Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (314 Seiten).

ISBN: 978-3-95650-609-3

Series Statement: Helden - Heroisierungen - Heroismen 13

Content: Erhellt wird die wechselvolle Beziehung von Heroismus und Alterität im deutsch-chinesischen Kulturvergleich. Interkulturelle Fallstudien erläutern, welche Repräsentanten der deutschen Kultur und Geschichte im chinesischen Kulturraum einem Heroisierungsprozess unterzogen bzw. als negative Anti-Helden perhorresziert wurden und – vice versa – welche chinesischen Gestalten im deutschen Sprachraum eine entsprechende heroische bzw. antiheroische Funktion übernahmen. Geleitet wird der deutsch-chinesische Dialog, an dem sich KulturwissenschaftlerInnen aus Deutschland und China beteiligen, von der Annahme, dass Heroisierungs- und Deheroisierungsprozesse paradigmatische Kristallisationspunkte in der Ökonomie des interkulturellen Transfers darstellen. Das Verhältnis von Individual- und Kollektivheroismus und die Bedeutung von Fremdheit – des Chinesischen wie auch des Deutschen – bei dem Heroenimport bieten insofern neue Perspektiven, als sie sich als vielschichtig und uneinheitlich erweisen. Mit Beiträgen von Achim Aurnhammer, Chen Zhuangying, Cong Tingting, Fan Jieping, Olmo Gölz, Joachim Grage, He Zhiyuan, Huang Liaoyu, Hu Chunchun, Hu Kai, Sara Kathrin Landa, Stefanie Lethbridge, Lin Chunjie, Dieter Martin, Isabell Oberle, Dominik Pietzcker, Nicola Spakowski, Jennifer Stapornwongkul, Wang Zhiqiang, Wei Yuquing, Xie Juan, Zhang Fan, Zhu Jianhua, Ulrike Zimmermann

Content: This volume elucidates the changing relationship between heroization and othering in a German-Chinese cultural comparison. Intercultural case studies illustrate which representatives of German culture and history were subjected to a process of heroization or were disparaged as negative anti-heroes in Chinese culture. Vice versa, Chinese figures who adopted a corresponding heroic or antiheroic function within the German-speaking world are also examined. This German-Chinese dialogue, in which cultural scientists from Germany and China participate, is guided by the assumption that processes of heroization and de-heroization represent paradigmatic focal points in the economics of intercultural transfer. The relationship between individual and collective heroism and the meaning of alienness - be it of Chinese or German characteristics - when importing heroes offer new perspectives insofar as these importations prove to be complex and inconsistent. With contributions by Achim Aurnhammer, Chen Zhuangying, Cong Tingting, Fan Jieping, Olmo Gölz, Joachim Grage, He Zhiyuan, Huang Liaoyu, Hu Chunchun, Hu Kai, Sara Kathrin Landa, Stefanie Lethbridge, Lin Chunjie, Dieter Martin, Isabell Oberle, Dominik Pietzcker, Nicola Spakowski, Jennifer Stapornwongkul, Wang Zhiqiang, Wei Yuquing, Xie Juan, Zhang Fan, Zhu Jianhua, Ulrike Zimmermann

Additional Edition: ISBN 9783956506086

Additional Edition: Erscheint auch als Druck-Ausgabe Deutsch-chinesische Helden und Anti-Helden Baden-Baden : Ergon - ein Verlag in der Nomos Verlagsgesellschaft mbH & Co. KG, 2020 ISBN 9783956506086

Additional Edition: ISBN 3956506081

Language: German

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Kulturvermittlung ; Heroisierung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.5771/9783956506093

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: kostenfrei

URL: kostenfrei

Author information: Aurnhammer, Achim 1952-

Author information: Chen, Zhuangying 1969-

UID:

Format: 1 Online-Ressource (371 Seiten) : , Diagramme.

Edition: 1. Auflage

ISBN: 978-3-8452-9739-2

Series Statement: International Studies on Populism Band 7

Content: This volume assembles a wide range of perspectives on populism and the media, bringing together various disciplinary and theoretical approaches, authors and examples from different continents and a wide range of topical issues. The chapters discuss the contexts of populist communication, communication by populist actors, different types of populist messages (populist communication in traditional and new media, populist criticism of the media, populist discourses related to different topics, etc.), the effects and consequences of populist communication, populist media policy and anti-populist discourses. The contributions synthesise existing research on this subject, propose new approaches to it or present new findings on the relationship between populism and the media. With contibutions by Caroline Avila, Eleonora Benecchi, Florin Büchel, Donatella Campus, María Esperanza Casullo, Nicoleta Corbu, Ann Crigler, Benjamin De Cleen, Sven Engesser, Nicole Ernst, Frank Esser, Nayla Fawzi, Jana Goyvaerts, André Haller, Kristoffer Holt, Christina Holtz-Bacha, Marion Just, Philip Kitzberger, Magdalena Klingler, Benjamin Krämer, Katharina Lobinger, Philipp Müller, Elena Negrea-Busuioc, Carsten Reinemann, Christian Schemer, Anne Schulz, Christian Schwarzenegger, Torgeir Uberg Nærland, Rebecca Venema, Anna Wagner, Martin Wettstein, Werner Wirth, Dominique Stefanie Wirz

