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  • Filmuniversität Babelsberg  (14)
  • 2000-2004  (14)
  • Film  (14)
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  • 1
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of Calif. Press
    UID:
    b3kat_BV019624127
    Format: XII, 328 S.
    ISBN: 0520241282 , 0520241290 , 9780520241282 , 9780520241299
    Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Additional Edition: ISBN 0-520-93782-1
    Language: English
    Subjects: General works
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    Keywords: USA ; Film ; Philosophie ; USA ; Film ; Psychologie ; Aufsatzsammlung
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  • 2
    Book
    Book
    Manchester ; New York : Manchester Univ. Press
    UID:
    b3kat_BV013574652
    Format: X, 212 S. , Ill.
    ISBN: 0719058724 , 0719058716
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Film ; Geschichte ; Europa ; Film ; Unterhaltung ; Ideologie ; Publikum ; Geschichte 1900-2000 ; Aufsatzsammlung
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  • 3
    Book
    Book
    New Brunswick, NJ [u.a.] : Rutgers Univ. Press
    UID:
    b3kat_BV014842682
    Format: VIII, 213 S. , Ill. , 24 cm
    ISBN: 0813532752 , 9780813532752 , 0813532760 , 9780813532769
    Series Statement: New directions in international studies
    Content: In Global Cities, scholars from an impressive array of disciplines--sociology, political science, comparative literature, cinema studies, and architectural theory--critique the growing body of literature on the current process broadly known as "globalization." This inter disciplinary focus enables the authors to explore the complex geographies of modern cities, and to offer possible strategies for reclaiming a sense of place and community in these globalized urban settings. While examining major cities including New York, Tokyo, Berlin, Paris, and Hong Kong, contributores insist that the study of urban experiences must remain as attentive to the material effects as to the psychic and social consequences of globalization. Accordingly, individual essays explore the implications of global culture for architecture, cinema, and communication-but do so in a way that highlights the importance of the spaces between such metropolitan centers, These locations, the authors argue, serve as increasingly important "frontier zones, " where an incredibly diverse set of actors converge and struggle for power and presence. Such a perspective, they contend, ultimately adds nuance and meaning to our understanding of the heterogeneous urban landscapes of these global cities.
    Note: Reading the city in a global digital age: between topographic representation and spatialized power projects / Saskia Sassen -- Collective memory and locality in global cities / Jennifer Jordan -- Gobbled up and gone: cultural preservation and the global city marketplace / Tasha G. Oren -- Los toquis, or urban babel / Nataša Ďurovičová -- Too close to home: Naruse Mikio and Japanese cinema of the 1950s / Catherine Russell -- Authenticity and globalization / John B. Hertz -- Global cannibal city machines: recent visions of urban/social space / Peter Sands -- Cinema, the city, and the cinematic / Ackbar Abbas -- Codes, collectives, and commodities: rethinking global cities as metalogistical spaces / Timothy W. Luke -- Some thoughts on cities: visions and plans / Jorge Annibal-Iribarne -- Architecture and memory / Jo Noero.
    Language: English
    Keywords: Stadt ; Film ; Stadt ; Gesellschaft ; Neue Medien ; Konferenzschrift
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  • 4
    UID:
    b3kat_BV019838328
    Format: 1 DVD (107 Min., PAL), farb., Dolby digital , Beil. , 12 cm
    Uniform Title: The fearless vampire killers or: Pardon me, but your teeth are in my neck
    Note: Orig.: GB, 1966 , Dt., engl., span. - Untertitel in verschiedenen Sprachen. - Untertitel für Hörgeschädigte: dt., engl.
    Language: German
    Subjects: Romance Studies , General works
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    Keywords: The vampire killers ; Vampir ; Horrorfilm ; Film ; DVD-Video
    Author information: Polański, Roman 1933-
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  • 5
    Book
    Book
    Lawrence, Kan. : Univ. Press of Kansas
    UID:
    b3kat_BV013306445
    Format: 335 S., [8] Bl. , Ill.
