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  • Spanish  (5)
  • Russian  (4)
  • UdK Berlin  (6)
  • Informationszentrum DGAP  (3)
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Subjects(RVK)
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  • 1
    Musical Score
    Musical Score
    Novoe sobranie sočinenij : [v 150 tomach]; Series 6: Compositions for choir and orchestra (with or without soloists), volume 77/78: Poema o rodine : dlja solistov, chora i orkestra : soč. 74 (2020)
    Moskva : Izdat. DSCH
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    Details
    UID:
    b3kat_BV047174579
    Format: 1 Partitur und 1 Klavierauszug (168 Seiten) , 30 cm
    Edition: Partitura ; Klavir
    ISMN: 9790706427485
    Uniform Title: Poėma o rodine
    Note: Score (vol. 77) and vocal score (vol. 78) bound together , Text russisch, in kyrillischer Schrift. - Erläuternde Texte, Kommentare und Inhaltsverzeichnis russisch und englisch
    In: 77/78
    Language: Russian
    Subjects: Musicology
    RVK:
    LU 94640
    Author information: Šostakovič, Dmitrij Dmitrievič 1906-1975
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  • 2
    Book
    Book
    Internet i rossijskoe obščestvo (2002)
    Moskva : Gendal'f
    Details
    UID:
    gbv_376674121
    Format: 279 S , graph. Darst , graph. Darst., Tab., Lit.Hinw.
    ISBN: 588044144X
    Content: Perfiliev, Y.: The territorial organization of Russia's cyberspace. S. 21-47. Semenov, I.: The longing for identity: resistance and the information technology. - S. 48-69. Belonuchkin, G.; Mikhailovskaya, Y.: The political segment of Russia's Internet: its development and prospects. - S. 70-90. Shadrin, A.: Information technologies and raising the effectiveness of social institutions. - S. 91-117. Ivanov, V.: On the particulars of realizing the functions of social management in the Internet (based on the example of the www.e-government.ru website). - S. 118-137. Budnikova, L.: The role of Russia's Internet in attracting foreign investment. - S. 138-157. Gorny, Y.; Vigursky, K.: The development of electronic libraries: Russia's and the world's experience, problems, and outlook. - S. 158-188. Mitrokhin, N.: The Internet: a hunting ground for missionaries, or a zone for interfaith conflict? (Based on the example of the Russian Orthodoc Church's websites.). - S. 189-210. Mirskaya, E.: The Internet and science: the technologies of globalization and Russia's reality. - S. 211-234. Voiskunsky, A.: Internet research in psychology. - S. 235-250. Sukina, L.: Internet publications of classical and modern art and the formation of a new cultural environment in Russia's regions. - S. 251-268
    Note: Perfiliev, Y.: The territorial organization of Russia's cyberspace. S. 21-47. Semenov, I.: The longing for identity: resistance and the information technology. - S. 48-69. Belonuchkin, G.; Mikhailovskaya, Y.: The political segment of Russia's Internet: its development and prospects. - S. 70-90. Shadrin, A.: Information technologies and raising the effectiveness of social institutions. - S. 91-117. Ivanov, V.: On the particulars of realizing the functions of social management in the Internet (based on the example of the www.e-government.ru website). - S. 118-137. Budnikova, L.: The role of Russia's Internet in attracting foreign investment. - S. 138-157. Gorny, Y.; Vigursky, K.: The development of electronic libraries: Russia's and the world's experience, problems, and outlook. - S. 158-188. Mitrokhin, N.: The Internet: a hunting ground for missionaries, or a zone for interfaith conflict? (Based on the example of the Russian Orthodoc Church's websites.). - S. 189-210. Mirskaya, E.: The Internet and s , In kyrill. Schr., russ.
