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  • Filmuniversität Babelsberg  (13)
  • 2000-2004  (13)
  • Film  (13)
Medientyp
Sprache
Region
Erscheinungszeitraum
Jahr
Fachgebiete(RVK)
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  • 1
    UID:
    almafu_BV019838328
    Umfang: 1 DVD (107 Min., PAL), farb., Dolby digital ; , Beil. , 12 cm
    Originaltitel: The fearless vampire killers or: Pardon me, but your teeth are in my neck
    Anmerkung: Orig.: GB, 1966 , Dt., engl., span. - Untertitel in verschiedenen Sprachen. - Untertitel für Hörgeschädigte: dt., engl.
    Sprache: Deutsch
    Fachgebiete: Romanistik , Allgemeines
    RVK:
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    RVK:
    Schlagwort(e): The vampire killers ; Vampir ; Horrorfilm ; Film ; DVD-Video ; Film ; DVD-Video ; DVD-Video ; DVD-Video
    Mehr zum Autor: Polański, Roman 1933-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Manchester ; New York :Manchester Univ. Press,
    UID:
    almafu_BV013574652
    Umfang: X, 212 S. : Ill.
    ISBN: 0-7190-5872-4 , 0-7190-5871-6
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Film ; Geschichte ; Film ; Unterhaltung ; Ideologie ; Publikum ; Aufsatzsammlung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Berkeley, Calif. [u.a.] : Univ. of Calif. Press
    UID:
    b3kat_BV019624127
    Umfang: XII, 328 S.
    ISBN: 0520241282 , 0520241290 , 9780520241282 , 9780520241299
    Inhalt: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Anmerkung: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Weitere Ausg.: ISBN 0-520-93782-1
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    RVK:
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    Schlagwort(e): USA ; Film ; Philosophie ; USA ; Film ; Psychologie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New Brunswick, NJ [u.a.] : Rutgers Univ. Press
    UID:
    b3kat_BV014842682
    Umfang: VIII, 213 S. , Ill. , 24 cm
    ISBN: 0813532752 , 9780813532752 , 0813532760 , 9780813532769
    Serie: New directions in international studies
    Inhalt: In Global Cities, scholars from an impressive array of disciplines--sociology, political science, comparative literature, cinema studies, and architectural theory--critique the growing body of literature on the current process broadly known as "globalization." This inter disciplinary focus enables the authors to explore the complex geographies of modern cities, and to offer possible strategies for reclaiming a sense of place and community in these globalized urban settings. While examining major cities including New York, Tokyo, Berlin, Paris, and Hong Kong, contributores insist that the study of urban experiences must remain as attentive to the material effects as to the psychic and social consequences of globalization. Accordingly, individual essays explore the implications of global culture for architecture, cinema, and communication-but do so in a way that highlights the importance of the spaces between such metropolitan centers, These locations, the authors argue, serve as increasingly important "frontier zones, " where an incredibly diverse set of actors converge and struggle for power and presence. Such a perspective, they contend, ultimately adds nuance and meaning to our understanding of the heterogeneous urban landscapes of these global cities.
    Anmerkung: Reading the city in a global digital age: between topographic representation and spatialized power projects / Saskia Sassen -- Collective memory and locality in global cities / Jennifer Jordan -- Gobbled up and gone: cultural preservation and the global city marketplace / Tasha G. Oren -- Los toquis, or urban babel / Nataša Ďurovičová -- Too close to home: Naruse Mikio and Japanese cinema of the 1950s / Catherine Russell -- Authenticity and globalization / John B. Hertz -- Global cannibal city machines: recent visions of urban/social space / Peter Sands -- Cinema, the city, and the cinematic / Ackbar Abbas -- Codes, collectives, and commodities: rethinking global cities as metalogistical spaces / Timothy W. Luke -- Some thoughts on cities: visions and plans / Jorge Annibal-Iribarne -- Architecture and memory / Jo Noero.
    Sprache: Englisch
    Schlagwort(e): Stadt ; Film ; Stadt ; Gesellschaft ; Neue Medien ; Konferenzschrift
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  • 5
    Buch
    Buch
    Lawrence, Kan. :Univ. Press of Kansas,
    UID:
    almafu_BV013306445
    Umfang: 335 S., [8] Bl. : Ill.
    ISBN: 0-7006-1035-9 , 0-7006-1257-2
    Inhalt: "This book brings Stone face-to-face with some of his critics and supporters and allows Stone himself ample room to respond to their views. These writers critique Stone's most contested films to show how they may distort, amplify, or transcend the historical realities they appear to depict. Their essays enlarge our understanding of Stone's films, while also giving us a fuller appreciation of the filmmaker as artist and intellectual."--BOOK JACKET.
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): 1946- Stone, Oliver ; Film ; Amerikabild
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Buch
    Buch
    New York :Manchester Univ. Press,
    UID:
    almafu_BV017512229
    Umfang: VIII, 188 S.
    Ausgabe: 1. publ.
    ISBN: 0-7190-6314-0 , 0-7190-6315-9
    Serie: French film directors
    Anmerkung: 1. Boy meets girl, Mauvais Sang and the nouvelle vague inheritance -- 2. Feux d'artifice: Les Amants du Pont-Neuf and the spectacle of vagrancy -- 3. Pola X or Carax's ambiguities
    Sprache: Englisch
    Fachgebiete: Romanistik , Allgemeines
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    Schlagwort(e): 1960- Carax, Leos ; Film
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  • 7
    UID:
    b3kat_BV014472288
    Umfang: XVI, 142 S. , Ill. , DVD (12 cm)
    ISBN: 0201741636
    Anmerkung: System requirements for CD-ROM: Macintosh or Windows computer, CD-ROM drive.
    Sprache: Englisch
    Schlagwort(e): Computeranimation ; Film
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    UID:
    b3kat_BV015471138
    Umfang: X, 434 S. , Ill.
    Ausgabe: 1. publ.
    ISBN: 0801440092 , 0801488516
    Inhalt: Publisher description: The revised and expanded edition of Working Stiffs, Union Maids, Reds, and Riffraff offers 350 titles compared to the original edition's 150. The new book is global in scope, with examples of labor films from around the world. Each entry includes a critical commentary, production data, cast list, MPAA rating (if any), suggested related films, annotated references to books and websites for further reading, and information about availability of films for rental and/or purchase. This edition addresses both historical and contemporary films and features many more documentaries and hard-to-find information about agitprop and union-financed films. Two new sections will help the reader discover labor films in chronological order or by nationality or affiliation with certain cinematic movements.
    Sprache: Englisch
    Schlagwort(e): Arbeiterklasse ; Film ; Verzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    UID:
    b3kat_BV017174352
    Umfang: 484 p. , ill. : 27 cm
    ISBN: 8884201241
    Anmerkung: Contains bibliography and notes. - Texts in English, French or Italian. - On t.p.: Dipartimento di storia e tutela dei beni ...; Università degli studi di Udine; DAMS Gorizia. - Proceedings, Udine, 2002
    Sprache: Italienisch
    Schlagwort(e): Film ; Remake ; Konferenzschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    UID:
    b3kat_BV022513730
    Umfang: XXI, 671 S. , Ill.
    ISBN: 023111222X , 0231112238
    Inhalt: American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), -Roots (1977), Apocalypse Now (1979), and -Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories: Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes. The volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? What are the key films on this topic? How have film interpretations of a particular historical topic changed, and what sorts of factors -technological, social, political, historiographical -have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): USA ; Historischer Film ; USA ; Film ; USA ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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