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  • Inst. f. Musikforschung  (4)
  • DZA Berlin
  • Judaica  (4)
Type of Medium
Language
Region
Virtual Catalogues
  • Judaica  (4)
Years
Subjects(RVK)
  • 1
    Book
    Book
    Cambridge, Mass. ; London : Harvard Univ. Press
    UID:
    b3kat_BV017299840
    Format: 253 S. , Ill. , 25 cm
    ISBN: 9780674011656 , 0674011651
    Note: 1. Acting American; Jews, theatricality, and modernity -- 2. Cantors' sons, jazz singers, and Indian chiefs; The invention of ethnicity on the musical comedy stage -- 3. Babes in arms; The politics of theatricality during the great depression -- 4. "We know we belong to the land"; The theatricality of assimilation in Oklahoma! -- 5. The apprenticeship of Annie Oakley; or, 'doin' what comes natur'lly" -- 6. "You've got to be carefully taught"; The politics of race in south pacific -- Coda; "I whistle a happy tune"
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: USA ; Musical ; Juden
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Woodbridge : The Boydell Press
    UID:
    b3kat_BV044997612
    Format: xxv, 506 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781783272846
    Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext)
    Note: Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Joachim, Joseph 1831-1907 ; Violinmusik ; Biografie ; Werkverzeichnis
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  • 3
    Book
    Book
    Portland, Or. : Amadeus Press
    UID:
    b3kat_BV011727577
    Format: 330 S. , Ill.
    ISBN: 157467028X
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Dirigieren ; Leinsdorf, Erich 1912-1993 ; Musikästhetik ; Quelle ; Aufsatzsammlung
    Author information: Leinsdorf, Erich 1912-1993
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  • 4
    Musical Score
    Musical Score
    Middleton, Wisconsin : A-R Editions, Inc
    UID:
    gbv_1019439920
    Format: 1 Partitur (xviii, 8 ungezählte Seiten, 132 Seiten) , Faksimiles , 31 cm
    ISBN: 9780895798732 , 0895798735
    Series Statement: Recent researches in the music of the Baroque era 200
    Uniform Title: Motetten Auswahl
    Note: The 1st work for SSATB (no. 1-5) or SSSATB (no. 6) with continuo (double bass); 2nd-4th works for SATB with continuo (double bass); 5th work for 2 mixed choruses (SAB, SAT) with continuo (organ) , Figured bass unrealized , Edited from manuscripts in the Royal College of Music, the Westminster Abbey Library, and other repositories , Biographical, historical, and critical notes in English , Includes bibliographical references , Sei antifone, op. 5 Ne reminiscaris Domine delicta nostra Asperges me Domine hysopo Agios o Theos De profundis clamavi ad te Lauda Jerusalem Dominum Inter iniquos projecerunt me -- Miscellaneous motets La-menatztzeaḥ al-tashḥet mizmor le-Asaf shir O salutaris hostia Christus factus est Laudate Dominum omnes gentes , Sei antifone, op. 5 -- La-menatztzeaḥ al-tashḥet mizmor le-Asaf shir -- O salutaris hostia -- Christus factus est -- Laudate Dominum omnes gentes , Latin, Greek, and Hebrew words; also printed separately as text with English translations on pages xvi-xviii
    Language: Latin
    Subjects: Musicology
    RVK:
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