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  • UdK Berlin  (9)
  • GB Schulzendorf
  • 2015-2019  (9)
  • Ästhetik  (9)
  • 1
    UID:
    b3kat_BV042568896
    Format: 208 S. , Ill. , 225 mm x 148 mm, 348 g
    ISBN: 3837630587 , 9783837630589
    Series Statement: Media studies
    Note: Literaturangaben
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-8394-3058-3
    Language: English
    Subjects: General works
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    Keywords: Video ; Film ; Neue Medien ; Medienästhetik ; Medientheorie ; Video ; Film ; Neue Medien ; Ästhetik ; Medientheorie
    Author information: Treske, Andreas 1963-
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  • 2
    UID:
    b3kat_BV043557576
    Format: 289 Seiten , Illustrationen
    ISBN: 3956790073 , 9783956790072
    Series Statement: Institut für Kunstkritik series
    Note: Preface: "This volume is based on the conference we organized in April 2013 at Harvard University. It is not, though, sensu stricto, the proceedings of the conference. Not all of the contributions to the conference are included in our volume and those that have been were expanded and/or significantly revised."
    Language: English
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    Keywords: Malerei ; Materialität ; Medialisierung ; Ästhetik ; Moderne ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Author information: Graw, Isabelle 1962-
    Author information: Armstrong, Carol 1955-
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  • 3
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    UID:
    b3kat_BV045881441
    Format: x, 208 Seiten , Illustrationen , 25 cm
    ISBN: 9780271082387
    Series Statement: Refiguring modernism 28
    Content: "Explores the rise of formalism in the visual arts. Employs an expanded sense of form to rethink a range of areas, including the history of writing about art, constructions of high and low culture, and the idea of global modernism"--Provided by publisher
    Note: Form and modernist aesthetics on or about 1910 -- The science of art criticism after the 1910s -- Mass civilization and minority visual culture -- Design theory and Marxist art writing : for and against mass culture -- Modernism and form in Africa, Britain, and South Asia
    Language: English
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    Keywords: Formalismus ; Künstlerische Form ; Ästhetik ; Kunstkritik ; Kunstwissenschaft ; Geschichte 1900-1990 ; Fry, Roger Eliot 1866-1934 ; Ästhetik
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  • 4
    Book
    Book
    Cambridge, Massachusetts : The MIT Press | Whitechapel Gallery : London
    UID:
    b3kat_BV043348027
    Format: 239 Seiten
    ISBN: 9780262528092 , 9780854882373
    Series Statement: Documents of contemporary art
    Content: Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation
    Note: Includes bibliographical references and index , Introduction -- Follow the materials -- The living fire of labour -- Formless blobs and trahs flows -- Bodies that matter -- Nature after nature -- Rematerialization of the void -- Materialities of media〈br〉〈br〉Artists surveyed include Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker〈br〉〈br〉Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley
    Language: English
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    Keywords: Kunst ; Theorie ; Ästhetik ; Geschichte 1970-2015 ; Künstlerisches Material ; Geschichte 1970-2015 ; Aufsatzsammlung
    Author information: Lange-Berndt, Petra
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  • 5
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV044212241
    Format: XV, 200 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9781474265539 , 9781474265522
    Content: "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF Geczy, Adam Critical fashion practice New York : Bloomsbury Academic, 2017 ISBN 978-1-4742-6554-6
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB Geczy, Adam Critical fashion practice New York : Bloomsbury Academic, 2017 ISBN 978-1-4742-6555-3
    Language: English
    Keywords: Mode ; Modeschöpfer ; Subkultur ; Ästhetik
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  • 6
    Book
    Book
    Durham ; London : Duke University Press
    UID:
    b3kat_BV045932118
    Format: xviii, 348 Seiten , Illustrationen
    ISBN: 9781478000266 , 1478000260 , 9781478000334 , 1478000333
    Content: From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In 'Work!' Elspeth H. Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality-whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s-became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism
    Note: "From the artist's model to the photographic model : containing sexuality in the early twentieth century -- Race, sexuality, and the 1920s stage model -- Queering interwar fashion : photographers, models, and the queer production of the "look" -- Black models and the invention of the US "Negro market," 1945-1960 -- "You've got to be real" : constructing femininity in the long 1970s
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-0214-7
    Language: English
    Subjects: General works
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    Keywords: Mannequin ; Fotomodell ; Tänzerin ; Werbefotografie ; Idee ; Ästhetik ; Geschichte 1900-1980 ; Condé Nast Publications Inc ; LGBT ; Modefotografie ; Geschichte 1923-1937 ; USA ; Schwarze ; Fotomodell ; Modebranche ; Geschichte 1945-1960