    Language: Russian
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  • 3
    Article
    Article
    The Arabic literatures of the Maghreb : Tradition revisited or response to cultural hegemony? = Le letterature del Maghreb. Recupero della tradizione o risposta all'egemonia culturale? (1997)
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    Details
    UID:
    kobvindex_DGP1632500388
    Format: Lit., zahlr. Lit.Hinw., Reg. S. 343-352
    ISSN: 0030-5472
    Content: Avino, Maria: Il racconto in Libia. Dal romanticismo del "pioniere" Wahbi al-Buri alla modernita di Ahmad Ibrahim al-Faqih. - S. 3-23. Gonzalez-Quijano, Yves: Aux frontieres de la litterature. "Un ecrivain nomme Mu'ammar al-Qaddafi". - S. 25-35. Ruocco, Monica: Il teatro libico tra specificita regionale e ricerca di una dimensione internazionale. - S. 37-57. Van Leeuwen, Richard: Cars in the desert. Ibrahim al-Kawni, 'Abd-al-Rahman Munif and Andre Citroen. - S. 59-72. Baccar, Taoufik: Rapport a soi et rapport a l'autre dans la creation litteraire en Tunisie. - S. 75-82. Cassarino, Mirella: Pensieri come virgole nell'opera della poetessa tunisina Fadilah al-Sabbi. - S. 83-94. Fontaine, Jean: Le roman arabe en Tunisie entre patrimoine et culture dominante. - S. 95-104. Ghersetti, Antonella: Letteratura sperimentale e rapporto con la tradizione nei racconti di 'Izz al-Din al-Madani. - S. 105-123. Machut-Mendecka, Ewa: The living stones of Tunisia ('Izz al-Din al-Madani and the revival theatre. - S. 125-132. Montoro, Rosario: Hacia una relectura contemporanea de los tradicionales mitos arabes. - S. 133-141. Ostle, Robin: Abu 'l-Qasim al-Sabbi (1909-1934) between tradition and modernity. - S. 143-150. Starkey, Paul: Some aspects of the French colonial legacy in the Tunisian novel of the 1960s and 1970s. - S. 151-161. Allen, Roger: Translation translated: Rasid Abu Gadrah's Ma'rakat al-zuqaq. - S. 165-176. Igonetti, Giuseppina: La colonizzazione tra fantasma e rappresentazione in un racconto di Gilali Hallas, ovvero la sete identitaria dell'Algeria. - S. 177-185. Leggio, Francesco: Spazio vitale et spazio mortale in Dakirat al-ma' di Wasini al-A'rag. - S. 187-193. Sa'afin, Ibrahim al-: Modern Arabic novel and tradition. Al-Tahir Wattar as a case study. - S. 195-201. Cobham, Catherine: Sufism and irony. Al-Taslim by Abdelilah al-Hamdouchi. - S. 205-222. Corrao, Francesca: Classicismo e liberta nella poesia di Muhammad Bannis. - S. 223-229. Fernandez Parrilla, Gonzalo: Autobiografia y critica literaria en Marruecos. - S. 231-246. Hallaq, Boutros: Le patrimoine a la rescousse de la modernite. - S. 247-255. Khatib, Ibrahim al-: La litterature marocaine. L'appropriation du reel. - S. 257-262. Kilito, Abdelfattah: L'oubli du jeu. - S. 263-266. Louassini, Zouhir: Il romanzo marocchino. L'ora del lettore. - S. 267-274. Ramos, Fernando: Muhammad Zafzaf: un ejemplo de la doble vocacion oriental y occidental de la narrativa marroqui en lengua arabe. - S. 275-287. Rooke, Tetz: Moroccan autobiography as a national allegory. - S. 289-305. Ould Bah, Seyid: Cultura e letteratura in Mauritania. - S. 309-329. Camera d'Afflitto, Isabella: Fantascienza in Mauritania. La storia di un uomo nato nel 1034 e morto nel 2055: Madinat al-riyah di Musa Wuld Ibnu. - S. 331-340
    In: Oriente moderno, Leiden [u.a.] : Brill, 1921, 16 (1997)=77.1997, 2-3: Numero monografico, S. 1-352, 0030-5472
    Language: Spanish
    Author information: Allen, Roger 1942-
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  • 4
    Article
    Article
    The Arabic literatures of the Maghreb : Tradition revisited or response to cultural hegemony? = Le letterature del Maghreb. Recupero della tradizione o risposta all'egemonia culturale? (1997)
    Show associated volumes
    Details
    UID:
    gbv_1632500388
    Format: Lit., zahlr. Lit.Hinw., Reg. S. 343-352
    ISSN: 0030-5472
