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  • 1
    Online Resource
    Online Resource
    Liverpool University Press ; 1999
    In:  Bulletin of Hispanic Studies Vol. 76, No. 2 ( 1999-04), p. 189-198
    In: Bulletin of Hispanic Studies, Liverpool University Press, Vol. 76, No. 2 ( 1999-04), p. 189-198
    Type of Medium: Online Resource
    ISSN: 1475-3839 , 1478-3398
    RVK:
    Language: English
    Publisher: Liverpool University Press
    Publication Date: 1999
    detail.hit.zdb_id: 2118473-2
    SSG: 7,36
    SSG: 7,34
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  • 2
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1959
    In:  University of Toronto Quarterly Vol. 29, No. 1 ( 1959-10-01), p. 77-108
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 29, No. 1 ( 1959-10-01), p. 77-108
    Abstract: Edwin John Pratt, reviewed by F.W. Watt Explorations Accross the Great Divide, reviewed by T.A. Goudge Chaucer: A Parliament of Critics, reviewed by J.B. Bessinger Seven New Books on Shakespeare, reviewed by F.D. Hoeninger Richard H. Barker, Marcel Proust: a Biography, reviewed by Victor E. Graham Carmine Rocco Linsalata, Smollett's Hoax: Don Quixote in English, reviewed by Eugene Joliat
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1959
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
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  • 3
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1958
    In:  University of Toronto Quarterly Vol. 27, No. 2 ( 1958-01-01), p. 216-230
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 27, No. 2 ( 1958-01-01), p. 216-230
    Abstract: Anthony Beal, D.H. Lawrence: Selected Literary Criticism, reviewed by Douglas Grant T.S. Eliot, On Poetry and Poets, reviewed by Douglas Grant F.R. Leavis, D.H. Lawrence: Novelist, reviewed by Douglas Grant John Middleton Murry, Love, Freedom, and Society, reviewed by Douglas Grant Edward Nehls, D.H. Lawrence: A Composite Biography, reviewed by Douglas Grant Hardin Craig, English Religious Drama of the Middle Ages, reviewed by F.D. Hoeniger Neville Roger, Shelley at Work, reviewed by Milton Wilson
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1958
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
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  • 4
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1942
    In:  University of Toronto Quarterly Vol. 11, No. 2 ( 1942-01-01), p. 194-208
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 11, No. 2 ( 1942-01-01), p. 194-208
    Abstract: For many years John Galt's chief ambition was to be a dramatist, and to dramatic composition he returned after he had attained a prominent place in other fields. His plays are now not easily accessible, and are read today only by the close student of the history of English drama. And yet Galt achieved through them something more than what he himself calls “that respectable degree of mediocrity which the world, without repining, soon forgets.” Galt is otherwise immortal as the author of a unique gem of English prose, The Annals of the Parish, to mention only this work from his sixty-odd volumes of fiction, poetry, biography, history, travel, and political and economic writings. Besides, he is deserving of fame as one of the great Empire-builders.
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1942
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
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  • 5
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1956
    In:  University of Toronto Quarterly Vol. 25, No. 4 ( 1956-07-01), p. 452-466
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 25, No. 4 ( 1956-07-01), p. 452-466
    Abstract: Charles Williams, Anglican layman, editor of the Oxford Press and lecturer at Oxford University, was a man of varied talents who illuminated any subject he touched, and whose interests ranged through history, witchcraft, literary criticism, theology, biography and drama. Best known for his extraordinary novels, Williams has not fared so well with his poetry which has been, for the most part, neglected by critics and ignored by the general reading public. This is a pity because among the several books of verse which he published over the years are two slim volumes containing some of the most fascinating poetry written in our time. The volumes of which I write, Taliessin through Logres (1938), and The Region of the Summer Stars (1944), contain his Grail poems, a reworking of the theme of the Holy Grail into a poetic myth of unusual wisdom and contemporary significance. It is a unique handling, a fresh vision, of an old subject-matter which has been almost completely neglected in English literature.
