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  • Jüdisches Museum  (6)
  • Hertie School  (3)
  • SB Eisenhüttenstadt  (1)
  • Polnisches Institut
  • 2000-2004  (10)
Medientyp
Sprache
Region
Virtuelle Kataloge
Erscheinungszeitraum
Jahr
Fachgebiete(RVK)
Zugriff
  • 1
    Buch
    Buch
    New York [u.a.] : Free Press
    UID:
    b3kat_BV014388998
    Umfang: XIV, 288 S.
    ISBN: 0743230493
    Inhalt: The relationship between military leaders and political leaders has always been a complicated one, especially in times of war. When the chips are down, who should run the show--the politicians or the generals? In Supreme command, Eliot Cohen examines four great democratic war statesmen--Abraham Lincoln, Georges Clemenceau, Winston Churchill, and David Ben-Gurion--to reveal the surprising answer: the politicians. Lincoln, Clemenceau, Churchill, and Ben-Gurion led four very different kinds of democracy, under the most difficult circumstances imaginable. They came from four very different backgrounds-backwoods lawyer, dueling French doctor, rogue aristocrat, and impoverished Jewish socialist. Each exhibited mastery of detail and fascination with technology. All four were great learners, who studied war as if it were their own profession, and in many ways mastered it as well as did their generals. All found themselves locked in conflict with military men and all four triumphed. The art of a great leader is to push his subordinates to achieve great things. The lessons of the book apply not just to President Bush and other world leaders in the war on terrorism, but to anyone who faces extreme adversity at the head of a free organization--including leaders and managers throughout the corporate world.
    Sprache: Englisch
    Fachgebiete: Geschichte , Politologie
    RVK:
    RVK:
    Schlagwort(e): Krieg ; Militär ; Führung ; Oberbefehl ; Regierung ; Geschichte 1860-1950 ; Fallstudiensammlung ; Historische Darstellung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York, NY : Times Books/Henry Holt
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    gbv_686158911
    Umfang: Online-Ressource (XVI, 399 S.) , graph. Darst.
    Ausgabe: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    ISBN: 9781410605689
    Serie: LEA's communication series
    Inhalt: This collection was assembled in response to the interest in understanding media power using the concept of framing. It covers theoretical and methological perspectives, specific cases and empirical efforts by framing analysis and looks at framing in new subject areas and the future
    Anmerkung: Includes bibliographical references and indexes , Book Cover; Title; Copyright; Contents; Foreword; Preface; Introduction; Prologue-Framing Public Life: A Bridging Model for Media Research; PART I THEORETICAL AND MEASUREMENT APPROACHES; CHAPTER 1 Framing as a Strategic Action in Public; CHAPTER 2 The Convergence of Agenda Setting and Framing; CHAPTER 3 Framing: An Emerging Paradigm or a Phase of Agenda Setting?; CHAPTER 4 The Empirical Approach to the Study of Media Framing; CHAPTER 5 The Spiral of Opportunity and Frame Resonance: Mapping the Issue Cycle in News and Public Discourse , CHAPTER 6 Breaching Powerful Boundaries: A Postmodern Critique of FramingPART II CASES-OBSERVATIONS FROM THE FIELD; CHAPTER 7 A Multiperspectival Approach to Framing Analysis: A Field Guide; CHAPTER 8 Framing "Political Correctness": The New York Times' Tale of Two Professors; CHAPTER 9 Covering the Crisis in Somalia: Framing Choices by The New York Times and The Manchester Guardian; CHAPTER 10 Framing the Motorcycle Outlaw; CHAPTER 11 What's Really Important Here?: Media Self-Coverage in the Susan Smith Murder Trial , CHAPTER 12 Frames of Conviction: The Intersection of Social Frameworks and Standards of Appraisal in Letters to the Editor Regarding a Lesbian Commitment CeremonyCHAPTER 13 The Role of Images in Framing News Stories; CHAPTER 14 The Effects of Value-Framing on Political Judgment and Reasoning; CHAPTER 15 Issue Frames That Strike a Value Balance: A Political Psychology Perspective; PART III THE NEW MEDIA LANDSCAPE; CHAPTER 16 Frame Breaking and Creativity: A Frame Database for Hypermedia News , CHAPTER 17 Connectivity and Continuity: Influences of the Digital Realm on the Visual Information Structures of PrintCHAPTER 18 News Framing and New Media: Digital Tools to Re-engage an Alienated Citizenry; CHAPTER 19 Textual Framing as a Communication Climate Factor in Online Groups; CHAPTER 20 The Transference of Frames in Global Television; Epilogue-Framing at the Horizon: A Retrospective Assessment; Contributors; Author Index; Subject Index , Electronic reproduction; Available via World Wide Web
    Weitere Ausg.: ISBN 0805836535
    Weitere Ausg.: ISBN 9780805836530
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Framing Public Life : Perspectives on Media and Our Understanding of the Social World
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    UID:
    kobvindex_JMB00100382
    Umfang: VIII, 340 Seiten
    Ausgabe: 1. Aufl.