Content: Der Band vereint ein breites Spektrum von Perspektiven auf das Thema Populismus und Medien. Er bringt verschiedene fachliche und theoretische Ansätze, Beitragende und Beispiele von mehreren Kontinenten und ein breites Spektrum aktueller Themen und Herausforderungen zusammen. Die Kapitel behandeln den Kontext populistischer Kommunikation, Kommunikation durch populistische Akteure, verschiedene Typen populistischer Botschaften (populistische Kommunikation in traditionellen und neuen Medien, populistische Medienkritik, populistische Diskurse zu verschiedenen Themen), Wirkungen und Konsequenzen populistischer Kommunikation, populistische Medienpolitik, aber auch antipopulistische Diskurse. Die Beiträge systematisieren vorhandene Forschung, schlagen neue Ansätze vor oder präsentieren neue Befunde zum Verhältnis von Populismus und Medien. Mit Beiträgen von Caroline Avila, Eleonora Benecchi, Florin Büchel, Donatella Campus, María Esperanza Casullo, Nicoleta Corbu, Ann Crigler, Benjamin De Cleen, Sven Engesser, Nicole Ernst, Frank Esser, Nayla Fawzi, Jana Goyvaerts, André Haller, Kristoffer Holt, Christina Holtz-Bacha, Marion Just, Philip Kitzberger, Magdalena Klingler, Benjamin Krämer, Katharina Lobinger, Philipp Müller, Elena Negrea-Busuioc, Carsten Reinemann, Christian Schemer, Anne Schulz, Christian Schwarzenegger, Torgeir Uberg Nærland, Rebecca Venema, Anna Wagner, Martin Wettstein, Werner Wirth, Dominique Stefanie Wirz

Note: Literaturangaben

Additional Edition: ISBN 9783848755615

Additional Edition: Erscheint auch als Druckausgabe Perspectives on Populism and the Media Baden-Baden : Nomos, 2020 ISBN 9783848755615

Additional Edition: ISBN 3848755610

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8452-9739-2

Language: English

Subjects: Political Science , General works , Sociology

Keywords: Populismus ; Medien ; Politische Kommunikation ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.5771/9783845297392

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://www.nomos-elibrary.de/10.5771/9783845297392/perspectives-on-populism-and-the-media

URL: lizenzpflichtig

URL: lizenzpflichtig

Author information: Krämer, Benjamin 1981-

Author information: Holtz-Bacha, Christina 1953-

UID:

Format: 1 online resource (320 pages) : , digital, PDF file(s).

ISBN: 9789048551712 (ebook)

Content: In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema's emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a 'techno-romantic' paradigm that seeks to harness technology-the epitome of modern materialism-as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.

Note: Title from publisher's bibliographic system (viewed on 27 Apr 2021).

Additional Edition: Print version: ISBN 9789463725231

Language: English

URL: https://www.cambridge.org/core/product/identifier/9789048551712/type/BOOK

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

URL: https://doi.org/10.1515/9789048551712

URL: https://www.degruyter.com/isbn/9789048551712

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (330 p.)

ISBN: 9789048553662 , 9783110767094

Series Statement: Film Culture in Transition

Content: Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital.

Note: Frontmatter -- , Table of Contents -- , Editor's Introduction -- , Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- , 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- , 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- , 3. Cinema as Philosophy of Art -- , Part II The Aura of Art in (the Age of) Film -- , 4. Ineffability? The Several Vermeers -- , 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- , 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- , 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- , Part III Affective Historiography: Negotiating the Past through Screening Art -- , 8. A World Made of Art -- , 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- , 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- , Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- , 11. Homicidal and Suicidal Artist Figures in Film -- , 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- , 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- , 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- , 15. Screening Performance: Curating the Artist Persona -- , 16. Peter Greenaway's Artist-Entrepreneurs -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: Amsterdam University Press Complete eBook-Package 2022, De Gruyter, 9783110767094

In: DG Plus PP Package 2022 Part 2, De Gruyter, 9783110767001

In: EBOOK PACKAGE Arts 2022, De Gruyter, 9783110992809

In: EBOOK PACKAGE Arts, Architecture and Design 2022 English, De Gruyter, 9783110992816

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

Language: English

Keywords: Aufsatzsammlung

DOI: 10.1515/9789048553662

URL: https://doi.org/10.1515/9789048553662?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9789048553662

URL: Cover

URL: Volltext  (URL des Erstveröffentlichers)

URL: http://www.cambridge.org/core/product/identifier/9789048553662/type/BOOK

URL: Co-access DOI click Walter de Gruyter

URL: https://www.degruyter.com/isbn/9789048553662

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (xvii, 283 Seiten) : , Illustrationen.

