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  • Bibliothek des Konservatismus  (13)
  • HS Musik Hanns Eisler  (5)
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  • 1
    UID:
    gbv_336212291
    Format: 429 S. , 19 cm
    Edition: Dt. Erstausg.
    ISBN: 3442151236
    Series Statement: Goldmann-Taschenbuch 15123
    Uniform Title: The Holocaust on trial 〈dt.〉
    Content: Der Bericht des als freier Korrespondent in London für die New York Times und andere Publikumsorgane schreibenden amerikanischen Journalisten über den Londoner Holocaust-Prozess geht über den unmittelbar geschriebenen Prozessbericht von E. Menasse (BA 12/00) insofern hinaus, als hier nicht nur ausführlicher, genau und vorurteilsfrei über den Prozessverlauf D. Irving gegen D. Lipstadt berichtet wird, sondern auch die geistigen Hintergründe stärkere Beachtung finden. Außerdem wurde im Prozessverlauf durch Zeugenvernehmungen, historische Gutachten (dazu P. Longerich "Der ungeschriebene Befehl", BA 12/01) und vorgelegte Dokumente der systematische Charakter der Ermordung der europäischen Juden durch die Nazis zweifelsfrei erwiesen. Seit dem Urteil vom 11. April 2000 darf Irving einer der schlimmsten Holocaust-Leugner genannt werden. Zur Ergänzung von Menasse, Longerich und Lipstadt ("Betrifft: Leugnen des Holocaust", BA 9/94) breit verwendbar. (2 S) (Friedrich Andrae)
    Note: Literatur- u. Quellenverz. S. 398 - [409]
    Language: German
    Keywords: Irving, David John Cawdell 1938- ; Prozess ; Verleumdung ; Auschwitz-Lüge ; Lipstadt, Deborah E. 1947-
    Author information: Bertram, Thomas 1954-
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  • 2
    UID:
    almafu_BV005654122
    Format: XIII, 304 S.
    Edition: 1. print.
    Language: English
    Subjects: Political Science
    RVK:
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  • 3
    Book
    Book
    Rochester, New York :Camden House,
    UID:
    almahu_BV044997533
    Format: XIII, 238 Seiten : , Notenbeispiele.
    ISBN: 978-1-64014-000-4
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Note: Includes bibliographical references and index , Introduction. - Early Songs. - To Those Who Come After. - Hölderlin in Hollywood. - A Home for Goethe? - Serious Songs. - Conclusion. - Notes. - Bibliography. - Index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1898-1962 Eisler, Hanns ; Lied ; Hochschulschrift
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  • 4
    UID:
    gbv_113134371
    Format: 302 p , ill , 39 cm
    ISBN: 0405143508
    Uniform Title: New York times
    Language: English
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  • 5
    Book
    Book
    New York, NY : Scribner
    UID:
    gbv_280238525
    Format: 444 S. , Ill.
    ISBN: 0684824582
    Series Statement: A Lisa Drew book
    Note: Includes bibliographical references (p. 417-421) and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Chopin, Frédéric 1810-1849 ; Chopin, Frédéric 1810-1849 ; Paris ; Biografie
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  • 6
    UID:
    gbv_1625123043
    Format: X, 152 S. , 21,5 cm
    Edition: 1. Aufl.
    ISBN: 0823224759 , 0823224767
    Content: "A rather singular strike" -- "The principle of representation" : Carl Schmitt's Roman Catholicism and political form -- Wartime : Freud's "timely thoughts on war and death" -- Doing away with Freud's man Moses -- Networks, netwar, and narratives -- The net and the carpets.
    Note: Literatur- u. Quellenang. S. 135 - 146 , "A rather singular strike" -- "The principle of representation" : Carl Schmitt's Roman Catholicism and political form -- Wartime : Freud's "timely thoughts on war and death" -- Doing away with Freud's man Moses -- Networks, netwar, and narratives -- The net and the carpets
    Language: English
    Subjects: Political Science
    RVK:
    Keywords: Krieg ; Philosophie ; Militarismus ; Denken ; Krieg ; Politische Philosophie ; Militarismus ; Denken
    Author information: Weber, Samuel M. 1940-
    Author information: Schmitt, Carl 1888-1985
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  • 7
    Book
    Book
    Lanham, Md. [u.a.] : Rowman & Littlefield
    UID:
    gbv_1615603131
    Format: XXXIII, 299 S. , Ill. , 24 cm
    ISBN: 9780810888500 , 9780810888494
    Content: Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study.
    Note: Includes bibliographical references (pages 269-278) and index , Background : who, when, and howDecisions : topics, pieces, and performers -- The postmodernist : highbrow, lowbrow, and middlebrow joined -- The television pioneer : origins, competition, success -- The pacifist : the cold war intrudes -- The liberal : civil rights, feminism, and the counterculture -- The musical reactionary : atonality versus tonality or composer versus audience -- The advocate for American music : search for an American identity.
