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  • Kinemathek  (11)
  • Kath. HS Sozialwesen  (1)
  • Müncheberg ZALF
  • Rezeption  (12)
Type of Medium
Language
Region
  • 1
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury,
    UID:
    almafu_BV047943788
    Format: xxi, 489 Seiten, 8 ungezählte Seiten Tafeln : , Illustrationen, Porträts (schwarz-weiß) ; , 25 cm.
    ISBN: 978-1-63557-477-7
    Content: "From the co-author of The World Only Spins Forward comes the first cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his "system" remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks-including Stella Adler, Lee Strasberg, and the storied Group Theatre-refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. Strasberg and Adler's tempestuous feud would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential-and misunderstood-ideas in American culture. Studded with marquee names-from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman-The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film"
    Note: The only way to save art -- New answers to the problems of living -- The frenzied waltz -- The superconscious through the conscious -- The Stanislavski sickness -- I need a new theatre -- Do you know the secrets of art? -- No hack actors -- The coming of a new religion -- I am passionate about this thing!! -- It makes you weep -- We all thought he was god -- A new inner man -- The life of a prostitute is pretty comfortable -- Your secret self -- Our kind of actors -- It was murder -- Slice-of-life -- Softness and self-indulgenc -- Truth, my ass -- It's been a terrible evening -- How do we do all our stuff in front of that machinery? -- That level of being real -- All the means of expression -- Afterword: The method and the future
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-63557-478-4
    Language: English
    Subjects: General works
    RVK:
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    Keywords: 1863-1938 Stanislavskij, Konstantin Sergeevič ; Schauspielkunst ; Rezeption ; Theater ; Film ; History ; History
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  • 2
    UID:
    almahu_BV035653001
    Format: 218 S. : , Ill. ; , 23 cm.
    ISBN: 978-3-9521172-5-5
    Series Statement: Populäre Literaturen und Medien 2
    Note: Zugl.: Zürich, Univ., Lizentiatsarbeit, 2007
    Language: German
    Subjects: English Studies
    RVK:
    Keywords: 1860-1937 Peter Pan, or the boy who would not grow up Barrie, James M. ; Rezeption ; Künste ; Peter Pan ; Intermedialität ; Hochschulschrift ; Hochschulschrift
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  • 3
    UID:
    gbv_1806265834
    Format: 1 Online-Ressource (VIII, 495 p.)
    ISBN: 9783110752908
    Series Statement: Theologische Bibliothek Töpelmann 196
    Content: Karl Barth’s commentary on Paul’s epistle to the Romans, in its two editions (1919 and 1922), is one of the most significant works published in Christian theology in the 20th century. This book, which landed “like a bombshell on the theologians’ playground,” still deserves close scrutiny one hundred years after its publication.In this volume, New Testament scholars, philosophers of religion and systematic theologians ponder the intricacies of Barth’s “expressionistic” commentary, pointing out the ways in which Barth interprets Paul’s epistle for his own day, how this actualized interpretation of the apostle’s message challenged the theology of Barth’s time, and how some of the insights he articulated in 1919 and in 1922 have shaped Christian theology up to our day. With his commentary, the young Swiss pastor paved the way for a renewed, intensely theological interpretation of the Scriptures.The volume thus centers of some of the key themes which run through Barth’s commentary: faith as divine gift beyond any human experience or psychological data, the Easter event as the turning point of the world’s history, God’s judgment and mercy and God’s one Word in Jesus Christ.This volume represents a major contribution to the interpretation of Karl Barth’s early thought
    Note: In English
    Additional Edition: ISBN 9783110752915
    Additional Edition: ISBN 9783110750522
    Additional Edition: Erscheint auch alsDruck-Ausgabe Karl Barth’s epistle to the Romans Berlin : De Gruyter, 2022 ISBN 9783110750522
    Additional Edition: ISBN 311075052X
    Additional Edition: Erscheint auch als print ISBN 9783110750522
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Barth, Karl 1886-1968 Der Römerbrief ; Rezeption ; Geschichte ; Barth, Karl 1886-1968 Der Römerbrief ; Dialektische Theologie ; Konferenzschrift
    URL: Cover
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  • 4
    Book
    Book
    Manchester [u.a.] :Manchester Univ. Press,
    UID:
    almahu_BV023075440
    Format: 272 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-0-7190-7232-1
    Series Statement: Inside popular film
    Content: "This book is a wide-ranging historical study of the British circulation of the video nasties - a term that was originally coined in order to ban a group of horror videos in Britain in the 1980s. Through an exploration of the range of historical materials, the book examines how this unusual genre category was formulated in a particular context and then used (for different reasons) by moral campaigners, distributors, critics and fans.By examining the discourses that inform the circulation of a group of banned films, the book argues that censorship is not just about rules and regulations, but also about the discourses that generate censorship, and the cultural and commercial consequences of a censorship act or law."--Publisher.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Horrorfilm ; Rezeption
