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  • English  (45)
  • Armenian
  • Filmuniversität Babelsberg  (45)
  • 2000-2004  (45)
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  • 1
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of Calif. Press
    UID:
    b3kat_BV019624127
    Format: XII, 328 S.
    ISBN: 0520241282 , 0520241290 , 9780520241282 , 9780520241299
    Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Additional Edition: ISBN 0-520-93782-1
    Language: English
    Subjects: General works
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    Keywords: USA ; Film ; Philosophie ; USA ; Film ; Psychologie ; Aufsatzsammlung
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  • 2
    UID:
    b3kat_BV013632757
    Format: 496 Seiten , zahlreiche Illustrationen , 31 cm
    ISBN: 3791325027 , 3791323903
    Note: The short century : independence and liberation movements in Africa, 1945-1994 : an introduction / Okwui Enwezor -- The surreptitious speech / Valentin Y. Mudimbe -- Beyond settler and native as political identities : overcoming the political legacy of colonialism / Mahmood Mamdani -- Modern African art / Chika Okeke -- Independence and liberation movements in Africa, 1945-1994 / Marilyn Martin -- A moment of hope : cultural developments in Nigeria before the first military coup / Ulli Beier -- Colonial pretense and African resistance, or subversion subverted : commemorative textiles in sub-Saharan Africa / John Picton -- Postcoloniality, performance, and photographic portraiture / Lauri Firstenberg -- City and citizenship / Rory Bester -- The ambiguous modernisms of African cities / Gwendolyn Wright -- Architecture and nationalism in Africa, 1945-1994 / Nnamdi Elleh -- Independence, highlife, liberation wars : Lagos 1950s and 1960s / Wolfgang Bender -- Theater and the performance of the nation in Africa / John Conteh-Morgan -- The anatomy of resistance in South African theater / Maishe Maponya -- Interview with Chinua Achebe / Obiora Udechukwu -- The weapon of culture : negritude literature and the making of neocolonial Africa / Chinweizu -- The modernity of African cinema / Mark Nash -- African cinema and decolonization / Manthia Diawara -- Kwame Nkrumah ; Patrice Lumumba ; Sékou Touré ; Kwame Anthony Appiah ; Gamal Abdel Nasser ; Nelson Mandela ; Frantz Fanon ; Amilcar Cabral ; Léopold Sédar Senghor ; Julius Nyerere ; Alioune Diop ; Rajat Neogy ; Njabulo Ndebele ; Jean-Paul Sartre ; Aimé Césaire ; Ben Enwonwu ; Wole Soyinka ; Jean Rouch/Ousmane Sembène
    Language: English
    Subjects: Political Science , Ethnology , Art History
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    Keywords: Afrika ; Unabhängigkeitsbewegung ; Kultur ; Geschichte 1945-1994 ; Afrika ; Staat ; Unabhängigkeit ; Kultur ; Geschichte 1945-1994 ; Afrika ; Künste ; Geschichte 1945-1994 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Beier, Ulli 1922-2011
    Author information: Enwezor, Okwui 1963-2019
    Author information: Achebe, Chinua 1930-2013
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  • 3
    UID:
    b3kat_BV017013645
    Format: XV, 672 S. , Ill., graph.Darst.
    ISBN: 0262240459 , 9780262240451
    Content: Publisher's description: As pop culture, games are as important as film or television--but game design has yet to develop a theoretical framework or critical vocabulary. In Rules of Play Katie Salen and Eric Zimmerman present a much-needed primer for this emerging field. They offer a unified model for looking at all kinds of games, from board games and sports to computer and video games. As active participants in game culture, the authors have written Rules of Play as a catalyst for innovation, filled with new concepts, strategies, and methodologies for creating and understanding games. Building an aesthetics of interactive systems, Salen and Zimmerman define core concepts like "play," "design," and "interactivity." They look at games through a series of eighteen "game design schemas," or conceptual frameworks, including games as systems of emergence and information, as contexts for social play, as a storytelling medium, and as sites of cultural resistance. Written for game scholars, game developers, and interactive designers, Rules of Play is a textbook, reference book, and theoretical guide. It is the first comprehensive attempt to establish a solid theoretical framework for the emerging discipline of game design.