    Inhalt: The exhibition explored the function and meaning of Shahn's experimental work in photography and his subsequent contribution to the emerging field of social documentary within the larger social and political climate of the 1930s and the Great Depression. Including over 150 photographs, ink drawings, easel paintings, mural studies and relevant ephemera, Ben Shahn's New York gave visitors the opportunity to view an important and little-examined body of Shahn's work, which was formative for the artist's photographic aesthetic and working process.
    Sprache: Englisch
    Mehr zum Autor: Shahn, Ben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    Hamburg : Cora Verlag
    UID:
    kobvindex_VBRD-i38994106100380
    Umfang: 380 Seiten
    Ausgabe: 1. Auflage
    ISBN: 3899410610
    Serie: Mira Taschenbuch 25050 * New York Times Bestseller Autoren : Historical * The Well Pleasured ; 2
    Originaltitel: A well favored gentleman
    Inhalt: Über Lady Alanna gibt es jede Menge Gerüchte und niemand weiß, wo sie sich aufhält. Immerhin ist sie die Herrin von Fionnaway Manor. Ian Fairchild möchte, dass das Herrenhaus ihm gehört, aber dazu müsste er Lady Alanna heiraten. Als diese ihr Versteckspiel aufgibt und wieder ihren rechtmäßigen Platz einnimmt, steht Ian eine Menge Überredungsarbeit bevor, wenn er wirklich will, dass sie seine Frau wird. Denn die bezaubernde junge Frau hat auch noch jede Menge Verstand und ist nicht so leicht zu überlisten.
    Anmerkung: Aus dem Amerikanischen übersetzt
    Sprache: Deutsch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    UID:
    kobvindex_JMB00036469
    Umfang: XIII, 221 Seiten , Ill.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    New York, NY : Schocken Books
    Dazugehörige Titel
    UID:
    kobvindex_JMB00042359
    Umfang: XXXIII, 1196 Seiten , Illustrationen
    ISBN: 0805241310
    Inhalt: Essays by twenty-three international scholars shed new light on the history of the Jews from Biblical times to the modern day, and explore the fundamental question of Jewish culture and identity.
    Sprache: Englisch
    Mehr zum Autor: Biale, David
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    UID:
    kobvindex_JMB00017720
    Umfang: 36 Seiten , Illustrationen
    Inhalt: The social and political turmoil following Germany’s crushing defeat in World War I paved the way for daring innovations and profound changes in all areas of cultural and public life: the arts, literature, business, architecture and the theater. For a little more than one brief decade, 1919-1933, Berlin became the cultural capital of Europe, a magnet for the artistic avant-garde from all over the world. What made Berlin attractive was the exceptionally liberal cultural and social climate, which emerged from the collapse of the old imperial order. All those who had formerly been excluded from the conservative mainstream were catapulted into prominent positions of power and influence, not surprisingly an extraordinarily large number of Jews among them. Jews came to exemplify “modernity” in the Weimar Republic because so many Jewish artists, scientists, and entrepreneurs were on the forefront of change. While many “modernists” were not Jewish, and many of the Jews barely observant, the association was nonetheless strong. While Weimar did present new opportunities for Jews, their increasing participation in German culture, in disproportionate numbers as many critics asserted, intensified debates on the “Jewish question” as anti-Semitism gained political respectability and mass support that it did not have in earlier times. This LBI exhibition on the “Perils of Prominence” explores the decisive role Jewish artists, journalists, composers, and architects played in defining modernity in the Weimar years. From Schönberg’s twelve-tone music, to Erich Mendelsohn’s elegant architectural designs, to Alfred Döblin’s expressionist prose, all helped steer European imperial culture of the post-World War I era onto a more democratic course.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Buch
    Buch
    Trolley Books
    UID:
    kobvindex_JMB00044767
    Umfang: [60] Blatt , Fotografien
    Ausgabe: 1. Auflage
    ISBN: 0954264851
