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  • Kath. HS Sozialwesen  (29)
  • Bildungsgesch. Forschung  (15)
  • Topographie des Terrors und DZ  (9)
  • Müncheberg ZALF
  • General works  (53)
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  • 1
    UID:
    almafu_(DE-604)BV046830977
    Format: 1 Online-Ressource (437 Seiten).
    Edition: 1. Auflage
    ISBN: 978-3-7489-0516-5
    Series Statement: Media and Religion Band 4
    Content: In der Modewelt und der Popkultur begegnen einem überraschend oft religiöse Symbole, seien es Kreuze auf T-Shirts, Buddha-Figuren auf Handtaschen oder die indische Göttin Kali auf Badeanzügen: Religion auf populärer Kleidung scheint „in Mode“ zu sein. Doch was haben solche Symbole noch mit Religion zu tun? Die Studie entwirft einen religionswissenschaftlichen Zugang zu dieser Rezeption religiöser Symbole in populärkultureller Kleidung, erklärt die komplexen Verbindungen zwischen Religion und Populärkultur und erprobt diese vorgeschlagene Herangehensweise an einer Untersuchung zu Kleidung in der Schweizer Black Metal-Szene
    Content: In fashion and pop culture, one encounters religious symbols surprisingly often, be it crosses on T-shirts, depictions of Buddha on handbags or the colourful goddess Kali on swimsuits. ‘Religion’ on clothing seems to be ‘in vogue’. This book conducts a study of the reception of religious symbols in the field of popular clothing from the perspective of religious studies and tests this approach in an examination of clothing practices in the Swiss black metal scene
    Note: Dissertation Friedrich-Alexander-Universität Erlangen-Nürnberg 2020
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783848763894
    Additional Edition: Erscheint auch als Druck-Ausgabe Religiöse Codes in der Populärkultur Baden-Baden : Nomos, 2020 ISBN 9783848763894
    Language: German
    Subjects: Ethnology , General works , Theology
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    Keywords: Black Metal ; Mode ; Symbol ; Religion ; Popkultur ; Kleidung ; Popkultur ; Black Metal ; Kleidung ; Symbol ; Religion ; Mode ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 2
    Online Resource
    Online Resource
    Bielefeld :transcript Verlag,
    UID:
    almahu_9949741333802882
    Format: 1 online resource (265 pages)
    Edition: 1st ed.
    ISBN: 3-8394-6905-8
    Series Statement: Edition Moderne Postmoderne Series
    Content: Wie sieht ethische Verantwortung im Zeitalter der Digitalisierung, Datafizierung und Künstlichen Intelligenz aus? Die Beiträger*innen geben fundierte Einsichten in die KI-gestützte Entscheidungs- und Urteilsfindung. Von der digitalen Operationalisierung über die Rolle des Menschen im Zentrum des technischen Fortschritts bis hin zur Konzeption von vertrauenswürdigen Systemen - im Fokus steht die Diskussion von Chancen und Herausforderungen, die nicht nur Akademiker*innen vielseitige Anregungen zur weiteren Auseinandersetzung mit dem Thema gibt.
    Note: Frontmatter -- , Editorial -- , Inhalt -- , Über das Verhältnis von Ethik und Algorithmen -- , Geist, Intelligenz, Information und Daten – Artificial Intelligence im Wandel der Wissenschaftskulturen -- , Moral Decision-Making via AI – deep ethics? About shifting or losing responsibility -- , AI-assisted reflection in child welfare -- , Addressing the needs and demands of child welfare: A connection between AI Ethics and Ethics of Vulnerability -- , Verantwortungsvolle Empfehlungssysteme für die medizinische Diagnostik -- , Zu viel Gewissheit? Herausforderungen künstlich-intelligenter Gesundheitsprädiktionen für die öffentliche Gesundheitsversorgung -- , Algorithmische Differenzierung und Diskriminierung aus Sicht der Menschenwürde -- , Normung und Standardisierung von KI-Systemen aus soziotechnischer Perspektive -- , Vertrauen im Kontext – Messung und Operationalisierung -- , Humaner als der Mensch? Zur sozialen Imagination autonomer Waffentechnik -- , Democratic Autonomy vs. Algorithms? Limits and opportunities for public reasoning -- , Autor*innenverzeichnis
    Additional Edition: ISBN 3-8376-6905-X
    Language: German
    Subjects: Computer Science , General works , Philosophy , Sociology
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    Keywords: Aufsatzsammlung
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    URL: Cover
    URL: Cover
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  • 3
    Book
    Book
    Pittsburgh, Pa. : University of Pittsburgh Press
    UID:
    gbv_1602626227
    Format: IX, 300 Seiten , Illustrationen, Karten , 23 cm
    ISBN: 0822962241 , 9780822962243
    Series Statement: Pitt series in Russian and East European studies
    Content: Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.