    Note: Includes bibliographical references (p. 608-619) and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-262-29993-0
    Language: English
    Subjects: Computer Science , General works
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    Keywords: Spiel ; Entwicklung ; Software
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  • 4
    Book
    Book
    Cambridge, Mass. ; London : Harvard University Press
    UID:
    b3kat_BV013119277
    Format: xvii, 478 Seiten , 25 cm
    ISBN: 0674251210
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Contents pt. 1. The Political Constitution of the Present. 1.1. World Order. 1.2. Biopolitical Production. 1.3. Alternatives within Empire -- pt. 2. Passages of Sovereignty. 2.1. Two Europes, Two Modernities. 2.2. Sovereignty of the Nation-State. 2.3. The Dialectics of Colonial Sovereignty. 2.4. Symptoms of Passage. 2.5. Network Power: U.S. Sovereignty and the New Empire. 2.6. Imperial Sovereignty -- Intermezzo: Counter-Empire -- pt. 3. Passage of Production. 3.1. The Limits of Imperialism. 3.2. Disciplinary Governability. 3.3. Resistance, Crisis, Transformation. 3.4. Postmodernization, or The Informatization of Production. 3.5. Mixed Constitution. 3.6. Capitalist Sovereignty, or Administering the Global Society of Control -- pt. 4. The Decline and Fall of Empire. 4.1. Virtualities. 4.2. Generation and Corruption. 4.3. The Multitude against Empire
    Additional Edition: Äquivalent
    Language: English
    Subjects: Political Science , Philosophy
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    Keywords: Globalisierung ; Imperialismus ; Kapitalismus ; Globalisierung
    Author information: Hardt, Michael 1960-
    Author information: Negri, Antonio 1933-2023
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  • 5
    Book
    Book
    Minneapolis, Minn. : Univ. of Minnesota Press
    UID:
    b3kat_BV019607732
    Format: XXIV, 286 S. , Ill.
    ISBN: 9780816634408 , 9780816634415 , 0816634408 , 0816634416
    Series Statement: Visible evidence 16
    Note: Essays either previously published or previously presented at various conferences , Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas as Essayist -- The Subject in Theory -- Charged Vision: The Place of Desire in Documentary Film Theory -- The Subject in History: The New Autobiography in Film and Video -- Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video -- Documentary Disavowals and the Digital -- Technology and Ethnographic Dialogue -- The Address to the Other: Ethical Discourse in Everything's for You -- Modes of Subjectivity -- New Subjectivities: Documentary and Self-Representation in the Post-Verite Age -- The Electronic Essay -- Video Confessions -- Domestic Ethnography and the Construction of the "Other" Self -- The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet)
    Language: English
    Subjects: General works
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    Keywords: Dokumentarfilm
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  • 6
    UID:
    b3kat_BV014521485
    Format: XI, 177 S.
    Edition: 1. publ.
    ISBN: 0415259053 , 0415259045
    Content: "The last decade has seen an increased willingness by Western governments to use force to intervene in distant humanitarian crises, and this has been coupled with significant levels of media attention to the human casualties of war and conflict. Central to this new policy of intervention is the so-called 'CNN effect': the saturation of Western viewers with non-stop, real-time news footage of wars and military actions on television and the Internet. In turn, these images constitute a powerful plea for action. But can news media drive foreign policy, or are governments oblivious to partial news coverage? Are there any connections between media coverage of humanitarian crises and Western intervention, and what is the truth behind the 'CNN effect'?" "The CNN Effect examines the relationship between the state and its media, and considers the role played by news reporting in a series of 'humanitarian' interventions in Iraq, Somalia, Bosnia, Kosovo and Rwanda. Piers Robinson challenges traditional views of media subservience and argues that sympathetic news coverage at key moments in foreign crises can influence the response of Western governments."--BOOK JACKET.