    ISBN: 0700610359 , 0700612572
    Content: "This book brings Stone face-to-face with some of his critics and supporters and allows Stone himself ample room to respond to their views. These writers critique Stone's most contested films to show how they may distort, amplify, or transcend the historical realities they appear to depict. Their essays enlarge our understanding of Stone's films, while also giving us a fuller appreciation of the filmmaker as artist and intellectual."--BOOK JACKET.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Stone, Oliver 1946- ; Film ; Amerikabild
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV043926182
    Format: 1 online resource (xxvii, 388 pages)
    ISBN: 9780511570292
    Content: Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Foreword: outside views of the Japanese film / Donald Richie -- Introduction / Carole Cavanaugh and Dennis Washburn -- The word before the image: criticism, the screenplay, and the regulation of meaning in prewar Japanese film culture / Aaron Gerow -- The cinematic art of Higuchi Ichiyô's Takekurabe (Comparing Heights, 1895-1896) / Janet A. Walker -- Once more and Gosho's romanticism in the early occupation period / Arthur Nolletti, Jr.-- The taunt of the gods: reflections on Woman in the dunes / Linda C. Ehrlich and Antonio Santos -- Adapting The Makioka sisters / Kathe Geist -- In the show house of modernity: exhaustive listing in Itami Jûzô's Tanpopo / Charles Shirô Inouye -- Where's mama? The sobbing Yakuza of Hasegawa Shin / Alan Tansman -- Saving the children: films by the most "casual" of directors, Shimizu Hiroshi / Keiko I. McDonald -- Ishihara Yûjirô: youth, celebrity, and the male body in late-1950s Japan / Michael Raine -- Otoko wa tsurai yo: nostalgia or parodic realism? / Richard Torrance -- A working ideology for Hiroshima: Imamura Shôhei's Black rain / Carole Cavanaugh -- Piss and run: or how Ozu does a number on SCAP / Edward Fowler -- In the realm of the censors: cultural boundaries and the poetics of the forbidden / Leger Grindon -- The arrest of time: the mythic transgressions of Vengeance is mine / Dennis Washburn -- The frenzy of metamorphosis: the body in Japanese pornographic animation / Susan J. Napier
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-77182-5
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-77741-4
    Language: English
    Subjects: General works
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    Keywords: Japan ; Film ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Book
    Book
    New York : Manchester Univ. Press
    UID:
    b3kat_BV017512229
    Format: VIII, 188 S.
    Edition: 1. publ.
    ISBN: 0719063140 , 0719063159
    Series Statement: French film directors
    Note: 1. Boy meets girl, Mauvais Sang and the nouvelle vague inheritance -- 2. Feux d'artifice: Les Amants du Pont-Neuf and the spectacle of vagrancy -- 3. Pola X or Carax's ambiguities
    Language: English
    Subjects: Romance Studies , General works
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    Keywords: Carax, Leos 1960- ; Film
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  • 8
    UID:
    b3kat_BV014472288
    Format: XVI, 142 S. , Ill. , DVD (12 cm)
    ISBN: 0201741636
    Note: System requirements for CD-ROM: Macintosh or Windows computer, CD-ROM drive.
    Language: English
    Keywords: Computeranimation ; Film
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  • 9
    UID:
    b3kat_BV015471138
    Format: X, 434 S. , Ill.
    Edition: 1. publ.
    ISBN: 0801440092 , 0801488516
    Content: Publisher description: The revised and expanded edition of Working Stiffs, Union Maids, Reds, and Riffraff offers 350 titles compared to the original edition's 150. The new book is global in scope, with examples of labor films from around the world. Each entry includes a critical commentary, production data, cast list, MPAA rating (if any), suggested related films, annotated references to books and websites for further reading, and information about availability of films for rental and/or purchase. This edition addresses both historical and contemporary films and features many more documentaries and hard-to-find information about agitprop and union-financed films. Two new sections will help the reader discover labor films in chronological order or by nationality or affiliation with certain cinematic movements.
    Language: English
    Keywords: Arbeiterklasse ; Film ; Verzeichnis
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  • 10
    UID:
    b3kat_BV022513730
    Format: XXI, 671 S. , Ill.
    ISBN: 023111222X , 0231112238
    Content: American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), -Roots (1977), Apocalypse Now (1979), and -Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories: Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes. The volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? What are the key films on this topic? How have film interpretations of a particular historical topic changed, and what sorts of factors -technological, social, political, historiographical -have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
    Language: English
    Subjects: English Studies
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    Keywords: USA ; Historischer Film ; USA ; Film ; USA ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Rollins, Peter C. 1942-2015
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