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  • English  (7)
  • Armenian
  • Filmuniversität Babelsberg  (7)
  • Biografie  (7)
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Subjects(RVK)
  • 1
    UID:
    b3kat_BV010504216
    Format: VII, 320 S.
    ISBN: 0786400447
    Content: A critical and historical guide to "novels set within the Hollywood film industry" and "works with film-related characters, real or fictional, and film-related settings anywhere in the world."--Preface, p. 1.
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Roman ; Film ; Geschichte 1912-1994 ; Wörterbuch ; USA ; Roman ; Film ; Geschichte 1912-1994 ; Bibliografie ; Führer ; Biografie ; Bibliografie
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  • 2
    Book
    Book
    London : British Film Inst.
    UID:
    b3kat_BV022941889
    Format: 264 S. , zahlr. Ill.
    Edition: 1. publ.
    ISBN: 9781844571666 , 9781844571659
    Series Statement: World directors series
    Content: The award-winning art film Hana-Bi, the stoic gangster elegy Sonatine, the surfer romance A Scene at the Sea, the absurdist comedy Getting Any?, the entertainment samurai spectacle Zatoichi-very different films made under one name Kitano Takeshi. Who is this varied and sometimes elusive Kitano Takeshi? What relationship does he have to Beat Takeshi, the name he also uses as an actor and immensely popular media personality in Japan? Is he an artistic auteur in the traditional sense, offering a singular vision easily identifiable in all his work, or a new kind of star who manages multiples identities, strategically changing them from film to film and situation to situation? This book will explore these issues of auteurship and stardom in the films of Kitano Takeshi especially as they relate to problems of personal and national identity in a Japan confronting an age of globalization. Starting in his early days as one side of a stand-up comedy duo, Kitano has used pairs throughout his films to deftly play out a liminal space between cinema and television, traditional and modern, Japan and the world. Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author, a renowned expert on Japanese cinema who himself participated in the debates about Kitano in Japan, relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Bīto, Takeshi 1947- ; Film ; Biografie ; Werkverzeichnis
    URL: Cover
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  • 3
    UID:
    b3kat_BV014471312
    Format: XVII, 233 S. , Ill.
    ISBN: 0822329565 , 0822329700
    Series Statement: Asia-Pacific
    Uniform Title: Pekin Den'ei Gakuin monogatari
    Content: After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China's famous "Fifth Generation" of filmmakers. It is the first insider's account of this renowned cohort to appear in English. Covering these directors' formative experiences during China's tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen--who was both their screenwriter and teacher--provides unique insights into the origins of the Fifth Generation's creativity. Memoirs from the Beijing Film Academy illuminates the Fifth Generation in light of the social and political history of contemporary China. While it addresses the collective identity of the filmmakers, most of whom were born in the late 1940s or early 1950s, it also examines how they view themselves and relate to one another. Ni Zhen has supplemented his personal knowledge of these directors with new interviews conducted for this volume. Intervening in current debates, he argues against mistaken postcolonial criticisms which allege that these filmmakers marketed an exotic image of China to Western audiences. He also demonstrates the diversity of the Fifth Generation, commenting on the breadth of styles and themes explored by its members and introducing a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films--One and Eight and Yellow Earth.
    Note: Original title in Chinese not available. -- Includes index , Aus dem Chines. übers.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Peking ; Filmhochschule ; Absolvent ; Geschichte 1982 ; Zhang, Yimou 1950- ; Chen, Kaige 1953- ; Biografie ; Erlebnisbericht
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  • 4
    Book
    Book
    Baltimore [u.a.] : Johns Hopkins Univ. Press
    UID:
    b3kat_BV011041350
    Format: XIII, 637 S. , Ill.
