Format:
1 Online-Ressource (xx, 217 Seiten)
ISBN:
9789633861189
Note:
Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 978-963-386-116-5
Language:
English
Subjects:
Comparative Studies. Non-European Languages/Literatures
,
Romance Studies
,
Slavic Studies
,
General works
Keywords:
Molière 1622-1673
;
Shakespeare, William 1564-1616
;
Osteuropa
;
Drama
;
Kommunismus
;
Postkommunismus
;
Politik
;
Geschichte
Bookmarklink