    Content: Avino, Maria: Il racconto in Libia. Dal romanticismo del "pioniere" Wahbi al-Buri alla modernita di Ahmad Ibrahim al-Faqih. - S. 3-23. Gonzalez-Quijano, Yves: Aux frontieres de la litterature. "Un ecrivain nomme Mu'ammar al-Qaddafi". - S. 25-35. Ruocco, Monica: Il teatro libico tra specificita regionale e ricerca di una dimensione internazionale. - S. 37-57. Van Leeuwen, Richard: Cars in the desert. Ibrahim al-Kawni, 'Abd-al-Rahman Munif and Andre Citroen. - S. 59-72. Baccar, Taoufik: Rapport a soi et rapport a l'autre dans la creation litteraire en Tunisie. - S. 75-82. Cassarino, Mirella: Pensieri come virgole nell'opera della poetessa tunisina Fadilah al-Sabbi. - S. 83-94. Fontaine, Jean: Le roman arabe en Tunisie entre patrimoine et culture dominante. - S. 95-104. Ghersetti, Antonella: Letteratura sperimentale e rapporto con la tradizione nei racconti di 'Izz al-Din al-Madani. - S. 105-123. Machut-Mendecka, Ewa: The living stones of Tunisia ('Izz al-Din al-Madani and the revival theatre. - S. 125-132. Montoro, Rosario: Hacia una relectura contemporanea de los tradicionales mitos arabes. - S. 133-141. Ostle, Robin: Abu 'l-Qasim al-Sabbi (1909-1934) between tradition and modernity. - S. 143-150. Starkey, Paul: Some aspects of the French colonial legacy in the Tunisian novel of the 1960s and 1970s. - S. 151-161. Allen, Roger: Translation translated: Rasid Abu Gadrah's Ma'rakat al-zuqaq. - S. 165-176. Igonetti, Giuseppina: La colonizzazione tra fantasma e rappresentazione in un racconto di Gilali Hallas, ovvero la sete identitaria dell'Algeria. - S. 177-185. Leggio, Francesco: Spazio vitale et spazio mortale in Dakirat al-ma' di Wasini al-A'rag. - S. 187-193. Sa'afin, Ibrahim al-: Modern Arabic novel and tradition. Al-Tahir Wattar as a case study. - S. 195-201. Cobham, Catherine: Sufism and irony. Al-Taslim by Abdelilah al-Hamdouchi. - S. 205-222. Corrao, Francesca: Classicismo e liberta nella poesia di Muhammad Bannis. - S. 223-229. Fernandez Parrilla, Gonzalo: Autobiografia y critica literaria en Marruecos. - S. 231-246. Hallaq, Boutros: Le patrimoine a la rescousse de la modernite. - S. 247-255. Khatib, Ibrahim al-: La litterature marocaine. L'appropriation du reel. - S. 257-262. Kilito, Abdelfattah: L'oubli du jeu. - S. 263-266. Louassini, Zouhir: Il romanzo marocchino. L'ora del lettore. - S. 267-274. Ramos, Fernando: Muhammad Zafzaf: un ejemplo de la doble vocacion oriental y occidental de la narrativa marroqui en lengua arabe. - S. 275-287. Rooke, Tetz: Moroccan autobiography as a national allegory. - S. 289-305. Ould Bah, Seyid: Cultura e letteratura in Mauritania. - S. 309-329. Camera d'Afflitto, Isabella: Fantascienza in Mauritania. La storia di un uomo nato nel 1034 e morto nel 2055: Madinat al-riyah di Musa Wuld Ibnu. - S. 331-340
    Note: Avino, Maria: Il racconto in Libia. Dal romanticismo del "pioniere" Wahbi al-Buri alla modernita di Ahmad Ibrahim al-Faqih. - S. 3-23. Gonzalez-Quijano, Yves: Aux frontieres de la litterature. "Un ecrivain nomme Mu'ammar al-Qaddafi". - S. 25-35. Ruocco, Monica: Il teatro libico tra specificita regionale e ricerca di una dimensione internazionale. - S. 37-57. Van Leeuwen, Richard: Cars in the desert. Ibrahim al-Kawni, 'Abd-al-Rahman Munif and Andre Citroen. - S. 59-72. Baccar, Taoufik: Rapport a soi et rapport a l'autre dans la creation litteraire en Tunisie. - S. 75-82. Cassarino, Mirella: Pensieri come virgole nell'opera della poetessa tunisina Fadilah al-Sabbi. - S. 83-94. Fontaine, Jean: Le roman arabe en Tunisie entre patrimoine et culture dominante. - S. 95-104. Ghersetti, Antonella: Letteratura sperimentale e rapporto con la tradizione nei racconti di 'Izz al-Din al-Madani. - S. 105-123. Machut-Mendecka, Ewa: The living stones of Tunisia ('Izz al-Din al-Madani and the revival theatre. - S. 125
    In: Oriente moderno, Leiden [u.a.] : Brill, 1921, 16 (1997)=77.1997, 2-3: Numero monografico, S. 1-352, 0030-5472
    In: volume:77
    In: year:1997
    In: number:2-3
    In: pages:1-352
    Language: Spanish
    Author information: Allen, Roger 1942-
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  • 5
    AV-Medium
    AV-Medium
    Victory over the sun : opera in 2 doings and 6 scenes ; a recreation of the 1931 performance (2013)
    Moscow : State Russian Museum [u.a.]