ISBN: 978-0-231-85117-6

Series Statement: Nonfictions

Content: Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator’s typical denial or partial confession, this extraordinary form of “duel” documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment.Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors’ moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag’s analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-18508-0

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-18509-7

Language: English

Subjects: Ethnology , General works

Keywords: Dokumentarfilm ; Völkermord ; Dokumentarfilm ; Völkermord

DOI: 10.7312/mora18508

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: https://www.degruyter.com/isbn/9780231851176

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Morag, Raya.

UID:

Format: 1 Online-Ressource (vi, 198 Seiten) : , Illustrationen.

ISBN: 978-1-5013-5630-8 , 978-1-5013-5631-5 , 978-1-5013-5632-2

Content: "Wim Wenders: Making Films That Matter is the first book in fifteen years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the ten essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace"

Note: Includes bibliographical references, filmography, and index , Introduction: New perspectives on Wim Wenders as filmmaker and visual artist / Olivier Delers and Martin Sulzer-Reichel -- Search for the sublime : the road trilogy, or Wenders's Roam-man-ticism / Oliver Speck -- Writing in the blood of the past : Wrong move and the search for a contemporary German identity / Kristin Eichhorn -- The window-view and the romantic vision of the world : notes on a visual leitmotif in the films of Wim Wenders / Philipp Scheid -- As if it were for the last time : Wim Wenders-film and photography / George Kouvaros -- Wenders -- Salgado : space, time and transformation in Salt of the earth / Darrell Varga -- Wim Wenders's Pina, a cinematic homage to Pina Bausch / Peter Beicken -- Multitrack and transcultural narratives in Wim Wenders's works / Simone Malaguti -- "I can imagine anything" : the European project in Wim Wenders's Wings of desire / Mine Eren -- Blandness and "just seeing" in the films of Wim Wenders / William Baker -- The heart of things : Wim Wenders and the evocations of peace / Mary Zournazi

Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-5633-9

Language: English

Subjects: General works

Keywords: 1945- Wenders, Wim ; Film ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books

DOI: 10.5040/9781501356308

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

Author information: Sulzer-Reichel, Martin, 1962-

UID:

Format: 1 online resource : , illustrations

Edition: Third edition.

ISBN: 9781003008439 , 1003008437 , 9781000461138 , 1000461130 , 9781000461206 , 1000461203

Content: "This book teaches you how to master classic and cutting-edge foley techniques in order to create rich and convincing sound for any medium, be it film, television, radio, podcasts, animation, or games. Award-winning foley artist Vanessa Theme Ament demonstrates how foley is designed, crafted, and edited for any project, down to the nuts and bolts of spotting, cueing and performing sounds. Various renowned sound artists provide a treasure trove of indispensable shortcuts, hot tips, and other valuable tricks of the trade. This updated third edition features: New chapters dedicated to foley in games, television, broadcasting and animation, as well as what is new in sound for media education A multitude of sound "recipes" that include proven foley methods you can immediately use on your own projects A diverse range of case studies from well-known films, shows, games and animation Interviews with current sound artists from around the world By exploring the entire audio post-production process, it provides the reader with an excellent understanding of where foley fits in the business of filmmaking and is a perfect guide for both newcomers and experienced sound designers wanting to learn more about this art"--

Note: Holy foley : the evolution of a craft -- The progression of an art : international foley practices -- Aesthetics of foley : noise, sound, single, married -- Fire in the hole : the players and their responsibilities -- Let's go ahead and go back : spotting, cueing, and editing foley -- Scene change : the foley stage -- Mix and match : the foley and rerecording mixers -- Walking in their shoes : performing the footsteps -- Manipulation techniques : performing the props -- Hang it as a unit : the knack for sync -- Adaptive sound : sound in animation, games, radio plays, and movie trailers -- Chef or cook : ingredients and recipes -- Magic wind : unusual foley requests -- Professional panorama : varied versions of the craft -- Foley reflections : final thoughts of experts.

Additional Edition: Print version: Ament, Vanessa Theme. Foley grail New York, NY : Routledge, 2022 ISBN 9780367442293

Language: English

Keywords: Electronic books.

URL: https://www.taylorfrancis.com/books/9781003008439

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Format: 309 Seiten : , Illustrationen ; , 24 cm.

