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  • Staatliche Museen  (1,431)
  • 2015-2019  (1,431)
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  • 1
    UID:
    b3kat_BV042568896
    Format: 208 S. , Ill. , 225 mm x 148 mm, 348 g
    ISBN: 3837630587 , 9783837630589
    Series Statement: Media studies
    Note: Literaturangaben
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-8394-3058-3
    Language: English
    Subjects: General works
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    Keywords: Video ; Film ; Neue Medien ; Medienästhetik ; Medientheorie ; Video ; Film ; Neue Medien ; Ästhetik ; Medientheorie
    Author information: Treske, Andreas 1963-
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  • 2
    UID:
    b3kat_BV043602060
    Format: 267 Seiten , Illustrationen, Diagramme
    ISBN: 9783837634976
    Series Statement: Media studies
    Content: Digital technology permeates the physical world. Social media and virtual reality, accessed via internet capable devices – computers, smartphones, tablets and wearables – affect nearly all aspects of social life. The contributions to this volume apply innovative forms of ethnographic research to the digital realm. They examine the emergence of new forms of digital life, such as political participation through comments on East Greenlandic news blogs, the personal use of video broadcasting applications, the rise of transnational migrant networks facilitated by social media, or the effects of Facebook, Twitter, and Instagram on global conflicts. Quelle: Klappentext.
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF (Knowledge Unlatched Open Access) ISBN 978-3-8394-3497-0 10.14361/9783839434970
    Language: English
    Subjects: Ethnology , General works
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    Keywords: Social Media ; Soziokultureller Wandel ; Internationaler Vergleich ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Köhn, Steffen 1980-
    Author information: Frömming, Urte Undine 1970-
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  • 3
    UID:
    b3kat_BV043557576
    Format: 289 Seiten , Illustrationen
    ISBN: 3956790073 , 9783956790072
    Series Statement: Institut für Kunstkritik series
    Note: Preface: "This volume is based on the conference we organized in April 2013 at Harvard University. It is not, though, sensu stricto, the proceedings of the conference. Not all of the contributions to the conference are included in our volume and those that have been were expanded and/or significantly revised."
    Language: English
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    Keywords: Malerei ; Materialität ; Medialisierung ; Ästhetik ; Moderne ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Author information: Graw, Isabelle 1962-
    Author information: Armstrong, Carol 1955-
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  • 4
    UID:
    b3kat_BV044362598
    Format: XXI, 363 Seiten , Illustrationen, 1 Plan
    ISBN: 9783161551123 , 3161551125
    Series Statement: Orientalische Religionen in der Antike 24
    Content: Cover -- Preface -- Contents -- Abbreviations -- List of illustrations -- Chapter 1: Basic Elements of Mithraism -- 1. Character and Bias of Ancient Sources on Mithraism -- 2. The Seven Grades of Initiation -- 3. The Initiatory Rituals -- 4. The Fourth Grade: Leo and his God Jupiter -- 5. A Christian Imitation of the Seven Initiation Grades -- 6. The Mithraic Cave -- 7. The Two Niches in the Mithraic Cave -- 8. Theories on the Cultural Origin of Mithraism -- 9. Mithraism from Zoroaster to Plato -- 10. How Christian was Roman Mithraism -- 11. History of Scholarly Research in Mithraism -- Chapter 2: Mithraism, Kings, and Emperors -- 12. How were the Roman Emperors involved in Mithraism? -- 13. Who was Mithras? -- 14. Mithras and the Kings -- 15. The King as Mithras -- 16. Tauroctony on Coins from Tarsus -- 17. Invictus -- 18. The Cosmocrator and other Imperial Iconographies -- 19. Victoria and the Imperial