    ISBN: 0801852633
    Content: This life of George Eastman is the first biography since 1930 of the man who transformed the world of photography. As a 23-year-old bank clerk, Eastman bought his first camera and began simplifying the cumbersome and messy wet-plate process. With only two years' experience, he patented a dry-plate coating machine and began selling photographic plates. Soon, the business was doing so well that he quit his job at the bank and started his own company. Eastman's success was based in part on his own inventions, but even more on his ability to raise capital, recruit technically skilled employees, sell his own products, and outmaneuver his competitors. More importantly, Brayer draws a vivid portrait of the man behind the money. Eastman worked hard at staying out of the limelight and even insisted that his donations be kept anonymous, prompting the Boston Globe to call him "America's most modest and least-known millionaire." His aggressive business personality was a sharp contrast to his personal life: Eastman once joked that it was his goal to take two six-month vacations in a year. He would regularly forsake the office to bicycle around Europe or ride a stagecoach through the snowy trails of Yellowstone Park. He was an art lover, who once bartered 60 shares of Kodak stock in the 1890s for a painting he felt he must have, and a classical music enthusiast, who built a school for the training of virtuosos. His contributions built a new campus for the Massachusetts Institute of Technology and a new medical school for the University of Rochester. Finally, he became the largest contributor to the education of African Americans during the 1920s and the Tuskeegee Institute's most important benefactor.
    Language: English
    Subjects: Economics
    RVK:
    Keywords: Eastman, George 1854-1932 ; Biografie
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  • 5
    UID:
    b3kat_BV039548778
    Format: 1 DVD (ca. 114 Min., PAL), farb., Dolby digital, 16:9 Widescreen , Specials , 12 cm
    Uniform Title: Madonna: Truth or Dare
    Note: Dokumentation , Orig.: USA 1991 , . - Ländercode 2 , Engl., span., franz. - Untertitel: Span., franz., ital., schwed., dän., norweg., niederländ. - Untertitel für Hörgeschädigte: Dt., engl.
    Language: English
    Keywords: Madonna Sängerin 1958- ; Rockmusikerin ; Sängerin ; Biografischer Film ; Dokumentarfilm ; Musikfilm ; Biografie ; DVD-Video
    Author information: Almodóvar, Pedro 1949-
    Author information: Beatty, Warren 1937-
    Author information: Madonna Sängerin 1958-
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  • 6
    Book
    Book
    London [u.a.] : Cassell
    UID:
    b3kat_BV011288944
    Format: VIII, 182 S. , Ill.
    Edition: 1. publ.
    ISBN: 0304328634 , 0304328618
    Language: English
    Keywords: Whale, James 1889-1957 ; Biografie ; Biografie
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  • 7
    UID:
    b3kat_BV010803199
    Format: XVI, 390 S. , zahlr. Ill.
    Edition: 1. Limelight ed.
    ISBN: 0879101857
    Content: A streak of anarchism and a distrust of authority marked much of Robert Aldrich's work, reflecting his continuing struggle to deal with the American Dream and the dreams of Hollywood. The scion of a wealthy, powerful family (his cousin Governor Nelson Aldrich Rockefeller was only the most famous of his relatives), Aldrich used his "connections" to do no more than land a low paying production clerk's job at RKO Studios in the early 40s
    Content: From this beginning he went on first to become the assistant director to various filmmakers, many of whom were later blacklisted, and eventually to serve two terms as president of the Directors Guild of America. Though his political sentiments were staunchly liberal and pro-labor, they did not prevent him from using the profits from his 1967 smash, The Dirty Dozen, to acquire his own film studio (which went broke in four years). But whether he was capitalist and entrepreneur or union leader or screenwriter, producer, and director, Aldrich, who died in 1983, remained the insider who was also the outsider, the Hollywood player who "stayed at the table" while hating the game, and the man who found his most memorable heroes among social misfits doomed by their refusal to conform
    Language: English
    Keywords: Aldrich, Robert 1918-1983 ; Film ; Biographie ; Biografie
    Author information: Ursini, James 1947-
    Author information: Silver, Alain 1947-
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