    Inhalt: Zealotry has many forms of madness, and the Taliban are no exception. In the Toyota Land Cruiser abandoned in Kandahar by Mullah Omar, the man who banned music on pain of prison and torture, was found a cache of popular music CDs. Kandahar, a city of Pashtuns noted for their gaiety, so to speak, where Mullah Omar had made his final headquarters, has traditions of men in high-heeled sandals, with make-up of kohl and painted nails like sultry silent-movie stars. They liked to have their pictures taken and, because the Taliban most certainly needed passports, their vanities were accomodated in the hole-in-the-wall photo shops that exist in downtown Kandahar. The Magnum photographer Thomas Dworzak, on war assignment for the New Yorker, discovered their photographs days after they had fled the city. They hung among portraits of Bruce Lee, Leonardo DiCaprio and Ahmed Shah Massoud, their faces retouched by the artful brushwork of the photographer. As exotic backdrops the subjects have chosen chalets in the Swiss Alps, where the mountains are green and Julie Andrews sings, rather than the forbidding grey and brown of their own country. Some are alone, others with a friend or a Kalashnikov, with garish colours stroked into the theme, along with flowers. They were the killers who have fled, leaving behind an absurd record of their presence. Thomas Dworzak was born in 1972 in Kötzting and grew up in the small town of Cham in Bavaria. After and while finishing high school he started to travel and photograph in Eastern Europe and the Middle East. After living in Avila, Prague and Moscow, studying Spanish, Czech and Russian, he photographed the war in former Yugoslavia. He moved to Tbilisi, Georgia, in 1993 to begin work on a long-term project on the Caucasus and its people, covering the conflicts in Chechnya, Karabakh and Abkhazia. He continues with this project today. Based in Paris from 1999 he covered the Kosovo crisis for US News and World Report and returned to Chechnya the same year. After the fall of Grozny in early 2000 he embarked a project on the impact of the war in Chechnya on the neighboring North Caucasus, covering in between the events in Israel, the war in Macedonia, and the refugee crisis in Pakistan. Post 9/11 he has spent several months in Afghanistan for The New Yorker and returned to Chechnya in 2002. Since the fall of 2002 he has covered the crises in Iraq, Iran and Haiti, and the US elections. From 1995 to 1999 he was distributed by Wostok Press. In 2002 he became a Magnum nominee, in 2004 a member. He is based in Paris and New York and contributes to The New Yorker, Newsweek, USNews, Paris Match, The New York Times Magazine and Time Magazine.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Buch
    Buch
    San Francisco, Calif. : Fraenkel Gallery 〈San Francisco, Calif.〉
    UID:
    kobvindex_JMB00078252
    Umfang: 15, 115 Seiten , Fotografien
    ISBN: 1881337146
    Inhalt: An intimate friendship of more than three decades is chronicled here, along with the aesthetic evolution of two major American artists. R.B. Kitaj's unusual, handsome, troubled, charismatic face has been a rich subject for Lee Friedlander's camera since the two artists became friends in 1970, when both were teaching at the University 0f California, Los Angeles. Kitaj begins and ends with photographs shot in Los Angeles, and the artist's passage from raw and vigorous young man to grizzly, white-haired prophet is charted through more than 90 images. A frank and moving series of images from 1994, focused on Kitaj during the days following his wife Sandra's sudden and unexpected death, achieve a disarming intimacy that could only have been the result of a deep and trusting friendship. Kitaj includes a reminiscence by Kitaj himself as well as an introduction by Friedlander's wife, Maria. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, the grants from the National Endowment for the Arts, and three Guggenheim Fellowships. He has published several books, among them Self-Portrait, American Musicians, Letters From the People, Little Screens, and The Desert Seen. He lives in New York State. R.B. Kitaj was born in Cleveland, Ohio in 1932. He was a merchant seaman before becoming a student at the Royal College of Art.Though he worked in London for most of his adult life, he moved to Los Angeles in the late 1990s, where he continues to paint and live today. "A great photograph is like a great translation, which gives you a little something of a more gorgeous original. It's a short- lived illusion glancing my day. That's why we place photos of loved ones around the house. They escape the tomb, don't they? We read and reread them into a spectral life." -R. B. Kitaj "I can sympathize with Kitaj that at times he would wish to look better in a certain photo, to be rendered differently... But there we are, both Kitaj and myself, I for more than forty years and Kitaj for over thirty, accepting ourselves as subjects for a photographer we trust."-Maria Friedlander
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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