    Note: Literaturverzeichnis: Seite 267-283 , Filmografie: Seite 285-288 , "Right off the top of the news" : Professor Mamlock and Soviet Antifascist film -- "The beasts have taken aim at us" : Soviet newsreels screen the War and the Holocaust -- Imagining occupation : partisans and spectral Jews -- Dovzhenko : moving the boundaries of the acceptable -- Mark Donskoi's Reconstruction of Babyi Iar : The unvanquished -- Liberation of the camps -- "The dead never lie" : Soviet film, the Nuremberg Tribunal, and the Holocaust.
    Language: English
    Subjects: History , Slavic Studies , General works
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    Keywords: Sowjetunion ; Film ; Judenvernichtung ; Geschichte 1938-1946 ; Antisemitismus ; Geschichte 1938-1946 ; Sowjetunion ; Judenvernichtung ; Film ; Geschichte 1938-1946 ; Antisemitismus
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  • 4
    UID:
    gbv_1606547496
    Format: IX, 280 S. , Ill.
    ISBN: 9783412219062 , 3412219061
    Series Statement: Selbstzeugnisse der Neuzeit 18
    Content: Die Beiträge verbinden einen Ansatz von Wissenschaftsgeschichte, der Wandel und Kontinuitäten auf die Alltagspraktiken des Forschens und die sozialen Netzwerke der Gelehrten bezieht, mit einem erweiterten Interesse an Selbstzeugnissen. Im Zentrum der Erkundungen unterschiedlicher Selbst- wie Fremdzeugnisse steht der "Gelehrte" in der europäischen Moderne. Personale Netzwerke erweisen sich für ihn in doppelter Hinsicht als zentral: zum einen für die Überlebenssicherung, zum anderen für die Durchsetzung und Erhaltung von Reputation. Zugleich zeigt sich, dass Professionalisierung in den Geistes-, Human- und Kulturwissenschaften weder linear verlief noch eng an Institutionalisierung gebunden war. Insbesondere aber erschließt der gewählte Zugang die Mehrdeutigkeiten professioneller Forschungsarbeit. Inhalt: Lüdtke, Alf/Prass, Reiner: Einleitung: Gelehrtenleben. Wissenschaftspraxis in der Neuzeit. - LEBENSLÄUFE IM KONTEXT (Krusenstjern, Benigna von: Gelehrtenexistenz im Dreißigjährigen Krieg. Wilhelm Schickard in seinen Briefen. - Medick, Hans: Zwischen Religionskrieg und Fakultätskonflikt. Professoren an der "Reform-Universität" Erfurt - im 17. Jahrhundert. - Wobbe, Theresa: Umbrüche in Wissenschaft und Geschlechterordnung. Max Weber im "Lebensbild" Marianne Webers. - Schäbler, Birgit: Post-koloniale Konstruktionen des Selbst als Wissenschaft. Anmerkungen einer Nahost-Historikerin zu Leben und Werk Edward Saids). - SCHREIBEN ALS LEBENSENTWURF (Ulbrich, Claudia: Schreibsucht? Zu den Leidenschaften eines gelehrten Bauern. - Menke, Bettine: Die Geburt des Gelehrten aus den Exzerpten. Die Gelehrtenleben und die wissenschaftliche Praxis des Jean Paul. - Schöttler, Peter: Die autobiographische Versuchung. - Dekker, Rudolf: Fiktion ist stärker als die Wirklichkeit. Über akademische Memoiren und Romane sowie deren Autoren und Figuren). - SELBSTBEOBACHTUNGEN (Bähr, Andreas: Erkenntnis-Arbeit eines Un-Gelehrten. Ludwig Wittgenstein. - Burschel, Peter: ".. ein und derselbe zu sein..." Ein Tagebuch im strikten Sinne des Wortes in dichter Lesung. - Hausen, Karin: Wissenschaft und Leben. Eine Serie wissenschaftlicher Arbeitstagungen zur Familiengeschichte in den Jahren 1977 bis 1983. Ein Rückblick. - Peters, Jan: Disziplinierte Imagination. Fünfzehn Anmerkungen zur Historiker-Autobiografik über die Jahre der DDR. - Meyer, Holt: Academic Self-witnessing Secrets or: "Hitchock's (a) Professor"). - KULTE G ...
