:
    b3kat_BV025005810
    Format: 220 S.
    ISBN: 3825832767
    Series Statement: Yearbook of the sociology of Islam 1
    Language: English
    Subjects: Sociology
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    Keywords: Islam ; Modernität ; Moderne ; Fundamentalismus ; Islam ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Stauth, Georg 1942-
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  • 3
    Book
    Book
    New York : Fromm Internat.
    UID:
    b3kat_BV011501741
    Format: XII, 371 S.
    Edition: 1. ed.
    ISBN: 0880641754
    Content: The Bauhaus is the most celebrated artistic institution of our time. In the fourteen years of its existence in Weimar Germany, the Bauhaus became a center where the ideas that would dominate art in the twentieth century clashed and became defined. The ideas forged within the school literally transformed our landscape. Almost nothing we read, wear, or live in is devoid of its influence
    Content: Yet there has been a history of the Bauhaus. For the first time, Elaine S. Hochman sets the school in the context of the turbulent times to which it was born following the collapse of Imperial Germany in 1919. The Bauhaus emerged just as radical social and political upheavals swept through Europe in the wake of World War I, a product of the convulsions of an age when the contest between ideologies was fought with the fervor of a religious war. Left was pitted against right of the streets, and these battles penetrated the walls of the Bauhaus as well. They shaped the destiny of the fledgling school and those who taught there, including some of the most illustrious names in the world of modern art - Walter Gropius, Mies van der Rohe, Lyonel Feininger, Paul Klee, and Wassily Kandinsky
    Content: Hochman's access to the school's archives, previously off limits to Western scholars, provides an intimate day-to-day perspective of the school which reveals a different Bauhaus than the one projected by its latter-day champions in the U.S. This is the Bauhaus of its contemporaries, for whom the political and cultural implications were often more important than aesthetics
    Language: English
    Subjects: Art History
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    Keywords: Bauhaus ; Geschichte
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  • 4
    Book
    Book
    Chicago [u.a.] : Univ. of Chicago Press
    UID:
    b3kat_BV010393918
    Format: X, 318 S. , Ill.
    ISBN: 0226733688 , 0226733696
    Content: When Western scholars write about non-Western societies, do they inevitably perpetuate the myths of European imperialism? Can they ever articulate the meanings and logics of non-Western peoples? Who has the right to speak for whom? Questions such as these are among the most hotly debated in contemporary intellectual life. In How "Natives" Think, the distinguished anthropologist Marshall Sahlins addresses these issues head on, while building a powerful case for the ability of anthropologists working in the Western tradition to understand other cultures
    Content: In recent years, these questions have arisen in debates over the death and deification of Captain James Cook on Hawaii island in 1779. Did the Hawaiians truly receive Cook as a manifestation of their own God Lono? Or were they too pragmatic, too worldly-wise to accept the foreigner as a god? Moreover, can a "non-native" scholar give voice to a "native" point of view? In his 1992 book, The Apotheosis of Captain Cook, Gananath Obeyesekere used this very issue to attack Sahlins's decades of scholarship on Hawaii. Accusing Sahlins of elementary mistakes of fact and logic, even of intentional distortion, Obeyesekere portrayed Sahlins as accepting a naive, ethnocentric idea of superiority of the white man over "natives" - Hawaiian and otherwise. Claiming that his own Sri Lankan heritage gave him privileged access to the Polynesian native perspective, Obeyesekere contended that Hawaiians were actually pragmatists too rational and sensible to mistake Cook for a god
    Content: Curiously then, as Sahlins shows, Obeyesekere turns eighteenth-century Hawaiians into modern Europeans, living up to the highest Western standards of "practical rationality." By contrast, Western scholars are turned into classic, custom-bound "natives," endlessly repeating their ancestral traditions of the white man's superiority by insisting Cook was taken for a Hawaiian god. But this inverted ethnocentrism can only be supported, as Sahlins demonstrates, by wholesale fabrications of Hawaiian ethnography and history - not to mention Obeyesekere's sustained misrepresentations of Sahlins's own work. And in the end, although he claims to be speaking on behalf of "natives," Obeyesekere, by substituting a homemade "rationality" for Hawaiian culture, systematically eliminates the voices of Hawaiian people from their own history
    Language: English
    Subjects: History , Ethnology , Sociology
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    Keywords: Cook, James 1728-1779 ; Hawaii ; Mythologie ; Ethnosoziologie
    Author information: Sahlins, Marshall 1930-2021
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  • 5
    Book
    Book
    Poznań : Wydawn. Poznańskiego Tow. Przyjaciół Nauk
    UID:
    b3kat_BV011827273
    Format: 231, [68] S. , Ill.
    ISBN: 8370631738
    Series Statement: Poznańskie Towarzystwo Przyjaciół Nauk / Komisja Historii Sztuki: Prace Komisji Historii Sztuki 26
    Note: PST: The history of Polish Kings ́Chapel - or the Golden Chapel - in Poznań cathedral. - Zsfassung in engl. Sprache , Paralleltitel: The history of Polish Kings' Chapel or the Golden Chapel in Poznań Cathedral
    Language: Polish
    Keywords: Dom Posen Goldene Kapelle
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  • 6
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    UID:
    b3kat_BV012971290
    Format: XIV, 320 S. , Ill.