    Details
    UID:
    b3kat_BV042034892
    Format: 1 DVD, PAL, Ländercode 2, 59 Min., farb., stereo , Beih. (44 S.) , 12 cm
    ISBN: 9783863849177
    Series Statement: Palace editions
    Uniform Title: Pobeda nad solncem
    Content: "...'Victory Over the Sun' was the product of a collaboration between Cubist artists and Futurists poets in its original 1913 production... The nonsense, or 'transense' language of the libretto, and the abstract, geometric costumes and set designs shocked and delighted the 1913 audience. The librettists, Kruchenykh and Khlebnikov, were developing a poetic language they called in Russian ''zaum'' - beyond reason. Logical, conventional syntax and grammar were sacrificed to pure sound and abstract verbal imagery... Malevich's designs for the sets and costumes gave brilliant visual expression to the poets' convictions. He, too, completely rejected realism in favor of pure geometric line. The backdrops are a series of black and white drawings in squares and diagonals. He also designed the elaborate and strikingly 'modern' lighting. Critics agree upon the significance of 'Victory Over the Sun' as visual art, but the music has received little attention. It was long believed that only 20 measures had survived... However, a large portion of Matiushin's original music suddenly resurfaced 1982 in the Pushkin House in Leningrad... What so excited audiences in St. Petersburg and in Los Angeles was the strongly visual character ... Indeed, 'opera' is a misleading label for this prescient piece; it has much more in common with recent developments in performance art and rock music than with Boris Godunov or Madama Butterfly. R. Benedetti, a member of the faculty of the School of Theater at the California Institute of the Arts, directed 'Victory Over the Sun' in its Los Angeles reincarnation in 1980. The production was repeated ... in a revised version at the Berlin Festival in September 1983..." [nytimes.com]
    Note: Orig.: Russland, 1913 , Reconstructed at the Moscow Stas Namin Theatre of Music and Drama 2013 in collaboration with the Russian Museum. - Enth. d. Prolog von Velimir (Victor) Khlebnikov, sowie e. histor. Orig.-Aufn. mit A. Kruchenykh. - Das Beih. enth. e. Einf. v. Evgenia Petrova mit Lit.verz., den engl. Text d. Prologs, d. engl. Übers. d. Librettos, Bemerkungen. d. Übers. , Russ. mit engl. Untertiteln
    Language: Russian
    Keywords: Kručenych, Aleksej Eliseevič 1886-1968 Pobeda nad solncem ; Malevič, Kazimir 1878-1935 ; Matjušin, Michail V. 1861-1934 ; DVD-Video
    Author information: Kručenych, Aleksej Eliseevič 1886-1968
    Author information: Matjušin, Michail V. 1861-1934
    Author information: Chlebnikov, Velimir 1885-1922
    Author information: Namin, Stas 1951-
    Author information: Malevič, Kazimir 1878-1935
    Author information: Kiblickij, Iozef ca. 20. Jh.