    Note: Beitr. teilw. dt., teilw. engl
    Language: German
    Subjects: History , General works , Philosophy
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    Keywords: Gelehrter ; Selbstbild ; Geschichte 1500-1989 ; Wissenschaftspropädeutik ; Aufsatzsammlung
    Author information: Lüdtke, Alf 1943-2019
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  • 5
    Online Resource
    Online Resource
    Berlin ; Boston :De Gruyter Saur,
    UID:
    almahu_BV043530798
    Format: 1 Online-Ressource (316 Seiten) : , Illustrationen.
    ISBN: 978-3-11-046552-5 , 978-3-11-046308-8
    Series Statement: Current topics in library and information practice
    Content: Knowledge services converges information management, knowledge management (KM), and strategic learning into a single enterprise-wide discipline for the benefit of the business or organization in which it is practiced. With the success of knowledge services as a management methodology, the practice has become an acknowledged framework for strategic knowledge management applicable to all businesses and organizations
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-046296-8
    Language: English
    Subjects: Economics , General works
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    Keywords: Wissensmanagement ; Informationsmanagement ; Intellektuelles Kapital ; Organisatorisches Lernen
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (Open Access)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    Author information: St. Clair, Guy, 1940-,
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  • 6
    UID:
    gbv_732681812
    Format: 223 S. , Ill. , 225 mm x 148 mm, 440 g
    ISBN: 3837623068 , 9783837623062
    Series Statement: Edition der Museumsakademie Joanneum 4
    Content: Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate -- and what images would be desirable?
    Content: Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate -- and what images would be desirable?
    Additional Edition: ISBN 9783839423066
    Additional Edition: Online-Ausg. Does War Belong in Museums? Bielefeld : transcript, 2013
    Additional Edition: Erscheint auch als Online-Ausgabe Does war belong in museums? Bielefeld : transcript, 2013 ISBN 9783839423066
    Additional Edition: Erscheint auch als Online-Ausgabe Muchitsch, Wolfgang Does War Belong in Museums? Bielefeld : transcript Verlag, 2013 ISBN 9783839423066
    Additional Edition: Online-Ausg. Does war belong in museums? Bielefeld : transcript, 2013 ISBN 9783839423066
    Language: English
    Subjects: General works
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    Keywords: Krieg ; Gewalt ; Ausstellung ; Museum ; Militärgeschichtliches Museum ; Krieg ; Präsentation ; Museum ; Ausstellung ; Krieg ; Gewalt ; Präsentation ; Aufsatzsammlung ; Ausstellungskatalog
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  • 7
    UID:
    gbv_1700385402
    Format: 1 Online-Ressource (317 Seiten) , Illustrationen
    Edition: 1. Auflage
    ISBN: 9783839448274
    Series Statement: Edition Medienwissenschaft 64
    Content: In recent years, spectacular images of ruined boats, makeshift border camps, and beaches littered with life vests have done much to consolidate the politics of migration and refugeeism in Europe. The mediation of migration as a crisis, in turn, has done much to shore up certain kinds of humanitarian response, legislative action, and affective investment. Bridging artistic practice and academic inquiry, the essays and artworks gathered in Moving Images interrogate the mediation of migration and refugeeism in the contemporary European conjuncture, asking how images, discourses, and data are involved in shaping visions of migration in increasingly global contexts.