    ISBN: 0520217675 , 9780520234642
    Series Statement: California studies in critical human geography 6
    Content: "When it comes to holidays, some talk about "seeing the world," others about "getting away from it all." These two basic philosophies of travel are elaborated delightfully in Orvar Lofgren's investigation of "elsewhereness" as a human pursuit. Whether we set out in search of a mountainscape that will take our breath away, artifacts of the past to enrich our minds, the purest sand on the most unspoiled beach, or a summer place to know and cherish, we follow inner itineraries as time-honored and various as the routes we take." "Beginning his cultural journey among some eighteenth-century pioneers of tourism, Lofgren takes us on a tour of the Western holiday world and shows how two centuries of "learning to be a tourist" have shaped our own ways of vacationing. From country walks in search of the picturesque to wilderness trekking for more grandiose views, from seasonal campsites and communities on the coasts of New England and Sweden to Mediterranean resorts and rearranged ruins, from Continental spas to Las Vegas megahotels, we see how fashions in destinations have changed through the years, with popular images (written, drawn, painted, and later photographed) teaching the tourist what to look for and how to experience it."
    Content: "The means of travel have bred their own expectations and rewards. Faster and more affordable transportation, besides permitting more than a small elite to go "on holiday," has led to the package tour and the globalization of tourism. In one of his most entertaining chapters, Lofgren talks about the ongoing battle that results from travelers' differing values: what is "authentic," and does it matter? What constitutes too much or too little, good or bad, the wrong or the right kind of travel? This battle, he says, is often fought in the ways we relate to other tourists--we mock, admire, emulate, or distance ourselves from them. "In the history of modern tourism one element is striking. The main tourist attraction tends to be...other tourists."" "Travelers present and future will never see their cruises, treks, resort interludes, ecotours, round-the-world journeys, or trips to the vacation cottage or condo in quite the same way again. All our land-, sea-, and mindscapes will be the richer for Lofgren's insights. Book jacket."--BOOK JACKET
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: Economics , Geography , Ethnology , Sociology
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    Keywords: Urlaubsreise ; Geschichte
    Author information: Löfgren, Orvar 1943-
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  • 7
    Book
    Book
    New York, NY : Pantheon Books
    UID:
    b3kat_BV003593056
    Format: XVIII, 268, 153 S. , Ill.
    Note: Based on the author's earlier work "Christian art and archeology" (= Engl. ed.) or "Monuments of the early church" (= American ed.), 1901
    Language: English
    Subjects: Theology
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    Keywords: Christliche Archäologie ; Frühchristentum ; Kunst ; Frühchristentum ; Kunst ; Geschichte 100-600
    Author information: Lowrie, Walter 1868-1959
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  • 8
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV011521715
    Format: XII, 304 S. , Ill.
    Edition: 1. publ.
    ISBN: 0521450047
    Series Statement: Cambridge studies in American visual culture
    Content: When Pop-art paintings depicted Campbell soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transmogrify the detritus of consumer culture into high art? In this study, Cecile Whiting declares the issues fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists - Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar - who are closely associated with the Pop-art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuverings, noting how the connotations of masculinity as attached to the seriousness of high art, and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes.
    Language: English
    Subjects: Art History
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    Keywords: Pop-Art ; USA ; USA ; Popkultur ; Pop-Art ; Geschlechterforschung ; Kunstwissenschaft ; Geschichte 1960-1970 ; Warhol, Andy 1928-1987 ; Wesselmann, Tom 1931-2004 ; Lichtenstein, Roy 1923-1997 ; Marisol 1930-2016
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  • 9
    Book
    Book
    Princeton, NJ : Princeton Univ. Press
    UID:
    b3kat_BV011822170
    Format: IX, 283 S. , zahlr. Ill.
    ISBN: 0691027374 , 0691027382
    Content: Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art expressed fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany.
    Language: English
    Subjects: Art History
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    Keywords: Kunst ; Faschismus ; Frankreich ; Faschismus ; Kunst ; Italien ; Soffici, Ardengo 1879-1964 ; Saint-Point, Valentine de 1875-1953 ; Sironi, Mario 1885-1961 ; Valois, Georges 1878-1945 ; Le Corbusier 1887-1965 ; Vichy-Regime ; Kunst ; Vichy-Regime ; Kunstpolitik ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis  (kostenfrei)
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  • 10
    UID:
    b3kat_BV011078568
    Format: XI, 224 Seiten
    ISBN: 0892362952 , 185177176X
    Series Statement: Victoria and Albert Museum studies in the history of art and design
    Content: Through a detailed examination of inventories and other previously unpublished records, Carolyn Sargentson offers a new perspective on the history of consumption, and she paints a fascinating picture of the luxury market during the decades that preceded the French Revolution. Her text raises important questions about the life-cycle of objects and the way that they were valued, the trading options of merchants who operated within narrow margins of credit and cashflow, and the relationship between the different groups who were jostling for position and advantage in a competitive environment. The chapters cover the range of the merciers' operations and are based on detailed case studies of families or aspects of trade in specialist markets. Subjects covered include the corporation of the merciers and their business practice, their role in design, imported goods and European imitations, novelty and innovation, the merciers' shops and the magasins anglais.
    Language: English
    Subjects: Art History
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    Keywords: Paris ; Luxusgütermarkt ; Geschichte 1700-1800 ; Frankreich ; Design ; Geschichte 1700-1799 ; Frankreich ; Angewandte Kunst ; Sozialgeschichte ; Geschichte 1700-1799 ; Paris ; Kunst ; Sammeln ; Geschichte 1700-1799 ; Frankreich ; Kunsthandel ; Geschichte 1700-1799
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