ISBN: 978-0-252-08486-7 , 978-02-520-4300-0

Content: "Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"--

Note: Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-252-05186-9

Language: English

Subjects: Musicology

Keywords: Filmmusik ; Konferenzschrift ; Criticism, interpretation, etc ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113979&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (258 p.)

ISBN: 9789048541553 , 9783110767094

Content: Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the "brain movies" of the 1950, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone's head an explicitly major role, as in brain transplantation films or their successors since the 1980s, in which brain contents are transferred and manipulated by means of information technology. Through an analysis of filmic genres and particular movies, Performing Brains on Screen documents this neglected filmic universe, and demonstrates how the cinema has functioned as a cultural space where a core notion of the contemporary world has been rehearsed and problematized.

Note: Frontmatter -- , Table of Contents -- , Acknowledgments -- , Note on References and Images -- , 1. Brainhood and the Cinema -- , Introduction -- , The "Deficit Model" and the Agency of Film -- , Bs to Zs -- , Filmic Brains in the Neurobiological Age -- , 2. Brains in the Pulps -- , Introduction -- , Resources -- , Scientifiction, Textual and Visual -- , Advertisement and "Prophetic Insight" -- , Before Gernsback -- , Weird Tales -- , Stories Astounding and Amazing -- , 3. Naked Brains and Living Heads -- , Introduction -- , Brain Movies -- , Body Parts -- , The Donor Portion -- , Living Heads -- , Some Filmic Allografts -- , Paradox of the Naked Brain -- , 4. Personal Survival -- , Introduction -- , Immortality and the Brain -- , Adam and Tithonus -- , Staying the Same, Becoming Someone Else -- , 5. Frankenstein's Brains -- , Introduction -- , Shelley's Novel and Frankenstein Films -- , The Final Touch: Frankenstein (1931) -- , The Universal Series -- , The Hammer Series -- , Beyond Universal and Hammer -- , 6. Memories, Lost and Regained -- , Introduction -- , A Preference for Retrograde Amnesia -- , Localizing Memory in the Filmic Brain -- , Personal Identity and the Authenticity of Memory -- , Erasing Memories -- , Eternal Sunshine of the Spotless Mind (2004) -- , Dark City (1998) -- , 7. "Imagine, They Are in the Human Mind" -- , Bibliography -- , Films -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: Amsterdam University Press Complete eBook-Package 2022, De Gruyter, 9783110767094

In: DG Plus PP Package 2022 Part 2, De Gruyter, 9783110767001

In: EBOOK PACKAGE Arts 2022, De Gruyter, 9783110992809

In: EBOOK PACKAGE Arts, Architecture and Design 2022 English, De Gruyter, 9783110992816

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

Language: English

Subjects: General works

Keywords: Electronic books.

DOI: 10.1515/9789048541553

URL: https://doi.org/10.1515/9789048541553?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9789048541553

URL: Cover

URL: Volltext  (URL des Erstveröffentlichers)

URL: http://www.cambridge.org/core/product/identifier/9789048541553/type/BOOK

URL: Click to View

URL: https://doi.org/10.1515/9789048541553?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9789048541553

URL: lizenzpflichtig

UID:

Format: 1 online resource

Edition: Second edition.

ISBN: 9781000046991 , 1000046990 , 9781003026204 , 1003026206 , 9781000046922 , 1000046923 , 9781000046854 , 1000046850

Content: Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials--images, audio, or music that you yourself did not create--to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

Note: Cover -- Praise -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 About Archival Materials -- Chapter 2 Still and Motion Picture Photography: A Brief History -- Chapter 3 Recorded Sound: A Brief History -- Chapter 4 User Beware: Evaluating the Archival Record -- Chapter 5 Evidence on Film: A Conversation with Rick Prelinger -- Part 2 Working with Archival Materials -- Chapter 6 Finding What You Need -- Chapter 7 Should You Hire a Professional? -- Chapter 8 Organizing and Ordering Materials , Chapter 9 Creative and Ethical Considerations -- Chapter 10 The Power of Eyewitness Accounts: A Conversation with Roberta Grossman -- Part 3 Rights and Licenses -- Chapter 11 Introduction to Rights and Licenses -- Chapter 12 Public Domain -- Chapter 13 Fair Use -- Chapter 14 Fair Dealing, Moral Rights, and More: A Conversation with Hubert Best -- Chapter 15 Licensing Visuals -- Chapter 16 Licensing Music -- Part 4 Additional Material -- Chapter 17 Afterword -- About the Authors -- Index -- Advertisement

Additional Edition: Print version: ISBN 1138915041

Additional Edition: ISBN 9781138915046

Language: English

Keywords: Electronic books. ; Electronic books.

DOI: 10.4324/9781003026204.

URL: https://www.taylorfrancis.com/books/9781003026204

URL: Volltext  (URL des Erstveroeffentlichers)

URL: lizenzpflichtig