    Note: Literaturverzeichnis: Seite 289-313 , Preface , Through the black country, or, the sources of the Thames around the great shires of lower England and down the Severn River to the Atlantic Ocean , Introduction : in and against crisis , SeaPath , The literal, at sea , A sensible politics : image operations of Europe’s refugee crisis , Controlling the crisis , Forensic oceanography : tracing violence within and against the Mediterranean frontier’s aesthetic regime , Reframing the border , Migrant images , Listing , The list , The Adouaba Project , “The Adouaba Project” : tranquilos, adwaba and moving spaces , Unsanctioned agency : risk profiling, racialized masculinity, and the making of Europe’s “refugee crisis” , The Calais crisis : real refugees welcome, migrants “do not come” , SOPHIA : the language of “trafficking” in the mediation of gendered migration , Solidarity and the aporia of “we” : representation and participation of refugees in contemporary art , Either you get it or you don’t : a conversation on LGBTQIA+ Refugees’s #Rockumenta Action , #Rockumenta , Lies of the land
    Additional Edition: ISBN 9783837648270
    Additional Edition: Erscheint auch als Druck-Ausgabe Moving images Bielefeld : transcript, 2020 ISBN 9783837648270
    Additional Edition: ISBN 3837648273
    Additional Edition: ISBN 9783839448274
    Language: English
    Subjects: General works , Sociology
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    Keywords: Europa ; Flüchtlingspolitik ; Grenzschutz ; Diskurs ; Flucht ; Migration ; Darstellung ; Medien ; Flüchtling ; Kunst ; Partizipation ; Aufsatzsammlung
    URL: Cover
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    Author information: Lynes, Krista Geneviève
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  • 8
    Image
    Image
    Toronto, Ontario : Bone Idle | Brussels : Ludion
    UID:
    b3kat_BV046939215
    Format: 367 Seiten , Karten , 30 cm
    ISBN: 9789493039438
    Content: In September 1939, thousands of German soldiers were turned loose on Poland. In 1940, they descended on Holland, Belgium and France. In 1941 they went to the Balkans, and then to the USSR. Armed with Leica and Rolleiflex cameras, some of these soldiers were officially commissioned as photographers, while others were asked by their commanders to snap records of events. Among them were trainees who knew about the Bauhaus, and other, older men who could remember Weimar. Some excelled at formal portraiture, others were storytellers, stylists or humanists who wept at what they saw. The style and content of their work changed along with the collective mood after 1942, a change that is discernible in the photographs themselves. Celebrated author and art historian Ian Jeffrey, author of How to Read a Photograph and The Photography Book, has trawled through these albums, picking out the most compelling of these works to create an intimate record of anonymous lives experiencing the unprecedented.
    Language: English
    Subjects: General works
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    Keywords: Deutschland ; Soldat ; Zweiter Weltkrieg ; Fotografie ; Bildband ; Bildband
    Author information: Jeffrey, Ian 1942-
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  • 9
    UID:
    gbv_1039795528
    Format: 1 Online-Ressource (356 Seiten)
    ISBN: 9783839444399 , 9783732844395
    Series Statement: Digitale Gesellschaft Band 22
    Content: Frontmatter -- Inhalt -- Was ist Sozialtheorie der Digitalen Gesellschaft? / Breljak, Anja / Mühlhoff, Rainer -- I. Infrastrukturen der Kontrolle -- Die Zeit der Datenmaschinen / Breljak, Anja -- Netzwerkaffekte / Maschewski, Felix / Nosthoff, Anna-Verena -- Big Data Is Watching You / Mühlhoff, Rainer -- Tasten / Weigelt, Shirin -- II. Affekt, Netz und Subjektivität -- Klicklust und Verfügbarkeitszwang / Schulz, Jorinde -- Die umkämpfte Grenze zwischen Liebe und Stalking / Dornenzweig, Katharina -- More Substance Than a Selfie? / Govrin, Jule -- Tears in Heaven / Kohpeiß, Henrike -- Die neue Lust am Ressentiment / Weißgerber, Christian Ernst -- III. Öffentlichkeit, Protest und Politik -- The Internet is Dead - Long Live the Internet / Wüschner, Philipp -- Affektive Netze / Wuth, Marie -- Öffentlichkeit trotz alledem / Beuerbach, Jan -- »Die Mächte verstehen, die am Werk sind« / Breljak, Anja / Schulz, Jorinde -- Negri und Wir : Affekt, Subjektivität und Kritik in der Gegenwart / Slaby, Jan -- Verzeichnis der Autorinnen und Autoren
    Content: Shit storms, hate speech or viral videos that promote clicking, linking, sharing: The linked society is driven by affects. The contributions included in this book examine the media-technological developments of our times and explore them from the perspective of a critical affect and social philosophy. They indicate that social media and digital platforms are not only spaces of exchange but also create affect economies - and therein lies their power. By creating new modalities of social interaction and therefore by determining the forms of articulation, they also change the political topography. Including a contribution by Antonio Negri