Eagle -- 20. Sol and the Emperor -- 21. The Apotheosis of Roman Emperor -- 22. The Priests of Apollo -- 23. Apollo - Mithras -- 24. A Persian God with Divus Augustus -- 25. Salvation of the Soul -- 26. Mithras between Imperial Apotheosis and damnatio memoriae -- Chapter 3: The Myths of the Origins (left Predellas) -- 27. Victoria and Mithras I: Saturn's Dream -- 28. Victoria and Mithras II: The Birth of Mithras from the Rock -- 29. Victoria and Mithras III: from Gigantomachy to the Birth of Mithras -- 30. The Miracle of the Water and the Birth of a New Humankind -- 31. Jupiter at Actium, the Gigantomachy, and the Sistrum -- 32. The Mithraic Prophecy -- 33. The End of the Civil War and the Prophecy -- 34. The Magi at Bethlehem -- 35. Mithras as an Archer -- 36. Appendix 1. Cautes and Cautopates -- Chapter 4: The Myth of the Bull (Central Scene and Upper Predellas)
    Content: 37. The Sacrifice of the Bull -- 38. The Meaning of the Mithraic Bull -- 39. Danaos, the Bull, and Augustus -- 40. The Bull on a Boat -- 41. Mercury and the Transitus -- 42. Salvation in the Mysteries of Mithras -- 43. Mithras the Hunter -- Chapter 5: Sol's Coronation and Mithras' Apotheosis (Right Predellas) -- 44. The Right Predellas: Mithras and Sol -- 45. Mithras' Apotheosis -- 46. Refusing the Crown -- 47. The Spread of Mithraism in the Roman Empire -- 48. Imperial Freedmen and Mithraism -- 49. From Nero to Vespasian -- 50. Appendix 2. Tiridates' Coronation and Mithraism -- Chapter 6: The Mithraic Aiones -- 51. Mazdaism vs. Mithraism -- 52. The Lion-Headed God -- 53. Orphic Pattern in Mithraism -- 54. The Lion and the Snake -- 55. The Supreme Triad of Mithraism -- 56. Treatment of Mazdaism -- 57. Tarsian Culture under the Roman Empire -- 58. Sandas, the Tarsian God of War and of the Dead -- 59. The God of the Dead is raised to the Hypercosmic World -- Chapter 7: The System of Planetary and Hypercosmic Gods -- 60. The Seven Gods According to History. The First Four Gods -- 61. The Seven Gods According to Ancient Theogonies -- 62. The Three Uppermost Initiatory Grades -- 63. The Geography of a Mithraeum -- 64. The Whole System of Mithraic Gods -- 65. The Mithraic Triangle -- 66. The Central Position of Sol -- 67. The Mithraic Theogony -- Chapter 8: Mithraism and the Magic Arts -- 68. Magic Deceptions -- 69. Knowledge of natural Substances among Hellenistic Magi -- 70. Magical Performances at Banquets -- 71. Supposed Magi -- 72. Gnostic Imitations of magic Performances -- 73. Speaking Skulls -- 74. Tricks during Mithraic Banquets -- 75. Deception or Truth? -- 76. How was a Mithraic Community organized? -- 77. The Psychological Impact of the Mysteries of Mithras
    Content: 78. Teaching within the three higher Grades -- 79. Mithraic Secrecy and public Cults -- Chapter 9: The Evolution of the Mithraism -- 80. Serapis in Some Mithraea -- 81. Hecate in Some Mithraea -- Chapter 10: Para-Mithraism -- 82. Mithraic Worship out of the Mithraea -- 83. The Mithraic Catechism from Egypt -- 84. The "Mithras Liturgy" -- Chapter 11: The latest devotees of Mithras -- 85. The End of Mithraism -- 86. The Mysteries of Mithras in the Christian Empire -- 87. Julian the Emperor and the Mysteries of Mithras -- 88. Julian and the Imperial Ideology -- 89. Romanization of Eastern Cults -- Bibliography -- Index -- I. General Index -- II. Index locorum
    Language: English
    Subjects: History , Theology , Ancient Studies
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    Keywords: Mithraskult
    Author information: Mastrocinque, Attilio 1952-
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  • 5
    Book
    Book
    New York ; London : Routledge
    UID:
    b3kat_BV042492788
    Format: xv, 237 Seiten , Illustrationen , 24 cm
    ISBN: 9780415722896 , 9780415722902
    Content: Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ' first' photographs and proclamations of photography' s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography' s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives?