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1956
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1956
    In:  University of Toronto Quarterly Vol. 25, No. 4 ( 1956-07-01), p. 484-493
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 25, No. 4 ( 1956-07-01), p. 484-493
    Abstract: Charles Williams, Anglican layman, editor of the Oxford Press and lecturer at Oxford University, was a man of varied talents who illuminated any subject he touched, and whose interests ranged through history, witchcraft, literary criticism, theology, biography and drama. Best known for his extraordinary novels, Williams has not fared so well with his poetry which has been, for the most part, neglected by critics and ignored by the general reading public. This is a pity because among the several books of verse which he published over the years are two slim volumes containing some of the most fascinating poetry written in our time. The volumes of which I write, Taliessin through Logres (1938), and The Region of the Summer Stars (1944), contain his Grail poems, a reworking of the theme of the Holy Grail into a poetic myth of unusual wisdom and contemporary significance. It is a unique handling, a fresh vision, of an old subject-matter which has been almost completely neglected in English literature.
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1956
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    PERSEE Program ; 1993
    In:  Recherches sur Diderot et sur l'Encyclopédie Vol. 14, No. 1 ( 1993), p. 145-163
    In: Recherches sur Diderot et sur l'Encyclopédie, PERSEE Program, Vol. 14, No. 1 ( 1993), p. 145-163
    Abstract: John Pappas: Otis Fellows, Pioneer in Studies on Diderot. This article was originally published in English on the retirement of Otis Fellows from Columbia University in 1977. It is both a brief biography and an evaluation of his teaching and scholarly career, concluding with a detailed review of his Diderot, published the same year. It was felt that a French version might interest our European colleagues. After underlining the importance of his The Age of Enlightenment, (1941; 1971) for eighteenth-century studies in the U.S.A. to this day, the article considers Fellows' wartime service in liberated Paris and his contacts with French authors such as Sartre, Eluard, Jules Romains, etc. On his return to Columbia University he published the papers of one of his Diderot seminars as Diderot Studies (1949), leading to a series now in its 25th volume which did much to arouse interest in that then-neglected author. Following an evaluation of his research methodology as revealed in his publications and its influence on generations of students, the article concludes with a review of his Diderot as a lively, accurate evocation of the modernity and importance of this many-faceted author.
    Type of Medium: Online Resource
    ISSN: 0769-0886
    RVK:
    RVK:
    Language: French
    Publisher: PERSEE Program
    Publication Date: 1993
    detail.hit.zdb_id: 2274943-3
    detail.hit.zdb_id: 353969-6
    SSG: 24
    SSG: 5,1
    SSG: 7,30
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  • 8
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1956
    In:  University of Toronto Quarterly Vol. 25, No. 3 ( 1956-04-01), p. 269-282
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 25, No. 3 ( 1956-04-01), p. 269-282
    Abstract: "Non-fiction" is an inelegant and unflattering description, invented no doubt by librarians, which is firmly established in Canadian usage. The literary journals of Great Britain and western Europe still attempt to be more discriminating. In their old-fashioned and pedantic way, they go on recognizing the separate categories of history, biography, politics, economics and world affairs; but in Canada these refined European distinctions are cheerfully disregarded. A survey of Canadian literature, by Canadians, normally begins with an article on Canadian poetry, which is followed immediately by an article on the Canadian novel; and then everything that is left over, philosophy, history, economics, as well as literary and art criticism, is swept summarily into a huge residual heap, labelled "remaining material." Poetry and fiction are, of course, "creative." But the claims of "remaining material" to this proud distinction are regarded, in Canada, as decidedly more dubious. A few small items in the vast, amorphous mass of "non-fiction" may be accepted as "creative," but only on the inflexibly enforced condition that they have not been written by members of universities. Works by members of universities are in all cases dismissed as "academic"; and in Canada, as in other parts of the English-speaking world, "academic" is very definitely a pejorative word.[...] It may be worth while to lift Canadian history and Canadian work in the social sciences out of the undifferentiated mass of "remaining material" for a brief inspection.
