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  • Buch  (2)
  • UdK Berlin  (2)
  • Kammergericht
  • HNE Eberswalde
  • SB Finsterwalde
  • 2010-2014  (2)
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  • 1
    Buch
    Buch
    Minneapolis, Minn. ; London :Univ. of Minnesota Press,
    UID:
    almafu_BV041411333
    Umfang: 271 S. : , Ill. ; , 23 cm.
    ISBN: 978-0-8166-6754-3 , 978-0-8166-6755-0
    Inhalt: " In Virtual Modernism, Katherine Biers offers a fresh view of the emergence of American literary modernism from the eruption of popular culture in the early twentieth century. Employing dynamic readings of the works of Stephen Crane, Henry James, James Weldon Johnson, Djuna Barnes, and Gertrude Stein, she argues that American modernist writers developed a "poetics of the virtual" in response to the rise of mass communications technologies before World War I. These authors' modernist formal experimentation was provoked by the immediate, individualistic pleasures and thrills of mass culture. But they also retained a faith in the representational power of language--and the worth of common experience--more characteristic of realism and naturalism. In competition with new media experiences such as movies and recorded music, they simultaneously rejected and embraced modernity. Biers establishes the virtual poetics of these five writers as part of a larger "virtual turn" in the United States, when a fascination with the writings of Henri Bergson, William James, and vitalist philosophy--and the idea of virtual experience--swept the nation. Virtual Modernism contends that a turn to the virtual experience of language was a way for each of these authors to carve out a value for the literary, both with and against the growth of mass entertainments. This technologically inspired reengagement with experience was formative for American modernism. Situated at the crossing points of literary criticism, philosophy, media studies, and history, Virtual Modernism provides an examination of Progressive Era preoccupations with the cognitive and corporeal effects of new media technologies that traces an important genealogy of present-day concerns with virtuality. "-- Provided by publisher.
    Anmerkung: Machine generated contents note: -- Contents -- Introduction: The Promise of the Virtual -- 1. Stephen Crane's Abilities -- 2. Realizing Tribly: Henry James, George du Maurier, and the Intermedial Scene -- 3. Syncope Fever: James Weldon Johnson and the Black Phonographic Voice -- 4. Wonder and Decay: Djuna Barnes's New York -- 5. Gertrude Stein Talking -- Acknowledgments -- Notes -- Index
    Sprache: Englisch
    Schlagwort(e): Literatur ; Moderne
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    New York : Alfred A. Knopf
    UID:
    b3kat_BV045915386
    Umfang: XVII, 278 Seiten , Illustrationen , 20 cm
    ISBN: 9780307273604 , 0307273601
    Inhalt: "How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers" that help them use time, summon up willpower, exercise self-discipline and keep themselves afloat with optimism. Artists considering how they work--in letters, diaries, interviews, beguilingly compiled and edited by Mason Currey. Portraits that inspire, amuse, and delight and that reveal the profound fusion of discipline and dissipation through which the artistic temperament is allowed to evolve, recharge, emerge. From Beethoven and Kafka to George Sand, Picasso, Woody Allen and Agatha Christie; from Leo Tolstoy and Henry James to Charles Dickens and John Updike, here are writers, composers, painters, choreographers, playwrights, philosophers, caricaturists, comedians, poets, sculptors, and scientists on how they create (and avoid creating) their creations. A Sampling of Daily Rituals Charles Dickens Dickens's eldest son recalled that, "no city clerk was ever more methodical or orderly than he; no humdrum, monotonous, conventional task could ever have been discharged with more punctuality or with more business-like regularity than he gave to the work of his imagination and fancy." Dickens rose at 7:00, had breakfast at 8:00, and was in his study by 9:00. He stayed there until 2:00, taking a brief break for lunch with his family, during which he often seemed to be in a trance, eating mechanically and barely speaking a word before hurrying back to his desk. On an ordinary day he could complete about two thousand words, but during a flight of imagination he sometimes managed twice that amount. Maya Angelou I keep a hotel room in which I do my work--a tiny, mean room with just a bed and, sometimes, if I can find it, a face basin. I keep a dictionary, a Bible, a deck of cards, and a bottle of sherry in the room... "--
    Inhalt: "How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers""--
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
    Sprache: Englisch
    Schlagwort(e): Künstler ; Ritual ; Alltag ; Künstlerin ; Ritual ; Kreativität ; Alltag ; Geschichte ; Künstlerin ; Kreativität ; Inspiration ; Ritual ; Geschichte 1800-2019 ; Künstler ; Alltag ; Kunstproduktion ; Biografie
    Mehr zum Autor: Currey, Mason
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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