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  • 7
    Book
    Book
    Cambridge, Massachussetts : The MIT Press | London : Whitechapel Gallery
    UID:
    b3kat_BV044182467
    Format: 236 Seiten , 21 cm
    Edition: First published
    ISBN: 9780262533447 , 9780854882526
    Series Statement: Documents of contemporary art
    Note: Literaturverzeichnis Seite 226-227 , Artists surveyed include Chantal Akerman, Francis Alÿs, John Baldessari, Vanessa Beecroft, Bernadette Corporation, John Cage, Critical Art Ensemble, Merce Cunningham, Marcel Duchamp, Fischli & Weiss, Claire Fontaine, Dick Higgins, Jasper Johns, Donald Judd, Ilya Kabakov, Boris Mikhailov, Robert Morris, John Pilson, Sigmar Polke, Yvonne Rainer, Robert Rauschenberg, Ad Reinhardt, Gerhard Richter, Situationist International, Mierle Laderman Ukeles, Andy Warhol, Faith Wilding, Janet Zweig , Experience without qualities , 〈〈The〉〉 Arcades Project , Boredom and art , Boredom , Boredom and bedroom : the suppression of the habitual , Aftershocks of the new: feminism and film history , Formulary for a new urbanism , 〈〈The〉〉 adventure , Critique of everyday life , Everyday speech , Things : a story of the sixties , 〈〈The〉〉 revolution of everyday life , Now, the SI , Silence , 〈〈The〉〉 aesthetic of indifference , Identification , Boredom and danger , Boredom and oblivion , In conversation with Joseph Gelmis , Warhol's aura and the language of writing , On parts of some sextets , Three folds in the fabric and four autobiographical asides as allegories (or interruptions) , ABC art , 〈〈The〉〉 aesthetics of silence , 〈〈The〉〉 legacy of indifference , Allegories of boredom , No more boring art , 〈〈The〉〉 feminine mystique , 〈〈Les〉〉 belles images , Manifesto! Maintenance art : proposal for an exhibition "Care" , Waiting , On Jeanne Dielmann , I must be boring someone , S.C.U.M manifesto , Sigmar Polke - a contemporary visionary : in conversation with Mark Godfrey , England's dreaming : anarchy, Sex Pistols, punk rock and beyond , 〈〈The〉〉 producer as artist , 〈〈The〉〉 last Sex Pistols concert , Bleached roots : punks and white ethnicity , CBGB as a physical space , On the politics of boredom (a Communist pastiche) , Homo sovieticus , The aesthetics of boredom : Lithuanian photography 1980-1990 , Photographic ethics in the work of Boris Mikhailov , On emptiness , Negative emptiness , Comrades of time , Case history and clinical report on the pastiche of boredom , 〈〈The〉〉 pale king , Stuplimity , 〈〈The〉〉 performance-management model of performative subjectivity , 〈〈The〉〉 cold world , Bedrooms boredoms (short escapes in New York City) , Dear R. , 〈〈The〉〉 coming insurrection , Lazy labour: chronopolitical remarks , Art time , In conversation with Malcolm McLaren , Twelve words, nine days
    Language: English
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    Keywords: Kunst ; Künstler ; Langeweile ; Indifferenz ; Stille ; Ästhetik ; Schaffensprozess ; Anthologie
    Author information: McDonough, Tom 1969-
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  • 8
    Book
    Book
    London ; New York : Verso
    UID:
    b3kat_BV043477194
    Format: 202 Seiten , 22 cm
    ISBN: 9781784783501
    Note: Includes index , Entering the flow -- Under the gaze of theory -- On art activism -- Becoming revolutionary : on kazimir malevich -- Installing communism -- Clement greenberg : an engineer of art -- On realism -- Global conceptualism revisited -- Modernity and contemporaneity : mechanical vs. digital reproduction -- Google : words beyond grammar -- Wikileaks : the revolt of the clerks, or universality as conspiracy -- Art on the internet , Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78478-348-8
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78478-349-5
    Language: English
    Keywords: Ästhetik
    Author information: Grojs, Boris 1947-
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  • 9
    Book
    Book
    Los Angeles, CA : The J. Paul Getty Museum
    UID:
    b3kat_BV049454386
    Format: XI, 332 Seiten , Illustrationen
    Edition: Second edition
    ISBN: 9781606065501 , 9781606060759 , 1606065505
    Content: Robert Irwin began his career in the 1950s as an abstract painter. As a pioneer of the Light and Space movement in Los Angeles in the 1970s and early '80s, Irwin focused on exploring aesthetic perception as the fundamental feature of art, culminating in what he terms "conditional art" or "site-conditioned work." In addition to being a prolific artist, Irwin has been an active writer throughout his career. This book includes previously published pieces along with a significant selection of writings published for the first time. The texts cover a diverse terrain such as the lessons of modern art, Irwin's philosophy of teaching, and his understanding of art as a form of pure inquiry, presenting the reader with an overview of his unique perspective within the broad discourse of postwar American art. The book makes clear that writing as a reflection on aesthetic questions is an integral element of Irwin's multifaceted art practice
    Language: English
    Keywords: Irwin, Robert 1928-2023 ; Ästhetik
    Author information: Irwin, Robert 1928-2023
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