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1956
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
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  • 9
    Online Resource
    Online Resource
    University of Toronto Press Inc. (UTPress) ; 1968
    In:  University of Toronto Quarterly Vol. 37, No. 3 ( 1968-04-01), p. 268-280
    In: University of Toronto Quarterly, University of Toronto Press Inc. (UTPress), Vol. 37, No. 3 ( 1968-04-01), p. 268-280
    Abstract: "Nothing in Sartor Resartus is fact," says Carlyle; "symbolical myth all...." That seems sufficient justification for examining the structure and meaning of the work in terms of mythical design as well as in terms of philosophy or biography. Carlyle himself gives the reader a characteristic nudge: "Apart from its multifarious sections and subdivisions," he says, "the Work naturally falls into two Parts; a Historical-Descriptive, and a Philosophical-Speculative: but falls, unhappily, by no firm line of demarcation; in that labyrinthic combination, each Part overlaps, and indents, and indeed runs quite through the other" (34). Taine takes a less charitable view; his Gallic love of order outraged by such a spectacle, he protests as many another reader has protested, that "the symmetrical constructions of human art and thought, dispersed and upset, are piled under his hands into a vast mass of shapeless ruins, from the top of which he gesticulates and fights, like a conquering savage." Carlyle, of course, has ironically built such criticisms of his "one scarcely pardonable fault ... an almost total want of arrangement" (34) into his own book. "Our Professor," says his earnest English editor, "like other Mystics, whether delirious or inspired, gives an Editor enough to do" (71). The apparently confused structure and chaotic jumble of ideas and experiences in Sartor, however, are a true symbolic reflection of the world, an objectification of the problems Teufelsdröckh, or mankind, faces and which he must understand in order to feel that he bears any significant relationship to it. As Carlyle sees them, the symmetrical constructions of human art and thought are indeed falling into shapeless ruins: "In our age of Down-pulling and Disbelief," he says, "the very Devil has been pulled down, you cannot so much as believe in a Devil" (164).
    Type of Medium: Online Resource
    ISSN: 0042-0247 , 1712-5278
    RVK:
    Language: English
    Publisher: University of Toronto Press Inc. (UTPress)
    Publication Date: 1968
    detail.hit.zdb_id: 2067134-9
    detail.hit.zdb_id: 2159811-3
    SSG: 25
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  • 10
    Online Resource
    Online Resource
    Edinburgh University Press ; 2017
    In:  Journal of Beckett Studies Vol. 26, No. 1 ( 2017-04), p. 10-23
    In: Journal of Beckett Studies, Edinburgh University Press, Vol. 26, No. 1 ( 2017-04), p. 10-23
    Abstract: The many achievements of Beckett scholarship in recent years, exploring drafts and notebooks, tracking sources, investigating the biography and mining the letters, run the risk of losing sight of the reason why he merits this degree of attention: the singularity, inventiveness and power of his work, on the page, stage and screen. Starting from Derrida's brief comments on Beckett, in which the philosopher expresses a fascination for what is left over when we have digested (or failed to digest) the content of the writing, this essay takes The Unnamable as an example of a work whose strangeness has often been reduced by accounts of its thematic substance or its various contexts. Addressing primarily the English text but dipping into the French where appropriate, it focuses on the way the work happens: the sequencing of elements, the build-up and relaxation of tension, the enigmas and their resolutions, the withholding and unfolding of information. What, it asks, does this work offer for our enjoyment? What makes it, sporadically, so funny? A short passage from The Unnamable is discussed, with attention to its rhythms, its deployment of expectations aroused and satisfied, postponed, or disappointed, its sometimes recondite diction, and its modulation of tone and register. To read The Unnamable with full appreciation, it is argued, is to participate in the voice's dilemmas, to follow its tortuous reasonings, to take part in its ironic musings, to share its anger and frustration, to laugh at its absurdities, to savour its sheer energy and persistence. All this arises from the event of reading, the experience of the text as it unfolds its words and sentences. Taking advantage of language's capacity to unmake what it has made, Beckett invites the reader to participate in its paradoxes as oscillations and self-cancellations that occur in the reading experience to produce an engaging and entertaining work of literature rather than the mental exercise or verbal puzzle that it can sometimes seem in the hands of its critics.
    Type of Medium: Online Resource
    ISSN: 0309-5207 , 1759-7811
    RVK:
    RVK:
    Language: English
    Publisher: Edinburgh University Press
    Publication Date: 2017
    SSG: 7,25
    SSG: 7,30
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