    Author information: Egan, Kate, 1975-
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  • 5
    UID:
    b3kat_BV024054643
    Format: 1 DVD, PAL, Ländercode 2, 112 Min., farb., stereo , 12 cm
    Note: Orig.: Italien, Frankreich 1975 , Ital. Orig. mit engl. Untertiteln
    Language: Italian
    Subjects: General works
    RVK:
    Keywords: Sade Marquis de 1740-1814 Les cent-vingt journées de Sodome ; Rezeption ; Pasolini, Pier Paolo 1922-1975
    Author information: Morricone, Ennio 1928-2020
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  • 6
    UID:
    gbv_588919934
    Format: 218 S. , Ill. , 23 cm
    ISBN: 9783952117255
    Series Statement: Populäre Literaturen und Medien 2
    Note: Zugl.: Zürich, Univ., Lizentiatsarbeit, , 2007 , Zugl.: Zürich, Univ., Lizentiatsarb., 2007
    Language: German
    Subjects: English Studies
    RVK:
    Keywords: Barrie, James M. 1860-1937 Peter Pan, or the boy who would not grow up ; Rezeption ; Künste ; Geschichte ; Peter Pan ; Intermedialität ; Hochschulschrift
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  • 7
    Book
    Book
    Oakland, Calif. : University of California Press
    UID:
    gbv_1737271591
    Format: xiii, 338 Seiten , Illustrationen
    ISBN: 9780520300408 , 9780520300415
    Content: Introduction : material mediations -- Collecting and recollecting : Battlestar Galactica through video's varied technologies of memory -- The commercial economy of film history : or, looking for Looking for Mr. Goodbar -- "Let's movie" : how TCM made a lifestyle of classic film -- Spirits of cinema : alcohol service and the future of theatrical exhibition -- Blunt spectatorship : inebriated poetics in contemporary US television -- Shot in black and white : the racialized reception of US cinema violence -- Conclusion : expanding the scene of the screen -- Appendix A : documented incidents of cinema violence in the United States through December 31, 2019.
    Content: "Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind--all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume movies and TV influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s--including video marketing, branded merchandise, drugs and alcohol, and even gun violence--and shows how objects considered peripheral to film and television culture are in fact central to its past and future"--
    Note: Literaturverzeichnis: Seiten 325-331
    Additional Edition: ISBN 9780520971820
    Language: English
    Keywords: Film ; Rezeption ; USA ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte
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  • 8
    UID:
    gbv_896777782
    Format: xv, 337 Seiten , Illustrationen
    ISBN: 9781350009332 , 9781350126374
    Content: "The US government launched the European Recovery Programme, otherwise known as the 'Marshall Plan', in order to save war-torn Europe from collapse in 1948. Yet while much is known about the economic side of the Marshall Plan, the extensive film campaign that accompanied it has been largely overlooked until now. The American Marshall Plan Film Campaign and the Europeans is the first book to explore the use of the Marshall Plan films and, importantly, their distribution and reception across Europe. The study examines every available film - the 170 that remain from the 200 estimated to have been made - and looks at how they were designed to instil hope, argue the case for economic restructuring and persuade the Europeans of the superiority of the liberal-capitalist system. The book goes on to reason that the films served as a powerful weapon in the cultural Cold War, but that the European audiences were by no means passive victims of the US propaganda effort. Maria Fritsche discusses the Marshall Plan films in the context of countries across Western, Northern and Southern Europe, covering the majority of the 17 European countries that participated in the Plan in the process. The book incorporates 70 images and utilises a vast number of archival sources to explore the strategies the US adopted to sway the minds of the Europeans, the problems they encountered in the process and, not least, the varied responses of the European audiences. It is a vital study for any scholar or student keen to know more about postwar recovery in Europe, the legacy of the Second World War or America's relationship with Europe in the 20th century"--
    Note: Literaturverzeichnis: Seite 310-327 , Filmographie: Seite 241-254
    Additional Edition: ISBN 9781350009349
    Additional Edition: ISBN 9781350009356
    Additional Edition: Erscheint auch als Online-Ausgabe Fritsche, Maria, 1969 - The American Marshall Plan film campaign and the Europeans [London] : Bloomsbury Academic, 2018 ISBN 9781350009363
    Additional Edition: ISBN 9781350009349
    Additional Edition: ISBN 9781350009356
    Additional Edition: Erscheint auch als Online-Ausgabe Fritsche, Maria, 1969 - The American Marshall Plan Film Campaign and the Europeans London : Bloomsbury Publishing PLC, 2018 ISBN 9781350009349
    Language: English
    Subjects: History , General works
    RVK:
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    Keywords: Marshall-Plan ; Film ; Filmproduktion ; Rezeption ; Visualisierung ; Geschichte
    Author information: Fritsche, Maria 1969-
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  • 9
    UID:
    gbv_103353661X
    Format: viii, 360 Seiten , Illustrationen
    ISBN: 9780253033659
    Series Statement: Early cinema in review : proceedings of Domitor
    Content: "Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on and off screen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators took and still take away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen"--
    Content: The impossible body of early film / Tom Gunning -- Ovidian violence: George Melies' explosive screen bodies / Vito Adriaensens -- The body under the scalpel in the illustrated press and the cinema / Jeremy Houillere ; translated by Timothy Barnard -- Ghosts and their nationality in the Fin de siecle machinery / Ian Christie -- Field trip to insanity: bodies and minds in the Dr. Maestre film collection (Spain, 1915) / Luis Alonso Garcia, Daniel Sanchez Salas, and Begona Soto Vazquez -- The celluloid specimens: animal origins for the moving image / Benjamin Schultz-Figueroa -- Death by a thousand cuts: on-screen executions in early American cinema / Gary D. Rhodes -- Staged bodies, caged bodies: early cinema in the age of human zoos / Rodolphe Gahery ; translated by Timothy Barnard -- "Stills from a film that is missing": indigenous images and the photographic interval in early cinema / Joanna Hearne -- Risky business: the early film actor and discourses of danger / Charlie Keil and Denise McKenna -- Bodies in motion: dancing and boxing in early Norwegian cinema / Gunnar Iversen -- The beauty of the forzuti: irresistible male bodies on- and offscreen / Ivo Blom -- Nudity in early cinema, or the pictorial transgression / Valentine Robert -- Paul Capellani: the body put to the test by cinema / Sebastien Dupont-Bloch ; translated by Timothy Barnard -- Hair and hairiness in early cinema / Jean-Claude Seguin ; translated by Timothy Barnard -- Lumiere agents in Mexico: the "body" of film as a late-nineteenth-century discourse / John Fullerton -- Breathing faces, twinkling eyes: on cinematic visage in Russian films of the 1910s / Oksana Chefranova -- Making faces: character and makeup in early cinema / Alice Maurice -- "Keep it dark": the fatale attraction of the female viewer's body / Mireille Berton -- "The best synonym of youth": G. Stanley Hall, mimetic play, and early cinema's embodied youth spectator / Christina Petersen -- Perils of cinema: the German cinema debate and the "nerve-racking" medium / Stephanie Werder -- "The taste of the moment seems all for 'pictures'": Irish historical bodies before the early cinema screen / Denis Condon -- The viewer's body in motion: physical and virtual effects of three-dimensional spectacles / Martin Barnier ; translated by Timothy Barnard -- Moving the spectator, dancing with the screen: early dance instruction films and reconfigurations of film spectatorship in the 1910s / Kristina Kohler -- A rational and entertaining species of amusement to bipeds of all ages: the splendid camera obscura / Alison Reiko Loader -- Le corps sous le scalpel de la presse illustree et du cinema / Jeremy Houillere -- Corps mis en scene, corps mis en cage: le cinematographe au temps des zoos humains / Rodolphe Gahery -- Paul capellani: le corps a l'epreuve du cinema / Sebastien Dupont-Bloch -- Poils et pilosites dans le cinema des origines / Jean-Claude Seguin -- Le corps du spectateur en mouvement: effets reels et virtuels des spectacles tridimensionnels / Martin Barnier
    Note: Includes bibliographical references and index , English and French
    Additional Edition: ISBN 9780253033666
    Additional Edition: Erscheint auch als Online-Ausgabe Corporeality in early cinema Bloomington, Indiana : Indiana University Press, [2018]
    Language: English
    Keywords: Film ; Körper ; Publikum ; Rezeption ; Stummfilm ; Aufsatzsammlung
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  • 10
    UID:
    gbv_788687530
    Format: VII, 289 S. , Ill. , 225 mm x 150 mm, 440 g
    ISBN: 3034317824 , 9783034317825
    Series Statement: Cultural interactions : studies in the relationship between the arts 34
    Note: Includes bibliographical references and index , Caught in transition : exoticism in Spontini's Fernand Cortès , The reversal of exoticism: Ahmed Essyad's Le Collier des ruses , Eroticizing antiquity : Madame Mariquita, Régina Badet and the dance of the exotic Greeks from stage to popular press , Loïe Fuller and Salome: the unveiling of a myth , The Kawakami Troupe in early twentieth-century Europe in the context of media history , Global Butterfly : visual exoticism, or its reversal, in silent film and opera performances , Scandalizing Orientalism : The Aida productions by Hans Neuenfels (1981) and Peter Konwitschny (1994) , Performing the icon: the body on stage and the staged body in Salome's Dance of the seven veils , Affirmation and resistance : operatic exoticism on film , The fatal attraction of Madame Butterfly , Subsequent performances
    Additional Edition: ISBN 9783035306590
    Additional Edition: Erscheint auch als Online-Ausgabe Opera, Exoticism and Visual Culture Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2015 ISBN 9783035306590
    Language: English
    Subjects: Musicology , General works
    RVK:
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    Keywords: Oper ; Aufführung ; Exotismus ; Außereuropäische Kultur ; Rezeption ; Oper ; Oper ; Exotismus ; Tanz ; Film ; Aufsatzsammlung ; Konferenzschrift
    Author information: Segal, Naomi 1949-
    Author information: Lee, Hyunseon 1966-
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