    Content: Shitstorms, Hate Speech oder virale Videos, die zum Klicken, Liken, Teilen bewegen: Die vernetzte Gesellschaft ist von Affekten getrieben.Die Beiträge des Bandes nehmen die medientechnologischen Entwicklungen unserer Zeit in den Blick und untersuchen sie aus der Perspektive einer kritischen Affekt- und Sozialphilosophie. Sie zeigen: Soziale Medien und digitale Plattformen sind nicht nur Räume des Austauschs, sie erschaffen Affektökonomien - und darin liegt auch ihre Macht. Indem sie neue Modalitäten des sozialen Umgangs stiften und damit die Formen der Artikulation bestimmen, verschieben sie auch die politische Topographie.Mit einem Beitrag von Antonio Negri
    Additional Edition: ISBN 9783837644395
    Additional Edition: ISBN 3837644391
    Additional Edition: Erscheint auch als Druck-Ausgabe Affekt Macht Netz Bielefeld : transcript, 2019 ISBN 9783837644395
    Additional Edition: ISBN 3837644391
    Language: German
    Subjects: General works , Sociology
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    Keywords: Digitale Gesellschaft e.V. ; Soziologie ; Medienwissenschaft ; Sozialphilosophie
    URL: Cover
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    Author information: Slaby, Jan 1976-
    Author information: Mühlhoff, Rainer
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  • 10
    UID:
    gbv_176183519X
    Format: 1 Online-Ressource (VII, 379 Seiten) , Illustrationen
    ISBN: 9783110679663 , 9783110679724
    Series Statement: IFLA Publications 180
    Content: Frontmatter -- Contents -- About IFLA -- Preface -- Part 1: Creative Building Reuse: Challenges and Responses -- 1 Exceptional Libraries and Distinctive Architecture: Celebrating Reuse -- 2 Using Historic Buildings to House New Libraries: Prerequisites and Conditions for Successful Revival -- 3 The Reuse of Buildings: Libraries Behaving Sustainably -- Part 2: Case Studies: Public Libraries -- 4 Patyegarang Place with a New Library and Pavilion Revitalizing a Hospital for Sydney's Inner West Community -- 5 A Fire Hall Reused for Windsor Public Library's John Muir Branch in Ontario, Canada -- 6 Cultural Reconstruction of a Traditional Chinese Courtyard House into the Suochengli Neighbourhood Library -- 7 Converting and Extending a Historic Fire Station into a Library in Berlin, Germany -- 8 Building Community Through Transforming 17th Century Barns in Kirchzarten, Germany -- 9 The Mössingen Library Emerges from the Pausa Tonnenhalle in Germany -- 10 Rehabilitating a Textile Plant for Barcelona's Les Corts Neighbourhood Library -- 11 Repurposing a Grocery Store for the Joutsa Public Library in Finland -- 12 Creating a Library from a Locomotive Shed in Tilburg, the Netherlands -- 13 Converting the Utrecht Post Office into the Neude Library -- Part 3: Case Studies: Academic Libraries -- 14 The Conversion of a Science Institute to a Faculty Library in Ghent, Belgium -- 15 A Cattle Market Becomes a University Library in Germany -- 16 Integrating New Functions into the Historic Herzogin Anna Amalia Bibliothek in Weimar, Germany -- 17 From Locomotives to Libraries at Wildau Technical University, Germany -- 18 Reviving the Hexagon for the University Library on the Luminy Campus of Aix- Marseille University -- 19 The American University of Paris Library in the Student Life and Learning Commons -- 20 A Slaughterhouse Pavilion Becomes an Architectural Library in Rome -- 21 A Library Hovering in the Chapel in Bogotá, Colombia -- 22 Transforming a Match Factory into the American Philatelic Research Library in Bellefonte, Pennsylvania -- Appendix -- Sustainability and Reusing Buildings for Libraries: A Review of Selected Documents -- Contributors
    Content: This book focuses on difficulties and opportunities in revitalization of old, derelict or abandoned buildings into a library and investigates the transformation of buildings which originally had a different purpose. The publication shows worldwide best practice examples from different types of libraries in historic environments, both urban and rural, while maintaining a focus on sustainability concerning the architecture and interior design
    Note: Mode of access: Internet via World Wide Web. , In English
    Additional Edition: ISBN 9783110679519
    Additional Edition: Erscheint auch als EPUB ISBN 9783110679724
    Additional Edition: Erscheint auch als Druck-Ausgabe New libraries in old buildings Berlin : De Gruyter Saur, 2021 ISBN 9783110679519
    Additional Edition: ISBN 3110679515
    Language: English
    Subjects: General works
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    Keywords: Architektur ; Baudenkmal ; Nutzungsänderung ; Folgenutzung ; Bibliotheksbau ; Bauen im Bestand ; Aufsatzsammlung
    URL: Cover
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    Author information: Niess, Robert 1958-
    Author information: Latimer, Karen
    Author information: Knoche, Michael 1951-
    Author information: Hauke, Petra 1946-
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