    Note: Beitr. eines Symposiums an der The State University of New Yersey in Rutgers im Frühjahr 2012 , Introduction Tanya Sheehan and Andres Zervigon Part I: Rethinking first photograph(er)s 1. A Sensational Story: Helmut Gernsheim and "The World's Firs Photograph" Jessica S. McDonald 2. What's Wrong with Daguerre? Hans Rooseboom Omphaloskeptical? On Daguerre, Smoke Drawing, Finger Painting, and Photograph Stephen C. Pinson 4. The Past through the Looking Glass Dan Estabrook Part II Multiplying beginnings 5. Origins without End Geoffrey Batchen 6. Notes toward New Accounts of Photography's Invention Douglas R. Nickel 7. Against Photographic Exceptionalism Stephen Bann 8. Sacred Stories: Photography's Indigenous Origins Heather Shannon 9. Seeing Ourselves as Others See Us: Frederick Douglass's Reflections on Daguerreotypy and Racial Difference Marcy Dinius Part III: Writing (trans)national histories 10. "An American Sun Shines Brighter," or, Photography Was (Not) Invented in the United States Francois Brunet 11. The Bertoloni Album: Rethinking Photography's National Identity Beth Saunders 12. Photography and Its Chinese Origins Yi Gu 13. Looking into the Past and Present: The Origins of Photography in Africa Jurg Schneider Part IV: Tracing scientific origins 14. Self-Reflections: The Nature of Sir Humphry Davy's Photographic "Failures" Jordan Bear 15. Natural/Mechanical: Keywords in the Conception of Early Photography Laura Salt 16. A Note on the Science of Photography: Reconsidering the Invention Story Kelley Wilder Selected bibliography
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-74009-6
    Language: English
    Subjects: General works
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    Keywords: Fotografie ; Geschichte 1830-1930 ; Fotografie ; Geschichte Anfänge ; Geschichtsschreibung ; Kunstgeschichtsschreibung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung
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  • 6
    Book
    Book
    Berlin ; Bern ; Bruxelles : Peter Lang | Berlin : Centrum Badań Historycznych PAN w Berlinie
    UID:
    b3kat_BV046676736
    Format: 290 Seiten , Illustrationen
    ISBN: 9783631780534
    Content: This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin's art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-631-81415-4
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-631-81416-1
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-3-631-81417-8
    Language: English
    Subjects: Art History
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    Keywords: Berlin ; Avantgarde ; Kunst ; Polen ; Künstlerin ; Künstler ; Geschichte ; Konferenzschrift ; Aufsatzsammlung
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  • 7
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV045221122
    Format: xix, 428 Seiten , Illustrationen, Karten
    ISBN: 9781107172265 , 9781316623534
    Series Statement: Cambridge companions to culture
    Content: "During the seventeenth century, the Dutch Republic was transformed into a leading political power in Europe, with global trading interests. It nurtured some of the period's greatest luminaries, including Rembrandt, Vermeer, Descartes and Spinoza. Long celebrated for its religious tolerance, artistic innovation and economic modernity, the United Provinces of the Netherlands also became known for their involvement with slavery and military repression in Asia, Africa, and the Americas. This Companion provides a compelling overview of the best scholarship on this much debated era, written by a wide range of experts in the field. Unique in its balanced treatment of global, political, socio-economic, literary, artistic, religious, and intellectual history, its nineteen chapters offer an indispensable guide for anyone interested in the world of the Dutch Golden Age"...
    Content: "Even today few people are unaffected by the term 'Dutch Golden Age'. So commonly has the phrase been applied to the Dutch seventeenth century in, for instance, museums, (art) history books, and tourist guides that it seldom fails to conjure up a range of iconic associations. For many, it will evoke pictures by Rembrandt, Vermeer, Hals, or one of the many other only slightly less famous painters. Others associate it primarily with Dutch economic prosperity and the Republic's trade empire, and might envision the rich merchant houses along the Amsterdam canals, Delftware, or the great East Indiamen of the VOC. Some will think of one or two of the many wars fought by the Dutch Republic, most likely the revolt against Habsburg Spain, the three naval wars against England, or the battles against Louis XIV's France. Grotius, Huygens, Spinoza and the great intellectual achievements of the seventeenth-century Dutch Republic might be less prominent in the minds of most people, as would be the rest of its immense textual heritage, but still one can expect one or two mentions from that field as well. And that is only scratching the surface: evidently, the Dutch Golden Age connotes a great many, very disparate things that are nevertheless distinctive enough to be called Dutch."...
