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  • English  (11)
Type of Material
Type of Publication
Consortium
Language
  • English  (11)
  • 1
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.
    UID:
    (DE-604)BV043527693
    Format: xii, 259 Seiten , Illustrationen
    ISBN: 9781628922424 , 9781628922417
    Series Statement: Thinking cinema volume 10
    Content: "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-62892-238-7
    Additional Edition: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-62892-240-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Agamben, Giorgio 1942- ; Film ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc
    UID:
    (DE-627)857177060
    Format: 259 Seiten , Illustrationen
    ISBN: 9781628922417 , 9781628922424
    Series Statement: Thinking cinema volume 10
    Content: "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "--
    Content: "Demonstrates how Agamben's ideas can enrich and extend our understanding of film as a medium and the cinema as an apparatus, constantly being remade"--
    Content: Machine generated contents note: -- Introduction -- 1 Ex-centric Cinema: An Archaeological Method -- 2 Mute Cinema: Gesture and the Impression of Character -- 3 Animal: Cinema as an Anthropological Machine -- 4 Profaning the Cinematic: Children, Assistants, Ghosts -- 5 Conditions of Cinematic Possibility: Repetition and Stoppage -- 6 The Coming Community -- Bibliography -- Index
    Note: Includes bibliographical references and index
    Additional Edition: 9781628922387
    Additional Edition: 9781628922400
    Additional Edition: Erscheint auch als Online-Ausgabe Harbord, Janet, author Ex-centric cinema New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc., 2016
    Additional Edition: Erscheint auch als Online-Ausgabe Harbord, Janet Ex-centric cinema New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, 2016 9781501304552
    Additional Edition: 9781628922400
    Additional Edition: 9781628922387
    Language: English
    Subjects: General works
    RVK:
    Keywords: Agamben, Giorgio 1942- ; Film ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.
    UID:
    (DE-602)b3kat_BV043527693
    Format: xii, 259 Seiten , Illustrationen
    ISBN: 9781628922424 , 9781628922417
    Series Statement: Thinking cinema volume 10
    Content: "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-62892-238-7
    Additional Edition: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-62892-240-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Agamben, Giorgio 1942- ; Film ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury
    UID:
    (DE-604)BV043850151
    Format: 1 Online-Ressource (xii, 259 Seiten) , Illustrationen
    ISBN: 9781628922387 , 9781628922400 , 9781501304552
    Series Statement: Thinking cinema volume 10
    Content: "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "...
    Note: Enthält Index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-6289-2242-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-6289-2241-7
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-1-62892-242-4
    Language: English
    Subjects: General works
    RVK:
    Keywords: Agamben, Giorgio 1942- ; Film ; Ästhetik
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Oxford : Bloomsbury Academic
    UID:
    (DE-605)HT019074640
    Format: xii, 259 Seiten , Illustrationen
    ISBN: 9781628922424 , 9781628922417
    Series Statement: Thinking cinema volume 10
    Content: "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "..
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF 9781628922387
    Additional Edition: Erscheint auch als Online-Ausgabe, ePub 9781628922400
    Language: English
    Keywords: Agamben, Giorgio 1942- ; Filmästhetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | Ann Arbor, Michigan : Proquest
    UID:
    (DE-603)395831490
    Format: 1 Online-Ressource (224 Seiten) , Illustrationen
    ISBN: 1628922389 , 1628922400 , 1628922419 , 1628922427 , 9781628922387 , 9781628922400
    Series Statement: Thinking cinema
    Note: Includes bibliographical references and index
    Additional Edition: 9781628922417
    Additional Edition: 9781628922424
    Language: English
    Subjects: General works
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Book
    Book
    New York : Bloomsbury Academic
    UID:
    (DE-603)399130543
    Format: xii, 259 Seiten , Illustrationen
    ISBN: 9781628922417 , 9781628922424
    Series Statement: Thinking cinema volume 10
    Note: Bibliografie Seite 235-244
    Additional Edition: 9781628922387
    Additional Edition: 9781628922400
    Language: English
    Subjects: General works
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury
    UID:
    (DE-602)b3kat_BV043850151
    Format: 1 Online-Ressource (xii, 259 Seiten) , Illustrationen
    ISBN: 9781628922387 , 9781628922400 , 9781501304552
    Series Statement: Thinking cinema volume 10
    Content: "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "...
    Note: Enthält Index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-6289-2242-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-6289-2241-7
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-1-62892-242-4
    Language: English
    Subjects: General works
    RVK:
    Keywords: Agamben, Giorgio 1942- ; Film ; Ästhetik
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.
    UID:
    (DE-605)HT021109491
    Format: 1 online resource
    Series Statement: Thinking cinema
    Note: Includes bibliographical references and index , Also issued in print
    Additional Edition: 9781501304552
    Additional Edition: 9781628922387$q(PDF)
    Additional Edition: 9781628922400$q(electronic book)
    Additional Edition: 9781628922417$q(paperback)
    Additional Edition: 9781628922424$q(hardback)
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    UID:
    (DE-605)HT019796265
    Format: 1 Online-Ressource , Illustrationen
    ISBN: 9781501304552 , 9781628922387
    Additional Edition: Erscheint auch als Druck-Ausgabe Ex-centric cinema 9781628922424
    Additional Edition: 9781628922417
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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