    Language: English
    Subjects: Political Science
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    Keywords: Cable News Network ; Politik
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  • 7
    Book
    Book
    Durham ; London : Duke University Press
    UID:
    b3kat_BV014503092
    Format: 584 Seiten , Illustrationen
    ISBN: 9780822329992 , 0822330253 , 0822329999 , 1283063220
    Series Statement: A camera obscura book
    Note: 1. Reflecting film authorship: Circuits of memory and history: The memoirs of Alice Guy-Blaché / Amelie Hastie -- Nazimova's veils: Salome at the intersection of film histories / Patricia White -- Of cabbages and authors / Jane M. Gaines -- Reevaluating footnotes: women directors of the silent era / Radha Vatsal -- 2. Ways of looking: The gender of empire: American modernity, masculinity, and Edison's war actualities / Kristen Whissel -- Making ends meet: "welfare films" and the politics of consumption during the progressive era / Constance Balides -- Irma vep, vamp in the city: mapping the criminal feminine in early French serials / Kristine J. Butler -- The flapper film: comedy, dance, and jazz age kinaesthetics / Lori Landay -- 3. Cultural inversions: The queer career of Jim Crow: racial and sexual transformation in a Florida enchantment / Siobhan B. Somerville -- Taking precautions, or regulating early birth-control films / Shelley Stamp -- The new woman and consumer culture: Cecil B. Demille's sex comedies / Sumiko Higashi -- "So real as to seem like life itself": the photoplay fiction of Adela Rogers St. Johns / Anne Morey -- 4. Performing bodies: Oh, "doll divine": Mary Pickford, masquerade, and the pedophilic gaze / Gaylyn Studlar -- Immigrant stardom in imperial America: pola negri and the problem of typology / Diane Negra -- Technologies of early stardom and the extraordinary body / Jennifer M. Bean -- Femininity in flight: androgyny and gynandry in early silent Italian cinema / Angela Dalle Vacche -- Greta Garbo and silent cinema: the actress as art deco icon / Lucy Fischer -- 5. The problem of periodization: An amorous history of the silver screen: the actress as vernacular embodiment in early Chinese film culture / Zhang Zhen -- Technology's body: cinematic vision in modernity / Mary Ann Doane -- Parallax historiography: the Flâneuse as cyberfeminist / Catherine Russell
    Language: English
    Subjects: General works
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    Keywords: Stummfilm ; Weibliche Filmschaffende ; Geschichte ; Stummfilm ; Weiblichkeit ; Geschichte ; Stummfilm ; Feministische Filmtheorie ; Aufsatzsammlung ; Hochschulschrift
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  • 8
    UID:
    b3kat_BV019819155
    Format: 188 S. , Ill.
    Edition: 1. publ.
    ISBN: 1844570541
    Note: The spaces of costume drama -- The woman in the window -- Houses of fiction -- For love or money -- The idea of europe -- Costume drama reassembled -- Radical form, radical pasts -- Upstairs / downstairs -- Queer costume drama -- The Queen's bodies
    Language: English
    URL: Cover
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  • 9
    Book
    Book
    Manchester ; New York : Manchester Univ. Press
    UID:
    b3kat_BV013574652
    Format: X, 212 S. , Ill.
    ISBN: 0719058724 , 0719058716
    Language: English
    Subjects: General works
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    Keywords: Europa ; Film ; Geschichte ; Europa ; Film ; Unterhaltung ; Ideologie ; Publikum ; Geschichte 1900-2000 ; Aufsatzsammlung
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  • 10
    UID:
    b3kat_BV013463748
    Format: XIV, 281 S.
    Edition: 1. publ.
    ISBN: 0415157129 , 0415157110
    Content: "This new analysis explores the social history and politics of 'mega-events' from the late nineteenth century to the present. Through case studies of mega-events such as the 1851 Crystal Palace expo, the 1936 Berlin Olympics and the 1992 Barcelona Olympics, Maurice Roche investigates the impact expos and Olympics have had on national identities, on the marking of public time and space, and on versions of national citizenship and international society in modern times." "Roche argues that mega-events provide power elites with 'flagships' and catalysts to promote their visions of society and of the future, but that they also provide ordinary people with opportunities to connect with and affirm or contest collective identities."--BOOK JACKET.
    Language: English
    Subjects: Geography , Ethnology , Philosophy
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    Keywords: Großveranstaltung ; Moderne ; Kultursoziologie ; Olympische Spiele ; Globalisierung ; Kultur ; Weltausstellung ; Globalisierung ; Kultur
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