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  • UdK Berlin  (8)
  • 2015-2019  (8)
  • 1930-1934
  • Performance  (8)
  • 1
    UID:
    b3kat_BV044434501
    Format: 173 Seiten , Illustrationen , 15.5 x 22.5 cm
    ISBN: 9783895814433
    Series Statement: Performing urgency #4
    Content: During its impressive career over the last decades the term ‘performative’ has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being ‘theatre-like’, believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Museum ; Ausstellung ; Aufführung ; Performance ; Wood, Catherine 1973- ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Warsza, Joanna 1976-
    Author information: Malzacher, Florian 1970-
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  • 2
    UID:
    b3kat_BV044204829
    Format: xxiii, 362 Seiten , Illustrationen, Diagramme
    ISBN: 9781472588173 , 9781472588180
    Content: "Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"...
    Additional Edition: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-472-58819-7
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-472-58820-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Performance ; Archivierung ; Dokumentation ; Aufsatzsammlung ; Aufsatzsammlung
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  • 3
    UID:
    b3kat_BV043557083
    Format: 323 Seiten
    ISBN: 9783863359300
    Content: "No It Is!" documents two recent major presentations of work by South African artist William Kentridge (born 1955): his exhibition at the Martin-Gropius-Bau in Berlin and his performances at the Berliner Festspiele in summer 2016. This artist’s book incorporates a libretto for a performed guided tour of the exhibition--a performance which is both a guide to the exhibition and an exhibit within it--and writings by or conversations with Kentridge about the two projects. The exhibition includes early drawings, animated films, installations, large-scale projections such as More Sweetly Play the Dance and theatrical pieces ranging from Winterreise, an evening of Schubert lieder, collaborations with the Handspring Puppet Company and chamber opera. In the performance series, titled Drawing Lessons, Kentridge discusses his working methods and his political context, from the Apartheid era to the present.
    Note: Martin-Gropius-Bau, 12. Mai bis 21. August 2016, Haus der Berliner Festspiele, Foreign Affairs - International Performing Arts Festival, 5. bis 17. Juli 2016
    Language: German
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Kentridge, William 1955- ; Performance ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Herzogenrath, Wulf 1944-
    Author information: Breidbach, Angela 1960-
    Author information: Kentridge, William 1955-
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  • 4
    UID:
    b3kat_BV044308056
    Format: 303 Seiten , 21 cm
    ISBN: 9789492095183
    Series Statement: Antennae N° 23
    Content: La 4e de couverture indique: "There is a growing interest in the notion and practice of dramaturgy, which is often discussed either as the work of the dramaturg, or as the compositional, cohesive or sense-making aspects of a performance. Drawing on such views, 'The Practice of Dramaturgy' addresses dramaturgy as a shared, politicized and catalytic practice that sets actions into motion in a more speculative rather than an instructive way. In the first part, 'Dramaturgy as Working on Actions', the editors and main authors of the book discuss three working principles that lie at the heart of their proposition, and return to the etymology of the term 'dramaturgy' ('drama'=action and 'ergon'=work) in order to scrutinize this further by relating it to debates on action, work and post-Fordist labour. The second part, 'Working on Actions and Beyond', opens up to different artistic, social and political perspectives that such understanding of dramaturgy may give rise to."
    Language: English
    Subjects: General works
    RVK:
    Keywords: Dramaturgie ; Theater ; Aufführung ; Theaterwissenschaft ; Performance ; Choreografie ; Geschichte 1990-2016 ; Aufsatzsammlung
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  • 5
    UID:
    b3kat_BV043886938
    Format: viii, 370 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Edition: First edition
    ISBN: 9781101905043
    Content: The child of Communist war-hero parents under Tito's regime in postwar Yugoslavia, Marina Abramović was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, she lived at home under her mother's abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor -- all of which informs her art and her life. Marina's story, by turns moving, epic, and dryly funny, is a vivid and powerful rendering of the unparalleled life of an extraordinary artist--
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-101-90505-0
    Language: English
    Keywords: Abramović, Marina 1946- ; Performance ; Autobiografie ; Autobiografie
    Author information: Abramović, Marina 1946-
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  • 6
    UID:
    b3kat_BV044854138
    Format: 319 Seiten , Illustrationen
    ISBN: 9780847860555 , 0847860558
    Content: An icon of performance art and the indie-music world, this is the first book on the artist's full career to date, as curated by the artist herself. Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an "experimental marvel" by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her métier. A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist's own words.--Amazon
    Note: Out on the ice -- This mist be the place - Talking statues - Made of light - This is your captain - Speak my language - From the air - Time to go
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Anderson, Laurie 1947- ; Performance ; Aufsatzsammlung
    Author information: Anderson, Laurie 1947-
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  • 7
    UID:
    b3kat_BV046917352
    Format: xiii, 235 Seiten , Illustrationen , 24 cm
    ISBN: 9781474247986 , 9781474247979
    Series Statement: Methuen drama engage
    Content: "Performing Architectures offers a coherent introduction to the fields of performance and contemporary architecture, exploring the significance of architecture for performance theory and theatre and performance practice. It maps the diverse relations that exist between these disciplines and demonstrates how their aims, concerns and practices overlap through shared interests in space, action and event. Through a wide range of international examples and contributions from scholars and practitioners, it offers readers an analytical survey of current practices and equips them with the tools for analyzing site-specific and immersive theatre and performance. The essays in this volume, contributed by leading theorists and practitioners from both disciplines, focus on three key sites of encounter: * Projects: examines recent trends in architecture for performance; * Practices: looks at cross-currents in artistic practice, including spatial dramaturgies, performance architectonics and performative architectures; and * Pedagogies: considers the uses of performance in architectural education and architecture in teaching performance. The volume provides an essential introduction to the ways in which performance and architecture, as socio-spatial processes and as things made or constructed, operate as generating, shaping and steering forces in understanding and performing the other" ...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4742-4799-3
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-4800-6
    Language: English
    Subjects: General works
    RVK:
    Keywords: Theater ; Performance ; Architektur
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  • 8
    E-Resource
    E-Resource
    Ann Arbor : University of Michigan Press
    UID:
    b3kat_BV046230989
    Format: 1 Online Ressource (xiv, 278 Seiten)
    ISBN: 9780472125890
    Content: "Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, Jennifer Buckley shows how live performance and print aesthetically revived one another during a period in which both were supposed be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. The book participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological ("from page to stage"), or hierarchical terms. It will appeal to specialists in theater and performance art, particularly those engaged in mapping the intersections of performance and media. Across five case studies spanning twelve decades, Beyond Text demonstrates that print-as noun and verb-has been integral to the practices of modern and contemporary theater and performance artists"--
    Note: "A place for seeing" : Edward Gordon Craig's Theater of the book -- Scoring theater : Lothar Schreyer's notation -- Collective creation and commercial publication : the Living Theatre's trade books -- The body in the book : Carolee Schneemann's bookworks -- The bookwork as border kit : Guillermo Gómez-Peña's collaborative códices -- Coda: "This now of the page"
    Additional Edition: Print version Buckley, Jennifer A. Beyond text Ann Arbor : University of Michigan Press, [2019]
    Language: English
    Keywords: Drama ; Schriftlichkeit ; Geschichte 1900-2019 ; Performance ; Schriftlichkeit ; Geschichte 1900-2019 ; Theater ; Performance ; Schriftlichkeit ; Veröffentlichung ; Geschichte 1900-2017
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