    Author information: Petrova, Evgenija Nikolaevna 1946-
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  • 6
    AV-Medium
    AV-Medium
    3 documentaries (2013)
    [London] : New Wave Films
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    Details
    UID:
    b3kat_BV046037494
    Format: 2 DVD-Videos (52 min + 83 min + 60 min) , 12 cm
    Edition: 2 discs
    Series Statement: New wave films 053
    Content: Blockade: The longest siege during World War II was that of Leningrad, which lasted for 900 days, from September 1941 to January 1944, when Hitler attempted to starve the Soviet city of three million people into submission. Estimates of the number of residents who died from starvation, disease or cold range from 641,000 to 800,000. Consisting of solely of rarely seen footage found in Soviet film archives, Blockade vividly re-creates those momentous events, featuring a meticulously reconstructed, state-of-the-art soundtrack added to the original black-and-white silent footage
    Content: Revue: In Revue, Sergei Loznitsa researched footage from the 1950s and 1960s, selecting excerpts from newsreels, propaganda films, TV shows and feature films that present a portrait - in images - of Soviet life during the same period. The film's fascinating flow of disparate scenes representing a certain idea - and ideal - of Soviet life, appear, from today's perspective, as alternately poignant, funny, and tragic. The cumulative impact reveals a life of hardship, deprivation and seemingly absurd social rituals, but one always inspired by the vision, or illusion, of a communist dream
    Content: Landscape: Winter. People are waiting for a bus in the Russian town of Okulovka. They talk. Listening to their conversations, the viewer is immersed in the world they live in. United by the movement of the camera, the whole place and the people blend together. Reminiscent of the work of Michael Snow and of Chantal Akerman in D'Est (1992), Landscape is an absorbing documentary showing both the people waiting for a bus and the atmosphere of this wintry wait, the tensions and worries featured in discussions recorded separately from the image, resulting in a poignant and often funny documentary
    Note: Russisch - Untertitel: Englisch
    Language: Russian
    Keywords: Film ; DVD-Video
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  • 7
    AV-Medium
    AV-Medium
    Alejandro Jodorowsky's Fando & Lis (1999)
    〈〈[S.l.]〉〉 : Fantoma Films
    Details
    UID:
    b3kat_BV024063761
    Format: 1 DVD, 183 Min., s/w, mono , 1 Beih., 1 Beil. , 12 cm
    Uniform Title: Fando y Lis
    Note: 1.66:1 , Orig.: Mexiko 1967/68 , Enth.: 1 unselbständiges Werk , Enth. audio commentary by director Alejandro Jodorowsky ; a full-color reproduction of the original 8-page handbill , In Span. with optional Engl. or French subtitles
    Language: Spanish
    Author information: Jodorowsky, Alejandro 1929-
    Author information: Arrabal, Fernando 1932-
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  • 8
    Image
    Image
    Mexico: masks, rituals (2019)
    Santa Fe, NM : Radius Books
    Details
    UID:
    b3kat_BV045682898
    Format: 238 Seiten
    ISBN: 9781942185574 , 194218557X
    Content: Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico's masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations their personal and collective identifications displayed on their bodies
    Note: Text spanisch und englisch
    Language: Spanish
    Keywords: Galembo, Phyllis 1952- ; Fotografie ; Mexiko ; Kostüm ; Maske ; Bildband
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  • 9
    AV-Medium
    AV-Medium
    No te mueras sin decirme adónde vas : Stirb nicht, ohne mir zu sagen, wo du gehst = Ne meurs pas sans me dire où tu vas (2012)
    Montaje, Marcela Saenz ; dirección de fotografía, Hugo Colace ; música, Pedro Aznar ; Dario Grandinetti, Mariana Arias, Oscar Martinez, Monica Galan, Tincho Zabala, Leonardo Sbaraglia, James Murray, Manuel Cruz, Jairo, Ricardo Fasan, Vando Villamil, Sandra Sandrini, Alicia Schilman, Mauro Ivan Palermo, Elvira Onetto, Camila Cabral, Matias Hareza, Candela Balbuena, Anabel Cherubito, Jacobo Aisemberg, Sandra Ballesteros, Jorge Garcia Cozzi, Susana Serebrenik, Carola Jalife, Alvaro Silva, Albertina Piterbarg, Sergio Dubner, Carlos Zapparelli, Pedro Mattiello ; Subiela, Eliseo [Sonstige] ; [et al.]
    Switzerland : Trigon-Film
    Details
    UID:
    b3kat_BV049692624
    Format: 1 videodisc (125 min.) , sd., col , 4 3/4 in
    Series Statement: Trigon-Film DVD-edition 28
    Content: Leopoldo, a lonely film projectionist has invented a machine to record his dreams. Through a series of odd events, he discovers that he is the reincarnation of one of the inventors of cinema, and it also records a woman from his past
    Note: Originally released as a motion picture in 1995 , This disc may not play on all DVD players or drives , Full screen (1.37:1) , DVD, 1:1.85-4/3 LB PAL, DD ; all regions , In Spanish with subtitle options in German, French, Spanish, and English
    Language: Spanish
    Keywords: Film ; DVD-Video
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