    Additional Edition: ISBN 9780810888500
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Bernstein, Leonard 1918-1990 ; Jugendkonzert ; New York Philharmonic ; Konzertreihe ; Geschichte 1958-1972
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  • 8
    Book
    Book
    London : Heligo Books
    UID:
    gbv_1866088238
    Format: 284 Seiten , 1 Illustration , 23,5 cm
    Edition: First edition
    ISBN: 9781788706988 , 9781788706971 , 9780385548281
    Content: "From New Yorker staff writer and author of The Longing for Less Kyle Chayka comes a timely history and investigation of a world ruled by algorithms, which determine the shape of culture itself. From coffee shops to rental apartments to social media posts the world round, a sleek and deceptively simple aesthetic has come to predominate. It's in the neon signs and exposed brick of an Internet cafe in Nairobi or the skeletal, modern furniture of an Airbnb in Portland. These designs are easy to identify, but even more crucially, they photograph well. In their simplicity and studied airiness, these images fit seamlessly into the Instagram grid. But this aesthetic is only one small aspect of a broader program of curation that is determined by the algorithm-a network of mathematically determined choices that ramify into the development of city grids and music playlists alike. To have our tastes, behaviors, and emotions governed by computers, does nothing short of call the very notion of free will into question. Over the last decade, Kyle Chayka has studied the homogeneity of this curation of reality. Working as a contributor for The New Yorker, The New York Times Magazine, and The New Republic, he has traveled to Berlin, Reykjavik, and Los Angeles tracing the algorithm's lineage. In Filterworld, Chayka lucidly examines how this deeply filtered aesthetic-spanning digital and physical spaces-creates an uncanny blend of work, home, and social life. As the algorithm determines our choices, other important questions arise: What happens when shareability supersedes messiness, innovation, and creativity-the very nature of being human? What does the notion of choice mean when the available options have been so carefully arranged for us? Filterworld offers a way out. Kyle Chayka shows us how to disconnect from the tyranny of the algorithms that continue to override our sensibilities, and inform even our most intimate, real-world interactions. Most importantly, he shows us how to reclaim our individual freedom"-- Introduction: Welcome to filterworld -- The rise of algorithmic recommendations -- The disruption of personal taste -- Algorithmic globalization -- The influencer economy -- Regulating filterworld -- In search of human curation -- Conclusion
    Content: Einfluss digitaler Technik auf die Kultur. Globale kulturelle Gleichmacherei durch Algorithmen
    Additional Edition: ISBN 9781788706995
    Additional Edition: Erscheint auch als Online-Ausgabe Chayka, Kyle Filterworld New York : Doubleday, 2024 ISBN 9780385548298
    Language: English
    Keywords: Algorithmus ; Verbraucherverhalten ; Kulturwandel
    URL: Cover
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  • 9
    UID:
    gbv_1880370565
    Format: XXV, 397 Seiten , 23 cm
    ISBN: 9781642939514
    Content: A renowned historian debunks current distortion and myths about European colonialism in the New World and restores much needed balance to our understanding of the past.Was America really stolen from the Indians? Was Columbus a racist? Were Indians really peace-loving, communistic environmentalists? Did Europeans commit genocide in the New World? It seems that almost everyone-from CNN to the New York Times to angry students pulling down statues of our founders-believes that America s history is a shameful tale of racism, exploitation, and cruelty. In Not Stolen, renowned historian Jeff Fynn-Paul systematically dismantles this relentlessly negative view of U.S. history, arguing that it is based on shoddy methods, misinformation, and outright lies about the past. America was not stolen from the Indians but fairly purchased piece by piece in a thriving land market. Nor did European settlers cheat, steal, murder, rape or purposely infect them with smallpox to the extent that most people believe. No genocide occurred-either literal or cultural-and the decline of Native populations over time is not due to violence but to assimilation and natural demographic processes. Fynn Paul not only debunks these toxic myths, but provides a balanced portrait of this complex historical process over 500 years. The real history of Native and European relations will surprise you. Not only is this not a tale of shameful sins and crimes against humanity-it is more inspiring than you ever dared to imagine.
    Note: Literatur- u. Quellenangaben
    Language: English
    Keywords: Kolonialismus
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  • 10
    Musical Score
    Musical Score
    [New York, N.Y.] : Times Square Music Publ.
    UID:
    gbv_161975116X
    Format: 184 S.
    Edition: Vocal score
    ISBN: 088188443X
    Uniform Title: Fiddler on the roof
    Language: English
    Subjects: German Studies
    RVK:
    Author information: Bock, Jerry 1928-2010
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