    Note: Includes bibliographical references and index
    Language: English
    Subjects: History , Art History
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    Keywords: Niederlande ; Kultur ; Geschichte ; Landesentwicklung ; Wasserstraße ; Migration ; Militär ; Politik ; Wirtschaft ; Geschichte 1580-1700 ; Niederlande ; Kunstmarkt ; Protestantismus ; Genremalerei ; Literatur ; Wissenschaft ; Geschichte 1580-1700 ; Aufsatzsammlung
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  • 8
    UID:
    b3kat_BV046165717
    Format: 1 Online-Ressource
    ISBN: 9783839445389
    Series Statement: Histoire volume 146
    Content: 〈p〉When talking about monuments, size undeniably matters - or does it? But how else can we measure monumentality? Bringing together researchers from various fields such as archaeology, museology, history, sociology, Mesoamerican studies, and art history, this book discusses terminological and methodological approaches in both theoretical contributions and various case studies. While focusing on architectural aspects, this volume also discusses the social meaning of monuments, the role of forced and free labour, as well as textual or inscriptual monumentality. The result is a modern interdisciplinary take on an important concept which is notoriously difficult to define.〈/p〉
    Language: German
    Subjects: History
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    Keywords: Antike ; Bauwerk ; Monumentalität ; Architektur ; Bauwerk ; Monumentalität ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Author information: Buccellati, Federico
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  • 9
    UID:
    b3kat_BV043983086
    Format: IX, 357 Seiten , Diagramme und Karten
    ISBN: 9781784915063
    Content: Classical and Hellenistic cemeteries can give us more than descriptions and styles of pottery, art and burial architecture; they can speak of people, societies, social conventions as well as of social distinctions. This book aims to employ and illustrate the unique strengths of burial evidence and its contribution to the understanding of social identity and status in the Classical and Hellenistic Northern Peloponnese. By thoroughly reviewing published burials from the regions of Achaia, Arcadia, the Argolid and Cynouria, Corinthia, Elis and Triphylia, spatial and temporal variations which led to a change in definitions of ?society? and perceptions of ?community? on the basis of shifting reactions to death and the dead are demonstrated. Social roles of men, women, children, elite and non-elite individuals as expressed or negotiated in the mortuary record are explored. Preconceived ideas and stereotypes within and about the Classical and Hellenistic burials are challenged. In spite of the many constraints imposed by the limited previous research, what clearly emerges from this study is the wide degree of variation in what are often loosely termed ?customary? or unappealing Classical and Hellenistic burial practices in the Northern Peloponnese. If death was indeed an occasion or ?opportunity?, then the meaning of this opportunity varied along the shifting dimensions, in time and space, of identity and status
    Additional Edition: Erscheint auch als Online-Ausgabe, ePdf ISBN 978-1-78491-507-0
    Language: English
    Subjects: History
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    Keywords: Peloponnes ; Bestattung ; Grab ; Funde ; Soziale Identität ; Sozialstatus ; Geschichte 500 v. Chr.-1 v. Chr. ; Hochschulschrift
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  • 10
    UID:
    b3kat_BV041974932
    Format: XII, 219 S. , zahlr. Ill.,Kt.
    Edition: 1. publ.
    ISBN: 9780415702492 , 9780415702508
    Content: "Bringing together specialists from a range of relevant fields and drawing on a range of global case studies, this book provides the first synthetic body of research on the complex, multifaceted subject of architectural destruction in the context of conflict. Situated in a strong framework, the book addresses several key questions:How has the targeted destruction of buildings and landscapes been used as a deliberate technique of war, conquest, or armed liberation in recent conflicts? How have individuals, cultures, and states responded to the deliberate and collateral destruction of architecture? How have individuals, institutions, and states represented architectural destruction, and to what ends? What are the relationships between the destruction of architecture and the destruction of art, particularly iconoclasm? Does armed conflict engender further processes of architectural destruction that persist in post-conflict environments? What are the relationships between architectural destruction and processes of restoration, recreation or replacement? Considering multiple conflicts, multiple time periods, and multiple locations, this collection provides an essential primer for this crucial topic. "..
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-76621-8
    Language: English
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    Keywords: Architektur ; Krieg ; Zerstörung ; Rekonstruktion ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
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